Saturday, August 09, 2008

A world away

Luis took me with him on a real estate listing today to a six-story building in the Flatbush section of Brooklyn, the neighborhood I was born and raised in. When I saw the building again, it brought back to me an extraordinary incident that happened there, coincidentally 33 years ago to the day, an incident that for me symbolized the end of my innocence.

I vividly and fondly remember my childhood in Flatbush in the 1960s and 1970s. I wouldn't have traded the experience for anything else. We lived in a six-story building on Ocean Avenue called Ethel Arms (which Luis likes to call "Ethel Flabby Arms"). Ocean Avenue was once a sleepy path leading to Sheepshead Bay, but in the 1920s, as immigrant waves kept rolling in, high-rise apartment buildings sprouted all along the avenue, urbanizing it. When I was growing up, Ocean Avenue was a four-lane street, and the most popular sport was dodging cars to get to the other side. Once across, you entered Ditmas Park, where the scenery changed markedly and you felt like you were in the country.

The side streets were--and still are--lined with shade trees and stately Victorian homes dating from the early 1900s. The nearby Pink Palace in Sophie's Choice exemplifies those homes. Erasmus Hall High School, alma mater of Barbra Streisand, Susan Hayward, and Donny Most, was the closest public high school. Movie stars such as Douglas Fairbanks and Mary Pickford lived in Flatbush around the time it urbanized. By the early 1970s the only famous local residents I knew of were Tiny Tim and Miss Vicki, a few soap actors, and Barry Manilow and his mother. The giant, fenced-in house across from my building was purportedly the home of a porn director, but I never knew whether that was true.

I always felt safe growing up in Flatbush, and evidently so did my parents, since they let me play unsupervised out on the big, open dangerous street. We weren't really unsupervised, as hundreds of invisible pairs of eyes somehow managed to report unseemly activity to our respective parents. Assaults and thefts were rare, but there did seem to be a fair amount of arson. On Hallowe'en my mother and some friends' parents would escort us to select homes around the neighborhood, including the Ebinger house on E. 19th Street. For those unfamiliar with Ebinger's, it was a family-owned bakery famous for its chocolate blackout cake.

The local movie palaces were the spectacular Loew's Kings (Baroque) and Rialto (Beaux-Arts) theatres, both now houses of worship. I realize now how magnificent some of the local architecture was. I remember old ice-cream parlors like Karp's on Flatbush and Newkirk, where my mother would get me a little cup of Coke syrup to combat an upset stomach.

At the time, I was unaware that the rest of the world was not like mine. Mine was what would be categorized today as "diverse"--a concept that is now enforced politically rather than organically. My building was like a mini-United Nations of different races, religions, and family status. The Pavlicases were a middle-aged Greek couple whose apartment smelled of cardamom, anise, and cumin. Our Jewish neighbor Miriam was a housebound single hemophiliac living with her 80-year-old widowed mother. My best friend, a black girl named Angela Barnes, had a white mom and a black dad. Glenn was a soft-spoken Jamaican man who I think was probably gay. I had friends who were Argentinian, Chinese, Haitian, Italian, Irish, Norwegian, Puerto Rican, Russian. I started studying Spanish on my own when I was 11 by sitting with El Diario and a Spanish dictionary so I could try to understand the Hispanics around the corner. Later, when we moved to an all-Irish block in Sunset Park in my late teens, I realized that worlds like mine were the exception rather than the rule.

In the summer of 1975, I was in love with a beautiful Trinidadian girl named Allison whom I'd been hanging out with for 6 months. When people ask me whether that wasn't a sign that I was straight, I remind them that we were both 12 and neither of us had gone through puberty yet. When we'd watch "Gidget" movies together, I was far more interested in James Darren than Sandra Dee.

Every Sunday morning I went to 10:00 mass at Our Lady of Refuge Church. I sometimes served as a lector, reading from the New Testament before the priest delivered the Gospel reading. I was a faithful churchgoer, a good little Catholic boy who never questioned authority, at least not until much later.

That was the first summer I had been allowed to cross Ocean Avenue by myself and play at my friend Chris's house on E. 19th Street between Ditmas and Newkirk avenues. I had a pretty large group of friends of different ages and backgrounds, and we all hung out together, forming cliques and clubs and factions but in the end always coming back together. Ditmas Park was like living in a suburban community without the sameness. On summer nights a big group of our friends would divide into teams and play Ring-o-levio for hours, using the 16-block grid of Ditmas Park as our playing field.

