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FINAL THURSDAY READING SERIES
Thursday, October 27,
2005 Featured Reader: James P. Roberts |
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Before the reading, join the Cedar Valley’s longest running creative writing open mic. Signup for the open mic begins @ 7 p.m. on a first come, first served basis. Limited slots are available, so readers are encouraged to sign up early and read your best five minutes of poetry, fiction, or creative non-fiction. Singer-songwriters are also welcome. The open mic begins at 7:30 p.m. The featured reader takes the stage between 8:00 and 8:30 (depending on how many open mic readers there are). After the reading, there will be a brief question and answer session. James P. Roberts is a native of Waterloo who studied fiction and poetry at UNI under Robley Wilson and Nancy Price. He has ten books published under his name in fields including from fantasy & science fiction, poetry, literary non-fiction, and baseball history. He is also the founder of White Hawk Press. Roberts now lives in Madison, Wisconsin where he occasionally appears at local coffeehouses performing as “The Captain” on a variety of exotic musical instruments including a charango, balalaika, and pipa. This is a special book release reading for Roberts's DARKLING I LISTEN, AND FOR MANY A TIME…AND OTHER IMAGINATIONS, a collection of 23 science fiction/fantasy/macabre stories written and published in various magazines over the past twenty years. A janitor at a movie theatre meets two revenants from the past; a young student has horrifying prophetic dreams; a man meets a strange girl on a lonely Minnesota road; a turtle goes on a long-distance voyage in space; the future is held in the hands of two dying people. . .these and many more flights into the dimension of the imagination. Published by The Other Door Press. Cover art by Sara Pekul. Hardcover $30.00. Trade Paperback $20.00. |
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Read Work by Past Featured Readers
Now Available from Final Thursday Press
Kyrie Poetry by Jonathan Stull
Ghost Wars Poetry by Vince Gotera ***Winner of the 2004 Global Filipino Literary Award for Poetry***
Laugh. Damnit. Poetry by Ahkos
Bad Men Microfiction by Jim O'Loughlin |
from "The Hoomei Singer" by James P. Roberts It was the strangest sound I’d ever heard. Stopped me dead in my tracks as I passed the Nepali restaurant. I stood completely still, listening. People detoured around me, some glancing back with quizzical or annoyed faces. Didn’t they hear it? I thought, still practically frozen in mid-stride. Or is it that they do hear it but block it out as of no immediate significance to their own goals. It was Saturday night – 8:45, to be precise – on State Street in downtown Madison, Wisconsin. The river of humanity that flowed past me was probably thinking of just one thing: a good time. But that sound…
Suddenly my mind was filled with shards of vision. I couldn’t make anything out at first, just a jumble of colors and feelings, like a computer screen zoomed in to show each tiny pixel. Then, the fragments coalesced. I was seeing a landscape of some unknown place. Tall stalks of wild grass bending to one side as if in a high wind, and the frozen shore of a wide blue lake. The contrast of the blue water reflecting a cloudless sky and the brilliant sun glinting off the edges of the ice hurt my eyes. In the distance I could see snow-covered mountains, beyond which hung masses of gray storm clouds. I was cold and I had trouble breathing, like I do when at high altitudes. It only lasted a moment…then it was gone.
The sounds of State Street flooded back and I found that I could move. The weird sound, or sounds, for there were two distinguishable…melodies? seemed to come from a dark, narrow alley that ran adjacent to the Nepali restaurant. I walked back about five steps until I was at the entrance to the alley. It was very dark at that spot. The streetlights encircled a pair of refuse bins and, further down, a dim light bulb illuminated the area around a service door to the restaurant.
There were two men beneath the light, two very strange-looking men. That they were Oriental I could see at first glance. Well, one of them was Oriental -- his face I could make out easily enough. An oval coppery moon, although pits of shadow hid the eyes. He was sitting cross-legged on the stoop of the service door. He wore an astrakhan fur cap and a huge poncho made of a coarse woven fibre of a mixed tan and brown. Marks like Chinese characters had been inserted into the fabric. The poncho concealed the rest of the body except for the feet, which were encased in animal skin.
The other man was dancing, jumping up and down in a ritualistic fervor, his face hidden behind a mask made of the head of a wolf, and wolf skins draped over his body. He held a rattle made of bones and claws, shaking it wildly but I could hear no sound.
All this I noticed in just a few seconds, before I stepped into the dark alley and my knee collided with something that fell over with a loud jangling of metal. Instantly, the weird singing stopped and the wolfskin man seemed to fade away. The other man rose, looked at me, then turned away, poncho flapping, and ran off into the shadows.
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| updated October 21, 2005 by Jim O'Loughlin |