This stage regroups the individual rhythmic patterns expressed during the preceding stage.
Here a series of games facilitates the exchange of rhythmic patterns among participants.
The imitation and reproduction of each other's patterns bring to light in an persuasive and particularly intimate way two major tendencies that mark everyday human relations: the desire to affiliate oneself with the group to satisfy the gregarious instinct, and the opposed tendency to insist on one's individuality.
After having appreciated during the relaxation phase the richness of the personal imaginary space which is born of the encounter between the sensorial, intellectual, and emotional facets of our experience, and after having created during the dynamization stage a sound-representation of rhythms perceived within the body, the participants confront in the final stage the antagonistic forces of externalization and internalization.
The synchronization of individual creative forces gives the group cohesion. This cohesion affirms itself here in the necessity for each individual to find an equilibrium between the desire for autonomy and the need to belong to the group. Creativity then can fulfill its function of renewing the established order not only to better position oneself in the world, but also to improve the modalities of social relations.
The rhythmic fabric thus established serves as a jumping point for the creative dynamic. Melodies, songs, words, dance, plastic arts, and lighting effects appear as so many languages springing out of this rhythmic babble. These can take form in an exemplary artistic production or performance that will in its own time stir a public to action at a however quotidian level – whether on stage or in daily life.