Lessons & Overview
A Brief Lesson
Always do as the Free Person commands. If the command goes against your restrictions, SAY SO! Do not lead a Free Person on; teasing is dishonorable and punishable.
Always keep position until told to break it. One way a Free Person can release you from position is by clapping His/Her hands twice.
' If she breaks such a position, of course, she is subject to terrible discipline. '
{Kajira of Gor}
It was late afternoon. He lay down, to sleep. I did not break position. I had not been given permission. Perhaps he kept me in position to discipline me. I did not know. I was afraid to break position. I told myself, of course, that this was rational, that he might wake and discover me out of position, or that, perhaps, at times, he was not truly asleep, but was, through half-closed eyes, watching me, to see if I, in the slightest, moved. But in my heart I knew I had not broken position because he had not given me permission to do so, because he had not released me from his command. I was terribly afraid of him. I was afraid to break position. I was obeying him. For more than two hours, I think, I knelt in position. He awakened. He looked at me, but he did not release me from position. I remained as I was, in that position so symbolic of female subjugation. {Slave Girl of Gor, Chapter 2}
One of the hardest things to do on-line is emote.. the positions MUST be SEEN! If you are trembling RL, show it on-line, describe miniscule details: clenched belly, trembling lower lip, watery gaze, a tender smile, whatever it may be. The trick is to make the Free Person FEEL your action.
Another suggestion for on-line is making sure your spoken text is seperated somehow from your action text. This makes for less possibility of missing the words.
Always remember to be descriptive! Take your time. Sometimes a 2-line post on-line has more impact than a 5-line post, especially when there is a chance the longer post may end up 'cutting off' the line. Be precise, if your typing is slow, make shorter posts and be sure to be grammatically correct. One may type fast too, but if the words are spelled incorrectly and such, it reflects upon you as being rushed and not taking the time to be more 'pleasing.'
Insolence is not becoming in a slave. For sure a Master will like a trained, competant slave, but also be aware, while in the books a slave may be haughty in her bearing and sure of her abilities, she is still subject to the whims of Free Men. There is a fine line between being seen as proud of one's abilities and being seen as being snobbish in her words. The learning never stops; in fact, this site is always in constant update as one learns.
Practice in real life, not just on-line. A suggestion is to do the positions R/L in front of a mirror to get a better feel of them.
Choose what feels right for you, but do be aware of different customs. There are, of course, variations of all positions, as found in the books. It is hard to be exactly by the book as each book is a bit more brief in detailing the position or has a little more description than another book does on a position. What one finds is the best to do, find the norms of the position as found on irc, see that it doesn't go against the books and use the position in that form (or as one's Owner wishes it done) but always be aware of different variations.
As always, never raise eyes to a Free Person, unless told otherwise. Though this is only an IRC'ism of Gor, it displays the proper respect due the Free Person. In the books, the keeping of eyes lowered is normally intended as punishment and to remind a girl of her place and status.
Normally, eye contact between a Master and a slave is acceptable and common, but it can be denied or forbidden to the slave as a punishment or discipline. {Savages of Gor, page 258}
Remember your restrictions when doing positions. It is good to learn all positions, even if one does not officially perform them. If one is commanded to do something that would signify she is something she is not (ie. pleasure slave or unrestricted), it may be best to tell the Master commanding the action of one's restrictions, but that one wishes to please and will do as commanded.
Crawling is a sign of 'need.' Slaves do not crawl unless ordered to do thus by their personal Masters or Mistresses or are intent upon showing their devotion or need to the Master they crawl before. Do not crawl about; a gorean kajira is supposed to be proud, believe it or not. The kajira should be proud of her skill and talent, her capactiy for love and devotion. Not of herself, but rather of the things she can bring to her Master, for her Master is her focus.
Use discretion in doing positions. Many of these positions are not performed unless directed to by one's Master. As always, use discretion in doing a position without command, for a slave girl should, in her training, learn to assess her Master's wants/needs/desires before He even speaks them.
Be aware of what you offer (teasing, heat, and nadu). If a kajira offers a Free Person wholly of herself, she will be required to give what is offered if the Free Person chooses to accept it.
A kajira cannot tease without intention of fulfilling the promise of the tease. To do so is not only an insult to the Free Person, but shows dishonor and a lack of intergrity within the kajira.
"If a kajir teases, the kajir will please, exceptions made for dancers."
{Players of Gor, page 26}
By kneeling nadu, a girl is telling the Master that her full sexual service is at His disposal. If you kneel in nadu, you are offering sexual service among other things to the Master, and you had better be able to fulfill that promise. Hiding behind restrictions or a collar is absolutely no excuse for you to tease or present yourself incorrectly when kneeling.
Be feminine, the gorean slave has a naturalness to her, one of sensuality, of pride.. yes pride.
I then walked as a slave, proudly, my shoulders back, grace-fully and beautifully, as a woman owned by men. As an Earth female I would never have dared to walk in such a way. Such movements are probably indexed, like physical distances be-tween individuals, to the culture. In Gorean culture, generally, it seemed to me that people stood closer to one another than I was accustomed to on Earth. In this way it was natural for men here, for example, to stand much closer to the scantily clad slave than the average man of, say, northern Europe, on Earth, would be likely to, to a woman of his area. Indeed, he usually stands so close to her that it would be easy for him to put his hands on her, and draw her to him, taking her in 'his arms. The dynamic consequences of these proximities are minimized considerably, of course, by the fact that the slave often kneels in the presence of the free male. It is customary in the kneeling position to remain back a few feet from the male. {Dancer of Gor, pg 156}
** NOTE ** Har-ta! means fast or quick. When told Har-ta by a Free Person, it means to perform quickly, whether it be a serve, position, or just a command to go to the Free Person.
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Kneeling
Kneeling is a great indicator of status and space according to distance.
The kneeling position, itself, expresses the servitude of the slave, and her submission. The distance serves three major purposes. It symbolizes in the distance, as well as in the differential in height, the social inferiority of the slave to the master. It puts the slave in a position where all of her, for the master's delight, can be seen. A kneeling woman is incredibly beautiful. It also puts enough space between the slave and the free male so that the releasing of his rapacity is then likely to require a decision, and is less likely to be simply, reflexively. 'triggered'. This is regarded as being particularly important when the slave is in the presence of a male who is not her master. The kneeling position, thus, interestingly, can occasionally provide a measure of security, if a somewhat tenuous one for the slave, tending to reduce to some extent the frequency with which, in a culture with such interpersonal proximities, she might otherwise be subjected to unauthorized rape. This same tiny measure of protection, of course, puts her in much greater danger from her real master, for he, observing her, seeing her kneeling beautifully before him, can also delay in his considerations as to her suitable exploitations. How shall he use her'? What shall he have her do, and so on. To be sure, sometimes he simply takes her and when he wants her, and almost by reflexive whim. She is his. The main reason why a slave kneels, of course, aside from such subtle and complex considerations, is simply that she is a slave, and that that position, accordingly, is appropriate for her. {Dancer of Gor, pgs 156-157}
1. Kneeling a few paces back from the Free Person symbolizes in both distance and height differential the status between the Master and the slave.
