(US)<BR>
Ten (10) Song Album = $.72 - 50,000 US copies sold = $36,000.00 (USC) <I>to each of the above!</I></FONT><BR>
<FONT SIZE="-1" COLOR="#871F78">Details are linked below - read all 30+ articles!</FONT></CENTER></CENTER>
<HR SIZE="1"><CENTER>
<B><FONT SIZE="+4">Shelving Contracts</FONT></B><BR>
<B><FONT SIZE="+3">CAREER NIGHTMARE!</FONT></B><BR>
<B><FONT SIZE="+2" COLOR="#0000FF">What to Look For</FONT> - <FONT SIZE="+2"COLOR="#FF0000"><B>What to Avoid - Facts & Figures</FONT></CENTER></B></P>
<P><B>Burley Watson, NASHVILLE, TN</B></P>
<P><B>Getting a Recording Contract is the dream of everyone who has been bitten by the roar of the grease paint and the smell of the crowd since Edison invented the phonograph.</B></P>
<P><B>Those who 'go to (name the music capitol) to get a break' should realize they may very well be the best 'talent' their home town has ever seen <I>but in Nashville, New York or Hollywood <FONT COLOR="#FF0000">they are just one more jerk looking for a handout!</FONT></I></B></P>
<P><B>Only one out of ten thousand ever even get to work on a distributed product. About the same number ever get a chance to 'road band' with an Artist on a distributed label. One out of ten thousand odds while you're starving on the street isn't exactly paradise terms.</B></P>
<P><B>Even those who manage to gin-mill enough to keep themselves in boiled eggs and a rat's nest <I>never</I> bankroll sufficient funds to make acceptable demos, let alone pay their share of a distributed record. For the most part they could do far better right there at home. Should someone from a 'label' or 'production company' observe them as being a potential monetary threat to any of their investments: <I>the sign-them-to-a-contract scam is on <FONT COLOR="#FF0000">in all it's full fury!</FONT></I> But if you're stupid enough to be in one of the so-called Music Capitols <I>'to be discovered',</I> they already know <I><FONT COLOR="#FF0000">you're too stupid to be any threat at all</FONT></I> and they don't have to waste one penny on you!</B></P>
<P><B>The 'sweetheart' contract is one that fulfills all the myths and delusions about the Industry: (1) <I>It costs the artist nothing; </I><FONT COLOR="#FF0000">and that's exactly how much the artist will get paid regardless of how many copies the record sells;</FONT> (2) <I>It takes all the artist's original compositions and song ideas;</I> and retains them until the record company's 'investment' is paid in full; and (3) <I>Any and all Artist's earnings are charged back</I> until the record company's 'investment' is paid in full; and (4) <I>The record company can continue to run up debt against the Artist as long as necessary!</I></B></P>
<P><B>If there's an album involved, rather than a single or 'demo' session (why a record company needs a <I>demo</I> of its own acts for its own use is ludicrous) there is probably a "tour to promote the record" somewhere in the fine print.</B></P>
<P><B>Now think about that. When anyone buys a ticket to a concert it's to see an Artist <I>whose recordings have made them famous,</I> not some jerk hawking records nobody ever heard tell of! The real reason for the 'tour' is to guarantee the jerk will be head banging a gig somewhere in the dark regions of Swamptown when the Artist they might have infringed on plays The Grand Palace in Tinsel Ville.</B></P>
<P><I><B><FONT COLOR="#FF0000">And it's no more complicated than that!</FONT></B></I></P>
