A Science

Fiction and Fantasy

Page

 

 

 Star Trek

*       Original Series

*       Animated Series

*       The Next Generation

*       Deep Space Nine

*       Voyager

*       Enterprise

 

 Star Trek Films

*       The Motion Picture

*       The Wrath of Khan

*        The Search for Spock

*       The Voyage Home

*       The Final Frontier

*       The Undiscovered Country

*       Generations

*       First Contact

*       Insurrection

*       Nemesis

 

 Harry Potter

 

 Lord of the Rings

 

 The Matrix

 

* The X-Files

 

* Babylon 5

 

* Battlestar Galactica

 

* Hitch Hikers Guide

    To The Galaxy

 

* Twilight Zone

 

* Dune

 

 Star Wars

*       The Phantom Menace

*       Attack of the Clones

*       Revenge of the Sith

*       Star Wars (A New Hope)

*       The Empire Strikes Back

*       Return of the Jedi

 

 

 

The Twilight Zone is the name of a television series created (and often written by) its narrator and host Rod Serling. Each episode was an individual fantasy or science fiction story, often concluding with an eerie or unexpected twist. A popular success, it introduced many Americans to serious science fiction ideas while still managing to attract overwhelmingly positive critical attention. The success of this original series led to the creation of two revival series, a feature film, a radio series, and various other spin-offs that would span five decades.

Writers for The Twilight Zone included leading genre authorities such as Charles Beaumont, Richard Matheson, Jerry Sohl, George Clayton Johnson, Earl Hamner Jr., Reginald Rose, and Ray Bradbury. Many episodes featured adaptations of classic stories by such writers as Ambrose Bierce, Lewis Padgett, Jerome Bixby, and Damon Knight. Episodes featured some of Hollywood's biggest celebrities, including Charles Bronson, Carol Burnett, Robert Duvall, a very young Ronnie Howard, Buster Keaton, Jack Klugman, Lee Marvin, Burgess Meredith, Elizabeth Montgomery, Agnes Moorehead, Suzy Parker, Robert Redford, Don Rickles, Mickey Rooney, William Shatner, and Dick York. Rod Serling himself provided narration as well as on camera introductions to many episodes.

 

Original series (1959-1964)

Rod Serling hosting The Twilight Zone

Rod Serling hosting The Twilight Zone

Throughout the 1950s, Rod Serling had established himself as one of the hottest names in television, equally famous for his success in writing televised drama as he was for criticizing the medium's limitations. His most vocal complaints concerned the censorship frequently practiced by sponsors and networks. "I was not permitted to have my Senators discuss any current or pressing problem," he said of his 1957 production "The Arena", intended to be an involving look into contemporary politics. "To talk of tariff was to align oneself with the Republicans; to talk of labor was to suggest control by the Democrats. To say a single thing germane to the current political scene was absolutely prohibited... In retrospect, I probably would have had a much more adult play had I made it science fiction, put it in the year 2057, and peopled the Senate with robots. That would probably have been more reasonable and no less dramatically incisive."

This is precisely the thesis he intended to prove when, in 1959, he set out to create a weekly television series that, while featuring stories peopled by robots, aliens, and other fantastical beings would seek to offer dramatically incisive and involving looks into contemporary politics.

Twilight Zone’s writers frequently used science-fiction as a metaphor for social comment; networks and sponsors who had infamously censored all potentially "inflammatory” material from the then predominant live dramas were ignorant of the methods developed by writers such as Ray Bradbury for dealing with important issues through seemingly innocuous fantasy. Frequent themes include nuclear war, mass hysteria, and McCarthyism, subjects that were strictly verboten on more "serious" prime-time drama. Episodes such as The Shelter or The Monsters Are Due on Maple Street offered specific commentary on current events while other stories (such as The Masks or The Howling Man) operated around a central allegory, parable, or fable that reflected the characters' moral or philosophical choices.

Despite his esteem in the writing community, Serling found The Twilight Zone a hard sell. Few critics felt that science-fiction could transcend empty escapism and enter the realm of adult drama. In a September 22, 1959 interview with Serling, Mike Wallace asked a question illustrative of the times: "..[Y]ou're going to be, obviously, working so hard on The Twilight Zone that, in essence, for the time being and for the foreseeable future, you've given up on writing anything important for television, right?"

Serling himself would later admit that to go "from writing an occassional drama for Playhouse 90, a distinguished and certainly important series to creating and writing a weekly, thirty-minute television film was like Stan Musial leaving St. Louis to coach third base in an American Legion little league." Ultimately The Twilight Zone would triumph over such skepticism, its five seasons winning over a relatively small but devoted audience that included many of the critics who had scoffed at the show's premise.

For four of the seasons, The Twilight Zone was in a half hour format, but in the 1962-63 season its name was shortened to Twilight Zone as its time slot was expanded to an hour in length (the following season, its last, saw the restoration of the half hour episodes after a brief hiatus). Twice in its initial run (The) Twilight Zone was cancelled, only to be revived when its replacement failed in the same time slot.

 

First Revival (1985-1989)

It was Serling's decision to sell his share of the series back to the network that eventually allowed for a Twilight Zone revival. As an in-house production, CBS stood to earn more money producing The Twilight Zone than it could by purchasing a new series produced by an outside company. Even so, the network was slow to consider a revival, shooting down offers from the original production team of Rod Serling and Buck Houghton and later from American film-maker Francis Ford Coppola. Their hesitation stemmed from concerns familiar to the original series: Twilight Zone had never been the break-away hit CBS wanted, why should they expect it to do better in a second run?

Opening for the 1985 Twilight Zone.

Opening for the 1985 Twilight Zone.

The answers to this question began to surface in the early 1980s as a new generation of writers and directors emerged from the very teenagers who formed the core of Twilight Zone's original audience. First came The Twilight Zone Companion by Marc Scott Zicree, an in-depth look into the history of the series that won critical accolade, a 1983 nomination for the American Book Award and a place on best-seller lists across the nation. Also encouraging were the new numbers from Nielsen and the box office alike. "We were looking at the success of the [original series] in syndication and the enormous popularity of the Steven Spielberg films," said CBS program chief Harvey Shepard. "Many of them [such as E.T. or Poltergeist] deal with elements of the show. Perhaps the public is ready for it again."

Despite lukewarm response to Twilight Zone: The Movie, Spielberg's theatrical homage to the original series, CBS gave The New Twilight Zone a greenlight in 1984 under the supervision of Carla Singer, then Vice President of Drama Development. "Twilight Zone was a series I always liked as a kid," said Singer, "...and at that point it sounded like an interesting challenge for me personally." These sentiments were seconded by a number of young filmmakers eager to make their mark on a series which had proved influential to their life and work -people like writers Harlan Ellison, J. Michael Straczynski, George R. R. Martin and Rockne S. O'Bannon and directors Wes Craven and William Friedkin. Casts featured such stars as Bruce Willis, Morgan Freeman, Martin Landau, Jonathan Frakes and Fred Savage. New theme music was composed by Jerry Garcia and performed by The Grateful Dead.

Filling in for Serling as narrator and host was Charles Aidman, himself the star of two classic Twilight Zone episodes. The New Twilight Zone ran for two seasons (in an hour format) on CBS. An additional season of half hour programs was produced in 1988 to "pad" the series' syndication package. Robin Ward replaced Aidman as the narrator of these Canadian-produced episodes.

 

Rod Serling's Lost Classics (1994)

In the early 1990s, Richard Matheson and Carol Serling produced an outline for a two-hour made-for-TV movie which would feature Matheson adaptations of three yet-unfilmed Rod Serling short stories. Outlines for such a production were rejected by CBS until early 1994, when the widow Serling discovered a complete shooting script (“Where the Dead Are”) authored by her late husband while rummaging through their garage. Serling showed the forgotten script to producers Michael O’Hara and Laurence Horowitz, who were significantly impressed by it. "I had a pile of scripts, which I usually procrastinate about reading. But I read this one right away and, after 30 pages, called my partner and said, 'I love it,'” recalled O’Hara. “This is pure imagination, a period piece, literate - some might say wordy. If Rod Serling's name weren't on it, it wouldn't have a chance at getting made."

Eager to capitalize on Serling’s celebrity status as a writer, CBS packaged “Where the Dead Are” with Matheson’s adaptation of “The Theatre”, debuting a two-hour feature the night of May 19, 1994 under the name Twilight Zone:Rod Serling’s Lost Classics. The title represents a misnomer, as both stories were conceived long after Twilight Zone’s cancellation. Written just months before Serling’s death, “Where the Dead Are” starred Jack Palance as a 19th century doctor who stumbles upon a mad scientist’s medical experiments with immortality. “The Theatre” starred Amy Irving and Gary Cole as a couple who visits a movie-plex only to discover that the feature presentation is their own lives. James Earl Jones provided opening and closing narrations.

Critical response was mixed. Gannett News Service described it as “taut and stylish, a reminder of what can happen when fine actors are given great words.” USA Today was less impressed, even suggesting that Carol Serling “should have left these two unproduced mediocrities in the garage where she found them.” Ultimately ratings proved insufficient to justify a proposed sequel featuring three Matheson-adapted scripts.

 

Second Revival (2002-2003)

Opening for the 2002 Twilight Zone.

Opening for the 2002 Twilight Zone.

In 2002 a second revival was attempted by UPN, with narration provided by Forest Whitaker and theme music by Jonathan Davis (of the rock group KoЯn). Broadcast in an hour format with two half-hour stories, it was cancelled after one season.

Noteworthy episodes featured Jason Alexander as Death wanting to retire from harvesting souls, Lou Diamond Phillips as a pool cleaner being shot repeatedly in his dreams, Susanna Thompson as a woman whose stated wish results in an "upgrading" of her family, Usher as a policeman being bothered by telephone calls from beyond the grave... and a handful of remakes and updates of stories presented in the original Twilight Zone series.

 

Source Wikipedia, the free encyclopedia.

___________________________________________________________________

 

Season 1

1. Where is Everybody?

gs: Earl Holliman (Mike Ferris) James McCallion () Jim Johnson () John Conwell () James Gregory (Air Force General) Paul Langton (Air Force Colonel) Jay Overholts (Reporter Two) Carter Mullaly () Gary Walberg ()

 

Mike Ferris, a man in an Air Force jumpsuit, is all alone in a strange town. He searches all over town trying to find someone. He finally collapses, pushing the "walk button" at a stoplight. The "walk" button is actually a panic button, and Ferris is an astronaut-trainee in an isolation booth. He has been in the booth for 484 hours, and has been hallucinating the whole town.

 

b: 02-Oct-1959 w: Rod Serling d: Robert Stevens

 

NOTE: According to Producer William Self, this episode's budget was "around $75,000...in those days very high for a half-hour pilot."

? This episode was rehearsed and shot in 9 days. It was dubbed, scored and edited in 3 days.

? This is the only episode to be filmed at Universal Studios. The rest were filmed at MGM studios.

? The original pilot version of this episode ran a total of 35 minutes (without commercials) and included a "pitch" from Rod Serling aimed at selling the series to potential advertisers. This version is included on volume 43 of Image-Entertainment's DVD collection.

? In the original version of the episode, the opening sequence was different and all narration was done by Westbrook Van Voorhis.

? The opening narration in the original pilot version was slightly different than what was used for the series: "There is a sixth dimension, beyond that which is known to man. It is a dimension as vast as space and as timeless as infinity. It is the middle ground between light and shadow, and it lies between the pit of man's fears and the sunlight of his knowledge. This is the dimension of imagination. It is an area that might be called 'The Twilight Zone'"

? The broadcast version of this episode is included on Image-Entertainment's Treasures of The Twilight Zone DVD.

 

2. One for the Angels

gs: Ed Wynn (Lew Bookman) Murray Hamilton (Mr. Death) Dana Dillaway (Maggie) Merritt Bohn (The Truck Driver) Jay Overholts (The Doctor) Mickey Maga (Ricky)

 

Lew Bookman, a sidewalk salesman, is informed by Mr. Death that he is to die at midnight. Bookman convinces Death to allow him to live until he has had a chance to do his masterpiece, the Big Pitch - "one for the angels." Death arranges for a truck to hit Maggie, a neighborhood child, to take Lew's place. Death has to be in Maggie's room at midnight to claim her. Bookman saves Maggie by making a pitch so enthralling that Death misses his deadline. Having made his pitch, Lew leaves with Mr. Death.

 

b: 09-Oct-1959 w: Rod Serling d: Robert Parrish

 

NOTE: Included on volume 14 of Image-Entertainment's DVD collection.

 

3. Mr. Denton on Doomsday

gs: Dan Duryea (Al Denton) Martin Landau (Hotaling) Doug McClure (Pete Grant) Malcolm Atterbury (Henry J. Fate) Jeanne Cooper (Liz) Ken Lynch (Charlie) Arthur Batanides (Leader) Robert Burton (Doctor) Bill Erwin (Man)

 

Al Denton, once a feared gunslinger, now the town drunk, is forced to draw against Hotaling, a sadistic bully. That day, Henry J. Fate arrives in town. Fate's glance gives Denton's hand a life of its own, and Denton disarms Hotaling, and he regains the respect of the town. His new reputation soon attracts a young hotshot that challenges him to a duel. Denton, his gunslinging ability once again gone, buys a potion from Mr. Fate. It will give him ten seconds of deadly accuracy. As soon as the young gunslinger enters the saloon, Denton downs the potion. To his horror, he sees the young man doing the same thing. They shoot the guns out of each other's hands, each sustaining an injury that will end both of their gunslinging careers. Denton tells his adversary that they've both been blessed.

 

b: 16-Oct-1959 w: Rod Serling d: Allen Reisner

 

NOTE: Included on volume 12 of Image-Entertainment's DVD collection.

 

4. The Sixteen-Milyellowter Shrine

gs: Ida Lupino (Barbara Jean Trenton) Martin Balsam (Danny Weiss) Ted de Corsia (Marty Sall) John Clarke (Hearndan in film) Jerome Cowan (Jerry Hearndan) Alice Frost (Sally)

 

Barbara Jean Trenton, an aging actress, secludes herself in a private screening room and watches her old films. Her agent, trying to help, gets her a small role in a film, and arranges a visit with an old leading man of hers. This only pushes her further into the past. A maid, bringing a meal, discovers the room empty. She looks at the screen, and runs out of the room. She calls the agent and he turns the projector back on. On the screen he sees the living room of the house, filled with stars as they appeared in old films. Barbara Jean throws a scarf at the screen. When the film runs out, the agent finds the scarf on the living room floor.

 

b: 23-Oct-1959 w: Rod Serling d: Mitchell Leisen

 

NOTE: Included on volume 12 of Image-Entertainment's DVD collection.

 

5. Walking Distance

gs: Gig Young (Martin Sloan) Frank Overton (Martin's Father) Michael Montgomery (Martin as a child) Ron Howard (Wilcox boy) Irene Tedrow (Mrs. Sloan) Byron Foulger (Charlie) Sheridan Comerate (The Gas Station Attendant) Joseph Corey (The 1959 Counterman) Buzz Martin (The Teenager) Nan Peterson (The Woman in the Park) Pat O'Malley (Mr. Wilson)

 

Martin Sloan, driving through the country, leaves his car and starts to walk toward his hometown, Homewood. He finds things exactly as they were when he was a child. He realizes he's gone back in time. He finds his parents, and trying to explain to them what happened, convinces them that he's crazy. He tries to tell himself as a child to savor his youth, but the frightened boy falls off a merry-go-round and breaks his leg. Martin's father, realizing Martin is his son after looking through his wallet, tells him he must leave, that there is "only one summer to every customer." Martin reluctantly returns to the present, with a limp he got from falling off a merry-go-round as a child.

 

b: 30-Oct-1959 w: Rod Serling d: Robert Stevens

 

NOTE: Included on volume 3 of Image-Entertainment's DVD collection.

 

6. Escape Clause

gs: David Wayne (Walter Bedeker) Thomas Gomez (Mr. Cadwallader) Virginia Christine (Ethel Bedeker) Allan Lurie (Guard) Raymond Bailey (The Doctor) Wendell Holmes (Mr. Cooper) Dick Wilson (Jack) Joe Flynn (Steve) Nesden Booth (The Prison Guard) George Baxter (Judge Cummings)

 

Walter Bedeker makes a deal with a Mr. Cadwallader: Immortality in exchange for his soul. An escape clause is provided, however; if Bedeker ever tires of life, he need only summon Mr. Cadwallader. Bedeker soon realizes nothing can harm him, but nothing excites him either. He jumps in front of subways, trains and buses, drinks poisons, all without anything harming him. He decides to jump off his apartment building. His wife, trying to stop him, falls instead. He seizes the opportunity to experience the electric chair, and confesses to his wife's murder. The judge however sentences him to life imprisonment without chance for parole. Cadwallader appears and releases him from imprisonment, in the form of a fatal heart attack - his "escape clause".

 

b: 06-Nov-1959 w: Rod Serling d: Mitchell Leisen

 

 

7. The Lonely

gs: Jack Warden (James A. Corry) Jean Marsh (Alicia) John Dehner (Captain Allenby) Ted Knight (Adams) James Turley (Carstairs)

 

Allenby, the captain of a supply ship, takes pity on Corry, and leaves him Alicia, a robot that looks and sounds like a woman. Corry is repelled by the robot, but eventually falls in love with her. Allenby returns one day and tells Corry he's been pardoned, and they've come to get him. Corry can only take fifteen pounds of gear, and Alicia weighs more than that. Corry refuse to leave without her, so Allenby pulls a gun and shoots Alicia in the face, revealing a mass of wires. Allenby tells Corry, "All you're leaving behind is loneliness." Stunned, Corry replies, "I must remember that. I must remember to keep that in mind."

 

b: 13-Nov-1959 w: Rod Serling d: Jack Smight

 

 

8. Time Enough at Last

gs: Burgess Meredith (Henry Bemis) Lela Bliss (Mrs. Chester) Vaughn Taylor (Mr. Carsville) Jacqueline DeWit (Helen Bemis)

 

Bank teller Henry Bemis loves to read. He sneaks into the vault at lunchtime to read and is knocked unconscious by a shockwave. When he wakes up, he discovers a nuclear war has destroyed the Earth. He decides to commit suicide until he sees a library. This is paradise to him, and he begins to organize books to read for years to come. Just as he settles down to read his glasses slip from his face and smash, forever trapping him in a blurry world.