2. Kneeling a few paces back from the Master puts the slave where the Master can view her fully, for a kneeling woman is an incredibly beautiful woman.
3. Kneeling a few paces back puts enough space between the Master and the slave so that the Master may not be imposed upon by a slave.
4. Kneeling a few paces back leaves ample room for one to maneuver into any commanded positions.
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Hand Placement
The placement of the hands may be an indicator of the slave's status-restricted or no, etc..
palms upwards or facing outwards
~ indicative of submission, vulnerability, and surrender to the Master, an offering or suggestion of perhaps more than just food, drink, or conversation
palms downwards
~indicative of restrictions to the serve offered by the kajir
fingers wide spread apart
~ indication of both vulnerability to the Master and a blatant offering of sexual service
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The metaphors and symbology on Gor of expressing sexual desires and needs.
1. wear talenders in the hair, or give to the Master
2. tie a loose knot in the hair on the right side, let it hang over the cheek
3. kneel nadu (as pleasure slave)
4. touch one's body
5. turn palms up, facing the Master
6. offer fruit, holding it next to your body; especially a larma--'the gorean peach.'
7. crawl on belly
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Positions
"Lie at my feet," he said, "and lick, and kiss and suck at them. When you have managed to learn to do that properly, I will give you further instructions."
"Yes," I wept.
"Yes, what?" He asked.
"Yes Master!" I sobbed.
{Kajira of Gor}
Bara
� command to lie on one's belly
� this allows for the binding of wrists and ankles
� in this position the slave falls to her stomach face down to the floor, crosses her wrists behind her back, crosses her ankles, and lowers her gaze. (Explorers of Gor, page 77)
"Bara, Kajira!" he said. She rolled quickly to her stomach, placing her wrists behind her, crossed, and crossing her ankles, ready to be bound. {Explorers of Gor, page 77}
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Belly
� a command to crawl on belly to Free Person
� a way to communicate need to the Free Person
� the kajir displays his/her need to demonstrate submission
� the kajir displays his/her need to communicate sexual desires
� the kajir lays on their belly, thighs parted, hands at the side of the head, cheek to the floor
� a form of obeisance position with a girl on her belly and her head to boot or floor, palms pressed flat to floor; variations can include kissing the Master's boot. (Magicians of Gor, page 34)
� See also: obedience
I pointed to the stones at my feet. "Crawl," I said, in Gorean. The girl slipped to her belly, and, as a slave girl, crawled to my feet. She put her lips to my foot; I felt her hair over it. {Tribesmen of Gor, ch 4}
"On your belly," he said. She went to her belly, her hands at the sides of her head. {Kajira of Gor}
"Stop," he said. "To your belly." Then I was on my belly, on the tiles, my hands at the sides of my head, prone, before his curule chair. {Kajira of Gor, page 427}
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Bracelets
� there are two types of bracelet positions, standing an kneeling.
� this is for the slave to have his/her wrists bound.
� basic pleasure slave position, the slave girl on command thrusts her hands behind her back wrists together in preparation to be braceleted. (Tribesmen of Gor, page 78)
"Bracelets," he snapped. She put her head in the air and placed her hands behind her back. {Hunters of Gor, page 146}
"Bracelets!" I said in Gorean, harshly. The girl snapped to position, hands behind the small of her back, head lifted, chin up, turned to the left. In such a posture she may be conveniently put in bracelets, and leashed. {Tribesmen of Gor, ch 4}
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Capture
� command to lay on back upon the floor, knees raised and heels flat to the floor
"On your back," he said, "knees raised, heels on the floor." I then lay before him, in a standard, supine, capture position ' {Kajira of Gor, page 422}
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Display
� command to stand before the Free Person, perhaps for inspection
� the slave stands, feet shoulder width apart, the slave's hands are behind their neck, fingers just barely touching, body straight, one hip shifting slightly forth as one leg stretches out, toes pointed, chin lifted, eyes downcast
� in this, a Master can command the slave to do anything: turn, bow, kneel, slave lips, cry, display anger, etc..