<P><B>Any and all such 'sweetheart' contracts are <I>shelving</I> (the record company can put the product on the <I>shelf</I> for as long as it likes) contracts designed for the sole and exclusive purpose of being a very inexpensive <I>insurance policy!</I></B></P>
<P><B>There's no such thing as insurance on a record project, especially for ROI (Return On Investment), and the only recourse to protect a working investment is to <I>shelve contract</I> any and all real competition that's ignorant enough to sign. The fact it's legal doesn't change the immorality of it one bit.</B></P>
<P><B>In an <I>honest ExܥeCAP, BMI and SESAC!">
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<CENTER><B>ARTICLE 06<BR><FONT SIZE=+2 COLOR="#8B008B">
<I>SHELVING</I> 'RECORDING CONTRACTS'<BR>CAREER NIGHTMARE!</FONT><BR>
<FONT SIZE="-1" COLOR="#800000">The Number ONE site of <I>SECRETS</I> to the Millions of Dollars in Recorded Music!</FONT><BR>
<A HREF="http://www.geocities.com/Nashville/5119/vmg.htm"><IMG SRC="vmgad01.gif"></A><BR>
<B><FONT COLOR="#0000FF"><I>All VANDOR MUSIC GROUP products are manufactured world wide by BMG!</I></FONT><BR>
<P>
<B>This page is hosted by Regina Michelle after reading this sight please visit her bio page at <BR><A HREF="reginamichelle.htm">
Regina Michelle's Bio Page</a><BR>
You May send email to Regina Michelle or Vandor Alabama <A Href="mailto: fastrack@bellsouth.net"> Email</A><BR>
<HR><P>
The cold, hard facts of Recorded Music from Songwriting through Stardom!<BR>
<FONT COLOR="#FF0000">Exposing the scams,</FONT> harpooning the song-sharks, <FONT COLOR="#0000FF">blowing the myths,</FONT><BR>
<FONT COLOR="#FF0000">stripping the lies, and naming the names!</FONT><BR>
<FONT COLOR="#0000FF">Explaining the <I>"why"</I> of the what-won't-work scenarios!</FONT><BR>
Step-by-step <I>"How To Do It!"</I> for those few who <FONT COLOR="#FF0000"><I>really</I></FONT> want to succeed!
<TABLE BORDER=3>
<TR><TD ALIGN=CENTER>
<B><CENTER><FONT COLOR="#FFFFF0">- -</FONT><B>ASCAP's <FONT COLOR="#FF0000">MARILYN BERGMAN,</FONT> U.S. SENATE's <FONT COLOR="#FF0000">ORRIN HATCH</FONT> (R) UTAH<FONT COLOR="#FFFFF0">- -</FONT><B><BR>
<A HREF="impeach.htm">IN OPEN CONSPIRACY AGAINST SONGWRITERS, PUBLISHERS!</A></FONT><BR>
<B><I>BOTH</I> Caught In blatant, open collusion! Hide behind Official Powers of Office!<BR>
General Bobby Farrell <FONT COLOR="#FF0000"><BLINK><I>EXONERATED</I></BLINK></FONT><B> of 'false', 'irresponsible', accusations!</FONT></B></CENTER>
</TR></TD></TABLE>
<HR SIZE="1">
<CENTER><B><FONT COLOR="#871F78">VANDOR PAYS HIGHEST EARNED ROYALTIES IN THE INDUSTRY!</FONT><BR>
<FONT COLOR="#2F4F2F"><I>SEVEN POINT TWO CENTS ($.072) PER SONG</FONT> <FONT COLOR="#000000">(US)</FONT> <FONT COLOR="#FF0000"><BLINK>AND NO CHARGE BACK!</I></BLINK></FONT><BR>
<FONT SIZE="-1" COLOR="#871F78">$.072 <I>each!</I> $.072 Artist/Group, $.072 Publisher, $.072 Executive Producer per-song per-copy sold!</FONT> <FONT SIZE="-1" COLecutive Producer's contract</I> here's what to look for: (1) A simple six to ten page agreement (Thanks to lawyers, the average is now - 1998 - about twenty pages); (2) A term of not more than five years with two year riders; (3) <I>A total lack of charge back;</I> (4) Royalties in the range of SIX POINT SIX CENTS ($.066) <FONT COLOR="#FF0000">(UPDATE: 1996, the mechanical rate has been increased to SIX POINT NINE FIVE ($.0695) CENTS) </FONT><I>per song</I> (not record!) per copy sold and TEN PERCENT of Net for Foreign Licenses for both the Artist and Executive Producer (Yes, that's EACH!); (5) <I>A total lack of</I> embindments on other songs you've composed; (6) An Executive Producer's fee that isn't <I>less</I> than one quarter (or there won't be enough money to do the project properly) nor <I>more</I> than one third (or you're footing the whole bill yourself!) of the Total Promotion Budget; (7) A total absence of lesser mechanical royalty rate for using your own compositions; and (8) A <I>breakdown</I> of the Label's, Music Publisher(s)' and General Licenser's share of the investment.</B></P>
