My Stage Manager's Kit Inventory

          A Stage Manager who can reach into “The Kit” and produce any
          item that she is asked for is always appreciated by the
          company.  The awe-struck look on an actor’s face when he asks
          for a cough drop and one appears in his hand is priceless.  
          The following list is a rough inventory of a thoroughly
          stocked Stage Manager’s Kit.

Medical:

          First Aid book, allergy medication, burn creme, iodine, latex
          gloves, Midol, sugar packets (for a diabetic emergency),
          Ipecac syrup (for poisoning), gauze, cloth tape, antiseptic
          towelettes, ammonia inhalants, isopropyl alcohol, hydrogen
          peroxide, bacitracin, Cortaid, sting-aid, aspirin, No Doz, 
          medical scissors, tweezers, cotton, Ibuprofen, children’s
          pain reliever, Pepto-Bismol, Antacid, Orajel, sinus
          medication, Band-Aids, antacid, cough drops, pain reliever,
          throat spray, Epsom salts, eye drops, chemical ice packs,
          antihistamine, cottonballs and ace bandages. 

Wardrobe:

          Safety pins, hair bands, bobby pins, scissors, seam ripper,
          shoe laces, runstop, Shout wipes, thimble, beeswax, needles 
          and thread. 

Tools:

          A C-wrench with a lanyard (leash), a small battery-operated 
          camera flash (for charging glow tape), 3 volt lithium batteries 
          & various colors of LED lights (make great backstage markers in
          areas glow tape won't stay charged OR use to mark center
          and quarter stage in a large house), a Maglight with gels or
          tinted lenses, work gloves, hex key set (5/16” for Roto-Loks),
          screwdrivers, fencing pliers, a 50’ tape measure, at least one
          25’ tape measure, a 12’ tape measure, a scale ruler, matte
          knife, grease pencil, chalk, wood glue, tie line, Gerber or 
          Leatherman multi-plier tool, Scotch tape, glow tape, gaff,
          electric and spike tape. 

Office Supplies:

          3-hole punch, Post-It notes (a Stage Manager’s best friend),
          paperclips, pushpins, hole reinforcements, large erasers,
          highlighters, garage sale dots, Post-It Tape Flags, Post-It
          Tape, various colored ink pens, mounting tabs, a large black
          marker, rubber bands, binder clips, Post-It Glue Sticks, a 
          stapler, staples, a staple remover, scissors, pencil grips,
          pencils and a pencil sharpener. 

Courtesy & Entertainment Items:

          Lighters, matches, nail files, nail clippers, Kleenex, breath
          mints, playing cards, travel size games, shaving cream, a
          razor, a tooth brush, toothpaste, mouthwash, Q-tips, eyeglass
          cleaner, a eyeglass repair kit, hand creme, wetnaps, a contact
          case, saline solution, coffee singles, tea bags, candy, clear 
          nail polish, ziploc valuable bags, a can opener, pantiliners
          and tampons. 

Putting together a comprehensive Kit is a long and expensive process. My kit started out as a pocket in my backpack in college. I kept it filled with pencils and erasers and a travel pack of Kleenex. From there, I moved up to a pencil bag and later a small crate with a few items that I felt were essential to have on hand. The contents of every kit will be as unique as the style of the Stage Manager who assembles it.

I know Stage Managers who have carried around shoeboxes or plastic bags with the supplies they felt were important to their company members. Start with whatever you can afford and work towards assembling a comprehensive kit. Most production companies will be happy to reimburse you for the more expensive items if they are used up in rehearsal. Sometimes, if you provide a complete inventory of your Kit before you begin rehearsal, the producer will maintain it for you.

I never really understood the benefits of having a full-blown Stage Manager’s Kit until I saw one in use. While working as the Assistant Lighting Designer for a show in Branson, Missouri, I encountered a SM who had assembled a very thorough Kit. I was very impressed with it and decided that as soon as I could afford to, I would start my own Kit and do away with the pencil bags and handfulls of supplies stuffed into briefcases, backpacks and purses.

The first show that I worked after assembling my Kit was Run For Your Wife. I was the Deck Manager for this production at Indianapolis Civic Theatre. The main character, John, spends a great deal of the production running around with a bottle of pills in his pants pocket. The rattling of the prop was driving the actor crazy and he asked me if I could please find some cotton to stuff in the top of the bottle. I went to my Kit and handed him the requested item in just a few seconds. The look on his face was absolutely priceless, especially since this particular actor does a lot of stage managing himself. At that moment, I knew that my Kit was one of the best investments I had ever made.

With each show I do, I find new items that are useful to have on hand. The SM should make sure that the Kit is regularly inventoried and restocked. All the work that is required to create and maintain a Kit is well worth it. A thoroughly stocked Kit is the most useful tool a SM can have.



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