"Stand!" said the merchant. "Head back! Hands behind head! Bend backwards! Farther! Farther!" He turned to us. "Acceptable," he said. Then to the girl he issued orders, rapidly, harshly. I watched with interest, as the girl, tears in her eyes, responded to his swiftly issued, abrupt commands. For more than four Ehn he put her through a swift, staccato regimen of movement, a set of slave paces, assessment paces, designed to exhibit, vulnerably, decisively and publicly, her beauty, in all of its major attitudes and positions. "Hands on hips! Be insolent! Hands behind back! Hands crossed beofre you, as though bound! Hands at throat, as though chained to collar, fingers before mouth! Fall to the floor! Kneel! Head down! Head up! Bend backwards! Farther! Roll to the floor, on your side, on your back, right leg high, now flexed, left leg high, now flexed, to your side, right leg extended, palms on the floor, left leg extended, palms on the floor! Appear angry! Appear frightened! Appear aroused! Smile!" He did this with the same swift, expert objectivity, and clinical detachment, that a physician might bring to a routine medical examination; this examination, of course, was a beauty examination, assessing the desirability of a female slave. The whip cracked again. She cried out in misery, shuddering. {Tribesmen of Gor, pag 156}
The auctioneer did not strike her with his whip. He merely took her arms and lifted them, so that the position chain, attached to each side of the sales collar lay across her her upper arms. Then he had her clasp her hands behind the back of her neck, so that the chain, on each side of the collar, was in the crook of her arms, and she was exposed in such a way that she could be properly exhibited. {Explorers of Gor, page 36}
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Gorean Bow
� aka. gorean love bow; a girl is arched backward and bound for usage exposing her fully to the Master. (Marauders of Gor, page 261)
� for unrestricted slaves
� this position is very painful to maintain for longer than 5 minutes
� the slave should kneel nadu, bend body backwards til the head is to the floor, put hands over head and pull up into an arch
He threw her, on her back, over the body, head down, of the fallen Kur. He took the two loose ends of the binding fiber and, taking them under the body of the fallen Kur, dragged her wrists, elbows bent, over and above her head; he then, bending her knees, tied one of the loose ends about her left ankle, and the other about her right. It was the Gorean love bow. {Marauders of Gor, page 261}
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Gorean Usage
� female position
� for unrestricted slaves
� the slave move to hands and knees, spreading legs widely and holding head straight, the slave remain motionless, waiting for the Masters command and pleasure
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Hair
� in this position a girl stands, crouching slightly behind the Master and bows her head. (Beasts of Gor, page 409)
� allows slave's hair to be shorn, seized or anything by the Master
� may follow heel or leading
� the slave goes to Free Person's side, standing with feet flat and bowing at the waist, the slave then allows long hair to fall over left shoulder for the Free Person to use as they desire
I looked at the girl. I nodded to her to approach me. She did so. I held out my left hand open, at my waist. She stiffened, and looked at me, angrily. I opened and closed my left hand once. I saw her training in Gorean customs had been thorough. But she never thought that such a gesture would be used on her. She came beside me, and a bit behind me, and, crouching, but her head down, deeply. I fastened my hand in her hair. {Beasts of Gor, pg 409}
For example, when a girl, serving at a banquet, hears the command, "Hair," she knows she is to go to the guest and kneel, and lower her head, that her hair may be used as a napkin or wiping cloth, by means of which the free person, either male or female, may remove stains, crumbs or grease from his hands. Similarly a girl's hair, if sufficiently long, may be used for the washing and cleaning of floors. In this she is usually on her hands and knees, and naked and chained. The hair is used in conjunction with the soap and water, in the appropriate buckets, being dipped in, and wrung out, and rinsed, and so on. {Kajira of Gor}
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High Harness
� a display position in which a kneeling slave is braceleted and leashed and commanded to hold her head very high exposing her neck. (Mercenaries of Gor, pages 308-309)
"Lift your head, " he said. "Higher. Higher!" She looked up at him, her head far back, the leash on her throat.... "You need not now keep your head in high-harness position,", he said to the girl. She moved her head. {Mercenaries of Gor pg 308-309}
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Kneel to be Coffled
� when in a chain
� the slave kneels as appropriate, raising either the left or the right arm wrist facing outwards, ready to accept the wrist-ring of the coffle-chain
"Kneel to be coffled," said one of the men. The girls knelt, closely, one behind the other, there were six wrist rings on the chain he carried. He placed the girl who had been whipped by Lady Sabina first in the coffle line. "Left wrist coffle," he said. They lifted their left wrists, frightened. Interestingly, the man snapping the wrist rings on the girls� left wrists did not put the first girl in the first ring, but the second. When the four maids were coffled there was, thus, an empty wrist ring both at the head and rear of the line. "Stand, Slaves," said the man. "Lower chain." The girls stood. Then, ordered, the lowered their wrists. They were then in line, standing, coffled. {Slave Girl of Gor pg 127}
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Kneel to the Whip
� this command orders a slave to kneel, bowing her head to her knees, her wrists crossed under her as though bound. The position is intended to expose her back to the whip.
� for whipping of the back
Terrified, she, as the expression is, knelt to the whip, assuming the position of the slave girl who is to be punished, her wrists crossed beneath her as though bound and her head touching the floor, leaving the bow of her back exposed. {Priest-Kings of Gor, pgs 201 & 202}
I went to Targo, trembling, and knelt at his feet... I crossed my wrists beneath me and touched my head to the floor, exposing the bow of my back. It is the submissive posture of a slave girl who is to be punished. It is called Kneeling to the Whip. {Captive of Gor pg 200}
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Leading
� posture of a slave girl bending forward at the waist with her head at a master's hip so that he may grab her hair and guide her where he wishes her to go. (Mercenaries of Gor, page 399; Magicians of Gor, page 46)
� may follow a heel command
In a moment I had left the building, pulling the captive behind me, her head down at my waist, in leading position. {Mercenaries of Gor pg 399-400}
"I put my head down to his waist and he fastened his left hand in my hair." {Kajira of Gor, pg 134}
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Lesha
� the slave remains standing or kneeling, depending upon her current position. She turns away from her Master, tilting up her chin and turns her head to the left as a leash is attached to her collar. Her wrists are extended behind her to be locked into slave bracelets or otherwise bound. (Slave Girl of Gor, page 125)
� leashed-legs tie: a standard submission tie; the kneeling girl has the leash, attached to her collar, passed down the front of her body and between her legs to bind her crossed ankles together. (Fighting Slave of Gor, page 244)
� this position is for a leash to be attached to the slave's collar
� there are two types of lesha positions.
"Lesha," snapped the second officer to the blond girl. She spun from facing him, and lifted her chin, turning her head to the left, placing her wrists behind her, as though for snapping them into slave bracelets. {Explorers of Gor pg 79}
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Nadu
� A kneeling slave is directed to straighten her back and sit on her heels, lifting her head, and placing her hands, palms down, on her thighs. There are a couple of examples which suggest a variation of uplifted palms, though this appears to be an exception to the basic position.
� thighs are wide for the Master's pleasure
� use when offering serve, including more than food, drink, and conversation
� See also: obeisance
She knelt back on her heels, knees wide, hands on her thighs. It was the position of the Pleasure Slave. I had taught her the position. It is one of the first things a good-looking woman, fallen slave, is taught on Gor. {Tribesmen of Gor, ch 2}
The position of the Pleasure Slave, incidentally, differs from the position of both the free woman and the Tower Slave. The hands of a Pleasure Slave normally rest on her thighs but, in some cities, for example, Thentis, I believe, they are crossed behind her. More significantly, for the free woman's hands may also rest on her thighs, there is a difference in the placing of the knees. In all these kneeling positions, incidentally, even that of the Pleasure Slave, the Gorean woman carries herself well; her back is straight and her chin is high. She tends to be vital and beautiful to look upon. {Priest-Kings of Gor, ch 6}
"Kneel," he said, "in the position of the pleasure slave." She knelt, then, back on her heels, her knees spread widely, her back straight, her shoulders back, her belly sucked in, her head up, her hands on her thighs. Between her teeth was the staff of the whip. {Kajira of Gor}
"Come now, my pretty slaves," said Ginger, "kneel straight. Back straight, heads up. Back on your heels there! Spread those pretty knees. Yes, that is the way men like it. Put your hands, palms down, on your thighs. Good. good. Excellent!" The girls now knelt in the coffle as pleasure slaves. {Savages of Gor, pg 155}
"Nadu!" he snapped. She swiftly turned, facing him, and dropped to her knees. She knelt back on her heels, her back straight, her hands on her thighs, her head up, her knees wide. It was the position of the pleasure slave. {Explorers of Gor, pg 77}
Immediately the two girls lifted their heads from the sand, shaking their heads, throwing their hair behind their back, over the branch. They were both blond, and blue-eyed, as are many of the panther girls. Their heads were high. They knelt in the position of the pleasure slaves,as they knew was expected of them. {Hunters of Gor, ch 2}
She swiftly turned, facing him, and dropped to her knees. She knelt back on her heels, her back straight, her hands on her thighs, her head up, her knees wide.It was the position of the pleasure slave. {Explorers of Gor, ch 5}
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Obeisance
� aka. obedience position; a position of extreme deference which is described as a slave deeply bowing her head from the basic pleasure slave position, often flattening her palms against the floor and leaning forward to lick and kiss the boots of a Free person. ( Rogue of Gor, page 299; Mercenaries of Gor, page 409; Dancer of Gor, pages 114 and 186)
� performed before the Master
� a gesture of love and submission to the Master
� there are many forms of obeisance and even the books quote this as such, please see the first quote.