 

b: 20-Nov-1959 w: Rod Serling s: Lynn Venable d: John Brahm

 

NOTE: This episode is based on the short story "Time Enough at Last" by Lynn Venable. This story was first published in If (January, 1953).

? Included on volume 2 of Image-Entertainment's DVD collection.

 

9. Perchance to Dream

gs: Richard Conte (Edward Hall) John Larch (Dr. Rathmann) Suzanne Lloyd (Maya/Miss Thomas) Eddie Marr (Girlie Barker) Russell Trent (Rifle Range Barker) Ted Stanhope (Man on the Street)

 

Edward Hall is a man with a cardiac condition. He has sought the aid of Dr. Rathmann, a psychiatist. He tells the doctor of a dream he's been having about a carnival dancer, Maya. In his dream she leads him into a funhouse and onto a roller coaster, with the intention of scaring him to death. If he sleeps, he knows he'll return to this dream and die. If he stays awake, the strain will be too much for his already weak heart. He doesn't believe the doctor can help him, so he starts to leave. He realizes that the doctor's receptionist is a dead ringer for Maya. He returns to the doctor's office and jumps out a window. Dr. Rathmann calls the receptionist into his office, and on the couch is Edward. The doctor tells the receptionist that Hall came in, fell asleep on the couch, and then let out a scream and died.

 

b: 27-Nov-1959 w: Charles Beaumont d: Robert Florey

 

NOTE: This episode is based on the short story "Perchance to Dream" by Charles Beaumont. The story was first published in Playboy (November, 1958).

 

10. Judgement Night

gs: Nehemiah Persoff (Lanser) Ben Wright (Captain Wilbur) Patrick Macnee (First Officer) Deirdre Owne (Miss Stanley) Leslie Bradley (Major Devereaux) Kendrick Huxham (The Bartender) Hugh Sanders (Jerry Potter) Richard Peel (First Steward) Donald Journeaux (Second Steward) Barry Bernard (Mr. McCloud) James Franciscus (Lieutenant Mueller) Debbie Joyce (Little Girl)

 

Carl Lanser is a German on board the Glasgow. He has no memory of how he got there, but he has a strange feeling that he knows the passengers. Lanser is certain that they are being stalked by an enemy sub. He also feels something is going to happen at 1:15 a.m. At 1:15 a.m. a U-boat surfaces. Looking through binoculars, Lanser sees that the captain is himself. The U-boat sinks the boat, and machine-guns survivors. Later a lieutenant on the U-boat suggests that they may all face damnation for their actions. Kapitan Lanser dismisses the idea - not realizing that he is doomed to repeat the sinking of the ship for eternity.

 

b: 04-Dec-1959 w: Rod Serling d: John Brahm

 

NOTE: Included on volume 13 of Image-Entertainment's DVD collection.

 

11. And When the Sky Was Opened

gs: Rod Taylor (Col. Clegg Forbes) Charles Aidman (Col. Ed Harrington) James Hutton (Major William Gart) Maxine Cooper (Amy) Sue Randall (The Nurse) Paul Bryar (Bartender) Joe Bassett (Medical Officer) Gloria Pall (Girl at the Bar) Elizabeth Fielding (Blonde Nurse)

 

Three astronauts have returned from this first space flight. Major Gart is hospitalized with a broken leg. The other two, Colonels Harrington and Forbes head for a bar. Harrington gets a strange feeling and calls his parents. They inform him they have no son. Harrington then disappears, with nobody remembering him but Forbes. When Forbes tells Gart what happened, Gart says he doesn't remember Harrington either. Forbes runs out the door screaming, "I don't want this to happen!" When Gart gets to the door, Forbes has disappeared. Then Gart and their ship vanishes, wiping the last evidence of their existence off the face of the Earth.

 

b: 11-Dec-1959 w: Rod Serling s: Richard Matheson d: Douglas Heyes

 

NOTE: This episode is based on the short story "Disappearing Act" by Richard Matheson. The story was first published in The Magazine of Fantasy and Science Fiction (March, 1953).

? Included on volume 16 of Image-Entertainment's DVD collection.

 

12. What You Need

gs: Steve Cochran (Fred Renard) Ernest Truex (Pedott) Arline Sax (Girl in bar) Read Morgan (Lefty) William Edmonson (Bartender) Judy Ellis (Woman on the Street) Fred Kruger (Man on the Street) Norman Sturgis (Hotel Clerk) Frank Allocca (Waiter) Mark Sunday (Photographer)

 

Pedott is a sidewalk salesman. He has the ability to give someone just what they need. To Renard he gives a pair of scissors. They saves Renard's life when his tie gets caught in an elevator. But Renard wants more, and sensing that Renard will eventually kill him, Pedott gies him a pair of shoes. Suddenly, a truck comes speeding around a corner. Renard tries to run, but the new soles are too slippery and he can't get any traction on the wet pavement. He is killed, and Pedott knows he is now safe.

 

b: 25-Dec-1959 w: Rod Serling s: Henry Kuttner & C.L. Moore d: Alvin Ganzer

 

NOTE: This episode is based on the short story "What You Need" by Henry Kuttner and C.L. Moore. This story was first published in Astounding Science Fiction (October, 1945).

? Included on volume 17 of Image-Entertainment's DVD collection.

 

13. The Four of Us are Dying

gs: Harry Townes (Arch Hammer) Ross Martin (Hammer as Foster) Phillip Pine (Hammer as Sterig) Don Gordon (Hammer as Marshak) Beverly Garland (Maggie) Peter Brocco (Pop Marshak) Bernard Fein (Penell) Milton Frome (Detective) Harry Jackson (Trumpet Player) Bob Hopkins (Man in Bar) Pat Comiskey (Man Two) Sam Rawlins (Ramon)

 

Relying on newspaper photos, Hammer impersonates Johnny Foster in order to get Foster's girlfriend to run away with him. He then impersonates Virgil Sterig, a murdered gangster, to squeeze money out of Mr. Penell, the thug who had Sterig killed. Penell sees through his ruse, and sends some thugs after Hammer. To elude them, Hammer assumes the face of a boxer, Andy Marshak, from a fight poster. He then runs into Marshak's father, who is looking for the son that broke his mother's heart, and did wrong by a girl. Hammer pushes the old man aside and returns to his hotel room. Later, trying to elude the police, he again assumes Marshak's face. He runs into Marshak's father again, who this time has a gun. Before he can change back and prove who he is, the old man fires. As he lies dying, his face switches from one face to another, before finally stopping at his real face.

 

b: 01-Jan-1960 w: Rod Serling s: George Clayton Johnson d: John Brahm

 

NOTE: Included on volume 11 of Image-Entertainment's DVD collection.

 

14. Third From the Sun

gs: Fritz Weaver (William Sturka) Joe Maross (Jerry Riden) Edward Andrews (Carling) Lori March (Eve) Denise Alexander (Jody) Jeanne Evans (Ann) Will J. White (Guard) S. John Launer (Loudspeaker Voice)

 

Scientist William Sturka, and test pilot Jerry Riden, certain that an all-out nuclear war is imminent, plot to steal an experimantal spaceship and escape with their families to another planet. They overpower a government man, Carling, and escape. In space they wonder what their new home will be like. From radio braodcasts they know it is inhabited by people like themselves, and it is called Earth.

 

b: 08-Jan-1960 w: Rod Serling s: Richard Matheson d: Richard L. Bare

 

NOTE: This episode is based on the short story "Third From the Sun" by Richard Matheson. This story was first published in Galaxy (October, 1950).

? The miniature spaceship prop was the same one used in the classic 1956 film Forbidden Planet. Footage from the film was also used to depict the ship in space.

? Included on volume 8 of Image-Entertainment's DVD collection.

 

15. I Shot an Arrow into the Air

gs: Dewey Martin (Corey) Edward Binns (Col. Donlin) Ted Otis (Pierson) Leslie Barrett (Brandt) Harry Bartell (Langford)

 

The Arrow One disappears from the radar screen and crashes. Three of the eight astronauts survive. They believe they have crashed on an asteroid. They only have five gallons of water between them. Corey intends to kill Pierson and Donlin for their water. Before Pierson dies he climbs to the top of a mountain, looks over it, and draws a symbol in the sand. Corey pays no attention to the drawing and kills Donlin. He then climbs the mountain and sees what the symbols meant: telephone poles. They had been on Earth the whole time, in the Nevada Desert.

 

b: 15-Jan-1960 w: Rod Serling s: Madelon Champion d: Stuart Rosenberg

 

NOTE: Included on volume 18 of Image-Entertainment's DVD collection.

 

16. The Hitch-Hiker

gs: Inger Stevens (Nan Adams) Leonard Strong (Hitch-Hiker) Adam Williams (Sailor) Lew Gallo (Gas Pump Boy) Russ Bender (Counterman) George Mitchell (Gas Station Attendant) Dwight Townsend (Highway Flagman) Eleanor Audley (Mrs. Whitney)

 

After a blowout, Nan Adams repeatedly sees the same hitch-hiker. She tries to run over him, only to be told by a sailor to whom she's given a lift that there was no one on the road. She calls home and learns her mother suffered a nervous breakdown after the death of her daughter in a car wreck. Nan returns to her car, where the hitch-hiker - his purpose and identity known - awaits.

 

b: 22-Jan-1960 w: Rod Serling s: Lucille Fletcher d: Alvin Ganzer

 

NOTE: This episode is based on "The Hitch-Hiker" by Lucille Fletcher. "The Hitch-Hiker" originally was preformed for radio on The Mercury Theatre on the Air on November 17, 1941.

? Included on volume 7 of Image-Entertainment's DVD collection.

 

17. The Fever

gs: Everett Sloane (Franklin Gibbs) Vivi Janiss (Flora Gibbs) Art Lewis (Drunk) Lee Millar (Photographer) Bill Kendis (Mr. Henson) Lee Sands (Floor Manager) Marc Towers (Cashier) Arthur Peterson (Sheriff) Carole Kent (Jackpot Winner) Jeffrey Sayre (Croupier)

 

Franklin Gibbs is not happy about his wife winning a trip to Las Vegas. A drunk gives him a silver dollar and forces him to play a slot machine. His attitude changes when the machine pays off. He starts to hear the machine calling to him, and develops a mania to play it. He plays till his last dollar, which jams when he attempts to play. Believing the machine purposefully jammed he pushes it over. Later, back in his room, believing he sees the machine coming for him, he falls out of his window. The machine rolls up to him on the pavement and spits out his dollar.

 

b: 29-Jan-1960 w: Rod Serling d: Robert Florey

 

NOTE: Included on volume 11 of Image-Entertainment's DVD collection.

 

18. The Last Flight

gs: Kenneth Haigh (Flight Lt. Decker) Simon Scott (Major Wilson) Alexander Scourby (General Harper) Robert Warwick (Air Vice Marshal Alexander Mackaye) Harry Raybould (Corporal) Jerry Catron (Guard) Jack Perkins (Mechanic) Paul Baxley (Jeep Driver)

 

During a World War I mission, Decker deserts his best friend, who is surrounded by enemy planes. He flies through a strange white cloud, and lands at a modern-day American air base in France. Decker discovers that the man he left behind went on to become a hero in World War II, and is due to inspect the base that very day. Decker, realizing he's been given a second chance, overpowers the major, returns to his plane, and takes off. Later, when Decker's friend arrives to inspect the base, he says Decker did return to save him - at the cost of his own life.

 

b: 05-Feb-1960 w: Richard Matheson d: William Claxton

 

NOTE: Included on volume 10 of Image-Entertainment's DVD collection.

 

19. The Purple Testament

gs: William Reynolds (Lt. Fitzgerald) Dick York (Captain Riker) Barney Phillips (Captain Gunther) Ron Masak (Harmonica Man) William Phipps (Sergeant) S. John Launer (Colonel) Michael Vandever (Smitty) Paul Mazursky (Orderly) Marc Cavell (Freeman) Warren Oates (Jeep Driver)

 

Lieutenant Fitzgerald can see a light in the faces of the men that are going to die. His friend Captain Riker doesn't believe this, even after Lt. Fitzgerald sees the light on his face. He goes into combat and is killed. Fitzgerald is relieved when he receives news that he is being sent back to division HQ. As he's leaving he glances at a mirror and sees the light on his face. Soon after leaving there is the sound of a distant explosion.

 

b: 12-Feb-1960 w: Rod Serling d: Richard L. Bare

 

NOTE: Included on volume 13 of Image-Entertainment's DVD collection.

 

20. Elegy

gs: Cecil Kellaway (Jeremy Wickwire) Kevin Hagen (Captain James Webber) Jeff Morrow (Kurt Meyers) Don Dubbins (Peter Kirby)

 

Almost out of fuel, three astronauts set down on an asteroid. The place looks like Earth, except no one moves. They see a number of ordinary events: a marching band, a card game and a homely woman winning a beauty contest. They do find someone that moves - Jeremy Wickwire, a caretaker. He explains that the asteroid is an exclusive cemetery, that lets the departed realize their greatest wish. He asks them what their greatest wish is, while serving them wine. They say to be on their ship, returning home. Too late, they realize Wickwire, an android, has poisoned their drinks. Having ensured the continuing tranquility of Happy Glades, Wickwire places the embalmed figures of the three men back in their spaceship.

 

b: 19-Feb-1960 w: Charles Beaumont d: Douglas Heyes

 

NOTE: This episode is based on the short story "Elegy" by Charles Beaumont. The story was first published in Imagination (February, 1953).

? Included on volume 20 of Image-Entertainment's DVD collection.

 

21. Mirror Image

gs: Vera Miles (Millicent Barnes) Martin Milner (Paul Grinstead) Joe Hamilton (Ticket Agent) Naomi Stevens (Bathroom Attendant) Terese Lyon (Old Woman) Ferris Taylor (Old Man) Edwin Rand (Bus Driver)

 

Millicent Barnes is confused by the actions of various employees at the bus station. The ticket taker tells her that she has repeatedly asked when the bus is going to arrive, and that her suitcase has already been checked. The washroom attendant claims she was there a few seconds earlier. Yet she hasn't done any of these things. While in the washroom, she sees herself sitting on a bench out in the bus station. She runs out, but the room is empty. Paul Grinstead, a businessman, becomes concerned for Millicent. They go to board the bus, but Millicent runs back in after seeing the other her already on the bus. Paul stays to comfort Millicent, who now says she knows what is happenning: a mirror image of herself from another world has entered this world, and must take her place to survive. Paul, certain she's mentally ill, calls the police. After the police take Millicent away, Paul chases a man who he believes has stolen his case. As the man turns around, Paul realizes that the man is a duplicate of himself.

 

b: 26-Feb-1960 w: Rod Serling d: John Brahm

 

NOTE: Included on volume 21 of Image-Entertainment's DVD collection.

 

22. The Monsters are Due on Maple Street

gs: Claude Akins (Steve Brand) Jack Weston (Charlie) Amzie Strickland (Woman) Barry Atwater (Mr. Goodman) Anne Barton (Mrs. Brand) Jan Handzlik (Tommy) Burt Metcalfe (Don) Mary Gregory (Sally) Jason Johnson (Old Man) Lea Waggner (Mrs. Goodman) Joan Sudlow (Old Woman) Ben Erway (Pete Van Horn) Lyn Guild (Charlie's Wife) Sheldon Allman (First Alien) William Walsh (Second Alien)

 

After what is believed to be a meteor flies overhead, Maple Street experiences a total power failure. Pete Van Horn leaves to find what is going on. Tommy, a reader of sci-fi, says human- looking aliens have infiltrated Maple Street. No one takes this seriously until Mr. Goodman's car cranks for a few seconds. Suspicion falls on him, made stronger by a neighbor's memory of seeing him looking up at the stars at night. Everyone begins to panic as the evening approaches. When a mysterious figure walks towards them in the dark, Charlie Farnsworth takes a neighbor's rifle and fires. The mysterious figure turns out to be the returning Pete Van Horn. Charlie is then accused of being the alien, then Tommy, then total madness breaks out. As various house lights flash on and off, rioting breaks out. Two nearby aliens watch these events. One tells the other that by manipulating electricity, it is easy to turn neighbor against neighbor. Maple Street is only the beginning.

 

b: 04-Mar-1960 w: Rod Serling d: Ron Winston

 

NOTE: Included on volume 2 of Image-Entertainment's DVD collection.

 

23. A World of Difference

gs: David White (Brinkley) Howard Duff (Arthur Curtis) Frank Maxwell (Marty) Eileen Ryan (Nora) Gail Kobe (Sally) Peter Walker (Sam) Susan Dorn (Marian Curtis) Bill Idelson (Stagehand)

 

Businessman Arthur Curtis finds his phone dead. He is then surprised to hear a voice yell, "Cut!" and see that his office is just a set on a soundstage. Everyone tells him that he is Jerry Raigan, a drunken movie star on the decline, and "Arthur Curtis" is a character Raigan is playing. Curtis drives to where his home should be, but finds no evidence of his life. Raigan's agent, thinking his client is having a nervous breakdown, tells Curtis not to worry about returning to the set, the picture has been cancelled and the sets are being dismantled. Curtis, realizing the last link to his world is about to be destroyed, rushes to the set. Just in time, he arrives on the set and pleads not to be left in this uncaring place. Curtis finds himself back in his office, while the agent arrives on the set and finds Raigan has vanished.

 

b: 11-Mar-1960 w: Richard Matheson d: Ted Post

 

NOTE: Included on volume 22 of Image-Entertainment's DVD collection.

