$.072 Executive Producer per-song per-copy sold!</FONT> <FONT SIZE="-1" COLOR="#000000">(US)<BR>
Ten (10) Song Album = $.72 - 50,000 US copies sold = $36,000.00 (USC) <I>to each of the above!</I></FONT><BR>
<FONT SIZE="-1" COLOR="#871F78">Details are linked below - read all 30+ articles!</FONT></CENTER></CENTER>
<HR SIZE=1>
<CENTER><B><FONT SIZE="+2" COLOR="#0000FF">LEGALIZED COURT-APPROVED THIEVERY</FONT><BR>
<FONT SIZE="+2" COLOR="#FF0000">PUBLIC PERFORMANCE SWINDLE!</FONT></B></CENTER></P>
<P><B>BRUXELLS, Corabin Thessleux</B></P>
<P><B>Recorded Music is a multi-<I>billion</I> dollar per year Industry. Most of those <I>billions</I> are wasted on well intentioned, but worthless, <I>what-won't-work</I> scams, schemes and scenarios. The EEC is deluged with foreign product, most of which gets <I>counterfeited</I> by licensers, labels or sub-publishers. Even so, the outright thievery by the United States' public performance licensing agencies: (ASCAP) American Society of Composers, Authors & Publishers; (BMI) Broadcast Music, Incorporated and SESAC (which stands for SESAC?); make EEC counterfeiters look like rank amateurs by comparison.</B></P>
<P><B>The scam is simple, <I>even if legal,</I> and they've been doing it for years! They profess to 'monitor' broadcasters, count the plays of music in their respective catalogues, divide the license fees (after expenses!) between the publishers and songwriters, and pay the due amounts every quarter.</B></P>
<P><B>The fact is: 'monitoring' is strictly controlled, limited to broadcasters who program music published or written by their <I>Elite Cliques!</I> The few 'other' stations that do get 'monitored' are carefully chosen 'followers' of the 'in' programming to insure as much money as possible is retained, <I>by hard documentation</I>, for said <I>Elite Clique</I> members. In short, stations who play only Billboard 'chart' records, <I>which are determined by cash 'advertising'</I> and NOT what listeners want to hear!</B></P>
<P><B>Therefore, their reputed 60,000 hours of 'monitoring' done by outside agencies of ASCAP, BMI and SESAC are nothing more than a system of controls to insure their <I>Elite Clique</I> members get the lion's share of all public performance monies. To be sure, ASCAP, BMI and SESAC all pay a <I>pittance list</I> of members (for years on end whether they've released anything or not!), lest the whole scam be revealed by proper questioning! Something 'the courts' have proven to be incapable of doing.</B></P>
<P><B>The thoroughly corrupt courts of our own EEC should take lessons in moral degeneracy from courts in the United States, and could get Magna cum Laude PhDs in blatant stupidity from the <I>United States District Court, Southern District of New York!</I> That 'court' has rubber-stamped every <I>non-public</I> scam of ASCAP since 1941, and has kept: United States vs ASCAP, et al., running ever since!</B></P>
<P><B>At least their antics make money for the lawyers. We don't know WHEN, WHERE, HOW or HOW MUCH various 'court' officials get paid, but we suspect tee times, the golf course, in cash, and lots of it: <I>or else this scam would have been shut down years ago!</I> <FONT COLOR="#FF0000">[UPDATE: It has come to light that said 'court officials', primarily Judges, are <I>appointed to ASCAP's 'review boards'</I> upon 'retirement' from the Bench!</FONT> Now you know "why" ASCAP <I>never</I> loses a case against it's members and Members <I>never</I> win a case against ASCAP! It's a matter of nine wolves and one sheep deciding what to have for lunch. And it's <FONT COLOR="#800000"><I>prima facie evidence</I></FONT> of a totally corrupt, ASCAP-bought-and-paid-for 'court' as charged throughout these IIR articles and this website. - <FONT COLOR="#0000FF"><I>General Bobby Farrell.</I></FONT>]</B></P>