"There are many ways to perform obeisance." I said.
"I am a free woman," she said, "I know none of them."
"I shall instruct you briefly in three," I said. " First kneel before me , back on your heels, yes, with your knees wide, wider, your hands on your thighs, your back straight, your breasts out, good, your belly in, good, and now lower your head in deference, in submission."
"Now that," I said, "may not be exactly a form of obeisance, for authorities do not all agree, but for our purposes we shall count it as one. It is, at any rate, a beautiful position, and it is, certainly, a common position of slave submission."
"Now" I said, "and this is clearly a form of obeisance, bend forward and put your head to the mat, the palms of your hands on the mat. Good. Now lift your head little and come forward, substantially keeping the position. Forward a little more."
"But then my face will be at your feet," she said," My lips will be over them!"
"Yes," I said, "Good, now, put your head down and lick and kiss my feet."
"I am a free Woman!" She Said.
"You are a woman," I said, "now softly lingeringly, and lovingly, Good."
"I am not a slave," she said.
"All women are slaves," I said "Imagine what this would be like if you were truly a collared slave."
She gasped.
"Now" I said, "for a third form of obeisance. You may belly to me."
"I do not understand," she whispered.
"There are various forms of bellying," I said, and bellying may be suitably and pleasingly combined with other forms of floor movements, approaching the Master on all fours, turning to your sides and back, writhing before him, and so on. We will take a very simple variation, suitable for an ignorant free female who has not yet even begun to discover the depths of her sexuality."
She looked up at me. "On your belly," I said. She backed off a bit , and went to her belly. Her hair was before her face, as she now on her belly before me looked up at me. "Now inch forward," I said, "remaining low on your belly, and when you reach my feet, once again, as before, lifting your head a little, tenderly and humbly, and beautifully, as though you were a slave, lick and kiss them. Good. Good. Now take my foot and place it gently on your head. Very good. Now place it again on the Mat, and kiss it again. Good. You may now belly back a little, humbly. I have not yet given you permission to rise of course." Mercenaries of Gor pg 409-410}
"Forgive me, Master," I said to Speusippus of Tuna.
"I muchly wronged you. I was stupid and cruel. I showed you too little respect. I now beg your forgiveness, as a woman, now a slave."
"You seem much different now from before," he said.
"I have now learned that I am a female," I said. Then I put my head down and did obeisance to his maleness, kissing his feet. {Kajira of Gor}
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Prostrate
� The slave bows forth while kneeling, folding over thighs, extending arms, palms down/up to the floor with cheek or forehead to the floor
� use when kneeling to enter
� also known as kneeling kar-ta online
� See also: obeisance
"Is that the fashion in which I have my women kneel before me?" he asked. "Forgive me, Master," she said, and put her head down to the tiles before him, the palms of her hands flat on the floor. {Kajira of Gor, page 305}
"Heads to the dirt!" called a man. Swiftly we assumed a common form of slave obeisance, kneeling, the palms of our hands on the ground, our heads to the ground. Many masters, though it tends to be rather associated, usually, with given cities, require this position of their girls, usually when they first enter his presence, or find themselves, as in a room which he has entered, in his presence. She is then, usually, when given permission, permitted to lift her head, but is to remain kneeling before him,beautifully, in a standard position, her knees closed if she is a house or tower slave, her knees open, if she was the sort of slave I was, whatever sort of slave that was supposed to be. {Dancer of Gor, pg 114}
I knelt before the guest, putting the palms of my hands on the floor
and my head to the tiles. {Kajira of Gor pg 305}
The door opened and Susan entered, and knelt down and lowered her head. It is common for slaves to kneel when entering the presence of free persons. It is common, too, of course, more generally, for them to kneel whenever they find themselves in the presence of a free person, for example, if they are in a room and a free person enters. {Kajira of Gor}
"Now," I said, "and this is clearly a form of obeisance, bend forward a little more." "But then my face will be at your feet," she said, "My lips will be over them!" "Yes," I said, "Good, now put your head down and lick and kiss my feet." {Mercenaries of Gor, pg 410}
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Sex
� for the unrestricted slave
� another usage position
� female position
� the slave kneels upon all fours, holds her head high, as always gaze lowered, keeps legs spread wide apart for the Master's pleasure
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She-sleen
� for unrestricted slaves
� used to make the slave ready for either being beaten on the buttocks or being taken from behind like an animal
� this position is used to punish slaves and not bring pleasure to them
� it treats the slave like a receptical to be used by the Master as He will
� also known as 'assuming the modality of the she-quadruped.' In this position the slave falls to her hands and knees her head down on the floor her hindquarters upthrust for viewing and/or her Master's pleasure. (Mercenaries of Gor, page 215)
A naked slave in sleen collar, was ordered forth on her hands and knees. A sleen leash was attached to her collar and she was marched, as a she-sleen, crawling, abused, to the rape-rack in which I had been earlier confined. {Slave Girl of Gor, pg 238}
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Slave Dance
� This is a position commanded often of a slave before the dance, the slave holding til commanded to dance
Again the man on the dais clapped his hands. Before us now on the tiles, in the basic position of the slave dance, too, her hands lifted over her head, wrists back to back, stood a chained girl. {Tribesmen of Gor, ch 13}
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Slave Lips
� When this command is given the slave turns her head up to the Master her lips pursed in a sensual kissing position. She remains motionless her lips thusly puckered and may not move until she is granted the kiss of a Master. (Blood Brothers of Gor, pages 111 and 404; Kajira of Gor, page 224)
Similarly, I was not required to respond to certain sorts of commands, for example, to make "slave lips," pursing my lips for kissing, or to writhe slowly before my viewers. {Kajira of Gor pg 224}
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Slave Rape
� this is a disciplinary position wherein the slave is ordered to lie supine and motionless in preparation for usage. (Explorers of Gor, page 202)
� another gorean usage position
� not meant to pleasure the slave
I went to the side of the room and picked up my sea bag. I threw it to the center of the room. She looked down at it puzzled. It was of heavy blue material, canvas, and tied with a white rope.
