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Through the concert tour and the concentration required to play the same concert program seven times in two weeks, all the musicians were able to take their musicality to the next level. I was recently listening to a recording of our last season concert before the tour, and the differences between that performance and the last few performances on tour were amazing. Each concert was also unique, each in a different building with different acoustics (or in the case of the Špilberk concert, exposed to the great outdoors and with almost no acoustics whatsoever).

We played our four concerts in Germany back to back, which meant not getting back to the hotel until after midnight for several nights in a row. The concerts in the Czech Republic were interesting too; I remember those quite vividly. Read on; I provide a brief synopsis of my experiences of each concert.

The Repertoire

For those of you who want to know, here's a list of the pieces we played. Every concert opened with the Candide overture and ended with the Dvorak New World Symphony, with two other pieces played in between and a ten-minute intermission. Then depending on the audience's enthusiasm, we usually played a few of our encores.

The program

  • Bernstein: Overture to Candide
  • Barber: Adagio for Strings
  • Stölzel: Trumpet Concerto in D
       with Richard Giangiulio, trumpet solo
  • Poulenc: Gloria
       with the Vox Iuvenalis and Katerina Hájovská, soprano solo
  • Stravinsky: Firebird Suite, 1919 version
  • Dvorak: Symphony No. 9 in e minor "From the New World"

The encores

  • Copland: Variations on a Shaker Melody from Appalachian Spring
  • Bernstein: West Side Story Overture
  • Smetana: Dance of the Comedians from The Bartered Bride
  • Rossini: William Tell Overture, Allegro vivace
  • Sousa: Stars and Stripes Forever
 

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