<P><B>What to avoid: <I>any contract that costs you nothing</I> and doesn't spell out the vast array of limitations inferred above; and any contract with any Label that isn't <I>licensed and distributed by one of The Super Nine General Licensers</I> and carries the Licenser's logo on its label.</B></P>
<P><B>Facts & Figures: The U.S. Copyright Office averages processing some <I>thirty five thousand</I> music copyrights each and every WEEK, fifty two weeks a year! About fifteen percent are renewals, leaving about <I>thirty thousand copyrights per week</I> covering brand new material. The <I>average</I> copyright for music covers TEN POINT THREE (10.3) songs for a total of 15,934,100 <I>brand new songs each and every year!</I></B></P>
<P><B>Facts & Figures: The Super Nine General Licensers release about 2,500 albums per year combined, each containing an average of TEN songs. That's a total of some 25,000 songs. However, about one third of those 25,000 album inclusions are <I>re-caps</I> of previously released material, leaving only about 17,300 new compositions recorded and released per year <I>out of 15,934,100 written per year!</I> No wonder the song sharks have huge schools of fish to feed on!</B></P>
<P><B>Facts & Figures: Only one out of eight <I>distributed</I> albums ever sells any copies at all. Non-distributed (independent label) albums manage only about one tenth of one percent (.001%) of total commercial sales. Only one out of <I>eighty</I> singles ever sell any copies at all except as album outcues. A few Foreign Countries still buy 45RPM single records but most prefer cassettes, and there are some 13,500,000 jukeboxes still in operation (1994) using the old 45s. And a few thousand still using 78s!</B></P>
<P><B>Facts & Figures: The optimum <I>running time</I> for any record is UNDER three minutes and thirty seconds! The reason is: <I>cost of radio air time!</I> The average United States radio rotation of a record is 8 times a day 7 days a week for 6 weeks; the average cost of a <I>thirty second</I> spot commercial is $25.00; making the average station's air time investment <I>in each and every :30</I> of a song's running time $8,400.00 over the six week life of the average song!</B></P>
<P><B>Facts & Figures: The Golden Rule: Those who have the Gold <I>make The Rules!</I> And it's never more true than in the multi-billion dollar recorded music Industry and especially where the 'waiting to be discovereds' are concerned.</B></P>
<P><B>Facts & Figures: About 99% of all established Artists at one time recorded on a small label, and 99% of those will return to Indie labels before they retire. And the most successful avoided 'sweetheart' contracts from day one. It was easy enough, they just didn't expect someone else to finance their pipe dream.</B>
<HR SIZE="5" NOSHADE="NOSHADE">
<A ALIGN="LEFT"><B>Return to INTERNATIONAL INDUSTRIAL REVIEW</A> <A HREF="http://nmol.com/users/vmg">INDEX PAGE!</A>
<HR SIZE="5" NOSHADE="NOSHADE">
<CENTER><B><I>SCAMBUSTER</I> LINK!<BR>
Names the Names! Read it and <I>LEARN</I> something valuable!<BR>
<A HREF="http://www.scambuster.com/">http://www.scambuster.com</A><BR>