<P><B>Initially ASCAP, BMI and SESAC operated on about SIXTEEN PERCENT (16%) of gross collected revenues. Today that's about what gets distributed! There's obviously some very expensive overhead. Overhead 'the courts' are reluctant to question, <I>aܥeoves ASCAP's thievery of Millions of Dollars in Songwriter's and Publisher's Public Performance Royalties!">
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<CENTER><B>ARTICLE 01<BR><FONT SIZE=+2 COLOR="#8B008B">
UNITED STATES DISTRICT COURT ENDORSED THIEVERY!</FONT><BR>
<FONT SIZE="-1" COLOR="#800000">The Number ONE site of <I>SECRETS</I> to the Millions of Dollars in Recorded Music!</FONT><BR>
<A HREF="http://www.geocities.com/Nashville/5119/vmg.htm"><IMG SRC="vmgad01.gif"></A><BR>
<B><FONT COLOR="#0000FF"><I>All VANDOR MUSIC GROUP products are manufactured world wide by BMG!</I></FONT><BR>
<P>
<B>This page is hosted by Regina Michelle after reading this sight please visit her bio page at <BR><A HREF="reginamichelle.htm">
Regina Michelle's Bio Page</a><BR>
You May send email to Regina Michelle or Vandor Alabama <A Href="mailto: fastrack@bellsouth.net"> Email</A><BR>
<HR><P>
The cold, hard facts of Recorded Music from Songwriting through Stardom!<BR>
<FONT COLOR="#FF0000">Exposing the scams,</FONT> harpooning the song-sharks, <FONT COLOR="#0000FF">blowing the myths,</FONT><BR>
<FONT COLOR="#FF0000">stripping the lies, and naming the names!</FONT><BR>
<FONT COLOR="#0000FF">Explaining the <I>"why"</I> of the what-won't-work scenarios!</FONT><BR>
Step-by-step <I>"How To Do It!"</I> for those few who <FONT COLOR="#FF0000"><I>really</I></FONT> want to succeed!
<TABLE BORDER=3>
<TR><TD ALIGN=CENTER>
<B><CENTER><FONT COLOR="#FFFFF0">- -</FONT><B>ASCAP's <FONT COLOR="#FF0000">MARILYN BERGMAN,</FONT> U.S. SENATE's <FONT COLOR="#FF0000">ORRIN HATCH</FONT> (R) UTAH<FONT COLOR="#FFFFF0">- -</FONT><B><BR>
<A HREF="impeach.htm">IN OPEN CONSPIRACY AGAINST SONGWRITERS, PUBLISHERS!</A></FONT><BR>
<B><I>BOTH</I> Caught In blatant, open collusion! Hide behind Official Powers of Office!<BR>
General Bobby Farrell <FONT COLOR="#FF0000"><BLINK><I>EXONERATED</I></BLINK></FONT><B> of 'false', 'irresponsible', accusations!</FONT></B></CENTER>
</TR></TD></TABLE>
<HR SIZE="1">
<CENTER><B><FONT COLOR="#871F78">VANDOR PAYS HIGHEST EARNED ROYALTIES IN THE INDUSTRY!</FONT><BR>
<FONT COLOR="#2F4F2F"><I>SEVEN POINT TWO CENTS ($.072) PER SONG</FONT> <FONT COLOR="#000000">(US)</FONT> <FONT COLOR="#FF0000"><BLINK>AND NO CHARGE BACK!</I></BLINK></FONT><BR>
<FONT SIZE="-1" COLOR="#871F78">$.072 <I>each!</I> $.072 Artist/Group, $.072 Publishnd over which the membership has absolutely no control.</I> Tie that together with their continual 'improved distribution' scenarios that benefit only the <I>Elite Clique,</I> and it doesn't take a brain surgeon to comprehend ASCAP, BMI and SESAC <I>are Recorded Music's WORST SCAMS!</I></B></P>
