BIOGRAPHY OF KYLIE - Page 3/4
News  Covergirl   Albums (Rhythm Of Love - Kylie Minogue - Impossible Princess -? Light Years - Fever - Hits+ Tours Enjoy Yourself - Rhythm Of Love - Lets Get To It - Intimate and Love - On A Night Like This - Fever
Heather Nova    DANNII
INTIMATE AND LIVE TOUR SOLD OUT IN 7 MINUTES!
With all the fresh material from the two Deconstruction albums kylie had neglected to tour for nearly 8 years and her fans were eager to see the new tour scheduled for the summer of 1998, "Intimate and Live". In total Kylie played main venues in the UK before heading home to a sellout 7 minute crowd. It was the first chance Kylie had at creating a tour from scratch. WIth the death of ex Michael Hutchence a few months earlier it was just the tonic to re-produce the excitement that the fans knew she possessed. The whole period is best contrasted with the lyrics to the opening album and tour track lyrics. "Too Far": Caught up in this house, trapped my own self in the snare of my mind, no more space than a slither, what I'd give for a deep breath inside where the chaos has me captive, where theres no exit signs, to fuel this stupuid fire with these feelings of mine." Her homecoming was full of credibility and the reviews were sensational. Kylie was back with her fans, it had been too long.
After the tour finished in Sydney Kylie decided on compiling a book of photographics images with some comments from fellow stars including Bono, Boy George and Julie Burchill.  The Book promo titled "evidence" was "a valid way at looking at my career" says Kylie. I attended the signing at Selfridges in November 1999 and came face to face for the first time with the lady of pop. After the book signing took Kylie back to Sydney in December an invite from the government for Kylie to play for the Australian troops fighting in Eastimor. In December Kylie aong with John Farnham flew to war ridden East Timor on a trip of goodwill.  It was during this sometimes camp show that Kylie decided to sign with Parlophone records in the UK and sit down and work on  a disco album.
STEP FORWARD MY IMPOSSIBLE PRINCESS
Some Kind Of Bliss, written with the Manic Street Preachers and featuring a heavy guitar driven pop riff.A direction which stunned fans world-wide. Australia, home of the heavy guitar anthem loved the sound and went crazy for the album,Europe meanwhile was not so welcoming.I had read many good reviews from the musical magazines yet even I was'nt convinced due to bad mainstream press, their attitude that Kylie was only a one dimensioanl pop queen clouded my judgement.Sales in the UK only managed to reach 100,000 and when I bought the album in 1998 the third single "Breathe" was released.I was a huge fan by then,the dark haunting lyrics were masterful + delivered a slick vocal performance.The "dark "period as I call it was intriguing and if not commercially successful provided the time for Kylie to write from the heart.The artwork for the album and the promotion was done by then boyfriend Stephane Sedanoui.
TRAVEL IN LIGHT YEARS
And so a deal was done with Parlophone and EMI, Kylie stayed with Mushroom Records Australia (since 1987). The direction and the influence would be disco and dance. Kylie continued to write and input on the album and she also worked with long time writer friend Steve Anderson. Her most publicised work though was with Robbie Williams who had the duet "Kids" which reached No.2 with the camp anthem "Your Disco Needs You" and "Loveboat" included. It was though "Spinning Around" which debuted at No.1 in Australia and the UK which gave Kylie her 6th number one and a return to high sales as Light Years also entred the charts at No.1 (Aus. No.2 (Uk). It went on to sell well over 2 million and confirmed to all the critics the loosely named comeback queen was on top of the pop throne again.  More press pages were granted to Kylie's gold hotpants that anything else, even though they are a well known piece of wardrobe for our little minx. Men weer drooling and MTV could not get enough of the videos. The album was also a great reason to launch a huge European and Australasian tour. "On A Night Like This" broke all records in Sydney and infact all records for any tour ever in Australia.  No other act in history to date has played as many shows.  The show also toured the UK and Europe and it was the first time for many to witness Kylie live, since 1991.  Many of her newer and revisiting fans had not witnessed Intimate and Live so when they did attend, they were blown away.   The tour won Kylie awards and also crtitical acclaim. It seems in a world where many artists mime to backing tracks, Kylie professional approach was now seen to be something to admire. 

Welcome Aboard KM-AIR
Light Years produced four top 10 UK singles in total and kept Kylie busy up until Spring 2001. The momentum was in full motion and the writing for her 8th Studio album had commenced nicknamed "Coming of Age", "Fever" was to be a journey through the early electronic period in the 80's. Kylie's early recollections of Grace Jones, Synthesiser fuelled disco.  The tour was a great arena for her to showcase a new song "Can't Get You Out Of My Head". The reception was great but who knew that this song would launch kylie into the biggest stage of her career to date? I thought it sounded great and her vocals delivered perfectly but America, the country which rarely listen to anything foreign. a country where theres 17 lookalikes and soundalikes Britneys launched every day. Well it  is about time that they got the opportunity to hear Kylie and I have a feling that in 2002 The whole world will be taken over by Miss Minogue. The strangeness to it all though does not make me happy for this. In a business sense it is wonderful, but in a selfish way saving Kylie for so long in a smaller world was quite superb. Kylie may now just become a prescence on my television screen,  however I wish and hope that the world can finally enjoy and get to know Kylies wide talents.
KYLIE - BIO Page 4
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