 

24. Long Live Walter Jameson

gs: Kevin McCarthy (Prof. Walter Jameson) Edgar Stehli (Prof. Samuel Kittridge) Estelle Winwood (Laurette Bowen) Dody Heath (Susanna Kittridge)

 

In class, Jameson, Kittridge's colleague for twelve years and future son-in-law, reads from a Civil War journal of officer Hugh Skelton. Later, at his house, Kittridge tells Jameson he looked Skelton's photo up and found him to be a dead ringer for Jameson, down to a mole and ring. Jameson admits he is Skelton. More than two thousand years before, he paid an alchemist for the gift of immortality. Kittridge forbids Jameson to marry his daughter. Jameson convinces her to elope with him that night. He goes home to pack, and discovers a very old woman in his study. She is a wife he long since abandoned. She grabs a revolver off of his desk and shoots him. Kittridge hears the shot and rushes in, just in time to see Jameson turn to dust.

 

b: 18-Mar-1960 w: Charles Beaumont d: Anton Leader

 

 

25. People Are Alike All Over

gs: Roddy McDowall (Sam Conrad) Paul Comi (Warren Marcusson) Susan Oliver (Teenya)

 

Marcusson, the optimist that believes people are alike all over, is killed when their ship crashes on Mars. Conrad is terrified when he hears someone banging on the outside of the ship. He is relieved when he sees that the martians are human looking, but telepathic. The next day, the Martians give Conrad a home of his own. Left alone, he quickly realizes there are no windows and all the doors are locked. Suddenly, a wall slides up, revealing bars through which a crowd of Martians stand. Conrad then realizes he is in a zoo. He cries out, "Marcusson, you were right - people are alike everywhere."

 

b: 25-Mar-1960 w: Rod Serling s: Paul Fairman d: Mitchell Leisen

 

NOTE: This episode is based on the short story "Brothers Beyond the Void" by Paul Fairman. The story was first published in Fantastic Adventures (March, 1952).

 

26. Execution

gs: Albert Salmi (Joe Caswell) Russell Johnson (George Manion) Than Wyenn (Johnson)

 

As Joe Caswell is being hanged for shooting a man in the back, he suddenly disappears. He reappears in the modern laboratory of Professor Manion, who invented the time machine that saved his life. Seeing the rope burns, Manion tries to send Caswell back, and is knocked unconscious in the ensuing struggle. Caswell leaves the laboratory, but soon returns after being confused by the lights and noise. He finds that he has killed the scientist. Paul Johnson, a petty thief, enters the lab. Johnson strangles Caswell and accidentally activates the time machine. He is sent back to 1880, and into the noose meant for Caswell.

 

b: 01-Apr-1960 w: Rod Serling s: George Clayton Johnson d: David Orrick McDearmon

 

 

27. The Big Tall Wish

gs: Ivan Dixon (Bolie Jackson) Steven Perry (Henry) Kim Hamilton (Frances)

 

Even though Jackson breaks his hand prior to the fight, he wins because Henry - a boy who adores the fighter and believes in magic - made the "big, tall wish." After the fight the boxer refuses to believe in magic. Henry tells him if he doesn't believe, it won't be true. Jackson just can't believe. Suddenly, Jackson is back in the ring, and counted out.

 

b: 08-Apr-1960 w: Rod Serling d: Ron Winston

 

 

28. A Nice Place to Visit

gs: Larry Blyden (Rocky Valentine) Sebastian Cabot (Mr. Pip) John Close (Policeman) Wayne Tucker (The Croupier) Sandra Warner (The Brunette Woman) Barbara English (The Dancing Blonde) Nels Nelson (The Midget Policeman) Bill Mullikin (The Parking Attendant)

 

After being shot to death by a policeman, Rocky revives to find himself unhurt. He is in the company of a seemingly good-natured man named Pip, who says he is Rocky's guide and has been instructed to give him anything he wants. At first this is great, Rocky assumes he must be in Heaven, with Pip being his guardian angel. But he soon grows tired of always winning, always getting any girl he wants. He begs Pip to send him to "the Other Place." Pip replies, "This is the Other Place!"

 

b: 15-Apr-1960 w: Charles Beaumont d: John Brahm

 

NOTE: Included on volume 29 of Image-Entertainment's DVD collection.

 

29. Nightmare as a Child

gs: Janice Rule (Helen Foley) Terry Burnham (Markie) Shepperd Strudwick (Peter Selden)

 

Schoolteacher Helen Foley finds a strange and very serious little girl on the stairs outside her apartment. The little girl seems to know her, and tries to jog her memory about a man she saw earlier that day. The man arrives at Helen's door and Markie runs out the back way. The man is Peter Selden, who worked for Helen's mother when Helen was a child, and claimed to be the first to find her mother after she was murdered. Helen witnessed the murder but has blocked it out. She mentions Markie, and Selden tells her that was her nickname as a child, and shows her an old photo of herself. She then realizes that she and Markie are one and the same. Selden leaves, and Markie reappears. She tells Helen she is Helen, and that she is there to force her to remember her mother's murder. Selden returns and confesses to the murder, and say he has tracked down the only witness to his crime. She manages to run into the hallway and push Selden down the stairs to his death. Markie was a part of Helen that did remember the murder, and was trying to remind her conscious self of it.

 

b: 29-Apr-1960 w: Rod Serling d: Alvin Ganzer

 

NOTE: Part of the story eventually became true. On Beyond Belief's segment "The Doll", A schoolteacher sees a younger girl who was her friend, who died in a car accident that she blocked out.

 

30. A Stop at Willoughby

gs: James Daly (Gart Williams) Patricia Donahue (Jane Williams) Howard Smith (Mr. Misrell) Jason Wingreen (Train Conductor) Mavis Neal Palmer (Helen) James Maloney (1888 Train Conductor) Billy Booth (First Boy) Butch Hengen (Second Boy) Ryan Hayes (Engineer) Max Slaten (Man on the Wagon)

 

Gart Williams is a very unhappy man. He has a terrible boss and a shrewish wife. Riding home on the train one day he falls asleep, and dreams it is 1880, and he is entering a small town called Willoughby. The conductor tells him Willoughby is a town where "a man can slow down to a walk and live his life full measure." Williams realizes this is the place for him, but he receives only ridicule from his wife. The pressure of his job being too great, he finally cracks. He calls his wife to tell her he is quitting, but she hangs up on him. On the train home, he suddenly finds himself back in Willoughby. The townsfolk all greet him by name. He's there for good this time. Meanwhile, the train has stopped. A Mr. Williams has jumped from the train yelling something about "Willoughby." The body is loaded in a hearse that bears the name "Willoughby Funeral Home."

 

b: 06-May-1960 w: Rod Serling d: Robert Parrish

 

NOTE: This episode was used as the basis for the 2000 TV movie For All Time.

? Included on volume 34 of Image-Entertainment's DVD collection.

 

31. The Chaser

gs: George Grizzard (Roger Shackleforth) John McIntire (Prof. Daemon) Patricia Barry (Leila)

 

Roger buys a love potion from a Prof. A. Daemon to win Leila's affections. Soon he realizes it worked too well; he is sick of her never-ending adoration towards him. Roger returns to the Professor, and buys a second potion, a "glove cleaner." He slips some in her champagne, but drops the glass when she tells him she is pregnant. On the patio, Prof. Daemon, smoking a cigar, blows a heart-shaped smoke ring and disappears.

 

b: 13-May-1960 w: Robert Presnell Jr. s: John Collier d: Douglas Heyes

 

NOTE: This episode is based on "Duet for Two Actors" by John Collier. "Duet for Two Actors" originally appeared on television on The Billy Rose Show in February 1951.

 

32. A Passage for Trumpet

gs: Jack Klugman (Joey Crown) John Anderson (Gabe) Mary Webster (Nan) Frank Wolff (Baron) James Flavin (Truck Driver) Ned Glass (Pawnshop Owner) Diane Honodel (Woman Pedestrian)

 

Joey, convinced he'll never amount to anything, throws himself in front of a truck. He wakes up to find himself all alone on the street at night. Visiting several of his regular haunts, he cannot find anyone he knows. And the people that are there can't see or hear him. Failing to see his own reflection in a mirror, Joey believes he must be a ghost. Looking back on his life, Joey realizes it wasn't as bad as he thought. He meets a tall man in a white tuxedo, who explains that it is the other people that are dead, he is simply in limbo between life and death, and which way to go is his choice. Joey chooses life, and is suddenly back on the pavement, just after being hit by the truck, alive and well. That night while playing his trumpet on a rooftop, he meets Nan, a new girl in town, who asks if Joey would show her the sights. He accepts the offer.

 

b: 20-May-1960 w: Rod Serling d: Don Medford

 

NOTE: As "Gabe" leaves at the end, note the lamp framed above his head at an angle so as to give him a halo.

 

33. Mr. Bevis

gs: Orson Bean (James B.W. Bevis) Henry Jones (J. Hardy Hempstead) Charles Lane (Mr. Peckinpaugh)

 

Mr. Bevis loses his job, wrecks his car and gets evicted from his apartment, all in one day. Bevis then meets his guardian angel J. Hardy Hempstead, who assists him. Bevis starts the day over, except now he is a success at work, his rent is paid, and his car is now a sportscar, instead of a jalopy. However, in order to have his new life, Bevis must make some changes: No loud clothes, no zither music, no longer can he be the well-liked neighborhood goofball. Realizing all these things is what makes him happy, Bevis asks that things be returned to the way they were. Hempstead changes things back, but arranges for Bevis to get his old jalopy back. He is still his guardian angel.

 

b: 03-Jun-1960 w: Rod Serling d: William Asher

 

 

34. The After Hours

gs: Anne Francis (Marsha White) Elizabeth Allen (Saleswoman) James Millhollin (Armbruster)

 

Marsha buys a gold thimble from a rude saleslady on the ninth floor. When she goes to complain, she is informed there is no ninth floor. She points out the saleslady, but is shocked to find it is just a store mannequin. She is helped to a store office where she falls asleep. When she wakes up, she finds she is locked in the closed store. She hears voices coming from the mannequins as she wanders through the empty store. She backs into the elevator which takes her to the ninth floor. There the mannequins all come to life one by one, including the saleslady and elevator operator. They explain that she too is a mannequin, and that each of them is allowed a one month journey among humans. She forgot her true identity and didn't return on time. She apologizes, then turns back into a mannequin.

 

b: 10-Jun-1960 w: Rod Serling d: Douglas Heyes

 

 

35. The Mighty Casey

gs: Jack Warden (Mouth McGarry) Robert Sorrells (Casey) Abraham Sofaer (Dr. Stillman)

 

Dr. Stillman arranges to have his human-looking robot signed up as the star pitcher of the Hoboken Zephyrs. The team zooms to fourth place thanks to Casey. After he's beaned by a ball, a doctor discovers Casey has no heart. The rules say nine men make up a team, and without a heart Casey is not a man. Dr. Stillman gives Casey a heart, but he becomes too compassionate to strike out other players. The Zephyrs lose the pennant, and Casey is washed up in baseball. Dr. Stillman gives the coach, Mouth McGarry, Casey's blueprints as a momento. Looking at them, Mcgarry gets a sudden inspiration, and chases after the doctor

 

b: 17-Jun-1960 w: Rod Serling d: Robert Parrish & Alvin Ganzer

 

 

36. A World of His Own

gs: Keenan Wynn (Gregory West) Phyllis Kirk (Victoria West) Mary La Roche (Mary)

 

Victoria West sees her husband and a blonde through a window, sharing drinks. But when she barges into his office, he is alone. Gregory tells her that by describing something into his dictation machine, he can bring anything into being. To make it disappear all he needs to do is throw the tape in the fireplace. He demonstrates by describing an elephant in the hall. Victoria ignores the evidence and informs Gregory she is going to have him committed. Gregory removes an envelope from a wall safe, and tells her it contains the tape that describes her. Victoria grabs the envelope and throws it into the fireplace, and promptly disappears. Gregory quickly begins to redescribe Victoria, then reconsiders and begins to describe Mrs. Mary West. A loving Mary appears mixing her husband a drink.

 

b: 01-Jul-1960 w: Richard Matheson d: Ralph Nelson

 

NOTE: In the final humorous scene, as Serling comments on the fantastical elements of the episode, author West hears him, says he shouldn't have done that, and burns an envelope of his creation labeled "Rod Serling", who promptly disappears! Fortunately, Serling is back in time to do the final voiceover narration.

? The episode in syndication, at least on the SciFi Channel as of 2001, cuts the sequence where West dictate-creates an elephant to stop his wife from leaving. The cut is very abrupt and quite noticeable. A pity, since according to The Twilight Zone Companion they went to great lengths to get an elephant on the set for that one brief scene.

? This episode marks the series' first on-camera appearance of Rod Serling.

? Included on volume 43 of Image-Entertainment's DVD collection.

 

 

 

Season 2

 

37. King Nine Will Not Return

gs: Bob Cummings (Captain James Embry) Paul Lambert (Doctor) Gene Lyons (Psychiatrist)

 

Captain James Embry wakes up next to the wreckage of King Nine. He remembers crashing with the rest of the crew, but nothing else. He sets off to find the other crew members. He finds the grave of one, mirages of all of them, and a jet aircraft flying over. He collapses and awakens in a hospital room. Seventeen years earlier, Embry had missed the flight of King Nine, and ever since has felt guilty. He saw a newspaper headline about the wreckage of King Nine being found in the desert. He had went into a state of shock and hallucinated being in the desert, but later someone finds sand in his shoes.

 

b: 30-Sep-1960 w: Rod Serling d: Buzz Kulik

 

 

38. The Man in the Bottle

gs: Luther Adler (Arthur Castle) Vivi Janiss (Edna Castle) Joe Ruskin (Genie)

 

After buying a bottle from an old lady, Arthur Castle is surprised to see a genie appear in modern dress. The genie informs him he has four wishes. Not believing, Arthur wishes for a cracked glass display case to be repaired. Instantly it is fixed. His next wish is somewhat larger - a million dollars. But after giving money to the needy in his neighborhood, the IRS takes all but five dollars. He thinks his third wish is foolproof - to be the ruler of a foreign country in the twentieth century, one that can't be voted out of office. His wish comes true, but not as he expected; he is in Germany, at the end of WW II, and he is Adolf Hitler. He uses his fourth wish to make everything like it was. He's back where he started, but somewhat happier with things.

 

b: 07-Oct-1960 w: Rod Serling d: Don Medford

 

 

39. Nervous Man in a Four Dollar Room

gs: Joe Mantell (Jackie Rhoades) William D. Gordon (George)

 

Jackie is ordered by George, a gangster, to kill the owner of a bar, at two a.m. Jackie doesn't have the backbone to refuse George, but if he kills the bar owner he'll definitely get caught. Looking for a match, he sees his reflection in the mirror is already smoking a lit cigarette. The reflection is a different Jackie, intelligent, self-assured and strong. It's the man Jackie could have been. And it wants out, to take over before it's too late. Jackie runs out the door, but is confronted by the image in all the mirrors. Later, George arrives to take care of Jackie, who didn't do the job. But Jackie tells him he's resigning and beats him up. The old Jackie is in the mirror, and Mr. John Rhoades is checking out.

 

b: 14-Oct-1960 w: Rod Serling d: Douglas Heyes

 

NOTE: Rod Serling makes his entrance apparently standing on a wall parallel to the floor! This effect is achieved by shooting Serling against a back-screen of an overhead shot of the room.

 

40. A Thing About Machines

gs: Richard Haydn (Bartlett Finchley) Barney Phillips (TV Repairman) Barbara Stuart (Edith) Jay Overholts (Intern) Margarita Cordova (Girl on TV) Henry Beckman (Policeman) Lew Brown (Telephone Repairman)

 

Bartlett Finchley hates machines. He doesn't realize that the feeling is mutual. For several months, strange things have been happening. His TV, radio and clock have all awakened him in the middle of the night. When his secretary quits, her typewriter types, "GET OUT OF HERE, FINCHLEY." The TV shows the same message, as does the phone. His electric razor slithers down the stairs after him. Finchley runs from the house and is pursued by his car. He falls into his swimming pool and drowns.

 

b: 28-Oct-1960 w: Rod Serling d: David Orrick McDearmon

 

NOTE: Included on volume 43 of Image-Entertainment's DVD collection.

 

41. The Howling Man

gs: H.M. Wynant (David Ellington) John Carradine (Brother Jerome) Robin Hughes (The Howling Man) Frederic Ledebur (Brother Christophorus) Ezelle Poule (Housekeeper)

 

David Ellington is on a walking trip of Europe following WWI when he gets caught in a storm. He finds a remote hermitage, but is turned away. After he passes out, the monks are forced to take him in. After reviving, he hears a howling that the brothers say they do not hear. Following the sound, he comes upon a cell with an old man locked inside. The old man says he is being held captive by Brother Jerome, who is insane. After confronting Brother Jerome, he confesses that he is holding the old man prisoner, but the old man is actually the Devil! Ellington promises to keep this secret, but as soon as he gets a chance, he returns to the cell and releases the old man - who proceeds to transform into the devil and disappears. Shortly after, WWII breaks out. Ellington devotes his life to recapturing the Devil. He finally does recapture the Devil. As he prepares to leave to make arrangements to ship him back to the hermitage, he tells his housekeeper to pay no mind to the howling. But, as soon as he leaves, she lifts the bar on the door, and the door swings open.

 

b: 04-Nov-1960 w: Charles Beaumont d: Douglas Heyes

 

NOTE: This episode is based on the short story "The Howling Man" by Charles Beaumont. The story was first published in Beaumont's collection Night Ride and Other Journeys (1960).

? Included on CBS Video's "More Teasures of The Twilight Zone" DVD.

 

42. The Eye of the Beholder

gs: Edson Stroll (Walter Smith) Maxine Stuart (Janet Tyler (under bandages)) Donna Douglas (Janet Tyler (revealed)) William D. Gordon (Doctor) Jennifer Howard (Janet's Nurse) George Keymas (Leader) Joanna Heyes (Reception Nurse)

 

Janet Tyler anxiously awaits the outcome of her latest surgery. Janet, who's abnormal face has made her an outcast, has had her eleventh hospital visit - the maximum allowed by the State. If it didn't succeed, she will be sent to live in a village where others of her kind are segregated. As her bandages are removed, she is revealed to be very beautiful. The doctor draws back in horror. As the lights come on we see the others, their faces are misshapen and deformed. As Janet runs from her room crying, she runs into another of her kind, a handsome man named Walter Smith. He is in charge of an outcast village, and he assures her that she will eventually feel she belongs. He tells her to remember the old saying: "Beauty is in the eye of the beholder."