<P><B>ASCAP, BMI and SESAC collect (or should that be <I>extort?) millions of dollars</I> every year in 'license' fees from broadcasters, live music venues including night clubs, background music systems such as MUZAK, cable television and just about everywhere else music is used in public for profit. The cold hard fact that most of that money is siphoned into the bank accounts of the <I>Elite Cliques</I> or wasted on over-priced employee 'benefits', all duly endorsed by 'the courts' is an abominable affront to justice and the free enterprise economic system!</B></P>
<P><B>The only real differences between ASCAP, BMI and SESAC are telephone numbers and addresses. The thievery is the same and their 'excuse' is the same. The most long-running of which is, "make sure your work is cleared" <I>so they can LOSE the damned thing before your earnings are paid!</I></B></P>
<P><B>Most performers <I>do not know</I> that night clubs where they hope to be discovered are literally <I>blackmailed</I> into paying ASCAP, BMI and as often as not SESAC, a 'license' fee based on the number of live music nights times the seating of the house! Most performers <I>also do not know</I> that even though they perform their own compositions: just as much a public performance for profit as any other song; <I>they will never collect one penny for those efforts!</I> The entire royalty 'distribution' scam is based solely and exclusively on 'monitored' <I>radio air play!</I></B></P>
<P></P> <P ALIGN="CENTER"><B><FONT SIZE="+1" COLOR="#0000FF"> Legalized thievery with full endorsement of the courts!</FONT></B></P>
<P><B>Let's explain the scam one more time so even those nitwit 'judges' who get a chance to read this column can also understand it.</B></P>
<P><B>1. ASCAP, BMI and SESAC contract to represent authors, composers and publishers of musical works;</B></P>
<P><B>2. They 'license' said works to music users who use them <I>for profit;</I></B></P>
<P><B>3. They determine royalty 'distribution' only by <I>their own</I> 'monitored' broadcast airplay;</B></P>
<P><B>4. They 'monitor' only the<I> clique</I> broadcasters who program <I>only</I> works of and by their <I>Elite Clique</I> members;</B></P>
<P><B>5. They pay their <I>Elite Clique</I> the lion's share of collected 'license' fees;</B></P>
<P><B>6. They pay a <I>select clique</I> a continual pittance to cover the scam; and</B></P>
<P><B>7.<I><FONT COLOR="#FF0000"> Legally rob everybody else with the court's full approval!</FONT></I></B></P>
<P><B>What can be done about it? Legally, <I>nothing!</I> Violence is outlawed, and that's the only language corrupt politicians, including those on court benches, really understand.</B></P>
<P><B>However, <I>if the law were changed:</I> A: To require payment by users <I>only when they were documentably monitored,</I> and <I>only</I> for the period of documented monitoring; and B: Only upon billing on behalf of those <I>whose music was actually used!</I></B></P>
<P><B>There would be a massive improvement in 'distribution' preceded by equally monstrous howls of resistance from ASCAP, BMI and SESAC!</B></P>
<P><B>It's hard to tell what kind of a roar the 'courts' would produce, since they too would be losing out on a great deal of graft from the public performance gold mine of ASCAP, BMI and SESAC. Recorded Music could certainly use an honest Public Performance Licensing Agency. Those who are being robbed should be about the business of establishing it. Like everything else in Business: <I>it would take a little money!</I></B>
<HR SIZE="5" NOSHADE="NOSHADE">
<A ALIGN="LEFT"><B>Return to INTERNATIONAL INDUSTRIAL REVIEW</A> <A HREF="http://nmol.com/users/vmg">INDEX PAGE!</A>
<HR SIZE="5" NOSHADE="NOSHADE">
<CENTER><B><I>SCAMBUSTER</I> LINK!<BR>
