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| In the course of my readings I've accumulated quite a few "annotations," that is to say, a stinking pile of semi-formal, quasi-academic scribblings rather remotely related to the books which inspired them.� The reasoning behind writing each of them varied wildly from one to the next, as did the terms and theories expounded upon in each.� They were never meant to be a formal survey of literary theory, history, genres, or what have you; they are simply the "highlights" of what you might call my literary diary, and as such they still hold some value for me.� On occasion it is nice to be able to look back to some older thoughts of mine, for a good snort, guffaw, or spit-take, rather like finding old kindergarten drawings (of naked ladies) in the attic.�A standard bibliography of these books is available. #1: Technique in Fiction, 2nd ed., by Robie Macauley and George Lanning. #2: Partial Magic: The Novel as a Self-Conscious Genre, by Robert Alter. #3: The Heart is a Lonely Hunter, by Carson McCullers. #4: The Great Gatsby, by F. Scott Fitzgerald. #5: Death is a Lonely Business, by Ray Bradbury. #6: On Becoming a Novelist, by John C. Gardner. #7: Mockingbird, by Walter Tevis. #8: A Portrait of Jennie, by Robert Nathan. #9: Flowers for Algernon, by Daniel Keyes. #10: Carnival for the Gods, by Gladys Swan. #11: Aspects of the Novel, by E. M. Forster. #12: Winesburg, Ohio, by Sherwood Anderson. #13: More Than Human, by Theodore Sturgeon. #14: Do Androids Dream of Electric Sheep, by Philip K. Dick. #15: Mother Night, by Kurt Vonnegut. #16: One Flew Over the Cuckoo's Nest, by Ken Kesey. #17: The Lone Ranger and Tonto Fistfight in Heaven, by Sherman Alexie. #18: Grendel, by John C. Gardner. #19: The Notebook of Lost Things, by Megan Staffel. |
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