"Lie down upon it," I told her, "on your back, your head to the floor."
She did so. "No, please," she said, "not like this."
It is a common position for a disciplinary slave rape. In it the woman feels very vulnerable, very helpless. I then took her. {Explorers of Gor pg 202}
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Slaver's Caress/Kiss
� mainly used for punishment or whipping
� perhaps also for the Slaver to display His wares; inspection
� female position
The auctioneer made certain that her hands were clasped tightly behind the back of her neck. He acctually took her hands in his and thrust them closely together. She looked at him, puzzled, slightly frightened. He stepped behind her. I smiled. She suddenly screamed, and sobbed and gasped, her hair, wet, expelled from her mouth. She looked at the auctioneer, in terror, but dared not release her hands from the back of her neck. He, with one hand, wadded together her hair, and thrust it back into her mouth. She must not cry out, or speak. In his right hand, coiled, he held the whip which he had removed from his belt a moment before. He had administered to her the slaver's caress with the heavy coils. She shook her head, wildly. She tried to draw back, but his left hand, behind the small of her back, held her in place. {Explorers of Gor pg 40}
He knelt me there. "Put your head down, to the floor," he said.
"Clasp your hands, firmly, behind the back of your neck."
"Yes, Master," I moaned. He was then behind me. He put his hands, under my arms, on my breasts, sweetly and firmly. Then he moved his bands back, caressing my flanks. My head was down. My fingers were together, behind the back of my neck. I was in his collar. It was steel, I could not remove it. I belonged to him. My body hurt, from his whip, that of my master. My head hurt, from my hair, where I had been conducted, unceremoniously, to this location. "Please, Master," I sobbed. "Not like this! Not you, please!"
"The slave is pretty," he remarked.
"Oh!" I cried. "Oh!"
"You have a lovely ass," he said.
"Ohhh!" I said.
"You may thank me," he said. {Kajira of Gor pg 434}
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Stake Position
� when chained at a stake with this command the slave lies down and is not permitted to rise even to her knees. (Vagabonds of Gor, page 386)
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Stand/Veck
� a slave girl should always stand straight and with dignity, a body feminine, pleasing, always aware of the Master's gaze.. ones back should be straight, head held high, ,wrists crossed behind back, one leg slightly forward, toes pointed.
� the command for stand is 'veck' in Gorean.
"He looked me over. I blushed, under Gorean appraisal, I only wore my tether. "Stand as a slave," He said. I stood, beautifully, back straight,head high, belly sucked in, hip turned. No woman can stand more beautifully than as a gorean slave girl.
"Excellent," said Ladletender, smacking his lips.
"Master is pleased," I said.
"Yes," He said.
"The slave too, is then pleased," I said. {Slave Girl of Gor}
"Stand proudly, Wench," commanded one of the men.
Tina Straightened herself. {Hunters of Gor, ch 18}
"Stand girl," I said to her in Gorean.
Gracefully she stood. I observed her. {Tribesmen of Gor, ch 4}
I stood straight before him, as I knew he wished me to do. On Earth never had I stood so straight. On this world I knew it was expected of me. On this world I did not know what I was. But I did know that on this world, whatever it was that I was, I was expected to stand beautifully. I did so. It was part of my obedience. {Slave Girl of Gor}
"Veck, Kajira," said a voice, harshly. "Veck, Kajira."
{Slave Girl of Gor}
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Standard Binding Position
� standard position for binding, the girl lies prone on the floor and crosses both wrists and ankles, similar to bara as above, though less detailed
"Standard binding position," he said. I was prone. When a girl is prone, the standard binding position is to cross the wrists behind the back and to cross the ankles. I took this position instantaneously. {Slave Girl of Gor pg 125}
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Submission/Collaring
� submission mat: a mat on which a girl kneels to submit (Blood Brothers of Gor page 129)
� also known as collaring
� used when a slave begs collar or capture
� used with the command 'submit'
� the slave kneels nadu/tower, bowing her head and archign her back, arms lift, extending with wrists crossed as if for binding
...she sank in abject misery at his feet and performed the ceremony of submission, kneeling, lowering the head and lifting and extending the arms, wrists crossed. {Nomads of Gor, pg 153}
"Submit," he said.
I could not disobey him.
I fell to my knees before him, resting back on my heels, extending my arms to him, wrists crossed, as though for binding, my head lowered, between my arms. I spoke with a clear voice. "I, Miss Elinor Brinton, of New York City, to the Warrior, Rask, of the High City of Treve, herewith submit myself as a slave girl. At his hands I accept my life and my name, declaring myself his to do with as he pleases." {Captive of Gor, page 283}
She winced, her back bent painfully. "Do you wish me to submit to you now?" she begged.
"Do so," he said. She fell to her knees before him and lifted her head to regard him.