Use your BACK BUTTON to return.</B></CENTER>
<HR SIZE="5" NOSHADE="NOSHADE">
<CENTER><B><FONT COLOR="#FF0000">WORLD'S NEWEST, MOST COMPREHENSIVE MUSIC CHART!</FONT><BR><FONT COLOR="#0000FF"><I>ATLANTIC SATELLITE TOP-500+ RECORDS IN THE WORLD!</FONT></I><BR><A HREF="http://www.atlantic-satellite.com/">Who's Really Hot and Who's Really Not!</A><BR>Artist/Song/Label-Source - <I>not separated by Field of Music!</I><BR><FONT COLOR="#0000FF">BOOKMARK THIS PAGE!</FONT> Atlantic does not have Return Links!</B></CENTER>
<HR SIZE="5" NOSHADE="NOSHADE">
<B><FONT COLOR="#0000FF">The lying thieving bastards were warned, now here's the documented evidence! <A HREF="ascapbmi.htm">ASCAP, BMI - THE WHOLE SCAM - AND HOW IT WORKS!</A></FONT> The Saga of "No Surveyed Performances" of music that's been in the <I>legitimate</I> Charts ALL OVER THE WORLD and for OVER THREE YEARS! Not for pusswillies or namby-pambies - everybody is called by their right names!</B>
<HR SIZE="5" NOSHADE="NOSHADE">
<CENTER><B>Read the above article, If you've been robbed, railroaded or<BR>blackmailed by ASCAP, BMI or SESAC too, join the fight!<BR>
<I>DEMAND A <A HREF="congress.htm">CONGRESSIONAL INVESTIGATION!</A></I><BR>
240 Senators' and House Representatives emails for your convenience.<BR>
Email details to <A HREF="mailto:VMGWorldWide@nmol.com">General Bobby Farrell</A>.<BR>
<HR SIZE="01">
<FONT COLOR="#FF0000">HOT NEW SUPPORT! - MAY 18TH, 1997!</FONT><BR>
The Honorable Thomas DeLay, (R) Texas<BR>
<A HREF="http://majoritywhip.house.gov/">http://majoritywhip.house.gov</A><BR>
Houston, Texas, Office Telephone: (281) 240 3700<BR>
<FONT COLOR="#0000FF"><I>Require your entire State Delegation support Representative Tom DeLay!</I></FONT><BR>
The Impeachment of corrupt and god-playing Judges is an absolute necessity!<BR>
Specifically: Judge William C. Connor<BR>
300 Quarropass Street, White Plains NY 10601-4150<BR>
The current ASCAP-RubberStamp at the Southern District Court!
</FONT></CENTER>
<HR SIZE="5" NOSHADE="NOSHADE">
<CENTER><FONT COLOR="#FF0000"><B><I>NEW! - NEW! - NEW! - NEW! - NEW! - NEW!</I><BR><A HREF="process.htm">THE EXACT PROCESS TO BECOME A RECORDING ARTIST!</A><BR>33,000-Plus bytes - give it time to load!</FONT></B>
<HR SIZE="5" NOSHADE="NOSHADE">
<FONT COLOR="#800000"><B><I>NEW! - NEW! - NEW! - NEW! - NEW! - NEW!</I><BR><A HREF="producer.htm">RECORD PRODUCERS & PRODUCTION COMPANIES WANTED!</A><BR>Limited opportunity! Read this offer <I>right now!</I></FONT></B>
<HR SIZE="5" NOSHADE="NOSHADE">
<CENTER><FONT COLOR="#FF0000"><B><I>NEW! - NEW! - NEW! - NEW! - NEW! - NEW!</I><BR><A HREF="product.htm">PRODUCTION - DO IT RIGHT THE FIRST TIME!</A><BR>Anyone with more brains than a brick can make a commercially acceptable record!</FONT></FONT></CENTER>
<HR SIZE="5" NOSHADE="NOSHADE"><FONT COLOR="#0000FF"><I>NEW! - NEW! - NEW! - NEW! - NEW! - NEW!</I><BR>
<A HREF="art00001.htm"> HOW TO COPYRIGHT A SONG - BOOK - STAGEPLAY!</A><BR>
Protect your Compositions and Creations <I>without a jackass Lawyer!</I><BR>
<A HREF="art00002.htm">KINDERGARTEN COURSE TO BECOME A RECORDING ARTIST!</A><BR>
Additional advice to the article above!<BR>
<A HREF="art00003.htm">PREP 101 - HOW TO GET A RECORDING CONTRACT!</A><BR>
Presented as a Courtesy by That Damned Akurian, General Bobby Farrell.</B></CENTER>
<HR SIZE="5" NOSHADE="NOSHADE">
<CENTER><B><FONT COLOR="#800000">Index to other International Industrial Review Pages</FONT></CENTER></B><BR>
<P ALIGN="LEFT"><B>VERIFICATION & DOCUMENTATION & Other Info <A HREF="linkpage.htm">LINKS PAGE</A>.<BR>
