About The Author


The Rumor Mill
The Author
The Shack
Project Warlock
The Noise Diaries
8-Bit Armageddon
First Soundtracks
Classic Doom Stuff
My Mods/Attempts
How To Do Stuff
Will and Jerry
Cesspool of Links





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ABOUT THE AUTHOR
THE MAN BEHIND THE CURTAIN

I've been at this since the 90's but don't have any recordings of that period. 2000-2006 were my most dominate years but I'm going to attempt to make 2018-2020 a higher rank in that. I've been inspired since early 90's nirvana, beck, tool, green day, and several other alternative bands to learn the acoustic. I came up with 4 albums, found a band, made 4 more mainly sounding like what would happen if tool, nin, kmfdm, and said previous bands had a baby and took away all his electronica toys. It was basically teenaged metal with sad lyrics. Lyrics were tossed, and in 2000 I began experimenting in computers after we moved. In 2001 I began adding my own guitar and soonafter a cheap Yamaha PSR220 keyboard made its way into most recordings. It wasn't until 2005 that I discovered piano roll to lay songs out better, and fell in love with the now defunct Synapse Audio Orion software. I made some soundtracks in college and an extra one in 2006 with a second CD becoming the start of Delirium, and recorded some goofy shit with Will Henry. We passed out 1000 CDs free in random locations and to friends and formed a small following but it was needless to say pretty NSFW.

After this, 2011, I made more orion tracks which were followed by a brief 2013 set to finalize Delirium. I have been slacking. Work off and on with the occasional bad times that life had to offer, often extreme, happened in this gap. But these days things have changed. In 2017 I continued Orion music renaming all the albums to single word titles ending in OM, UM, ON, etc. and changed the name to 8-Bit Armageddon. The Noise Diaries became the new name to old and new guitar music made with an old grunge/techno twist. In 2017 I asked around if any games needed soundtracks and thanks to the level designer of Project Warlock, Iain, I was brought in later on in July to help out when the original musician bailed. 72 tracks were needed for the final game, split into 4 milestone timeframes of making them. In the end I contributed 105 in half a year including outtakes, which are being kept to satisfy the full soundtrack sold with the game! A few other projects have popped up including a game with my friend Allen he's doing some pretty excellent work on, surrounding my fiance's cat illustrations which will be the main character. If you have a game project in need of some of my old stock let me know, or I can make new paid stuff of any sort!