"I will be your slave," she said. Then she knelt back on her heels, lowered her head, and lifted and extended her arms, wrists crossed, as though for binding. She was very beautiful. "I am your slave," she said, "...Master." {Hunters of gor, pg 16}
I had felt this even when my father had commanded her to rise and submit to me, accepting me as her new master. She had risen and walked across the room, her feet bare on the stone floor, and dropped to her knees before me, lowering her head and lifting and extending her hands to me, the wrists crossed. The ritual significance of the gesture of submission was not lost on me; her wrists were offered to me, as if for binding. {Tarnsman of Gor, Ch 5}
"Assume the posture of female submission," I told her. She did so, kneeling back on her heels, her arms extended, wrists crossed, her head between them, down. She was weeping. {Tribesmen of Gor, page 359}
"She is yours," he said. He took his strap off her throat, and unbound her hands. "Submit," I told her. She knelt before me, back on her heels, arms extended, head down, between her arms, wrists crossed, as though for binding. {Explorers of Gor pg 74}
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Suga
� This position may be considered another form of obeisance
� This position is very similar to the prostrate position (otherwise known as kar-ta on-line)
� not named specifically in the book, but described
She came and stood before me, and then dropped to her knees,resting on her heels. She lowered her head and extended her arms, wrists crossed, the submission of the Gorean female. {Raiders of Gor, p 92}
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Sula
� (lit. 'back')In this position a slave lays upon her back her hands at her sides palms upward her legs widely spread to await her Master's pleasure. (Explorers of Gor page 77)
� for unrestricted slaves, a usage position
� places slave ready for sex or bondage or control
"Sula, Kajira!" said the man. She slid her legs from under her and lay on her back, her hands at her sides, palms up, legs open. {Explorer's of Gor pg 77}
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Sula-ki
� another usage position
� for unrestricted slaves
� not named specifically in the book, but described
She assumes sula, then slowly lifts her hips up off the floor, as if beckoning him with her body. {Explorers of Gor, page 329}
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Table
� where the slave may now be used as a table or foot rest
� can be very uncomfortable for the slave
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Tower
� tower slave position, a position used frequently by domestic slaves with thighs closed and hands resting (sometimes with wrists crossed*) on legs. *wrists crossed is ONLY when kneeling in tower AND not in service, so when kneeling upon a Free Person's furs, crossing the wrists would be inappropriate. (Priest Kings of Gor, page 46)
� also known as "white nadu"
� whitesilk kneel
� used when kneeling uncommanded or when offering serve
� female slaves kneel thus before Free Women and male slaves kneel thus before Free Men
She had not prepared herself a portion but, after I had been served, had knelt silently to one side, back on her heels, in the position of a Tower Slave, a slave to whom largely domestic duties would be allotted in the Gorean apartment cylinders.
{Priest Kings of Gor, page 46}
The Gorean male, at ease, usually sits cross-legged and the female kneels, resting back on her heels. The position of the Tower Slave, in which Vika knelt, differs from that of a free woman only in the position of the wrists which are held before her and, when not occupied, crossed as though for binding.
{Priest Kings of Gor}
Gestures
There are many gestures that a Free Person may use to command a slave, many are quite simple to understand such as the Free Person pointing to the slave and then to Their furs suggesting the slave approaches or perhaps kneels before them. Some gestures are used for many commands, the snap of the Master's fingers can be an unspoken command for the slave to stop their dance or to perhaps even start to dance, it can be a command for the slave to quiet or even a command for the slave to approach. Note that as always, nothing is ever set in stone, it is always good for the slave to pay attention to the Free and Their habits and Their own desires.
Sula-ki
� command directing the slave to approach the Free Person
He slapped his right ankle, and pointed to it, and then beckoned me to approach him. {Slave Girl of Gor}
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Break Position
� command to release the slave from position, done by gesture
With a snap of his fingers and a movement of his hand he released me from position. {Slave Girl of Gor}
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Hair
� the Master gestures with His left hand open at His waist, His fist opens and closes once
My left hand open, at my waist. She stiffened, and looked at me,angrily. I opened and closed my left hand once. I saw her training in Gorean customs had been thorough. But she never thought that such a gesture would be used on her. She came beside me, and a bit behind me, and, crouching, but her head down, deeply. I fastened my hand in her hair. {Beasts of Gor, pg 409}
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Obedience Nadu
� the Master snaps His fingers, with a swift double gesture, points to a place on the floor behind Him, simultaneously turnig His hand, spreading the first and index fingers, pointing down
He suddenly snapped his fingers and, in the swift double gesture of the Gorean Master, pointed to a place on the dirt floor before him, almost simultaneously turning his hand, spreading the first and index fingers, pointing downwards. I fled to him and knelt before him, my knees in the dirt, in the position of the pleasure slave, my head down, trembling. {Captive of Gor pg 143}
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Rise
� command directing the slave to rise and stand
� see stand
Rather he gestured that I should rise. I did so. {Slave Girl of Gor}
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More Commands
Sometimes there are those commands that don't actually require a set position, but they do require some direction and action on the part of the slave, perhaps more of a movement than a set state. Below is a list of such commands. Some may be noted only with quotes, some with details.
Ankle
"Ankle," I told her.
She extended her shapely limb.
I took her ankle and, about it, closed the fetter of black iron. I then joined her upon the furs. {Beasts of Gor"}
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Approach
"Approach me, slave girl," I said, "and kneel."
She lifted her head and looked at me, angrily, proudly, for a moment, but then she said, "Yes, master," and did as she was commanded. {Nomads of Gor}
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Beg For Love
"You!" said the trainer, gesturing to another girl with his Whip. "To his feet! Beg for love!"
This girl hurried forward and knelt before Drusus Rencius.
"I beg for love, Master," she whispered.
"You!" said the trainer, indicating another girl.
She, too, hurried forward. She knelt before Drusus Rencius, her palms on the floor, her head to the very tiles. "I beg for love," she whispered. "I beg for love, Master." {Kajira of Gor}
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Beg To Be Used
"You may now beg to be used as a slave," he said. "I beg to be used as a slave, Master," I said. Kajira of Gor}
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Believe
"If you command me to believe you," she said, "I shall, of course, for I am slave." {Marauders of Gor, Ch 1}
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Blanket
� when a blanket or cloak or covering of any sort is thrown over a slave girl she may not speak or rise; she must remain silent until the blanket is lifted by a free person. (Explorers of Gor, page 94)
He was unfolding a blanket. "You will not speak," be said, ... He then, opening the blanket, cast it over me. I on all fours before them, covered by the blanket, hidden by it, was in consternation... I was silent.
{Kajira of Gor}
I then threw the second blanket, the top blanket over her, covering her completely. When a blanket, or cloak, or covering of any sort, is thrown over a slave like this she may not speak or rise. She must remain as she is, silent, until the master , or some free man, lifts the covering away.
{Explorers of Gor pg 94}
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Bound by the Master's Will
� refers to a slave being commanded to hold position, as though bound, hands clasping opposite wrists until she is released. (Dancer of Gor, page 227)
"Your hands are now bound behind your back," he said.
"Yes, Master," I said. I must now keep my hands or wrists in contact with one another, and behind my back. I was now "bound by the master's will."