Court Approved <A HREF="iiart01.htm">LEGALIZED THIEVERY!</A><BR>
Recording Contracts, <A HREF="http://www.geocities.com/Nashville/5119/iiart02.htm">THEY'RE AVAILABLE!</A><BR>
Executive Producer vs <A HREF="iiart03.htm">'PAYING FOR PUBLISHING'!</A><BR>
Real & Phony Charts - <A HREF="iiart04.htm">RADIO & SALES!</A><BR>
Who to Trust, Who NOT to Trust - <A HREF="iiart05.htm">SONGWRITER ASSOCIATION SCAMS!</A><BR>
Shelving Contracts, <A HREF="iiart06.htm">CAREER NIGHTMARE!</A><I> What to look for - What to Avoid.</I><BR>
Industry Ignorance vs Paranoia, <A HREF="iiart07.htm">TURKEY LIST</A> - <I>How to avoid it!</I><BR>
Publishing Contracts - <A HREF="iiart08.htm">PRICELESS & WORTHLESS!</A><BR>
Music Publishers vs Labels vs <A HREF="iiart09.htm">General Licensers!</A><I> - NOT THE SAME THING!</I><BR>
Before you Record - <A HREF="iiart10.htm">WHAT WON'T WORK!</A><FONT COLOR="#FF0000"> Kiss-Of-Death elements to avoid! </FONT><BR>
The Industry's <A HREF="iiart11.htm">BEST & WORST DEAL!</A><BR>
General Licenser's <A HREF="iiart12.htm">FINANCIAL SUPPORT!</A><I> How To Get It!</I><BR>
World Wide <A HREF="distrib.htm">DISTRIBUTION</A> for your Label! <I>It's available!</I><BR>
Check out <A HREF="vandor.htm">Vandor Music Group</A> HOME PAGE!<FONT COLOR="#800000"> Nothing fancy - Just <I>WHAT WILL WORK!</I></FONT> And, they're signing Producers and Production Companies to produce directly on to the Vandor Family of labels!<BR>
<FONT COLOR="#FF0000">World Wide PROMOTION</FONT> for your music! <I>It's available, too! </I><A HREF="http://nmol.com/users/worldpro.htm">WorldPromo</A> HOME PAGE. Take a minute to review the <A HREF="http://www.worldpromo.com/noradpro.htm">NORTH AMERICAN RADIO PROGRAMMER!</A> It covers every radio station in Canada, United States, Mexico, all of Central America and all the Caribbean Islands <I>for less than the postage to cover just the Country stations in the U.S.</I> And it's a wide open AAA format that all hot broadcasters love!<BR>
Return to <A HREF="http://nmol.com/users/vmg">Home Page</A>.
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<CENTER><B><FONT SIZE="-2">May be copied and reprinted in whole or in part.<BR>Exchange LINKS welcomed. If you can stand the heat!<BR>WebPage Site & Design by That Damned Akurian, General Bobby Farrell,<BR>a years-on-end ASCAP and BMI robbery victim!</FONT></B></CENTER>
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<FONT SIZE="-7" COLOR="#FFFFF0">The purpose of this entire site is exposure to the entertainment and recorded music industries of the lies, thieveries, collusions, conspiracies, cover-up, government and court abuses of official offices and powers, with respect to ASCAP, BMI and SESAC collection and accounting practices against their respective membership. That ASCAP, BMI and SESAC are the most corrupt and biased of all entertainment and recorded music industry organizations is well established in these pages "ASCAP, BMI, SESAC - MUSIC INDUSTRY SCAMS", reprinted as public domain information. Should there be any doubt or question about ASCAP, BMI or SESAC as expressed in this site, you are free to contact ASCAP, BMI and SESAC direct and document each and every word statement and claim herein. These are the key and search words used throughout this site to expose ASCAP (American Society of Composers, Authors and Publishers), BMI (Broadcast Music Incorporated), SESAC and all other major recorded music industry scams, con-games, secrets and "how to" processes. </BODY>
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