Implications

 

    At present, the controversy over censorship remains unresolved and will continue to be unsettled in the future providing that the present form of discourse is maintained.  This is due to the men and women on both sides of the argument simply rehashing their points without considering those of the opposition.  They believe repetition will lead to conviction, and subsequently, they will benefit if others hold hallowed their same beliefs.  Therefore, most debaters’ agenda is to convert others to a similar belief structure concerning “correct” social and governmental policies regarding musical censorship.  Shouldn’t their agenda’s be about discussing, learning, and modifying accordingly their own opinions?  The latter would be optimal for analytical engagement with one’s situations/surroundings, but from experience, I can surmise that it is easier for us to stick by decisions made than to reevaluate the situation.  The people of the censorship debate, and for most other debates for that matter, focus solely on their agenda.  It is due to this common, but ineffectual agenda that only mere arguments are produced.  That is, a one-sided agenda restricts the approach to the conversation to rehashing ones own beliefs, and thus gears the conversation away from new insight and significant meaning.  Most debates over censorship follow the same structure of point, counterpoint.  This won’t accomplish anything; no one will change his or her views.  Even further, people will immediately take a defensive stance, and become stronger about their views.  It is for the above reasons why the past means others have evaluated and attacked the problem have failed.  The future holds the same bickering if a new method of thoughtful analysis is not initiated.  

    Therefore, after observing the aforementioned shortcomings in this style of discourse, I quickly tried to problematize the issue and force analysis towards consideration of the bigger picture.

 

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