On August 9 of that year, the news broke that Sam Bronfman, a son of Seagram's heir Edgar Bronfman, had been kidnapped. At first there were reports that Bronfman was tied up in a cave somewhere, but then it was discovered that he was being held in an apartment building right around the corner from our building! My friends and I stood on the corner for long periods, trying to see if there was any action, but all we saw were black cars with tinted windows waiting for something.

One night, a news reporter said that one of the kidnappers was Dominic Byrne, the father of one of my classmates, Tommy. Everyone in the area knew Mr. Byrne, a small, slight Irishman who used to own a liquor store on Newkirk Plaza and then became a limo driver. No one could believe that he could be involved in such a caper because he was so unassuming. There was hushed talk of homosexual activity between Tommy's father and the other kidnapper, a fireman named Mel Lynch. (Lynch later claimed in court that he and Sam Bronfman had met at a gay bar and had been lovers and that Sam was a co-conspirator in the kidnapping, an allegation that was never proved.)

At church the following Sunday, the priest asked everyone to pray for Mr. Byrne, an upstanding usher known to everyone in the community. It was all anyone talked about for weeks. When school started a month later, Tommy wasn't there, though I think eventually he returned after the publicity had died down. Tommy's father went to prison for 3 years, for extortion, not kidnapping.

When I saw the building that was the scene of the crime yesterday I felt a little sad. It was the first time I realized that the kidnapping symbolically signaled the end of the Flatbush I had known and loved, or maybe I'm just older and more cynical.

In October 1975, New York City went bankrupt, and the federal government refused to bail the city out. Garbage piled up on the streets, and crime spiked as cops became scarcer. In 1976 the brand-new 10-speed bike I got for graduation was stolen from me at knifepoint in broad daylight on Ditmas Avenue, half a block from my building.

By 1977, the burning of Bushwick during the NYC blackout and the Son of Sam shootings were further emblems of the city's ailing health. Many of my friends and their families were moving to the suburbs or to other states to escape the worsening climate. My mother was mugged in the vestibule of our building, and my father had his wallet stolen several times. And then, the coup de grace: some random teenager picked up my 8-year-old brother and dropped up him on his head on the grass down the block for no apparent reason. In September 1977, we said goodbye to Flatbush.

It was strange walking around the area. I found a faded patch of concrete where a bunch of us had etched our initials in the then newly paved sidewalk. And there was the fence--or was it the fence?--we climbed over to get to our favorite hiding place during Ring-o-levio. Everything looked the same as it did 30 years ago, only smaller and less magical. Today I live only 3 miles from my childhood home, but in so many respects it's a world away.

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Saturday, April 14, 2007

"The Tudors" mixed up spells "other stud'

Perhaps I was raised too heavily on "Masterpiece Theatre," but I like my historical dramas plodding and stuffy. "The Tudors" has changed my mind. It's easy to pull off contemporary figures, like Michael Sheen's Tony Blair in The Queen, but how do you reinvent the image embedded in our minds of a fat, bearded, and ugly Henry VIII?

You cast sizzling hot Irish lad Jonathan Rhys-Meyers as the young Henry, that's how. Then you add some other hotties, like Henry Cavill as Charles Brandon, Henry's best friend, and Natalie Dormer as Anne Boleyn, and voilĂ !, history gets horny. If I had known English kings looked like JRM I'd have paid more attention in class.

My first thought was to make a drinking game from this show. You could call it "Tudors Gone Wild!" You take a drink, like mead or grog, every time someone utters "Your grace," "Your eminence," or "Your majesty." You'll be plastered.

The first episode was fun, a little over the top, but seemed historically sound. It wasn't until episode 2, though, that I got hooked. I think it was the hot, sweaty, shirtless wrestling match between Henry and his cousin, Francois, the King of France, that sold me.




Henry loses the match but gets a consolation prize. Summoning French courtesan Mary Boleyn to his chambers, he asks the tarty Gaul to impart her special knowledge to him.

HENRY: Lady Mary...you've been at the French courts for two years....Tell me, what French graces have you learned?



MARY BOLEYN: With your majesty's permission.



HENRY (whispering): Granted.



Mary got to give the king head; later, he would take away her sister Anne's.

From now on, if the networks cast, oh, I don't know, Chris Evans as inbred horseface Philip IV of Spain, I will overlook historical inaccuracies. If only the following trailer were true, history would become my favorite subject.

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