I could not separate my hands or wrists from one another now without permission. There are many ways, of course, of "binding by the master's will." The behind-the-back position is one of the simplest and loveliest. This exposes the girl, frames the beauty of her breasts and makes her helpless. That the bond is a "will bond," too, makes clear to her the power of the master over her. Another common bond of this sort is when the girl must kneel, grasping her ankles. Another is when she is forced to sit and reach forward between her legs, passing the right arm from inside the right thigh to outside and beneath the right calf, to grasp the right ankle from the outside, and the left arm from inside the left thigh to outside and beneath the left calf, to grasp the left ankle in the same way. In this position she is helpless and cannot rise. Too. after a time, it becomes apparent to her that she also cannot close her legs. A girl may be kept in such bonds for hours. Too, of course, she may be tied in such positions. There are also, of course, different ways of decreeing such bonds. For example, with the behind-the-back-hands-tied bond in which I had been placed I could have been informed, but had not been, that my shoulders were pulled tightly back, which, of course, forces the breasts forward for the pleasure, or attentions, of the master. {Dancer of Gor, page 227}
She wore the `bonds of the master's will.' Grunt had put her in them. She could not rise to her feet. Yet there was not a rope or strap on her body. She was `bound by the master's will.' She could not move from this position unless, at the word of a free person, she was freed from it. To break the position otherwise is to be instantly slain. {Blood Brothers of Gor, page 248}
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Come
� a command requiring the slave's presence before the Free Person
"Come here," commanded Kamchak, and Aphris ran lightly to him, timidly. {Nomads of Gor}
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Crawl
� command to crawl upon all fours to the Free Person
� once again.. crawling is a way to express 'need' if not commanded to crawl.. then do so with care!
This approach allows a girl to display her body to the Master in a variety of enticing ways. I pointed to the stones at my feet.
"Crawl," I said, in Gorean. The girl slipped to her belly, and as a slave girl, crawled to my feet. She put her lips to my foot. I felt her hair over it. {Tribesmen of Gor, pg 78}
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Crawl, Belly
� command to crawl upon one's belly
� often used to beg rape or symbolize need
� once again.. crawling is a way to express 'need' if not commanded to crawl.. then do so with care!
"I crawl to my Master on my belly," she said, "and beg for his touch." I smiled. I, a guest in the tent, now stood to her, of course, as her Master. Such girls come with the price of the lodging. {Beasts of Gor, page 80}
"In response to her request, I had, in the past few days, taught her various modalities of petition, which I had trained her in, sometimes over and over, to be sure, modalities more appropriate to the female slave than the free woman. The day before yesterday she had crawled to me on her belly, to lick and kiss at my feet. {Beasts of Gor, page 80}
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Fetch
� just as it is presumed, the slave fetches whatever the Master throws, more often than not the object is a whip
� often it is expected the slave will use his/her mouth to retrieve the object
He then hurled the whip from him. It slid back across the tiles, until it stopped, at the door.
"Fetch," he said.
The girl, on her hands and knees, went to the whip. She put down her head at the heavy, locked door and picked up the whip, delicately, in her teeth. She then, the whip in her teeth, turned from the door and, head down, on her hands and knees, returned to the center of the room. {Kajira of Gor}
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Fight
I observed the two men, collared slaves, squaring off against one another in the sand. Both were stripped to the waist. The hair of both was bound back with a band of cloth. Each carried, sheathed, a hook knife. The edges of the sheath were coated with a bluish pigment...I heard the crack of the whip and the command "Fight!" and saw the two men begin to close with one another. {Assassin of Gor}
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Heel
� the slave follows the Master at his heel, 'where she belongs,' slightly behind and to his left or right, depending on which side is his weapon hand. The distance behind varies.
"May I not follow my Jarl?" she begged. "A lowly bond-maid begs to heel her Jarl." "Then, heel," said Ivar, good-naturedly, turning away
"Thank you, my Jarl!" she wept, leaping to her feet, falling into step on his left, two steps behind him. {Marauders of Gor, page 123}
The Forkbeard turned about and, one arm about Pudding, the other about Gunnhild, started from the dock. Hilda followed him, to his left.
"She heels nicely," said Ottar. The men and bond-maids laughed.
The Forkbeard stopped.
Hilda's face burned red with fury, but she kept her head high. Pet sleen are taught to heel; so, too, sometimes, are bond-maids; I was familiar with this sort of thing, of course; in the south it was quite common for slave girls; in various fashions in various cities, to heel their masters. Hilda, of course, was a free woman. For her to heel was an incredible humiliation. The Forkbeard started off again, and then again stopped. Again, Hilda followed him as before.
"She is heeling!" laughed Ottar. {Marauders of Gor pg 123}
In a market, in the crowding and jostling, for instance, a girl may follow so closely she pressed against the back of his left shoulder. Girls seldom follow behind and on the right. If she is thusly placed it is commonly a sign she is in disfavor. If more than one girl is involved, she who follows most closely on the left is generally taken to be in highest favor; girls compete for this position. In an open area, such as the fields in which we trekked, the girl is placed usually some five or ten feet behind, and on the left. If he must move suddenly she will not, thusly, constitute an impediment to his action.... . I walked behind him, and to the left. I suppose I should have minded. I knew, of course, that I was heeling him. {Slave Girl of Gor, pg 30}
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Juice
� command to show your heat, not your sex persay, but your heat, one is commanded to get excited so that one can anticipate perhaps being used
"Lie there and juice;" he had told me. "Waste no time about it."
I had lain there and, briefly, shut my eyes and thought of his might and power, and my helpless slavery, and then I was ready, almost in a moment, to receive his lie and had me swiftly. {Kajira of Gor}
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Kiss the Floor
� shows respect to the Free, a Master may just point to the floor, saying 'a Free Person has walked here,' the slave then kisses where the Master gestured to
He then pointed to a place on the tiles, out from the covers but in front of them. "A free person has walked here," he said. "Yes, Master," I said. I then, kneeling, put down my head and kissed the indicated place three times. {Kajira of Gor}
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Kiss the Whip
�just that.. you kiss the whip of the Master, showing again reverence
"Kneel and kiss the whip of Mintar," he said. He took a whip from the table and held it before me. "Again and again," he said, "tenderly, lingeringly."
I did so. I trembled, thrilled, forced to kiss a man's whip, and in the intimate manner of a slave. I supposed that I would never see the man whose whip I was kissing. {Kajira of Gor}
"Lift your head," he said. She did so.
"Kiss the whip," he said. "Again, lingeringly!"
"Yes, Master," she said.
"Now lick and kiss it," he said.
