FINAL THURSDAY READING SERIES

Thursday, August 25, 2005

Featured Reader: Eula Biss

 

Eula Biss is the author of The Balloonists (Hanging Loose Press), a work of prose poetry.  Her lyric essays have recently appeared in the Massachusetts Review, the Seneca Review, the Bellingham Review, and Harper's Magazine.  A sample of her work can be found below.  Copies of The Balloonists will be available for purchase at the reading.

 

Before Biss’s reading, the Cedar Valley’s longest running creative writing open mic kicks off its fifth year. Signup for the open mic begins @ 7 p.m. on a first come, first served basis.  Limited slots are available, so readers are encouraged to sign up early and read your best five minutes of poetry, fiction, or creative non-fiction.  Singer-songwriters are also welcome.  The open mic begins at 7:30 p.m.  The featured reader, Eula Biss, takes the stage between 8:00 and 8:30 (depending on how many open mic readers there are). After the reading, there will be a brief question and answer session.

 


 

Read Work by

Past Featured Readers

 

Scott Cawelti

 

Karris Golden

 

Vince Gotera

 

Paul Hedeen

 

Harvey Hess

 

Dave Hoing

 

Kathleen Kelly

 

Jerry Klinkowitz

 

Catherine A. F. MacGillivray

 

Nate McKeen

 

Pierre-Damien Mvuyekure

 

James P. Roberts

 

Susan Rochette-Crawley

 

Ron Sandvik

 

Ann Struthers

 

Jonathan Stull

 

John Wilson Swope

 

Grant Tracey

 

Ray A. Young Bear

 

 


 

 

Now Available from Final Thursday Press

 

 

Kyrie

Poetry by Jonathan Stull

 

Ghost Wars

Poetry by Vince Gotera

***Winner of the 2004 Global Filipino Literary Award for Poetry***

 

Laugh.  Damnit.

Poetry by Ahkos

 

Bad Men

Microfiction by Jim O'Loughlin


 

 

 

 

 

 

 

 

  Vibe is located at 909 W. 23rd St. in Cedar Falls on the second floor of Bought again Books.  Persons needing access accommodation should call 266-7115 by the day before the event.  For more information, contact Jim O'Loughlin.

 


 

Counting

by Eula Biss

Sometimes I start counting and can’t stop.

When I get on the train in the morning it is full of the whispers of women reciting from gold-edged books under their breath and I have numbers running through my head.  I don’t know why.  I hate them.  The train makes the same stops in the same order every morning.

When men talk to me in this city I always find myself saying, “Oh, I’m not from here.”  For me, this explains everything.  Sometimes when I am walking down the steps into the subway or stepping back from the curb as a truck cuts the corner, I discover that I am thinking, “This is not my home.”

I read that in Angola 40% of the population has at least one amputated limb.  There are only 11 million people left in the country and there are more than 20 million explosives buried in the soil.

The worst thing about this—no, the worst thing about me, the worst thing about this city—is that when I read about Angola I think, “That’s what it’s like here.”

I used to have a notebook full of numbers.  It was the first notebook I ever kept.  Every night before I went to sleep I would write numbers in sequence in the notebook.  All the way across every blue line on every page, front and back.  I dreaded the notebook, it bored me, but I kept on writing numbers.  I wanted to see how far I could get.

This is hard for me to explain.  Why I filled a spiral notebook with numbers.  Why I stay in this city.

In Angola, nothing is easy.  Turning doorknobs, walking home, peeling potatoes, standing up…  In Angola, the men with no arms are jealous of the men with no legs.

I was the last kid in my kindergarten class to count to 100.  We had paper houses with our names on them that hung on the wall.  Our teacher put a window on our house when we learned our phone number, a window when we learned our address and a door when we learned to count to 100.  My house was blank.  I didn’t care.  Mrs. Evans reassured my mother, “It isn’t that she has trouble learning, she just doesn’t think it’s important yet.”

When I finally decided that I wanted a door for my house—when I finally became aware of my house at all—I started counting to myself before I fell asleep at night.  I laid between my parents in the dark and whispered numbers.  I started over every time I got stuck, until I fell asleep.  I remember the moment when I had to ask, “Dad, what comes after ninety-nine?”

I am always looking at the black spots of gum on the sidewalks, on the subway platform, on the stairs.  I try not to count them, I try not to think about how many there are.  I try to think of them as one spot.  One thin, black layer of chewed gum that covers the entire surface of the city.  “This whole place used to be in someone’s mouth,” I think.  Somehow this makes me feel better.  Everything seems a little softer.


 

updated August 18, 2005 by Jim O'Loughlin  
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