OPERA IN REVIEW
The practice of combining song with instrumental music and movement is ancient and world-wide. Each culture has invented its own form of what might be considered to be opera. In ancient Greece the plays of Aeschylus and Sophocles were declaimed or sung to the accompaniment of plucked strings and flutes.
Music and drama were combined in the thirteenth-century pastourelles- little plays about shepherds which contained short songs and dances. The combination appeared also in the sixteenth-century Mascarades, which were pageantlike Italian court entertainment given at carnival time. The intermedie, or intermezzo, featured a group of vocal madrigals or instrumental compositions performed between acts of plays. As such productions became more and more popular at the sixteenth-century Italian courts, they became more elaborate, using dramatic action as well as orchestral sinfonias and large-scale choruses. By the end of the 1500's the new musical style was ready to emerge as "drama in music"- and later, under the name of  "opera."
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