 

b: 11-Nov-1960 w: Rod Serling d: Douglas Heyes

 

NOTE: Rod Serling's original title for this episode was The Private World of Darkness and it has been shown in syndication with this title. The version on volume 43 of Image-Entertainment's DVD collection also bears this title.

? The original broadcast version of this episode is included on Image-Entertainment's "More Treasures of The Twilight Zone DVD."

 

43. Nick of Time

gs: William Shatner (Don Carter) Patricia Breslin (Pat Carter) Guy Wilkerson (Counter Man)

 

While waiting for their car to be repaired, Don and Pat grab a quick meal at a local diner. A table top fortune-telling machine catches Don's eye. Although the answers are extremely general, Don soon believes the machine has accurately predicted two events - his promotion, and a near-accident he and Pat have while crossing the street. Don panics and begins feeding pennies into the machine. Pat convinces him that they must make their own future, without the machine. Don comes to his senses, and the couple leaves. Soon after they leave, another couple hurry into the diner and begin putting pennies in the machine. They ask when they might be allowed to leave town.

 

b: 18-Nov-1960 w: Richard Matheson d: Richard L. Bare

 

 

44. The Lateness of the Hour

gs: Inger Stevens (Jana) John Hoyt (Dr. Loren) Irene Tedrow (Mrs. Loren) Mary Gregory (Nelda)

 

Dr. Loren lives in a house staffed by human-looking robot servants. His daughter Jana believes that her parents' reliance on the robots is turning them into vegetables. She gives her father an ultimatum: dismantle the robots or she leaves. He complies with her wishes. When she tells her parents that she will soon meet a young man and have children of her own, their expressions frighten her. She looks through old photo albums for a picture of herself as a child. She realizes that she is a robot and collapses. Dr. Loren knows things will never be the same, so he reprograms her - as a maid.

 

b: 02-Dec-1960 w: Rod Serling d: Jack Smight

 

NOTE: Another of the episodes shot on videotape rather than film.

 

45. The Trouble with Templeton

gs: Brian Aherne (Booth Templeton) Pippa Scott (Laura Templeton) Charles S. Carlson (Barney Flueger)

 

Templeton longs for the years when his beloved wife Laura was still alive. After a young director dresses him down for being late, Templeton rushes from the theater and finds himself back in 1927. He locates Laura in a speakeasy. She is not the Laura he remembered - she is vulgar, self-centered and flirtatious. His memories shattered, he returns to the theater. He looks at several sheets of paper Laura was fanning herself with, and that he accidentally brought back with him. They are pages to a script entitled "What To Do When Booth Comes Back." Booth realizes the whole thing was staged so he would stop living in the past, he returns to the stage, filled with a new self-confidence and ready to start living in the present.

 

b: 09-Dec-1960 w: E. Jack Neuman d: Buzz Kulik

 

 

46. A Most Unusual Camera

gs: Fred Clark (Chester Diedrich) Jean Carson (Paula Diedrich) Adam Williams (Woodward)

 

Chester Diedrich and his wife Paula, after burglarizing a curio shop, end up with a camera that takes pictures of events five minutes into the future. Paula's brother Woodward arrives, as predicted by the camera. He and Chester decide to go to the race track with the camera. They make a killing, but back at the hotel a waiter tells them that an inscription on the camera says, "ten to an owner." Chester and Woodward fight over how to use the remaining pictures, and they both fall out the window. Paula takes a picture of them, and gathers her stuff to leave. Suddenly, the waiter comes back. He has figured out they are crooks and he wants the money. He looks at the picture and notices there are more than two bodies, Paula rushes to look out the window, trips and falls to her death. Then the waiter notices there are four bodies instead of three. With a shout, he falls from the window, too.

 

b: 16-Dec-1960 w: Rod Serling d: John Rich

 

 

47. Night of the Meek

gs: Art Carney (Henry Corwin) Robert P. Lieb (Officer Flaherty) John Fiedler (Mr. Dundee) Meg Wyllie (Sister) Burt Mustin (Burt)

 

Corwin is fired on Christmas Eve by Dundee, the store manager, after arriving drunk for work. He walks around, still in his Santa suit, until he finds a bag. It gives out any item that's asked of it. Corwin proceeds to pass gifts out to everyone. Officer Flaherty suspects the merchandise is stolen, and takes him to the police station. Mr. Dundee is there, and tries to find the "stolen merchandise" in the bag, but all he finds is a stray cat and some garbage. Corwin passes out gifts the rest of the night, until the bag is empty. Burt, a friendly bum, points out that Corwin has taken no gift for himself. Corwin replies that his only wish is to do this every year. His wish is granted: In an alley he finds an elf, sleigh and reindeer wiating to take him to the North Pole.

 

b: 23-Dec-1960 w: Rod Serling d: Jack Smight

 

 

48. Dust

gs: Thomas Gomez (Sykes) John Larch (Sheriff Koch) Vladimir Sokoloff (Gallegos) Douglas Heyes Jr. (Farmer Boy)

 

After selling rope to the hangman, Sykes, a conscienceless peddler, tries to sell the condemned man's father a bag of "magic dust" that can turn hate into love. It is nothing but dirt, but the condemned man's father pays 100 pesos for it. He sprinkles the "dust" around the gallows, and on the crowd, but it has no effect. When the gallows trap door is opened, the rope breaks. Luis Gallegos, the condemned man, is pardoned, and leaves with his father. Sykes, moved by what he has seen, gives the hundred pesos to Luis's young siblings.

 

b: 06-Jan-1961 w: Rod Serling d: Douglas Heyes

 

 

49. Back There

gs: Russell Johnson (Peter Corrigan) Bartlett Robinson (William) Paul Hartman (Police Sergeant) John Lasell (John Wilkes Booth) Nora Marlowe (Chambermaid) James Lydon (Patrolman) Raymond Bailey (Balding Card Player) Raymond Greenleaf (Bespectacled Card Player) John Eldredge (Fourth Card Player) James Gavin (Policeman) Jean Inness (Mrs. Landers) Lew Brown (Officer) Carol Rossen (Officer's Wife) Pat O'Malley (Attendant)

 

It's April 14, 1961. Peter Corrigan and friends are discussing time travel at their men's club. Corrigan suddenly becomes dizzy. When his head clears, he has moved back to April 14, 1865 - the date of Lincoln's assassination. He tries to warn everyone at Ford's Theater, but ends up being arrested. Mr. Wellington asks that Corrigan be remanded to his custody. Wellington is actually John Wilkes Booth, and he wants no interference. He drugs Corrigan, and when he wakes up it's too late. He returns to the present, ready to tell his friends that the past really can't be changed. But he is shocked to find that William, formerly the attendant, is now rich. His great-grandfather was the only person to believe Corrigan, and made a name for himself trying to stop the assassination.

 

b: 13-Jan-1961 w: Rod Serling d: David Orrick McDearmon

 

NOTE: Included on volume 22 of Image-Entertainment's DVD collection.

 

50. The Whole Truth

gs: Jack Carson (Harvey Hunnicut) Loring Smith (Honest Luther Grimbley) Arte Johnson (Irv) Nan Peterson (Young Woman)

 

After buying a Model A car, Hunnicut, a used-car salesman, finds that he is forced to tell the truth. After failing to sell it to a local alderman, the alderman names some of his colleagues he would like to hear tell the truth. Hunnicut manages to unload the car on someone he thinks would be much embarrassed by the truth - Nikita Krushchev.

 

b: 20-Jan-1961 w: Rod Serling d: James Sheldon

 

 

51. The Invaders

gs: Agnes Moorehead (Woman) Douglas Heyes (Voice of the Astronaut)

 

The woman goes up to her roof to investigate a noise, and finds a flying saucer with two tiny, robot-like creatures emerging from it. The creatures torment the woman, until finally she grabs and batters one of the creatures into lifelessness. With an ax she destroys the saucer. Before the final creature is killed he sends a message to his home planet not to send any more ships to this planet. The lettering on the side of the saucer reads "U.S. Air Force."

 

b: 27-Jan-1961 w: Richard Matheson d: Douglas Heyes

 

NOTE: This episode is done entirely without dialogue, except for the recorded radio transmission at the end of the episode and Serling's narration.

? The miniature spaceship prop was the same one used in the classic 1956 film Forbidden Planet.

 

52. A Penny For Your Thoughts

gs: Dick York (Hector B. Poole) June Dayton (Miss Turner) Dan Tobin (Mr. Bagby) Cyril Delevanti (L.J. Smithers) Hayden Rorke (Mr. Sykes) James Nolan (Mr. Brand) Frank London (The Driver) Anthony Ray (The Paperboy) Patrick Waltz (The Security Guard)

 

Hector pays for a morning paper with a coin that stands on edge. He then finds he has telepathic powers. He informs his boss, Mr. Bagby, that Sykes, a businessman trying to get a large loan is actually going to bet it at the racetrack to try and repay embezzled funds. Sykes leaves in a rage, and Bagby is greatly displeased. Smithers, an old, trusted employee, is thinking of stealing some money, and escaping to Bermuda. A search of his briefcase reveals that Smithers was just daydreaming, and Poole is fired. Later, Mr. Bagby informs him that he was right about Sykes, and offers him his job back. Using information he has about Bagby's weekend plans with his mistress, he is made an office manager. Leaving from work he buys a paper, and knocks the coin he stood on end earlier down, and his psychic abilities disappear.

 

b: 03-Feb-1961 w: George Clayton Johnson d: James Sheldon

 

NOTE: This episode was the basis for the 2001 movie, "What Women Want"

? Included on volume 29 of Image-Entertainment's DVD collection.

 

53. Twenty-Two

gs: Barbara Nichols (Liz Powell) Jonathan Harris (Doctor) Arline Sax (Nurse/Stewardess) Fredd Wayne (Barney) Norma Connolly (Night Duty Nurse) Mary Adams (Day Duty Nurse) Wesley Lau (Ticket Clerk) Joe Sargent (Ticket Clerk #2) Jay Overholts (P.A. Voice) Carole Conn (Nurse Jameson)

 

Miss Powell has a recurring nightmare about room 22 - a morgue, where a nurse opens the door and says, "Room for one more, honey." Her agent and doctor believe it's just a bad dream, and show her that the morgue nurse is not the same woman in her dreams. After being discharged she arrives at the airport, and finds that her flight number is 22. When she starts to board, a stewardess, the same woman in her dreams, says, "Room for one more, honey." She runs from the plane, back into the airport. The planes leaves, and explodes on take-off.

 

b: 10-Feb-1961 w: Rod Serling d: Jack Smight

 

NOTE: This episode is based on an anecdote appearing in Bennett Cerf's Famous Ghost Stories (1944).

? This was one of 6 episodes shot on videotape, rather than film.

? Included on volume 34 of Image-Entertainment's DVD collection.

 

54. The Odyssey of Flight 33

gs: Jay Overholts (Passenger) John Anderson (Captain Farver) Betty Garde (Passenger) Paul Comi (1st Officer Craig) Harp McGuire (Flight Engineer Purcell)

 

After accelerating past three thousand knots, the crew are unable to raise anyone on the radio. Descending below the clouds they see dinosaurs; somehow they have went back in time. They try to catch the tail wind again to return to the present. They succeed, but are confused when the control tower claims to have never heard of radar or jet aircraft. In the distance the crew sees the 1939 World's Fair. They did not come far enough back. Running low on fuel, they attempt to find the tail wind for one last attempt at returning to their time.

 

b: 24-Feb-1961 w: Rod Serling d: Justin Addiss

 

 

55. Mr. Dingle, the Strong

gs: Burgess Meredith (Luther Dingle) Don Rickles (Bettor) James Westerfield (O'Toole) Edward Ryder (Callahan) Douglas Spencer (1st Martian) Michael Fox (2nd Martian) James Millhollin (Abernathy) Jay Hector (Boy) Donald Losby (1st Venusian) Greg Irvin (2nd Venusian) Phil Arnold (1st Man) Douglas Evans (2nd Man) Frank Richards (3rd Man) Jo Ann Dixon (Nurse) Bob Duggan (Photographer)

 

Martians (two heads - one body) give Dingle the strength of three hundred men. Dingle is able to lift statues, tear boulders in half and other acts of strength. He attracts newspapers and TV cameras. As he prepares to lift the bar, the Martians, tired of his foolish behavior, remove his strength. Unable to prove his claims, Dingle is made a laughing stock. As the Martians leave they encounter two Venusians searching for an Earthling to perform an intelligence experiment. The Martians recommend Dingle. The Venusians boost his intelligence three-hundred fold.

 

b: 03-Mar-1961 w: Rod Serling d: Buck Houghton

 

 

56. Static

gs: Dean Jagger (Ed Lindsay) Jay Overholts (Man #2) Carmen Mathews (Vinnie Broun) Bob Crane (Disc Jockey)

 

Ed Lindsay hates television, so he gets his old radio out of the basement of the boardinghouse where he lives. He soon finds he can receive programs from the past when he's alone. Vinnie Broun, an old maid he was once engaged to, believes he is imagining the whole thing. Vinnie gives the radio away to a junk dealer. Lindsay retrieves it, hoping it will still work. It does, and when he calls Vinnie into the room, it is a younger Vinnie that appears. It is 1940, and Lindsay, young again, has been given a second chance.

 

b: 10-Mar-1961 w: Charles Beaumont s: OCee Ritch d: Buzz Kulik

 

NOTE: This episode was the basis for the 2000 movie Frequency.

 

57. The Prime Mover

gs: Buddy Ebsen (Jimbo Cobb) Dane Clark (Ace Larsen) Christine White (Kitty Cavanaugh)

 

Jimbo Cobb is forced to reveal his psychokinetic abilities to save survivors of a car wreck. His partner Ace decides they could make some quick money in Vegas with Jimbo's powers. Jimbo, Ace and his girlfriend take off for Las Vegas. They win $200,000, but Ace wants more. His girlfriend, Kitty, gets mad and goes home. Ace takes up with Sheila, a cigarette girl. Ace and Jimbo get into a high-stakes craps game in a gangster's hotel room. They win at first, with the help of Jimbo's powers. But as soon as Sheila arrives, Ace bets it all - and loses. Jimbo says he must have blown a fuse. Ace comes to his senses, and returns home and proposes to Kitty, who accepts. Surprised by this, Jimbo drops his broom. Making sure no one is looking, he uses his powers, which he never lost, to pick up the broom.

 

b: 24-Mar-1961 w: Charles Beaumont s: George Clayton Johnson d: Richard L. Bare

 

 

58. Long Distance Call

gs: Bill Mumy (Billy Bayles) Lili Darvas (Grandma Bayles) Philip Abbott (Chris Bayles) Patricia Smith (Sylvia Bayles) Jenny Maxwell (Shirley) Henry Hunter (Dr. Unger) Reid Hammond (Mr. Peterson) Lew Brown (Attendant) Bob McCord (1st Fireman) Jim Turley (2nd Fireman) Jutta Parr (Nurse)

 

Grandma Bayles gives her five year-old grandson a toy phone for his birthday. Soon after she dies, and Billy is very upset. He quickly seems better while spending all his time talking into the toy phone. He tells his parents that Grandma is on the phone, and that she is lonely and wants him to come visit. His parent's dismiss this as a child's imagination, until he throws himself in front of a car. Billy tells his parent's that "someone" told him to do it. Late one night, his mother, hearing him talking on the toy phone, rushes in and grabs the phone - and hears breathing on the other end. Billy runs out of the house and tries to drown himself in the fish pond. A fire rescue team has no luck at reviving him. His father goes into his room and picks up the phone, and begins to plead with his mother to let Billy live. He tells her that if she really loves Billy she would allow him to grow up. Suddenly, Billy begins to respond.

 

b: 31-Mar-1961 w: Charles Beaumont & William Idleson d: James Sheldon

 

NOTE: One of several episodes shot on videotape.

? The film "Poltergeist II: The Other Side" references this episode as Carol Ann recieves a call from her late grandmother (and later on the diabolical Taylor) on her toy telephone

 

59. A Hundred Yards over the Rim

gs: Cliff Robertson (Christian Horn) Edward Platt (Doctor) John Crawford (Joe) Miranda Jones (Martha Horn) John Astin (Charlie) Evans Evans (Mary Lou) Ed Platt (Doctor) Robert McCord (I) (Sheriff)

 

Scouting over a rim, Christian sees a paved road lined with telephone poles. A huge truck rushes by and scares him. He falls to the ground and his rifle fires into his arm. He makes it to a diner, where Mary Lou, a former nurse's aide, treats his wound and gives him a bottle of penicillin. Christian sees a calendar, and realizes it's 1961. A doctor is summoned, and he finds Christian's story credible, considering his clothes, gun, and old-fashioned fillings in his teeth. The doctor realizing this is above him, calls the sheriff. Christian emerges from the back room. He has read an encyclopedia and learned that his son grew up to be a famous physician. As the sheriff arrives, Christian bolts from the diner. The sheriff and doctor give chase, but Christian tops the rim and is back in 1847, carrying the penicillin for his son. His rifle is all that is left in 1961, looking like it has been rotting in the desert for a hundred years.

 

b: 07-Apr-1961 w: Rod Serling d: Buzz Kulik

 

 

60. The Rip Van Winkle Caper

gs: Oscar Beregi Jr (Farwell) Simon Oakland (DeCruz) Lew Gallo (Brooks) John Mitchum (Erbie)

 

Four thieves rob a bullion train headed to California. They head back to a cave, and use a gas invented by their leader Farwell, and go into suspended animation. One of them is killed by a rock while they're asleep. The rest awake one hundred years later, safe from any police pursuit. DeCruz uses the truck to run over Brooks, but loses control and wrecks it. Farwell and DeCruz must walk through the desert to the nearest town, carrying as much gold as they can. Farwell, the older of the two, quickly tires. He loses his canteen and has to pay DeCruz one gold bar for each sip of water. Then Decruz raises the price to two gold bars, and Farwell kills him with one of the gold bars. Weak and tired, Farwell heads down a highway while carrying the gold he refuses to abandon. Just as he finally collapses, a futuristic car pulls up. He offers his gold in exchange for a ride into town, but it's too late, and he dies - never learning that a way to make gold had been found, making his bullion worthless.

