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Annotations
In the course of my readings I've accumulated quite a few "annotations," that is to say, a stinking pile of semi-formal, quasi-academic scribblings rather remotely related to the books which inspired them.� The reasoning behind writing each of them varied wildly from one to the next, as did the terms and theories expounded upon in each.� They were never meant to be a formal survey of literary theory, history, genres, or what have you; they are simply the "highlights" of what you might call my literary diary, and as such they still hold some value for me.� On occasion it is nice to be able to look back to some older thoughts of mine, for a good snort, guffaw, or spit-take, rather like finding old kindergarten drawings (of naked ladies) in the attic.A standard bibliography of these books is available.   


#1:   Technique in Fiction, 2nd ed., by Robie Macauley and George Lanning.   

#2:   Partial Magic: The Novel as a Self-Conscious Genre, by Robert Alter. 

#3:   The Heart is a Lonely Hunter, by Carson McCullers.   

#4:   The Great Gatsby, by F. Scott Fitzgerald.   

#5:  
Death is a Lonely Business, by Ray Bradbury.   

#6:  
On Becoming a Novelist, by John C. Gardner.     

#7:  
Mockingbird, by Walter Tevis.   

#8:  
A Portrait of Jennie, by Robert Nathan.   

#9:  
Flowers for Algernon, by Daniel Keyes. 

#10: 
Carnival for the Gods, by Gladys Swan.

#11: 
Aspects of the Novel, by E. M. Forster. 

#12: 
Winesburg, Ohio, by Sherwood Anderson. 

#13: 
More Than Human, by Theodore Sturgeon. 

#14: 
Do Androids Dream of Electric Sheep, by Philip K. Dick. 

#15: 
Mother Night, by Kurt Vonnegut. 

#16: 
One Flew Over the Cuckoo's Nest, by Ken Kesey. 

#17: 
The Lone Ranger and Tonto Fistfight in Heaven, by Sherman Alexie.

#18: 
Grendel, by John C. Gardner. 

#19: 
The Notebook of Lost Things, by Megan Staffel. 



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