"Yes, Master," she whispered. {Kajira of Gor}
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Kneel
� a slave always kneels in the presence of a Free Person
�a basic command to have the slave kneel, the slave kneel consists of the slave kneeling straight and poised, never slouched over, chin raised, eyes down
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Lap
� for the unrestricted slave, command to settle to the Free Person's lap
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Master's Kiss
� this command orders the slave to make herself available the slave for the Master's kiss
� with this, the Master may attack the slave's lips with His own, allowing Him to kiss her passionately and powerfully
� the Master is able to seize the hair of the slave to do so
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Master's Kiss
� an instruction whereby the slave performs her regular duties upon hands and knees without the benefit of the use of her hands. In this mode she may not rise to her feet and may use only her mouth and teeth to grasp and manipulate objects. (Guardsman of Gor, page 225; Mercenaries of Gor, page 215)
� an obeisance position, shows reverence to the Master/Free Person
� enforces upon a girl her status
In this form of slavery, which is commonly used for disciplinar purposes, or for the amusement of the Master, the woman is not permitted to arise from all fours; similarly she is not permitted human speech, though she may signify needs and desires by such means as cringing, and moaning and whimpering. Not permitted the use of her hands, save as a means of locomotion, she must also eat and drink from pans set on the floor, or, sometimes to satisfy her thirst, she must lap the water permitted to her from puddles or lick pillages from the tiles; too, it is no uncommon to chain her near her master's feet, while he dines, that he may, if he wishes, throw her scraps of food. She will also be taught tricks, through which paces she may be put for the entertainment of her master's guests, such things as begging, lying down, rolling over, and fetching his sandals in her teeth. And, needless to say, when her master wishes to use her sexually, it will be a position common to the she-quadruped. {Guardsman of Gor pg 225}
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Nestle
� for the unrestricted
� done mainly when lapping
"Nestle," I told her. "Yes Master," she said. She nestled obediently in the crook of my left arm. {Explorers of Gor, page 279}
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Observe
� A very simple command to follow, it directs the slave to pay attention to whatever the Master wishes her to pay attention to
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Rise
He lifted his finger for her to rise. Her right leg thrust forth, brazenly, and then, from her kneeling position, slowly, hands above her head, moving, high, she rose swaying to her feet. {Tribesmen of Gor, ch 5}
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Run
� command to run where ever the Master tells you to run
"Run!" I commanded. {Nomads of Gor}
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Say
� a slave will say anything s/he is commanded to say
"Say 'La kajira'," I told her.
She looked at me, helplessly. Then she repeated, "La Kajira."
"Again," I commanded.
"La Kajira," said the girl clearly, "La Kajira"
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Show Respect
� when ordered, a slave should kneel before the Free Person and lower and kiss the tiles/rugs at His/Her feet (Tribesmen of Gor, page 211)
The man on the dais, sitting corss-legged, regarded us.
We said nothing.
He lifted His finger. "You may again show respect," said the man behind us.
We again kissed the tiles. We again straightened ourselves. Again we said nothing. {Tribesmen of Gor, pg 211}
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Silence
� Another simple instruction setting the slave to be quiet
"Be Silent, Slave Girl," I warned her, and she heeded my injunction, for she then, for better than an Ahn, served in a silence that was exquisite, broken only by our breathing, her small moans and cries. {Assassin of Gor}
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Struggle
"Struggle, squirm, attempt to escape," he said. I struggled briefly, predictably futilely. "I cannot escape" I said. {Kajira of Gor}
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Orgasm/Yielding
"You may now yield, Lady Sheila," he said, "as you have begged, as a slave."
"Thank you, Master!" I cried, and threw my head back elation and gratitude, and freed myself of feeling, and, as He mastered me, cried out my slave's submission to him. {Kajira of Gor}
Then, after a time, at last, he permitted her her slave's yielding, and in it she cried out her slavery, and her submission to men, and, specifically, to he who was her master of the evening. {Kajir of Gor}
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Thigh
� it essentially means, show your brand. (Guardsman of Gor, page 184; Vagabonds of Gor, pages 383 and 399)
� this command might be given to a female or to the Free person with a female, who is not identified.
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Vocalize Sensations
As a note, it might be added, that the slave female, in her master's arms, must, if he so commands, under the threat of the whip or death, vocalize her sensations, then ventilating and reinforcing, multiplying, deepening, and increasing and intensifying them.
Thus, cruelly, she is forced to help arouse herself and contribute to her own pleasures, and consequently, of course, those of the master. This command, sometimes, implicity, sometimes a matter of the master's policy with his girl or girls, under which she is placed, to vocalize her pleasured, and abundantly, as well as, in her abandon, nudity, and beauty, manifest them physically, guides, accurately and surely, the master in the detailed exploitation of her weaknesses, in his depradations practiced on her body. She must betray herself. Do not blame her. No choice is given her. She is an instrument of passion on which he plays, deligthing himself with the music of her expressions, her movements, her cries, even the wild, unrestrainable odors of her collared slave body. She is forced to contribute to her own sexual obligation. Do not blame her. She is given no choice. {Marauders of Gor, ch 22}
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Walk
� command to walk where Master/Mistress directs one to
NOTE: walking chains: adjustable chains fastened on the ankles of a slave girl to train her to walk with the length of stride preferred by her Master (Tribesmen of Gor, page 48)
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Walk, Knee
� simple: a slave travels on knee's, without standing, to fetch items or tend to duties. (Magicians of Gor, page 342)
� Turian: mentioned, but not described except that it is sometimes used by slave dancers. (Magicians of Gor, page 342)
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Whip
� meaning to give the Free Person His/Her whip.. normally carried in the mouth
"Whip,"' said Ligurious. She gave him the whip, extending her head towards him, opening her mouth, letting him take it from between, her teeth. {Kajir of Gor}
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Whip Caress
She then went to stand by the left, rear wheel of the wagon.
There Kamchak braceleted her wrists thigh over her head about the rim and over one of the spokes. She faced the wheel....She stood trembling, her head down. Then he took her braceleted hands and with one hand raised her hands over her head. She stood so, her knees slightly flexed, head down....Then, before I could realize what he intended, he had subjected Miss Cardwell to what, among slavers, is known as the Whip Caress. {Nomads of Gor pg 168}
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Writhe
� command given for a slave to writhe and move upon the furs
� may be a series of paces upon the furs
Similarly, I was not required to respond to certain sorts of commands, for example, to make "slave lips," pursing my lips for kissing, or to writhe slowly before my viewers. {Kajira of Gor pg 224}
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MORE TO COME!
While in channel type !positions to receive info from the bot.
In dedication to
Master Saxus
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