Names the Names! Read it and <I>LEARN</I> something valuable!<BR>
<A HREF="http://www.scambuster.com/">http://www.scambuster.com</A><BR>
Use your BACK BUTTON to return.</B></CENTER>
<HR SIZE="5" NOSHADE="NOSHADE">
<CENTER><B><FONT COLOR="#FF0000">WORLD'S NEWEST, MOST COMPREHENSIVE MUSIC CHART!</FONT><BR><FONT COLOR="#0000FF"><I>ATLANTIC SATELLITE TOP-500+ RECORDS IN THE WORLD!</FONT></I><BR><A HREF="http://www.atlantic-satellite.com/">Who's Really Hot and Who's Really Not!</A><BR>Artist/Song/Label-Source - <I>not separated by Field of Music!</I><BR><FONT COLOR="#0000FF">BOOKMARK THIS PAGE!</FONT> Atlantic does not have Return Links!</B></CENTER>
<HR SIZE="5" NOSHADE="NOSHADE">
<B><FONT COLOR="#0000FF">The lying thieving bastards were warned, now here's the documented evidence! <A HREF="ascapbmi.htm">ASCAP, BMI - THE WHOLE SCAM - AND HOW IT WORKS!</A></FONT> The Saga of "No Surveyed Performances" of music that's been in the <I>legitimate</I> Charts ALL OVER THE WORLD and for OVER THREE YEARS! Not for pusswillies or namby-pambies - everybody is called by their right names!</B>
<HR SIZE="5" NOSHADE="NOSHADE">
<CENTER><B>Read the above article, If you've been robbed, railroaded or<BR>blackmailed by ASCAP, BMI or SESAC too, join the fight!<BR>
<I>DEMAND A <A HREF="congress.htm">CONGRESSIONAL INVESTIGATION!</A></I><BR>
240 Senators' and House Representatives emails for your convenience.<BR>
Email details to <A HREF="mailto:VMGWorldWide@nmol.com">General Bobby Farrell</A>.<BR>
<HR SIZE="01">
<FONT COLOR="#FF0000">HOT NEW SUPPORT! - MAY 18TH, 1997!</FONT><BR>
The Honorable Thomas DeLay, (R) Texas<BR>
<A HREF="http://majoritywhip.house.gov/">http://majoritywhip.house.gov</A><BR>
Houston, Texas, Office Telephone: (281) 240 3700<BR>
<FONT COLOR="#0000FF"><I>Require your entire State Delegation support Representative Tom DeLay!</I></FONT><BR>
The Impeachment of corrupt and god-playing Judges is an absolute necessity!<BR>
Specifically: Judge William C. Connor<BR>
300 Quarropass Street, White Plains NY 10601-4150<BR>
The current ASCAP-RubberStamp at the Southern District Court!
</FONT></CENTER>
<HR SIZE="5" NOSHADE="NOSHADE">
<CENTER><FONT COLOR="#FF0000"><B><I>NEW! - NEW! - NEW! - NEW! - NEW! - NEW!</I><BR><A HREF="process.htm">THE EXACT PROCESS TO BECOME A RECORDING ARTIST!</A><BR>33,000-Plus bytes - give it time to load!</FONT></B>
<HR SIZE="5" NOSHADE="NOSHADE">
<FONT COLOR="#800000"><B><I>NEW! - NEW! - NEW! - NEW! - NEW! - NEW!</I><BR><A HREF="producer.htm">RECORD PRODUCERS & PRODUCTION COMPANIES WANTED!</A><BR>Limited opportunity! Read this offer <I>right now!</I></FONT></B>
<HR SIZE="5" NOSHADE="NOSHADE">
<CENTER><FONT COLOR="#FF0000"><B><I>NEW! - NEW! - NEW! - NEW! - NEW! - NEW!</I><BR><A HREF="product.htm">PRODUCTION - DO IT RIGHT THE FIRST TIME!</A><BR>Anyone with more brains than a brick can make a commercially acceptable record!</FONT></FONT></CENTER>
<HR SIZE="5" NOSHADE="NOSHADE"><FONT COLOR="#0000FF"><I>NEW! - NEW! - NEW! - NEW! - NEW! - NEW!</I><BR>
<A HREF="art00001.htm"> HOW TO COPYRIGHT A SONG - BOOK - STAGEPLAY!</A><BR>
Protect your Compositions and Creations <I>without a jackass Lawyer!</I><BR>
<A HREF="art00002.htm">KINDERGARTEN COURSE TO BECOME A RECORDING ARTIST!</A><BR>
Additional advice to the article above!<BR>
<A HREF="art00003.htm">PREP 101 - HOW TO GET A RECORDING CONTRACT!</A><BR>
Presented as a Courtesy by That Damned Akurian, General Bobby Farrell.</B></CENTER>
<HR SIZE="5" NOSHADE="NOSHADE">
