OPERA IN REVIEW
Russian composers concentrated on various aspects of Russian life and legend. First, in 1836, came "Zhin za Tsara" by Mikhail Glinka. Then, in 1842, came "Russlan y Lyudmila." While influenced by Italian opera buffa and containing traces of Weber, Glinka's music had a flavor of Polish and Russian melodies and even a bit of Asian music, as if to remind the world that Russia existed in two continents.
By the middle of the 19th century there were two schools of Russian composers. One, led by Anton Rubinstein, who wrote nineteen operas, used the same musical techniques as the French and German composers. The other group, the so-called "Russian Five" (Cui, Balakirev, Borodin, Mussorgsky, and Rimsky-Korsakov), believed in a style that would have its roots in the folk music of Russia.
The two outstanding Russian composers of the 20th century, Sergei Prokofiev and Dimitri Shostakovich, continued the tradition of adding dissonance and their own highly personal styles.
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