 

b: 21-Apr-1961 w: Rod Serling d: Justus Addiss

 

 

61. The Silence

gs: Franchot Tone (Col. Archie Taylor) Liam Sullivan (Jamie Tennyson) Jonathan Harris (George Alfred) Cyril Delevanti (Franklin)

 

Archie Taylor, who wants his men's club quiet, offers Jamie Tennyson half a million dollars to remain silent for one year. To insure his unbroken silence, he will live in the club's basement. In debt, and with a wife that has expensive tastes, Tennyson agrees. During the year, Taylor tries every trick in the book to get Tennyson to talk, however he reamins silent. Finally, the year is up and Tennyson emerges from the basement to collect his money. Taylor then reveals that he lost his fortune ten years before, and never intended to pay off the bet. Tennyson remains silent, but writes a note to Taylor. It says: "I knew I would not be able to keep my part of the bargain, so one year ago I had the nerves to my vocal chords severed!"

 

b: 28-Apr-1961 w: Rod Serling d: Boris Sagal

 

NOTE: This episode lacks any supernatural, fantastical, or science fiction elements.

? Franchot Tone filmed the club sequences in the early part of production. Then he went out and got in an accident that left the left side of his face temporarily puffed up. Rather then reshoot with a different actor, the director filmed the remainder of Tone's scenes, in the glass-room chamber, with the actor in profile so that you never see the left side of his face. This means that Tone's character is taunting Tennyson without ever actually facing him, giving the character an even more sinister aspect.

 

62. Shadow Play

gs: Dennis Weaver (Adam Grant) Harry Townes (Henry Ritchie) Wright King (Paul Carson) William Edmondson (Jiggs) Anne Barton (Carol)

 

A prisoner convicted of murder, Grant claims his life is a dream, a recurring nightmare that finds him unable to wake up. Every time he is executed, the whole dream begins again. D.A. Ritchie thinks it's a preposterous idea, but his friend Paul Carson, a newspaper editor, isn't so sure. He's worried that when Grant is electrocuted they will all cease to exist. Carson gets Ritchie to visit Grant in his cell. Ritchie still does not believe Grant, even when Grant lip-synchs every word from memory that he knows Ritchie will say. As midnight approaches, Carson convinces Ritchie that Carson is a mental incompetent. As Ritchie picks up the phone to call the governor, the switch is pulled, and Ritchie and Carson disappear. All is blackness, then Grant is back in the courtroom being sentenced. Some of the people are playign different roles, but the scenario is the same - and the nightmare is starting over.

 

b: 05-May-1961 w: Charles Beaumont d: John Brahm

 

 

63. The Mind and the Matter

gs: Shelley Berman (Archibald Beechcroft) Jack Grinnage (Henry) Chet Stratton (Rogers) Jeane Wood (Landlady)

 

Archibald Beechcroft hates people. An office boy, after spilling coffee on him, offers him a book on mind power. After reading it, Beechcroft is convinced that he can will anything to happen. He proves it by making his landlady disappear. The next day he finds his office empty. He decides to repopulate the world with duplicates of himself. He soon finds that they are all unhappy complainers. He finally admits, "A lot of me is just as bad as a lot of them." A little more tolerant of others, he returns the world to that way it was.

 

b: 12-May-1961 w: Rod Serling d: Buzz Kulik

 

 

64. Will the Real Martian Please Stand Up

gs: Jean Willes (Ethel McConnell) John Hoyt (Ross) Barney Phillips (Haley) Jack Elam (Avery) Bill Kendis (Olmstead) John Archer (Trooper Bill Padgett) Morgan Jones (Trooper Dan Perry)

 

Troopers follow the tracks from a frozen pond, into a diner. Inside they find a soda jerk, a bus driver and his seven passengers. The bus driver is certain only six people boarded his bus. There's two married couples, a businessman, a dancer and an eccentric old man. The troopers give up the investigation when a call comes through that the bridge is safe now, and the bus may continue on. Later, the businessman returns to the diner. The bridge really wasn't safe, the call was an illusion. He is the Martian, advance scout for an invasion force. He proceeds to drink a cup of coffee and smoke a cigarette, using all three of his arms. The soda jerk tells him that he's a Venusian, and that his invasion force has intercepted the Martian fleet. Grinning, he removes his cap, revealing a third eye.

 

b: 26-May-1961 w: Rod Serling d: Montgomery Pittman

 

 

65. The Obsolete Man

gs: Burgess Meredith (Romney Wordsworth) Fritz Weaver (Chancellor) Josip Elic (Subaltern) Harry Fleer (Guard)

 

In a future society, all books and religion have been banned. Romney Wordsworth is a God-fearing librarian who has been judged obsolete by a chancellor of the State. He is granted three requests: only his assassin will know his method of death, that he die at midnight the next day, and that he have an audience. Forty-five minutes before his scheduled death, he invites the Chancellor to his room. He then informs the Chancellor that he has chosen to be killed by a bomb set to explode at midnight, he then locks the Chancellor in his room. A TV camera is broadcasting all that happens - and Wordsworth will prove who's will is stronger, his or the State's. The Chancellor is calm at first, but as the minutes tick by he begins to panic. He finally cries out, "In the name of God, let me out!" Wordsworth hands him the key, and the Chancellor runs from the room just as it explodes. When the Chancellor returns to his court, he finds he has been judged obsolete and replaced. Loyal members of the State surround him and tear him to pieces.

 

b: 02-Jun-1961 w: Rod Serling d: Elliot Silverstein

 

 

Season 3

 

66. Two

gs: Charles Bronson (Man) Elizabeth Montgomery (Woman) Sharon Lucas (Stunt Double)

 

A woman wearing a uniform encounters a man dressed in the enemy's uniform. She is very distrustful of him. A while later she admires a dress in a shop window. The man removes it and gives it to her. She changes in an old recruiting office. Seeing the posters reminds her of the war, and she rushes out and fires several rounds at the man. The next day he returns in civilian clothes and she is wearing the dress. She joins him and they walk off together.

 

b: 15-Sep-1961 w: Montgomery Pittman d: Montgomery Pittman

 

NOTE: Elizabeth Montgomery's appearance in this episode is the 4th by someone to go on to become an original cast member on BEWITCHED, which would debut 3 years later. Dick York appearing in "A Penny For Your Thoughts" and "The Purple Testament", Agnes Moorehead appearing in "The Invaders", and David White appearing in "A World of Difference" and later in "I Sing the Body Electric".

 

67. The Arrival

gs: Harold J. Stone (Grant Sheckly) Fredd Wayne (Paul Malloy) Noah Keen (Bengston)

 

Flight 107 out of Buffalo lands with no passengers, crew, or luggage. Sheckly, an FAA investigator with a record of no unsolved cases investigates. He is accompanied by Malloy and Bengston, executives with the airline. Each of the men see the seats as a different color, and its serial number differently. Sheckly believes the plane is an illusion, and he sticks his hand in the spinning propeller to prove it. The plane disappears, as well as the two men. He finds the men in the operations room, neither has any memory of the mystery. Flight 107 arrived on schedule. One of the men remembers that there was a Flight 107 that did disappear, seventeen years earlier. It was the one case that Sheckly never solved.

 

b: 22-Sep-1961 w: Rod Serling d: Boris Sagal

 

 

68. The Shelter

gs: Larry Gates (Dr. Stockton) Jack Albertson (Jerry Harlowe) Joseph Bernard (Marty Weiss) Sandy Kenyon (Henderson)

 

During a party for Dr. Stockton, the radio announces that UFOs are headed southeast and that everyone should head for their shelters. The Doc, his wife and son barricade themselves in their shelter, but their neighbors are unprepared and beg to be let in. Doc refuses saying there is only food and air for three. The neighbors find a pipe and beat the door down. Just then, the radio announces that the UFOs were really just satellites. The neighbors apologize but Doc knows that the experience has destroyed them all.

 

b: 29-Sep-1961 w: Rod Serling d: Lamont Johnson

 

 

69. The Passerby

gs: Joanne Linville (Lavinia) James Gregory (The Sergeant) Austin Green (Abraham Lincoln) Rex Holman (Charlie)

 

Lavinia Godwin is certain her husband Jud, a Confederate officer, is dead. Her loss has spawned a hatred within her. When a blind Union soldier stops for a drink, she shoots him - to no effect. A confederate sergeant who stopped to rest, begins to believe that everyone on the road, including Lavinia and himself, are dead. Jud arrives and confirms that they are dead. Lavinia refuses to believe. She decides to stay as Jud heads off down the road, promising to meet her at the end of the road. As he leaves, the last man on the road approaches. It's Abraham Lincoln. He convinces Lavinia of the truth, and she runs down the road to catch up with Jud.

 

b: 06-Oct-1961 w: Rod Serling d: Elliot Silverstein

 

 

70. A Game of Pool

gs: Jack Klugman (Jesse Cardiff) Jonathan Winters (Fats Brown)

 

Alone in a pool hall, Jesse Cardiff wishes he could play the late Fats Brown and prove that he, not Fats, is the greatest pool player. Fats appears and challenges him, with Jesse's life at stake. It's a close game, and just as Jesse is about to sink the winning ball, Fats warns him that winning has its own hazards. Jesse ignores him and wins. After he dies he understands Fats warning, he now has to rise to every challenge from ambitious players on Earth.

 

b: 13-Oct-1961 w: George Clayton Johnson d: Buzz Kulik

 

 

71. The Mirror

gs: Peter Falk (Ramos Clemente) Vladimir Sokoloff (Priest) Tony Carbone (Cristo)

 

Clemente is told by General DeCruz, the deposed tyrant, that the mirror in his office will reveal the faces of one's assassins. Clemente sees his compatriots coming at him with guns, knives and poisons. He kills them all, but he still feels threatened. He tells a priest of this, and the priest replies that tyrants have only one enemy, one they never recognize. Looking in the mirror after the priest leaves, Clemente sees his own reflection. He shatters the mirror, then shoots himself. The priest rushes in. "The last assassin," he says. "And they never learn. They never seem to learn!"

 

b: 20-Oct-1961 w: Rod Serling d: Don Medford

 

 

72. The Grave

gs: Lee Marvin (Conny Miller) Strother Martin (Mothershed) James Best (Johnny Rob) Lee Van Cleef (Steinhart)

 

Sykes is gunned down by a group of townsfolk. Conny Miller, a hired-gun who never caught up with Sykes, learns that before Sykes died, he vowed to reach up and grab Miller if he ever got close to his grave. After accepting a bet that he won't go near the grave, Miller goes to the grave and sticks his knife into the ground, proving he was there. As he stands something grabs him and pulls him down. The next morning a group of people find Miller dead next to Sykes grave. It appears that the wind had blown Miller's coat over the grave, and he had stuck his knife through it. Sykes's sister mentions that the wind was blowing away from the grave the night before.

 

b: 27-Oct-1961 w: Montgomery Pittman d: Montgomery Pittman

 

 

73. It's a Good Life

gs: Bill Mumy (Anthony Fremont) John Larch (Mr. Fremont) Cloris Leachman (Mrs. Fremont)

 

A young boy with the power to read minds and alter reality terrorizes a small town, after making it disappear from the world (or making the rest of the world disappear). He hates singing, and anyone who thinks bad thoughts. At his birthday party, Dan Hollis receives a Perry Como record. Unable to play it in front of Anthony, he begins to drink heavily. Suddenly he bursts into song. Hollis pleads with the other adults to kill Anthony while he's distracted. Afraid, none of them move to help, and Anthony turns Dan into a giant jack-in-the-box, and sends him to the cornfield. Anthony then makes it snow outside, which will kill off half of their crops. His father, half-hysterically, tells him it's good that he made it snow.

 

b: 03-Nov-1961 w: Rod Serling s: Jerome Bixby d: James Sheldon

 

NOTE: This episode is based on the short story "It's a Good Life" by Jerome Bixby. The story was first published in the Frederik Pohl edited anthology Star Science Fiction Stories #2 (1953).

? This episode is referenced in "The Simpsons" episode "Tree House of Horror II: A Simpsons Halloween" The story is called "Bart's Nightmare"

 

74. Death's Head Revisited

gs: Joseph Schildkraut (Becker) Oscar Beregi Jr (Captain Lutz) Karen Verne (Innkeeper)

 

Walking in the old concentration camp, Lutze meets Becker, whom he mistakes for a caretaker. Becker is actually a ghost, and he and the other ghostly inhabitants of the camp have returned to put Lutze on trial. After a trial, Lutze is made to suffer like his victims from years ago. The torture drives him insane. A doctor later wonders what drove Lutze crazy. He then looks around the camp and says, "Dachau, why do we keep it standing?"

 

b: 10-Nov-1961 w: Rod Serling d: Don Medford

 

 

75. The Midnight Sun

gs: Lois Nettleton (Norma) Betty Garde (Mrs. Bronson) Tom Reese (Intruder)

 

Norma and Mrs. Bronson remain in their apartments, even after most people have left town. A man breaks into Norma's apartment and drinks the last of her water. He then apologizes and leaves. Later, as the temperature increases, Mrs. Bronson dies. The paintings melt and a thermometer bursts. Norma screams and collapses. When she awakens it's dark and snowing. She was just dreaming - The Earth is actually heading away from the sun.

 

b: 17-Nov-1961 w: Rod Serling d: Anton Leader

 

 

76. Still Valley

gs: Gary Merrill (Sergeant Joseph Paradine) Vaughn Taylor (The Old Man) Mark Tapscott (The Lieutenant) Jack Mann (Mallory) Addison Myers (The Sentry) Ben Cooper (Mr. Dauger)

 

Paradine wanders into a town full of Union soldiers. They are all frozen in time by a old man with a black book. Knowing he will die soon, the old man gives the book to Paradine, telling him to use it to win the war. He takes the book back to camp and convinces his commanding officer to allow him to try to freeze the entire Union army. When he starts to read the book aloud he realizes he will have to call on the Devil, and renounce God to cast the spell. He throws the book on the fire and decides to allow the war to end in its own way.

 

b: 24-Nov-1961 w: Rod Serling s: Manly Wade Wellman d: James Sheldon

 

NOTE: This episode is based on the short story "The Valley Was Still" by Manly Wade Wellman. This story was first published in Weird Tales (August, 1939).

? Included on volume 18 of Image-Entertainment's DVD collection.

 

77. The Jungle

gs: Jay Overholts (Taxi Driver) John Dehner (Alan Richards) Emily McLaughlin (Doris Richards) Walter Brooke (Chad Cooper)

 

Alan Richards plans to build a dam in Africa on a tribe's ancestral land. The tribe's voodoo doctor puts a lion curse on him. He doesn't believe in that sort of thing, but he is shocked when he finds a dead goat on his doorstep. Leaving a bar late at night he begins to hear jungle sounds. He hops in a taxi, but then at a stoplight finds the driver dead. He gets out and runs home. When he gets there however, he discovers his wife dead - killed by a lion who sees Alan and pounces.

 

b: 01-Dec-1961 w: Rod Serling s: Charles Beaumont d: William Claxton

 

NOTE: The sequence where Richards takes a cab, but his cab driver silently drops dead at a red light, is cut from the episode in syndication.

? This episode is based on the short story "The Jungle" by Charles Beaumont. The story was first published in If (December, 1954).

 

78. Once Upon a Time

gs: Buster Keaton (Woodrow Mulligan) Stanley Adams (Rollo) Jesse White (Repair Man)

 

Disillusioned by 1890, Woodrow Mulligan. a janitor, uses a time helmet invented by his boss to travel ahead to 1962. After deciding 1962 is no better than 1890, he attempts to return but realizes the helmet has been damaged. Rollo, an electronic scientist, offers to help by taking the helmet to a repair shop. After it's fixed, Woodrow realizes that Rollo wants to use the helmet himself. They both grab the helmet and appear in 1890. Rollo doesn't like 1890, so Woodrow puts the helmet on him and sends him back to 1962.

 

b: 15-Dec-1961 w: Richard Matheson d: Norman Z. McLeod & Les Goodwins

 

 

79. Five Characters in Search of an Exit

gs: William Windom (The Major) Murray Matheson (The Clown) Susan Harrison (The Ballerina) Kelton Garwood (The Tramp) Clark Allen (The Bagpipe Player) Mona Houghton (Little Girl)

 

The five characters are trapped in a cylinder with no memory of how they arrived there. The Major hits on the idea of forming a human ladder to reach the top. After reaching the rim, the Major loses his balance and falls into the snow below. The mystery is solved - they are dolls in a Christmas toy donation barrel. A child picks the Major up and returns him to the barrel.

 

b: 22-Dec-1961 w: Rod Serling s: Marvin Petal d: Lamont Johnson

 

NOTE: Mona Houghton is the daughter of producer Buck Houghton, who worked on this episode.

? This episode is based on the short story "The Depository" by Marvin Petal.

 

80. A Quality of Mercy

gs: Dean Stockwell (Lt. Katell/Lt. Yamuri) Albert Salmi (Sgt. Causarano) Jerry Fujikawa (Japanese Captain) Leonard Nimoy (Hansen)

 

Lieutenant Katell orders his men to make a near-suicidal attack on a group of Japanese soldiers in a cave. Sgt. Causarano tries to dissuade him from attacking the cave, but to no avail. Suddenly, Katell is Lt. Yamuri, a Japanese officer on Corregidor on May 4, 1942. His captain is about to order an attack on a group of wounded American soldiers in a cave. He pleads with his captain to not attack, but it's in vain. Suddenly, he is back in the Phillipines. The U.S. has dropped an A-bomb on Japan, and his platoon has been ordered to fall back and not attack the cave. Having seen both sides, Katell is relieved.