<CENTER><B><FONT COLOR="#800000">Index to other International Industrial Review Pages</FONT></CENTER></B><BR>
<P ALIGN="LEFT"><B>VERIFICATION & DOCUMENTATION & Other Info <A HREF="linkpage.htm">LINKS PAGE</A>.<BR>
Court Approved <A HREF="iiart01.htm">LEGALIZED THIEVERY!</A><BR>
Recording Contracts, <A HREF="http://www.geocities.com/Nashville/5119/iiart02.htm">THEY'RE AVAILABLE!</A><BR>
Executive Producer vs <A HREF="iiart03.htm">'PAYING FOR PUBLISHING'!</A><BR>
Real & Phony Charts - <A HREF="iiart04.htm">RADIO & SALES!</A><BR>
Who to Trust, Who NOT to Trust - <A HREF="iiart05.htm">SONGWRITER ASSOCIATION SCAMS!</A><BR>
Shelving Contracts, <A HREF="iiart06.htm">CAREER NIGHTMARE!</A><I> What to look for - What to Avoid.</I><BR>
Industry Ignorance vs Paranoia, <A HREF="iiart07.htm">TURKEY LIST</A> - <I>How to avoid it!</I><BR>
Publishing Contracts - <A HREF="iiart08.htm">PRICELESS & WORTHLESS!</A><BR>
Music Publishers vs Labels vs <A HREF="iiart09.htm">General Licensers!</A><I> - NOT THE SAME THING!</I><BR>
Before you Record - <A HREF="iiart10.htm">WHAT WON'T WORK!</A><FONT COLOR="#FF0000"> Kiss-Of-Death elements to avoid! </FONT><BR>
The Industry's <A HREF="iiart11.htm">BEST & WORST DEAL!</A><BR>
General Licenser's <A HREF="iiart12.htm">FINANCIAL SUPPORT!</A><I> How To Get It!</I><BR>
World Wide <A HREF="distrib.htm">DISTRIBUTION</A> for your Label! <I>It's available!</I><BR>
Check out <A HREF="vandor.htm">Vandor Music Group</A> HOME PAGE!<FONT COLOR="#800000"> Nothing fancy - Just <I>WHAT WILL WORK!</I></FONT> And, they're signing Producers and Production Companies to produce directly on to the Vandor Family of labels!<BR>
<FONT COLOR="#FF0000">World Wide PROMOTION</FONT> for your music! <I>It's available, too! </I><A HREF="http://nmol.com/users/worldpro.htm">WorldPromo</A> HOME PAGE. Take a minute to review the <A HREF="http://nmol.com/users/noradpro.htm">NORTH AMERICAN RADIO PROGRAMMER!</A> It covers every radio station in Canada, United States, Mexico, all of Central America and all the Caribbean Islands <I>for less than the postage to cover just the Country stations in the U.S.</I> And it's a wide open AAA format that all hot broadcasters love!<BR>
Return to <A HREF="http://nmol.com/users/vmg">Home Page</A>.
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<CENTER><B><FONT SIZE="-2">May be copied and reprinted in whole or in part.<BR>Exchange LINKS welcomed. If you can stand the heat!<BR>WebPage Site & Design by That Damned Akurian, General Bobby Farrell,<BR>a years-on-end ASCAP and BMI robbery victim!</FONT></B></CENTER>
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<FONT SIZE="-7" COLOR="#FFFFF0">The purpose of this entire site is exposure to the entertainment and recorded music industries of the lies, thieveries, collusions, conspiracies, cover-up, government and court abuses of official offices and powers, with respect to ASCAP, BMI and SESAC collection and accounting practices against their respective membership. That ASCAP, BMI and SESAC are the most corrupt and biased of all entertainment and recorded music industry organizations is well established in these pages "ASCAP, BMI, SESAC - MUSIC INDUSTRY SCAMS", reprinted as public domain information. Should there be any doubt or question about ASCAP, BMI or SESAC as expressed in this site, you are free to contact ASCAP, BMI and SESAC direct and document each and every word statement and claim herein. </BODY>
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