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L'uomo
nudo e l'uomo in frak - One Was Nude and the Other Wore Tails
(Synopsis by Sasha Still)
Note:
in this play, the Primo Spazzino (first street-sweeper) is performed
by three actors.
The
show opens with two street sweepers coming on stage talking aimlessly.
When we listen to them we are impressed with their sly language
as they re philosophizing over nothing, everything, and God.
At this point a woman walks in telling them she needs help to
run away from the Vice Squad coming after her. The philosopher
sweeper changes clothes to transforms himself into a ‘respectable
man and then the two leave together.
The
first sweeper, who moved the ‘philosopher one s trashcan,
comes back into the scene and starts cleaning. When he throws
the garbage away he finds a nude man inside the can. He explains
the sweeper he s naked because his lover s husband came back
home when he was there. Then he asks the sweeper a ride to his
house, but he says he needs a tuxedo so that his wife won t notice
anything. While they re talking a guard walks by, and the sweeper
pretends he s talking to the trashcan he was cleaning.
After
the guard has talked to him for a bit and left, a flower vendor
wearing a tuxedo comes into the scene riding a bike. The sweeper
makes him stop and tries to convince him to sell his suit. Finally
they agree on a deal, and the two walks out to exchange clothes.
As soon as they leave the guard walks back and notices the trashcan
in the middle of the stage. The woman--a prostitute--comes back
as well; her conversation now reveals how she tricked the philosopher
sweeper earlier into thinking she needed help when actually she
was just searching for a client. The woman agrees to wait by
the trashcan while the guard goes look from somebody to come
pick up the ‘abandoned can.
The
sweeper wearing the tuxedo and the flower seller dressed as a
street sweeper come back. The seller leaves, while the street
sweeper talks to the woman telling her he s an ambassador. The
two flirt a little and then the woman--believing he s an earl--gives
him her hand to be kissed right before he leaves the scene pushing
the trashcan. The guard gets back and asks about the trashcan;
the woman answers that the ‘ambassador took it away as
a prank/joke. The guard, followed by the woman, starts looking
for the street sweeper.
The
street sweeper comes back onto the stage, then the guard, and
in the end the woman as well. The guard wants the trashcan back
and doesn t listen to the sweeper who s telling him that it does
belong to him. The nude man starts insulting the guard from inside
the trashcan without being noticed by him. The guard thinks it
was the sweeper who offended him and slaps him in the face, and
then punches the nude man by mistake. The street sweeper gives
the trashcan with the unconscious nude man to the guard.
After
the guard walks out, the woman and the sweeper have a conversation.
The woman thinks he s good speaker and that therefore he must
be somebody important. He explains to her that he s just a street
sweeper and that he has just lost his money and job. Although
all of this happened he says he s happy because people believe
he s somebody.
This
way the plot shows a circular structure as the play opened with
the two characters arguing over the same subject that now the
sweeper and the woman are talking about. In the end we see the
theme of truth that was before introduced by the philosopher
sweeper as he was asking what the truth really was. We see that
the appearance of the man wearing the tuxedo is all that matters
to the guard, not whom he truly is. By believing he s a gentleman
though, the guard gives the sweeper all he s got left c feeling
like he s somebody.
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