 

b: 29-Dec-1961 w: Rod Serling s: Sam Rolfe d: Buzz Kulik

 

 

81. Nothing in the Dark

gs: Gladys Cooper (Wanda Dunn) Robert Redford (Harold Beldon) R.G. Armstrong (Man)

 

Wanda Dunn is so scared that "Mr. Death" will kill her with his touch, she has barricaded herself in her apartment for years. When a policeman is shot outside her door, she overcomes her fear and drags him inside. A man breaks into her apartment, and Wanda thinking it's Mr. Death, faints. When she comes to, he explains he is a building contractor and that he is to demolish the building the next day. After he leaves Wanda realizes that he couldn't see the policeman - he is Mr. Death. But rather than being a monster, she sees him as a gentle deliverer. She takes his hand and he leads her outside into the sunlight.

 

b: 05-Jan-1962 w: George Clayton Johnson d: Lamont Johnson

 

 

82. One More Pallbearer

gs: Joseph Wiseman (Paul Radin) Gage Clark (Mr. Hughes) Katherine Squire (Mrs. Langford) Trevor Bardette (Colonel Hawthorne) Ray Galvin (Policeman) Joseph Elic (First Electrician) Robert Snyder (Second Electrician)

 

Paul Radin has invited three people to view his bomb shelter: Mrs. Langford, a teacher who flunked him; Colonel Hawthorne, who court-martialed him; and Reverend Hughes, who made public a scandal involving a girl who commited suicide over him. Using fake sound and news reports, he convinces them that nuclear war is minutes away. He offers them a deal: If they apologize to him, they may remain in the shelter. They all three refuse and leave. Suddenly, Paul hears a tremendous explosion, and returns to the surface to find everything destroyed - nuclear war did happen. In reality, everything is fine; Paul has lost his mind.

 

b: 12-Jan-1962 w: Rod Serling d: Lamont Johnson

 

NOTE: Included on volume 22 of Image-Entertainment's DVD collection.

 

83. Dead Man's Shoes

gs: Warren Stevens (Nate Bledsoe) Ben Wright (Chips) Joan Marshall (Wilma)

 

Bledsoe puts on a pair of expensive shoes he took off of a dead gangster and is suddenly possessed by the ghost of the gangster. The ghost is seeking revenge and soon locates his killer. He attempts to gun the man down, but is instead gunned down himself. Before Bledsoe dies, the spirit vows to keep returning until he succeeds in killing his murderer. A tramp comes along, and thinking Bledsoe is asleep, takes his shoes.

 

b: 19-Jan-1962 w: Charles Beaumont & OCee Ritch d: Montgomery Pittman

 

 

84. The Hunt

gs: Arthur Hunnicutt (Hyder Simpson) Jeanette Nolan (Rachel Simpson) Titus Moede (Wesley Miller)

 

Hyder Simpson and his dog Rip dive into a lake after a raccoon. Only the raccoon emerges. He and Rip awaken the next morning next to the lake. When he gets home he finds that no one can see or hear him, not even his wife - they all think he's dead. He finds a fence beside the graveyard and follows it to a gate. The man at the gate tells him it is the gate to Heaven, but dogs aren't allowed. Hyder takes Rip and leaves. Further down the road he meets an angel. The angel explains that the gate was actually the gate to Hell, and Rip wasn't allowed in because he could have smelled the brimstone.

 

b: 26-Jan-1962 w: Earl Hamner Jr. d: Harold Schuster

 

NOTE: Earl Hammer Jr. wrote this episode. He also created The Waltons. When watching this episode, think Grandma and Grandpa Walton. It ads just one more dimension. Also when watching The Waltons keep in mind that John Boy grew up to write for The Twilight Zone.

 

85. Showdown with Rance McGrew

gs: Jay Overholts (Cowboy #2) Larry Blyden (Rance McGrew) Robert Klein (Jesse James) Arch Johnson (Jesse James) Robert Cornthwaite (Director) Richard Kline (TV Jesse James)

 

Rance McGrew is shooting a scene where "Jesse James" shoots him in the back. He is suddenly transported to a real Old West saloon, and the real Jesse James enters. He tells Rance that he and the other desperadoes of old are tired of the way they are being portrayed. He challenges Rance to a gun fight. Rance, having never shot a gun, falls to his knees and says he'll do anything to spare his life. Jesse agrees, and Rance is suddenly back on the studio lot. Then Rance's agent, Jesse James, arrives. He plans on staying and insuring that the outlaws always win. He begins with the TV Jesse James throwing Rance through a window.

 

b: 02-Feb-1962 w: Rod Serling s: Frederic Louis Fox d: Christian Nyby

 

 

86. Kick the Can

gs: Ernest Truex (Charles Whitley) Russell Collins (Ben Conroy) John Marley (Mr. Cox)

 

Charles Whitley, a resident of Sunnyvale, decides that the secret to youth is acting young. His friend Ben Conroy thinks he is crazy. One night Charles tries to wake everyone up to play a game of kick-the-can. Everyone agrees except Ben, who goes to tell the home's superintendent, Mr. Cox. When Ben and Mr. Cox go outside all they find are a group of children playing kick-the-can - they are all young again. Ben begs his old friend for a second chance, but Charles, now a boy, tells him it's too late. The children all run off into the bushes, leaving Ben behind.

 

b: 09-Feb-1962 w: George Clayton Johnson d: Lamont Johnson

 

NOTE: this was in twilight zone the movie

 

87. A Piano in the House

gs: Barry Morse (Fitzgerald Fortune) Joan Hackett (Esther Fortune) Muriel Landers (Marge Moore) Barry Morse ()

 

Fortune discovers that a piano he bought his wife for her birthday has magical properties - the music it plays makes people reveal their true essence. At the party, Fortune uses the piano to humiliate the guests - an overweight woman reveals fantasies of being thin and a playwright admits to being in love with Fortune's wife. Fortune hands his wife another roll to put in the piano, but his wife substitutes a different roll - one that enchants Fortune. He reveals himself to be nothing more than a sadistic, mean-spirited child. The guests all leave along with Fortune's wife.

 

b: 16-Feb-1962 w: Earl Hamner Jr. d: David Greene

 

 

88. The Last Rites of Jeff Myrtlebank

gs: James Best (Jeff Myrtlebank) Sherry Jackson (Comfort Gatewood) Lance Fuller (Orgram Gatewood)

 

After Jeff Myrtlebank revives at his funeral, he assures everyone he is the same person as before. However, he has several new traits, such as being a hard worker, and a skilled fighter. When the townspeople try to run him out of town, he tells them if he is Jeff Myrtlebank, they have nothing to fear, but if he is a supernatural being, then they had better be nice to him. After the townspeople leave, Jeff tells his fiance? that he really is the same person, but then he lights a match without striking it.

 

b: 23-Feb-1962 w: Montgomery Pittman d: Montgomery Pittman

 

NOTE: In one scene, a row of mailboxes is shown. One of them has the name "M. Pittman" on the side of it, a reference to the writer/director of this episode.

 

89. To Serve Man

gs: Lloyd Bochner (Chambers) Richard Kiel (Kanamit) Susan Cummings (Pat)

 

The Kanamits arrive on Earth, and immediately start helping man. They appear totally trustworthy and full of goodwill. This idea is backed up when they leave a book titled "To Serve Man" at the U.N. Michael Chambers, a decoding expert, along with thousands of other people book passage to the Kanamit's home panet. Meanwhile, Michael's assistant Pat is trying to decode the book left by the Kanamits. As Michael is boarding the Kanamit spacecraft, Pat runs up and tells Michael she has finished translating the book - it's a cookbook! Michael tries to escape, but is forced back inside by a Kanamit, and the craft leaves.

 

b: 02-Mar-1962 w: Rod Serling s: Damon Knight d: Richard L. Bare

 

NOTE: In the movie "The Naked Gun 2-1/2" Lloyd Bochner has a small role as a villain, and can be seen yelling the punchline of this episode during a panic/crowd scene: an in-joke reference to his appearance here. It should be noted that Bochner himself doesn't utter the famous "It's a cookbook!" line in this episode, however.

? This episode is based on the short story "To Serve Man" by Damon Knight. The story was first published in Galaxy (November, 1950).

? This episode is referenced in "The Simpsons" episode "Hungry Are The Damned" from their Halloween "Treehouse of Horror" special

 

90. The Fugitive

gs: J. Pat O'Malley (Old Ben) Johnny Eimen () Susan Gordon (Jenny) Nancy Kulp (Mrs. Gann)

 

Two men are looking for Ben, an old man with the ability to change his form. Ben tells Jenny, a friend of his with a leg brace, that he is a fugitive from outer space. Before he leaves, he uses a device to fix Jenny's leg. When the men pursuing Ben arrive, they use a similar device to make Jenny ill. The trap works, and Ben returns and cures Jenny. It turns out Ben is not a criminal, but a ruler of a planet, and the men were sent to convince him to return. He agrees, but they refuse to let him take Jenny. Jenny has a plan; they ask for a moment alone to say goodbye. When the men return they find two Jennys. Unable to tell which one is real, they take both.

 

b: 09-Mar-1962 w: Charles Beaumont d: Richard L. Bare

 

 

91. Little Girl Lost

gs: Charles Aidman (Bill) Robert Sampson (Chris Miller) Sarah Marshall (Ruth Miller) Tracy Stratford (Tina) Rhoda Williams (Tina's Voice)

 

Tina Miller rolls under her bed and disappears. Her father calls a friend, Bill, a physicist. The family dog runs under the bed and disappears also. Bill believes Tina fell through a hole into another dimension. Chris Miller puts his arm through the wall trying to grab hold of Tina. He falls forward and halfway through the hole. He sees a twisted, distorted world. He calls the dog, who then leads Tina to him. He grabs them both and Bill pulls all three back through the hole, which then closes. Bill says, "Another few seconds and half of you would have been here, and the other half...."

 

b: 16-Mar-1962 w: Richard Matheson d: Paul Stewart

 

NOTE: This episode is based on the short story "Little Girl Lost" by Richard Matheson. The story was first published in Amazing Stories (November 1953).

? Included on Volume 29 of Image-Entertainment's DVD collection.

? This episode was likely the inspiration for the 1982 film "Poltergeist."

? This episode also inspired the TV show "The Simpsons" for their "Treehouse of Horror VI: The Simpson's Halloween Special VI" the story is called "Homer 3"

 

92. Person or Persons Unknown

gs: Richard Long (David Gurney) Frank Silvera (Dr. Koslenko) Shirley Ballard (Wilma #1) Julie Van Zandt (Wilma #2)

 

David Gurney wakes up to find that no one - his wife, his co-workers, his best friend, not even his own mother knows him. He is put in an asylum, but escapes and finds a picture of himself and his wife, proving who he is. When the police arrive, the picture has changed and only shows David by himself. He falls to the floor and wakes up in his bed. It was just a dream. His wife gets up and goes to the bathroom to remove some cream from her face. When she returns David is shocked to see that although she talks the same as always, she looks nothing like the wife he knows.

 

b: 23-Mar-1962 w: Charles Beaumont d: John Brahm

 

 

93. The Little People

gs: Joe Maross (Peter Craig) Claude Akins (William Fletcher) Michael Ford (Spaceman #1) Robert Eaton (Spaceman #2)

 

Fletcher and Craig set down in the canyon to repair their ship. While scouting around, Craig finds a city populated by tiny people - no bigger than ants. He begins terrorizing the population by crushing their buildings, and he proclaims himself a god. Fletcher comes to inform him the repairs are done, but Craig pulls a gun on him, and orders him to leave alone; there's no room for two gods. Fletcher leaves, and immediately another ship lands. Two spacemen, big as mountains, emerge. One of them picks Craig up and accidentally crushes him.

 

b: 30-Mar-1962 w: Rod Serling d: William Claxton

 

NOTE: Both "The Simpsons" and "South Park" pay homage to this episode. "The Simpsons" story is called "The Genesis Tub" from their "Treehouse of Horror" Halloween series.

 

94. Four O'Clock

gs: Theodore Bikel (Oliver Crangle) Moyna MacGill (Mrs. Williams) Phyllis Love (Mrs. Lucas)

 

Oliver Crangle is a bitter, prejudiced man. Through unknown means he intends to shrink every evil person in the world at four o'clock. When four o'clock comes around, it is he who shrinks.

 

b: 06-Apr-1962 w: Rod Serling s: Price Day d: Lamont Johnson

 

NOTE: This episoded is based on the short story "Four O'Clock" by Price Day. This story was first published in Alfred Hitchcock Presents: 14 of My Favorites in Suspense (1959).

 

95. Hocus-Pocus and Frisby

gs: Andy Devine (Frisby) Milton Selzer (Alien #1) Larry Breitman (Alien #2)

 

Aliens overhearing Frisby's tall tales, decide to take him back with them. He relaxes by playing his harmonica, and finds that this knocks the aliens out. He runs off and the aliens leave. Going back to his store, he finds a surprise birthday party waiting for him. He tries to tell everyone of his adventure, but no one will believe him.

 

b: 13-Apr-1962 w: Rod Serling s: Frederic Louis Fox d: Lamont Johnson

 

 

96. The Trade-Ins

gs: Joseph Schildkraut (John Holt) Alma Platt (Marie Holt) Noah Keen (Mr. Vance)

 

John and Marie Holt visit a company that promises new bodies to the aging. They find they only have enough money for one body. John tries to turn their five thousand into ten in a local poker game, but only succeeds in losing it all. The man running the game feels sorry for him and gives his money back. In constant pain, John agrees to have the operation. He emerges young and fit, but realizes that Marie is still old. He returns to his old body knowing that they will spend what time they have left together.

 

b: 20-Apr-1962 w: Rod Serling d: Elliot Silverstein

 

NOTE: Much like the "Aqua Vita" episode from the 1980s era "Twilight Zone"

 

97. The Gift

gs: Geoffrey Horne (Williams) Nico Minardos (Doctor) Edmund Vargas (Pedro)

 

A human-looking alien crash lands outside a village, and accidentally kills a police officer, and is wounded by another one. He staggers to a local bar and collapses. A local doctor removes the bullets from him, and he befriends a young boy sweeping up the floor. He gives the boy, Pedro, a gift. He says he will explain it later. The alien is cornered trying to escape and he tells Pedro to show them the gift, but they grab it from him and burn it. The soldiers shoot and kill the alien. The doctor reads whats left of the gift. It says, "Greetings to the people of Earth. We come... in peace. We bring you this gift. The following chemical formula is... a vaccine against all forms of cancer..."

 

b: 27-Apr-1962 w: Rod Serling d: Allen H. Miner

 

 

98. The Dummy

gs: Cliff Robertson (Jerry Etherson) Frank Sutton (Frank) George Murdock (Willy)

 

Jerry is convinced his dummy, Willy, is alive. When his act with a new dummy named Goofy Goggles goes over well, he locks Willy in a trunk, and leaves the club. But he keeps hearing Willy's voice. He rushes back to the club and takes Willy out and smashes him to bits. However, when he's finished he notices he has destroyed Goofy Goggles, not Willy. Later, Jerry and Willy perform on stage. Willy has become the ventriloquist, and Jerry is the dummy.

 

b: 04-May-1962 w: Rod Serling s: Lee Polk d: Abner Biberman

 

 

99. Young Man's Fancy

gs: Phyllis Thaxter (Virginia) Alex Nicol (Alex) Rickey Kelman (Alex (age 10))

 

Alex is overcome with memories from the past after arriving at the house. Virginia believes the spirit of his mother is to blame. Alex decides not to sell the house, then his mother appears on the stairs and confronts Virginia. She then learns it is not his mother's, but his wish to return to the past. Alex then becomes a little boy again, and tells Virginia to get out.

 

b: 11-May-1962 w: Richard Matheson d: John Brahm

 

 

100. I Sing the Body Electric

gs: Josephine Hutchinson (Grandma) Veronica Cartwright (Anne (age 11)) David White (Father) Charles Herbert (Tom (age 12)) Dana Dillaway (Karen (age 10)) Vaughn Taylor (Salesman) Doris Packer (Nedra) Susan Crane (Anne (age 19)) Paul Nesbitt (Tom (age 20)) Judy Morton (Karen (age 18))

 

A widower buys a robot grandmother for his three children. Two of the children take to her immediately, but one, Anne, doesn't. The robot reminds her too much of her mother. A woman she hates for leaving her. when Anne accidentally walks in front of an oncoming van, the grandmother throws herself in front of it. Anne, seeing the grandmother is unhurt, realizes she can never leave her like her mother, and she finally accepts her. Years later, the children are all grown up and leaving for college. The grandmother tells them she is going back to Facsimile, Limited. She knows her job here is finished.

 

b: 18-May-1962 w: Ray Bradbury d: James Sheldon & William Claxton

 

 

101. Cavender is Coming

gs: Carol Burnett (Agnes Grep) Jesse White (Cavender) Donna Douglas (Woman #3)

 

Cavender, an angel trying to win his wings, tries to help down-on-her-luck Agnes, who has just been fired. He sets her up in a mansion, with a fortune. However, none of her friends from her old neighborhood remember her. She decides she would rather have friends than money. She asks to be returned to her old life. Cavender's boss is furious, until he notices that Agnes is extremely happy. He decides maybe other people could use Cavender's help.

 

b: 25-May-1962 w: Rod Serling d: Chris Nyby

 

 

102. The Changing of the Guard

gs: Donald Pleasance (Prof. Ellis Fowler) Laird Stuart (Schoolboy) Liam Sullivan (Headmaster) Philippa Bevans (Mrs. Landers)

 

After fifty-one years of teaching, Professor Ellis Fowler is informed he is to be forcibly retired. He decides his teaching has never made a difference, he takes a pistol to the school and plans to shoot himself. Inside the school he hears a bell, and enters a classroom. There he sees ghosts of some of his now-deceased students. They convince him that he did make a difference in their lives. He returns home knowing that he did make a difference, and ready to accept retirement.

