WARMING UP
" The body as an instrument must be prepared for the physical activity that the class demands of that body."
What is warm up or warming up? It is NOT:
-Having a hot shower before class
-Sitting on the studio heater
-An extra layer of practise clothes or
-Application of lineament
From the above ‘practices’ we only managed to make the body externally warm and comfortable.
We have not prepared it for physical exertion. Sweating at the beginning of class doesnot signify that the body is warm. Stress, related to any number of factors, can cause sweating:
-Being late for class
-A new teacher
-A new environment, etc
Even if you are dancing in a hundred degrees without a proper warm up you are asking for trouble, maybe not immediate trouble but you are setting up a pattern that could shorten your career.
Warming up is preparing the body for increased exertion.It is increasing the internal body temperature, which allows the muscles, joints and the nervous system to work efficiently. To begin with we need to work two systems 
-The cardiovascular system – the heart and blood network that carries oxygen to all the body cells and carbon dioxide away from these cells 
-The respiratory system–the lungs and airways that allow oxygen to be introduced into the body and carbon dioxide to be removed from the body. During the warm up, movement in the joints must be slowly increased. The function of the joint is to allow movement to take place between two bones and it is the joints,which allow the skeleton to be flexible. The main type of joint that we are concerned with is the synovial joint, a joint which allows a free range of movement.
 Examples of this type of joint are the ankle, knee, hip, elbow and the joint islubricated by synovial fluid, which in turn is surrounded by a layer of tissue called the synovial membrane. Outside this is a strong capsule made up of fibrous tissue.
 This is an extremely simplified description of the joint, but it gives an indication of howcomplicated and important joints are, and why we must treat them with care and consideration.
Slowly increasing movement in the joint increases the volume of fluid shock absorbing ability and prevents wear. Also, movement in the joint increases the flow of blood and raises the temperature, which in turn increases the elasticity and movement in the joint’s supporting tissue.
 All this transition happens within 10 minutes of the movement beginning and is completely gone 30 minutes after the movement is completed. Therefore if you have a break of 30 or more minutes between classes  the warm up process should berepeated.

Gentle stretching should complete the warm up period. Bouncing, lunging, bobbing forms of stretching should be avoided as the can result in muscle and tendon injuries.
Staticstretching exercises are much better as they do not involve a strong stretchreflex. Static stretching involves placing the muscles slowly into a stretch and holding for 10 to 15 seconds. There is no place for stretching and forcing areas of the body into positions that the student/teacher think, wrongly, will improve technique. Two
examples of this damaging type of stretching are lying in the frog position with somebody pressing down to improve the turn out placing the feet under the piano and leaning back to improve the pointe  Apart from being damaging, they do not work!
Here are some basic ideas on which to build your own warm up routine.  In an ideal  situation you would be using the studio where you take your dance class. Remember,during the whole warm up you must breathe with slow deep inhalations and long slow exhalations.
Start by walking around the studio using the whole space and a continual of direction. Build up an awareness of your space and the people around you.  Soft easy feet and  relaxed joints.
Gradually build up speed. While moving around start gently moving the shoulders, rotating them forwards and backwards. Rotate the writs and move the fingers. Make arm circles in both directions with bent elbow and then with straight arms. Now  turn the torso in the direction of the circle.  Gradually increase your waking pace until you start in to a gentle run.  Remember to keep the feet soft and light and the joints
easy and relaxed.  As your running pace increases continue to move your arms but close  to your body, piston fashion. Gradually decrease your speed until you have returned to your initial walking pace.  Find a space and stand in a small parallel second  position with straight but not locked knees. Place your fingers onto your shoulders with  your elbows out to the side and your upper arms parallel to the floor.  Now circle your elbows backwards and forwards,  feeling the movement in the shoulder joints. Standing in the same position, place your arms by your sides with your palms facing backwards. As you breathe out, and without moving  the shoulders, slowly press yourarms backwards. This movement works your latissimus dorsi, a muscle that is important  in the stabilisation of the trunk. Now fold your arms in front of the chest a few inches away from the breastbone. Keeping the hips very still, as you breathe out turn your torso as far round to your right  as possible, breathe in as you return to the centre, breathe out as you repeat to the other side.   Place your feet into a wider second position, put your left hand onto your hip with your elbow out to the side, stretch your right arm up to the ceiling. As you breathe out keeping the hips still, stretch the torso over to the left, hold the stretch. You can increase the stretch by rotating the palm of the hand towards the ceiling.  Repeat on the other side.  Back to your basic standing position, drop your head to the chest and as you breathe out slowly roll the spine down as far as you can without straining,  allowing your arms to hang loosely. Breathe in and as you breathe  out slowly roll back up to the starting position.   All of these movements should be repeated approximately 10 times. Now gently stretch your calves, hamstrings and quadriceps.  Remember to go slowly into the stretch and hold for 10 to 15 seconds. DO NOT BOUNCE. Do not forget your ankles and feet. Resting with one foot off the floor and supported, gently move the ankle join through its full range of movement.  Using your hands, manipulate the joints of the toes and then carefully stretch them. Finish with a good massage of the muscles around the toes and their joints.At the end of class cooling down is important. It is necessary to slowly reduce the body temperature to a more normal level. The pace of movement should be gradually reduced and the major muscle groups stretched. To many students, warming up is a chore and lying in an exaggerated stretched position gossiping with friends is a much more attractive option. A good way to introduce a warm up procedure is to use a few minutes at the beginning of class to teach and to supervise a correct warm up. This will help students to realise the benefit and the importance of this activity, and hopefully encourage them to spend the time before class in a more productive way.

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