Preface
Introduction
STORIES:
Discoveries about Creativity
Laws Of Planetary Motion
Electricity From Clouds
Band-Aid
Pneumatic Tyres
Gummed Paper
The Trap Of Paradigm
Invention Of Sewing Machine
Just-In-Time System
Transmission of Nerve Impulses
Printing Press
Dangers Of Locomotives
Flashlight
Lawn Mower
Phonograph
Rubber Heels
The Periodic Table
Discovery Of Electromagnetic Fields
The Tao Of Physics
Congenital Impact of Rubella
Typewriter
The Theory Of Evolution
The Benzene Ring
The Wreck Of Titanic
Wagner's Rheingold
Underwater Construction
Search For The "Hidden Likeness"
Fermi & Nuclear Fission
Cash Register
Discovery Of Current Electricity
Cure Of Diabetes
Boolean Algebra
Principle Of Photosynthesis
Ball Point Pen
The X-Ray
The Fuschian Functions
Safety Glass
The Creative Triggers
Why Aeroplanes Cannot Fly
The "Brownies" Of Stevenson
The Blunder That Founded 3M
Invention Of AC Motor
Discovery Of Teflon
Toynbee's The Study Of History
Inventors' Blindness
The Excitement Of Creativity
Electric Fan
How Typhus Gets Transmitted
Proof Of The Big Bang
Mathematical Theory Of Chance
Coleridge's Kubla Khan
Vulcanisation Process
Structure Of The Crystals
The Compulsion To Create
3M's Post-It Note Pads
Ice Cream Cones
The Structural Theory Of Atom
IBM And Computers
Helicopter
How Experts Resist Ideas
Creative Reveries Of Enid Blyton
Predictions In Gulliver's Travels
Float Glass Technology
Principle Of Immunisation
Journey Into Unknown
The Genius Of Karl Fredrich Gauss
Jean Coceteau's The Knights Of The Round Table
Neon Light
Transistor Radios
Precocious Minds?
The Masterpiece Of Sir Walter Scott
The "Fraud" That Changed The World
The "99% Perspiration"
Xeroxing
The Poem Of Stephen Spender
The Anatomy Of Inspiration
Travellers' Cheques
Edison's Fraud
Awe, Wonder And Alienation
The Logic Of Irrational
Epilogue: Themes & Patterns
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The Compulsion to Create
One of the mysteries of creativity is that at some point the creative process almost acquires a personality of its own, quite independent of the will of the person. A number of creative people in different fields of endeavour, have noted this force of creative compulsion, in which the person's individuality is subsumed. Some examples:
- Commenting on the characters of his stories, William Makepeace Thackeray once said: "I don't control my characters; I am in their hands and they take me where they please."
- Once when Balzac was criticised for producing a hero who went from tragic end to another, he answered: "Don't bother me... these people have no backbones. What happens to them is inevitable."
- According to painter Ben Shahn: "There arrives a period during the painting when the painting itself makes certain demands... and if you are not hypersensitive to it... you're going to lose a good quality of painting. It definitely becomes a living thing."
- According to physicist Nobel Laureate Szent-Gyorgyi: "...In a way, it is a passive thing, like catching cold. Somehow, problems get into my blood and they don't give me peace, they torture me. I have to get them out of my system, and there is but one way to get them out - by solving them."
- Fredrick Neitzsche received his inspiration to write Thus Spake Zarathustra almost as a divine revelation. Relating this experience, he wrote: "...one can hardly reject completely the idea that one is the mere incarnation, or mouthpiece, medium of some almighty power... something profoundly convulsive and disturbing suddenly becomes visible and audible with indescribable definiteness and exactness. One hears - one does not seek; one takes - one does not ask who gives... I have never had any choice about it... There is a feeling that one is utterly out of hand... Everything occurs quite without volition, as if in an eruption of freedom, independence, power and dignity."
- Writing about his work, Max Planck once commented: "...some problems are very stubborn; they just refuse to let us in peace." Similarly, describing how he solved one of the problems, he noted: "I had no other alternative than to tackle the problem once again."
- Poet Lord Tennyson found that when in grip of creative inspiration "the individuality seems to dissolve and fade away into boundless being."
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