 

b: 01-Jun-1962 w: Rod Serling d: Robert Ellis Miller

 

 

Season 4

 

103. In His Image

gs: George Grizzard (Alan Talbolt / Walter Ryder, Jr.) Gail Kobe (Jessica Connelly) Wallace Rooney (Man) Katherine Squire (The Old Woman) George Petrie (Driver) James Seay (Sheriff) James Forster (Hotel Clerk) Sherry Granato (Girl)

 

A man, Alan Talbot, keeps hearing electronic noises in his head. He kills a lady at the subway station, and then goes to pick up his fiance? Jessica. They are going to visit his aunt, but when they arrive, nothing is as he remembers it; buildings he doesn't recall, the university he works at is just an empty field, and his key doesn't fit the lock at his aunt's house. His parent's grave markers are replaced with a Walter Ryder and his wife. He looks up Walter Ryder, Jr. in the phone book, and pays him a visit. His key fits this door, and he meets his exact duplicate - Walter Ryder, Jr. Walter explains that Alaan is a robot created by himself, and that he attacked Walter and ran off several days before. The two men begin to struggle. Later, Alan appears at Jessica's door and assures her everthing will be fine. It is not Alan, but Walter. Alan has been de-activated.

 

b: 03-Jan-1963 w: Charles Beaumont d: Perry Lafferty

 

NOTE: This episode, as with all in Season 4, were an hour in running time. All episodes in Season 1-3 & 5 were only 30 minutes.

? This episode is based on the short story "In His Image" by Charles Beaumont. The story was first published in Imagination (February, 1957).

 

104. The Thirty-Fathom Grave

gs: Mike Kellin (Chief Bell) Simon Oakland (Captain Beecham) Bill Bixby (O.O.D.)

 

Captain Bell and his crew are investigating a sunken submarine, when they pick up a tapping sound coming from inside it. Captain Bell sees the ghosts of young seamen in the corridor, and he confesses to the ship's doctor that he was on the sub, and it was his fault it sank. He thens jumps overboard and drowns. Later, a diver reports that a section of periscope was loose and that was the source of the tapping. However, one of the dead crewmen did have a hammer in his hand.

 

b: 10-Jan-1963 w: Rod Serling d: Perry Lafferty

 

NOTE: This episode, as with all in Season 4, were an hour in running time. All episodes in Season 1-3 & 5 were only 30 minutes.

 

105. Valley of the Shadow

gs: Ed Nelson (Philip Redfield) Natalie Trundy (Ellen Marshall) James Doohan (Father)

 

A man, Philip Redfield, stops for gas in a small town. He learns that the inhabitants are in possession of several "devices" that can move matter, and revers time, among other things. He tries to escape, but runs into a force field protecting the city. Back in town a device is aimed at him, and suddenly he is back in his car with no memory of the town.

 

b: 17-Jan-1963 w: Charles Beaumont d: Perry Lafferty

 

NOTE: This episode, as with all in Season 4, were an hour in running time. All episodes in Season 1-3 & 5 were only 30 minutes.

 

106. He's Alive

gs: Dennis Hopper (Peter Vollmer) Ludwig Donath (Ernst Ganz) Curt Conway (Adolf Hitler) Paul Mazursky (Frank) Howard Caine (Nick) Barnaby Hale (Stanley) Jay Adler (Gibbons) Wolfe Brazell (Proprietor) Bernard Fein (Heckler)

 

After receiving guidance from a mystery man, Peter Vollmer becomes a popular neo-nazi speaker. A life-long friend, Ernst Ganz, interrupts one of his speeches and slaps Peter viciously. The crowd then sees Peter as he really is - a pathetic little man. His mystery man reveals himself to be Adolf Hitler, and orders Peter to kill Ernst. He obeys, and is later shot by police. Peter can't believe he's been shot. "There's something wrong here... Don't you understand that I'm made out of steel," he says after being shot.

 

b: 24-Jan-1963 w: Rod Serling d: Stuart Rosenberg

 

NOTE: This episode, as with all in Season 4, were an hour in running time. All episodes in Season 1-3 & 5 were only 30 minutes.

 

107. Mute

gs: Ann Jillian (Ilse Nielson) Frank Overton (Harry Wheeler) Barbara Baxley (Cora Wheeler)

 

After her parents are killed in a fire, Ilse is taken in by the town Sheriff and his wife. She was an experiment to her parents, and she is able to communicate only telepathically, she is believed to be mute. A teacher discovers that she is telepathic, and has the whole class think her name. She finally yells out, "My name is Ilse!" Her telepathic abilities destroyed, she stays with the only family who has ever loved her.

 

b: 30-Jan-1963 w: Richard Matheson d: Stuart Rosenberg

 

NOTE: This episode, as with all in Season 4, were an hour in running time. All episodes in Season 1-3 & 5 were only 30 minutes.

? This episode is based on the short story "Mute" by Richard Matheson. The story was first published in the Charles Beaumont edited anthology The Fiend in You (1962).

 

108. Death Ship

gs: Jack Klugman (Captain Paul Ross) Ross Martin (Lt. Ted Mason) Fredrick Beir (Lt. Mike Carter) Mary Webster (Ruth) Tammy Marihugh (Jeannie) Ross Elliott (Kramer) Sara Taft (Mrs. Nolan)

 

A three-man spacecraft lands on a planet only to discover the wreckage of a spacecraft identical to their own. Two of the crew are convinced that they are dead, but the captain refuses to see the truth. They end up back at the beginning of the story right before discovering the wreckage.

 

b: 07-Feb-1963 w: Richard Matheson d: Don Medford

 

NOTE: This episode, as with all in Season 4, were an hour in running time. All episodes in Season 1-3 & 5 were only 30 minutes.

? This episode is based on the short story "Death Ship" by Richard Matheson. The story was first published in Fantastic Story Magazine (March, 1953). It was later included in Matheson's Shock! collection (Dell, 1961).

? Included on volume 18 of Image-Entertainment's DVD collection.

? The miniature spaceship prop was the same one used in the classic 1956 film Forbidden Planet.

? Some of the music in this episode was "borrowed" from Jerry Goldsmith's score to Episode 49, Back There.

 

109. Jess-Belle

gs: Anne Francis (Jess-Belle) James Best (Billy-Ben Turner) Laura Devon (Ellwyn Glover)

 

Jess-Belle is determined that Billy-Ben Turner and Ellwyn Glover not marry. She enlists the aid of a local witch who casts a spell that makes Billy-Ben completely forget Ellwyn, and fall madly in love with Jess-Belle. Jess-Belle learns what the price for the spell was when midnight comes and she transforms into a leopard until dawn. A hunting party finds the leopard and shoots it, and it disappears in a cloud of smoke. A year later when Billy-Ben is preparing to marry Ellwyn, Jess-Belle reappears. Billy-Ben learns from the local witch to kill Jess-Belle he must stab one of her dresses with silver. He returns home to find Ellwyn possesses by Jess-Belle. He grabs one of her dresses and stabs it. Jess-Belle appears in the dress then disappears for good.

 

b: 14-Feb-1963 w: Earl Hamner Jr. d: Buzz Kulik

 

NOTE: This episode, as with all in Season 4, were an hour in running time. All episodes in Season 1-3 & 5 were only 30 minutes.

 

110. Miniature

gs: Robert Duvall (Charley Parkes) Pert Kelton (Mrs. Parkes) Barbara Barrie (Myrna) Len Weinrib (Buddie) William Windom (Dr. Wallman) John Mcliam (Museum Guard) Claire Griswold (The Doll) Nina Roman (The Maid) Richard Angarola (The Suitor) Barney Phillips (Diemel) Joan Chambers (Harriet) Chet Stratton (The Guide)

 

Charley goes to the museum and finds the cafeteria closed. He ends up in a tour group and finds himself in a different part of the museum. There he sees a dollhouse behind a glass case. Inside a miniature, mechanical woman is playing the piano. He asks a guard about it and is informed that the doll is carved from wood and is totally inanimate. After smashing the glass case trying to save the doll from a drunken suitor, Charley is committed to an asylum. After convincing the doctor he is better, he is released and returns to the museum. When the doctor and family start a search for Charley, a guard notices there are now two dolls in the dollhouse, the woman and Charley!

 

b: 21-Feb-1963 w: Charles Beaumont d: Walter E. Grauman

 

NOTE: This episode, as with all in Season 4, were an hour in running time. All episodes in Season 1-3 & 5 were only 30 minutes.

? This episode was not shown in syndication for many years because of its involvement in a law suit; it was claimed that the idea for "Miniature" was stolen from an earlier script submitted to Cayuga Productions. When the suit was eventually thrown out of court, the episode could be shown again.

? After remaining unseen for many years, this episode was shown as part of a prime-time 25th Anniversary Special in 1984. For this broadcast, the dollhouse sequences were colorized by computer.

? Included on volume 31 of Image-Entertainment's DVD collection.

 

111. Printer's Devil

gs: Burgess Meredith (Mr. Smith) Robert Sterling (Douglas Winter) Pat Crowley (Jackie Benson)

 

Douglas Winter's paper, The Courier, is in financial trouble. Mr. Smith appears and offers to pay off the debts, and run the linotype machine. Douglas agrees, but soon regrets when he realizes Mr. Smith is the devil. Mr. Smith offers him a contract guaranteeing The Courier's success in exchange for Doug's soul. Afraid of losing Mr. Smith, he agrees. Mr. Smith proceeds to cause all kinds of disasters. Doug asks him to stop, and Mr. Smith makes him another offer: He'll stop if Doug will kill himself. He agrees, but gets an idea. He sets in type a story that says he and the devil's contract is void, and that Mr. Smith is banished from Earth. He decides to run the paper fair and square; the first thing is to destroy that linotype machine.

 

b: 28-Feb-1963 w: Charles Beaumont d: Ralph Senensky

 

NOTE: This episode, as with all in Season 4, were an hour in running time. All episodes in Season 1-3 & 5 were only 30 minutes.

? This episode is based on the short story "The Devil, You Say?" by Charles Beaumont. The story was first published in Amazing Stories (January, 1951).

 

112. No Time Like the Past

gs: Dana Andrews (Paul Driscoll) Patricia Breslin (Abigail Sloan) Robert F. Simon (Harvey)

 

Paul Driscoll uses a time machine to try and change three past events: the bombing of Hiroshima, Hitler's rise to power and the sinking of the Lusitania. He fails miserably at all of them, and decides to escape to the past. He picks Homeville, Indiana. After learning from a history book he's brought along that a fire, started by runaway horses, will burn down a school and injure several children. He sees the wagon with the horses, and in trying to convince the owner to unhitch them, he frightens the horses and they start the fire. Driscoll returns to the present, content to leave the past alone.

 

b: 07-Mar-1963 w: Rod Serling d: Justus Addiss

 

NOTE: This episode, as with all in Season 4, were an hour in running time. All episodes in Season 1-3 & 5 were only 30 minutes.

 

113. The Parallel

gs: Steve Forrest (Robert Gaines) Jacqueline Scott (Helen Gaines) Frank Aletter (Col. Connacher) Philip Abbott (General Eaton)

 

Gaines arrives back on Earth with his capsule in perfect condition, even though it had no landing gear. He notices several differences in this world, and decides he is in parallel world. He runs for his capsule, and is suddenly back in his capsule ready for splash-down. He tells General Eaton and Colonel Connacher the story, and that he was a colonel in the other world. They don't believe him, but then an officer comes in and says they picked up an unidentified spacecraft on radar for a few seconds, and the radio message was from a Colonel Robert Gaines.

 

b: 14-Mar-1963 w: Rod Serling d: Alan Crosland

 

NOTE: This episode, as with all in Season 4, were an hour in running time. All episodes in Season 1-3 & 5 were only 30 minutes.

 

114. I Dream of Genie

gs: Howard Morris (George P. Hanley) Patricia Barry (Ann) Jack Albertson (Genie) Mark Miller (Roger) Loring Smith (Watson) Joyce Jameson (Starlet) James Millhollin (Masters) Robert Ball (Clerk) Bob Hastings (Sam)

 

George P. Hanley buys a lamp for a secretary's birthday at work. After another co-worker gives her a present of lingerie, George decides to keep the lamp. Later at home, he tries to shine it, and out comes a genie. He says George can have one wish. George fantasizes several situations involving various wishes, and they all end in disaster. He finally decides what he wants his wish to be. Later, a bum finds the lamp and rubs it. A genie appears, and it's George!

 

b: 21-Mar-1963 w: John Furia Jr. d: Robert Gist

 

NOTE: This episode, as with all in Season 4, were an hour in running time. All episodes in Season 1-3 & 5 were only 30 minutes.

? Included on volume 34 of Image-Entertainment's DVD collection.

 

115. The New Exhibit

 

 

After being told that Ferguson's Wax Museum is closing, Martin convinces the owner to allow him to take five wax figures that have special meaning for him. They are five mass murderers. After they come to life and kill his wife, her brother and Mr. Ferguson, Martin tells them he is going to destroy them. They come alive and tell him that it is he, not them, that killed these people. Later, at a museum, a guide is explaining the details of the murders these men commited when he comes to a new exhibit. It depicts a man who killed his wife, brother-in-law and employer - it's Martin Lombard Senescu!

 

b: 04-Apr-1963 w: Jerry Sohl s: Charles Beaumont & Jerry Sohl d: John Brahm

 

NOTE: This episode, as with all in Season 4, were an hour in running time. All episodes in Season 1-3 & 5 were only 30 minutes.

 

116. Of Late I Think of Cliffordville

gs: Albert Salmi (Bill Feathersmith) Christine Burke (I) (Joanna Gibbons) Guy Raymond (Mr. Gibbons) John Harmon (Clark) Wright King (Hecate) Julie Newmar (Miss Devlin) John Anderson (Diedrich)

 

After talking to Mr. Hecate, the building janitor, about how bored he is, Feathersmith makes a deal with the devil to return, with his memory intact, to the past, so he can start over. His fortune, all but fourteen hundred dollars is the price. He buys oil deeds without realizing the oil is inaccessible to the drills of those days. He wants to return to the present, and the devil agrees - for forty dollars. Mr. Hecate comes walking by, and Feathersmith sells him the oil deeds for forty dollars. He returns to the present, but things have changed - He is the janitor and Hecate is the wealthy businessman.

 

b: 11-Apr-1963 w: Rod Serling s: Malcolm Jameson d: David Lowell Rich

 

NOTE: This episode, as with all in Season 4, were an hour in running time. All episodes in Season 1-3 & 5 were only 30 minutes.

? This episode is based on the short story "Blind Alley" by Malcolm Jameson. The story was first published in Unknown Worlds (June, 1943).

 

117. The Incredible World of Horace Ford

gs: Pat Hingle (Horace Ford) Nan Martin (Laura Ford) Ruth White (Mrs. Ford)

 

Horace visits his old neighborhood and sees children from his past. He follows them and hears them talking about a kid who slighted them by not inviting them to his birthday party. He returns the next night and learns it is he that offended them years ago. Suddenly, he's a child again and the other kids jump on him and beat him. His memories of a perfect childhood shattered he returns home, ready to start living in the present.

 

b: 18-Apr-1963 w: Reginald Rose d: Abner Biberman

 

NOTE: This episode, as with all in Season 4, were an hour in running time. All episodes in Season 1-3 & 5 were only 30 minutes.

 

118. On Thursday We Leave For Home

gs: James Whitmore (William Benteen) Tim O'Conner (Col. Sloane) James Broderick (Al) Lew Gallo (Lt. Engle)

 

Benteen has kept the colony alive with tales of the greatness of Earth. When the rescue ship comes, he realizes his power over everyone is going to be gone when they leave the planet. He tells them Earth is really hell, an awful place, and that they'll die if they go there. No one believes him, and he says he's staying. As the spaceship is preparing to leave, he returns to the caves and pretends everyone is still there. While talking about Earth, he suddenly remembers what he has been saying for so long. He runs out but the ship is gone. He is left there all alone.

 

b: 02-May-1963 w: Rod Serling d: Buzz Kulik

 

NOTE: This episode, as with all in Season 4, were an hour in running time. All episodes in Season 1-3 & 5 were only 30 minutes.

 

119. Passage on the Lady Anne

gs: Lee Philips (Allan Ransome) Joyce Van Patten (Eileen Ransome) Wilfrid Hyde-White (McKenzie)

 

Instead of the cruise bringing them closer together, the Ransome's agree to get a divorce when they return home. Eileen disappears, and when Allan finds her she is wearing a nightgown that a passenger wore on her honeymoon. Seeing her, Allan realizes how much he still loves her. The passengers force them into a lifeboat, with plenty of provisions, and set them adrift. The Lady Anne sails off.

 

b: 09-May-1963 w: Charles Beaumont d: Lamont Johnson

 

NOTE: This episode, as with all in Season 4, were an hour in running time. All episodes in Season 1-3 & 5 were only 30 minutes.

? This episode is based on the short story "Song For a Lady" by Charles Beaumont. The story was first published in Beaumont's collection Night Ride and Other Journeys (1960).

 

120. The Bard

gs: Jack Weston (Julius Moomer) Judy Strangis (Cora) John Williams (II) (William Shakespeare) Burt Reynolds (Rocky Rhodes)

 

Julius Moomer uses a black magic book to summon Shakespeare, who then writes a brilliant teleplay for TV. Moomer becomes a celebrity which angers Shakespeare. He watches a rehearsal of his script and is shocked by the changes made and leaves. Moomer is enlisted to write a two-and-half-hour television show on history. He thinks he's lost, until he remembers the black magic book, and enlists the aid of several characters from the past.

 

b: 23-May-1963 w: Rod Serling d: David Butler

 

NOTE: This episode, as with all in Season 4, were an hour in running time. All episodes in Season 1-3 & 5 were only 30 minutes.

 

Season 5

 

121. In Praise of Pip

gs: Jack Klugman (Max Phillips) Bill Mumy (Pip) Bob Diamond (Private Pip)

 

Max Phillips learns his only son has been wounded in Vietnam. Feeling he could have been a better father, he returns three hundred dollars to an unlucky bettor and is shot by his boss's hitman. He makes it to an amusement park. There he finds his son, a child again, and they relive past pleasures. Pip runs away, and when Max catches him, he tells his father that he is dying and disappears. Max makes an offer to God - his life for Pip's. He dies and his son iss allowed to live.

 

b: 27-Sep-1963 w: Rod Serling d: Joseph M. Newman

 

 

122. Steel

gs: Lee Marvin (Steel Kelly) Tipp McClure (Battling Maxo) Chuck Hicks (Maynard Flash) Joe Mantell (Pole) Merritt Bohn (Nolan) Frank London (Maxwell) Larry Barton (Man's Voice)

 

Battling Maxo breaks down before the scheduled bout. His manager, "Steel" Kelly, a retired heavyweight boxer, desperate for the money to repair him, disguises himself as a robot and fights Maynard Flash, a new robot. He gets beat up, but the money he receives is enough to repair Battling Maxo.

 

b: 04-Oct-1963 w: Richard Matheson d: Don Weis

 

NOTE: Based on the short story "Steel" by Richard Matheson, originally published in the May, 1956, issue of "The Magazine Of Fantasy And Science Fiction" and collected in "The Shores Of Space."

 

123. Nightmare at 20,000 Feet

gs: William Shatner (Bob Wilson) Christine White (Ruth Wilson) Nick Cravat (Gremlin)

 

Mr. Wilson sees a creature on the wing of his airplane, but no one believes him. Seeing that the creature is about to destroy the engine, he takes a sleeping policeman's gun, opens a hatch, and empties the gun into the creature. It is hit and gets swept off the wing. Mr. Wilson is taken off the plane in a straitjacket, convinced that he saved the plane. Serling's ending hints that the proof of the creature was later found.

 

b: 11-Oct-1963 w: Richard Matheson d: Richard Donner

 

NOTE: This episode is based on the short story "Nightmare at 20,000 Feet" by Richard Matheson. The story was first published in the Michael Congdon and Don Congdon edited anthology Alone by Night (1961).

? Some of the music in this episode was "borrowed" from Jerry Goldsmith's score to Episode 49, Back There.

? The TV show "The Simpsons" borrows of this episode in their "Treehouse of Horror IV: The Simpson's Halloween Special IV" the story is called "Terror at 5 1/2 Feet"

 

124. A Kind of a Stopwatch

gs: Richard Erdman (McNulty) Leon Belasco (Potts) Roy Roberts (Mr. Cooper)

 

McNulty meets a man named Potts in a bar. Potts gives him a stopwatch that can stop time. When he tries to show his friends, they are unaware of anything happening. McNulty decides to freeze time and rob a bank. As he is wheeling out his cash, he drops the watch and is stuck forever in a timeless world.

 

b: 18-Oct-1963 w: Rod Serling s: Michael D. Rosenthal d: John Rich

 

 

125. The Last Night of a Jockey

gs: Mickey Rooney (Grady)

 

Grady's innermost wish is to be tall. After being banned from the track, he awakes to find he is taller, over eight feet. After getting a call telling him he's been given another chance at racing, he realizes he is too tall to ever jockey again.

 

b: 25-Oct-1963 w: Rod Serling d: Joseph M. Newman

 

 

126. Living Doll

gs: Telly Savalas (Erich Streator) Mary LaRoche (Annabelle) Tracy Stratford (Christie) June Foray (voice of Talky Tina)

 

Erich Streator doesn't like the new doll his wife has bought for his step-daughter. His dislike grows when the doll tells him she doesn't like him. After trying to get rid of the doll, he agrees to let his step-daughter keep it. Investigating a noise one night, he trips over the doll on the stairs and falls to his death.

 

b: 01-Nov-1963 w: Jerry Sohl s: Jerry Sohl & Charles Beaumont d: Richard C. Sarafian

 

NOTE: "The Simpsons" TV Series pays homage to this (and many other) Twilight Zone episodes in their Halloween "Treehouse of Horror" series. The story is in "Tree House of Horror III: The Simpson's Halloween Special III" in the story called "Clown Without Pity"

? This episode is also a reference to the 1988 horror thriller Child's Play starring the evil doll Chucky.

 

127. The Old Man in the Cave

gs: John Anderson (Mr. Goldsmith) James Coburn (Major French) John Marley (Jason)

 

The "Old Man in the Cave" has protected a group of people for ten years. When armed soldiers arrive and take over, Mr. Goldsmith pleads with them to listen to the old man and not eat food that is contaminated. He is ignored and the townspeople storm the cave and discover the old man is just a computer. Enraged, they destroy the computer. Later they pay for this: the food was contaminated, and all but Goldsmith die.

 

b: 08-Nov-1963 w: Rod Serling s: Henry Slesar

 

NOTE: This episode is based on the short story "The Old Man" by Henry Slesar. The story was first published in The Diners Club Magazine (1962).

 

128. Uncle Simon

gs: Cedric Hardwicke (Uncle Simon Polk) Constance Ford (Barbara Polk) Ian Wolfe (Schwimmer)

 

Uncle Simon tries to strike Barbara with his cane. She grabs it and he falls down the stairs to his death. His will stipulates that she must care for his latest invention - a robot. The robot begins to take on Uncle Simon's traits. Barbara finally pushes it down the stairs, but that only gives it a limp identical to Uncle Simon's. She finally realizes that she will never be rid of Uncle Simon.

 

b: 15-Nov-1963 w: Rod Serling d: Don Siegel

 

 

129. Probe 7 - Over and Out

gs: Richard Basehart (Col. Adam Cook) Antoinette Bower (Eve Norda) Barton Heyman (Lt. Blane) Harold Gould (Gen. Larrabee)

 

Cook learns that his home planet has been destroyed. He discovers a footprint and eventually a woman. Her name is Norda, a space traveller in the same predicament as Cook. They learn each others first name, his is Adam, her's is Eve. Eve names the new planet - Earth.

 

b: 29-Nov-1963 w: Rod Serling d: Ted Post

 

 

130. The 7th is Made Up of Phantoms

gs: Ron Foster (Sgt. Conners) Randy Boone (Pfc. McCluskey) Warren Oates (Cpl. Langsford)

 

Three National Guardsmen on maneuvers near Little Big Horn begin to hear mysterious noises and find as-new artifacts from a hundred years ago. They soon believe they are about to meet the past and the massacre that occured at Little Big Horn. Ignoring the orders of their superior to return, and forced to leave their tank behind, they charge over a ridge and into history to the sound of battle. Later, their superiors find no sign of them, until they check the names of the dead listed at the Custer Battlefield National Memorial.

 

b: 06-Dec-1963 w: Rod Serling d: Alan Crosland Jr.

 

NOTE: This is probably one of the best episodes ever done. It invokes a possiblity of trying to go back in time and change history.

 

131. A Short Drink from a Certain Fountain

gs: Patrick O'Neal (Harmon Gordon) Ruta Lee (Flora Gordon) Walter Brooke (Dr. Raymond Gordon)

 

Trying to keep up with his younger wife, Harmon convinces his brother to inject him with an experimental youth serum. At first it's effects are amazing, but they continue to work until Harmon is an infant again. His brother gives his wife a choice: walk out with the clothes on her back, or stay and care for Harmon until he is an adult.

 

b: 13-Dec-1963 w: Rod Serling s: Lou Holz d: Bernard Girard

 

 

132. Ninety Years Without Slumbering

gs: Ed Wynn (Sam Forstmann) Carolyn Kearney (Marnie Kirk) James Callahan (Doug Kirk)

 

Sam believes that when a grandfather clock he has owned all his life stops, he will die. To make his granddaughter happy, he sells the clock to a neighbor. While the neighbor is away on vacation, the clock begins to wind down. When it stops, Sam's spirit begins to leave his body, but Sam realizes the spirit is just his imagination and it disappears.

 

b: 20-Dec-1963 w: Richard DeRoy s: George Clayton Johnson d: Roger Kay

 

 

133. Ring-A-Ding Girl

gs: Maggie McNamara (Bunny Blake) Mary Munday (Hildy Powell) David Macklin (Bud Powell) Bing Russell (Ben Braden) Hank Patterson (Mr. Gentry) Vic Perrin (State Trooper) George Mitchell (Dr. Floyd) Lou Gerson (Cici) Bill Hickman (Pilot)

 

Bunny receives a ring from her fan club in her home town. In the ring she sees the faces of people from her hometown telling her she's needed there. She arrives in Howardville on the day of the annual Founder's Day picnic. She tries to get the chairman of the picnic to postpone it a day, but he refuses. She then plans a one-woman show at the auditorium. Before the show, Bunny disappears. Later, a jet airliner crashes onto the picnic grounds. Thanks to Bunny, almost everyone is at the auditorium instead of the picnic grounds. They later find that Bunny was a passenger on the plane.

 

b: 27-Dec-1963 w: Earl Hamner Jr. d: Alan Crosland Jr.

 

NOTE: Included on volume 22 of Image-Entertainment's DVD collection.

 

134. You Drive

gs: Edward Andrews (Oliver Pope) Hellena Westcott (Lillian Pope) Kevin Hagen (Pete Radcliff)

 

Oliver tries to forget the accident, but his car won't let him. The car horn starts honking at night, and the lights flash on and off. While trying to walk to work, his car almost runs him down. He gets in it and allows it to drive him to the police station.

 

b: 03-Jan-1964 w: Earl Hamner Jr. d: John Brahm

 

NOTE: This episode was the basis for the Steven King novel and movie "Christine".

 

135. The Long Morrow

gs: Robert Lansing (Commander Douglas Stansfield) Mariette Hartley (Sandra Horn) George Macready (Dr. Bixler)

 

Before leaving on his mission, Douglas meets a woman, Sandra Horn. They fall in love, but realize it can't work: when he returns from he trip he'll still be young, while she will be an old woman. When Douglas leaves, Sandra has herself put in suspended animation. When Douglas returns she is revived, but the doctor has some bad news: six months into the mission, Douglas came out of suspended animation for her. Now he is an old man, and she is still young.

 

b: 10-Jan-1964 w: Rod Serling d: Robert Florey

 

 

136. The Self-Improvement of Salvadore Ross

gs: Don Gordon (Salvadore Ross) Gail Kobe (Leah Maitland) Vaughn Taylor (Mr. Maitland)

 

In the hospital, Ross trades his broken hand, for a cold from his roomate. Using his new-found talent, he trades forty-six years of his life to a millionaire for a million dollars and a nice apartment. He then buys back the years from a variety of young men, a few years at a time. Realizing the girl of his dreams wants a man with compassion, he convinces her father to sell him his. When he goes to ask for her father's blessing, the old man, compassionless now, shoots Salvadore and kills him.

 

b: 17-Jan-1964 w: Jerry McNeely s: Henry Slesar d: Don Siegel

 

NOTE: This episode is based on the short story "The Self-Improvement of Salvadore Ross" by Henry Slesar. This story was first published in The Magazine of Fantasy and Science Fiction (May, 1961).

 

137. Number Twelve Looks Just Like You

gs: Collin Wilcox (Marilyn Cuberle) Suzy Parker (Lana Cuberle/Simmons/Doe/Grace/Jane/Patient #12) Richard Long (Uncle Rick/Dr. Rex/Sigmund/Friend/Dr. Tom/Attendant) Pam Austin (Valerie)

 

Marilyn Cuberle doesn't want to submit to the Transformation, a supposedly voluntary operation that makes them identical to everyone else. Her family and friends try and convince her to go ahead with the Transformation. She tries to escape from a hospital, and ends up in a room with a doctor and nurse. She emerges from the hospital looking and thinking just like everyone else.

 

b: 24-Jan-1964 w: John Tomerlin & Charles Beaumont d: Abner Biberman

 

NOTE: This episode is based on the short story "The Beautiful People" by Charles Beaumont. The story was first published in If (September, 1952).

 

138. Black Leather Jackets

gs: Lee Kinsolving (Scott) Shelley Fabares (Ellen Tillman) Michael Forest (Steve) Tom Gilleran (Fred) Denver Pyle (Stu Tillman) Michael Forrest ()

 

Steve, Scott and Fred are part of an invasion force from space. Scott falls for a local girl, and when he overhears plans to poison the water supply, he tries to warn her. She is convinced he is crazy, and when he returns the sheriff, with several men in white coats, is waiting for him. The sheriff and attendants are part of the invasion, and they take Scott away where he won't interfere with their plans.

 

b: 31-Jan-1964 w: Earl Hamner Jr. d: Joseph M. Newman

 

 

139. Night Call

gs: Gladys Cooper (Elva Keene) Nora Marlowe (Margaret Phillips) Martine Bartlett (Miss Finch)

 

Elva Keene begins receiving strange phone calls. She finally tells whoever is at the other end to leave her alone. She then finds that the calls were coming from a telephone line lying on the grave of her ex-fianc?e Brian, who always did what she wanted. She gets home and picks up the phone to talk to him, but he says he always does what she says, and she told him to leave her alone. And then the line goes dead.

 

b: 07-Feb-1964 w: Richard Matheson d: Jacques Tourneur

 

NOTE: This episode is based on the short story "Sorry, Right Number" by Richard Matheson. The story was first published in Beyond (November, 1953).

 

140. From Agnes with Love

gs: Wally Cox (James Elwood) Sue Randall (Millie) Ralph Taegar (Walter Holmes)

 

James Elwood replaces a computer programmer who has gone mad working on Agnes. After Agnes gives him bad advice about his love life, the computer tells him it's in love with him. He goes crazy, and as the next programmer comes in, he tells him he doesn't stand a chance against Agnes.

 

b: 14-Feb-1964 w: Bernard C. Schoenfeld d: Richard Donner

 

 

141. Spur of the Moment

gs: Diana Hyland (Anne Henderson) Roger Davis (David Mitchell) Robert Hogan (Robert Blake) Roger Davis (David Mitchell)

 

Anne has to make a decision between David, the man she loves, and Robert, the man her father wishes her to marry. Twenty-five years later, Anne is now an alcoholic, and her husband has gone through her family's money. It is she who chases her younger self trying to warn her not to marry the wrong man. But the wrong man ends up being David, not Robert.

 

b: 21-Feb-1964 w: Richard Matheson d: Elliot Silverstein

 

 

142. An Occurrence at Owl Creek Bridge

gs: Roger Jacquet (Confederate Spy) Anne Cornaly () Anker Larsen () Stephane Fey () Jean-Francois Zeller () Pierre Danny () Louis Adelin ()

 

As a Confederate spy is about to be hanged, the rope breaks and he falls to the water below. He dodges bullets and heads off for home. He finally reaches it, but as his wife hugs him he stiffens. Suddenly he is back at the bridge, hanging from a rope.

 

b: 28-Feb-1964 w: Robert Enrico s: Ambrose Bierce d: Robert Enrico

 

NOTE: This show, although perhaps the best of all the Twilight Zones, is not shown in syndication.

? This episode is actually a French short film, with several minutes cut out and Serling's narration appended to the beginning and end.

? This episode is based on the short story "An Occurrence at Owl Creek Bridge" by Ambrose Bierce. The story was first published in Bierce's story collection Tales of Soldiers and Civilians (1891).

? The original French film version of this episode won the Academy Award in 1963 for Best Short Film.

? Included on CBS Video's Treasures of The Twilight Zone DVD.

 

143. Queen of the Nile

gs: Lee Phillips (Jordan Herrick) Ann Blyth (Pamela Morris) Celia Lovsky (Viola Draper)

 

Suspecting that Pamela Morris and Constance Taylor, an actress from many years ago, is the same person, he confronts Pamela. She drugs his coffee, then admits she really was a queen of the Nile. She uses a scarab and drains Herrick's life and uses it on herself.

 

b: 06-Mar-1964 w: Jerry Sohl s: Charles Beaumont & Jerry Sohl d: John Braham

 

 

144. What's in the Box

gs: William Demarest (Joe Britt) Joan Blondell (Phyllis Britt) Sterling Holloway (TV Repairman)

 

Joe Britt insults the TV repairman. The repairman later tells Joe that he has fixed it for free. Suddenly, the TV picks up a channel Joe's never been able to get. On it he sees himself and his mistress. Then it shows a scene of Joe and his wife arguing, and Joe punching her through a window. Afraid, Joe confesses his misdeed to his wife, they argue, and he ends up punching her through a window to her death.

 

b: 13-Mar-1964 w: Martin M. Goldsmith d: Richard L. Bare

 

NOTE: Each one of these 3 cast members in this episode were in 3 different Elvis Presley movies. William Demarest in "Viva Las Vegas"(1964) as Rusty(Ann-Margret)Martin's father, Joan Blondell in "Stay Away, Joe" (1968) as Glenda Callahan, and Sterling Holloway in "Live a Little, Love a Little" (1968) as the Milkman who identified Michelle Carey's character as Betty.

 

145. The Masks

gs: Robert Keith (Jason Foster) Virginia Gregg (Emily Harper) Alan Sues (Wilfred Jr.) Milton Selzer (Wilfred Harper) Brooke Hayward (Paula Harper) Willis Bouchey (Dr. Samuel Thorne) Bill Walker (Butler)

 

Jason Foster, knowing he is dying, summons his heirs to a Mardi Gras party. He gives each a grotesque mask that reflects their true nature. Fearing they'll be disinherited, they put on the masks. At midnight Jason dies, his family, glad he is gone, removes their masks. To their horror, they discover their faces are permanently disfigured; each matches the masks they were wearing.

 

b: 20-Mar-1964 w: Rod Serling d: Ida Lupino

 

NOTE: Included on CBS Video's "More Teasures of The Twilight Zone" DVD.

? Directed by Ida Lupino, the only woman to direct a Twilight Zone episode.

 

146. I am the Night - Color Me Black

gs: Michael Constantine (Sheriff Charlie Koch) Paul Fix (Colbey) George Lindsey (Deputy Pierce) Terry Becker (Jagger) Ivan Dixon (Rev. Anderson) Eve McVeagh (Ella Koch) Douglas Bank (Man #1) Ward Wood (Man #2) Elizabeth Harrower (Woman)

 

Jagger is to be hanged for killing a psychopath. During the trial several people lied on the stand and evidence was covered up. Jagger is hanged and the darkness closes in. The darkness was hate.

 

b: 27-Mar-1964 w: Rod Serling d: Abner Biberman

 

NOTE: Included on Volume 29 of Image-Entertainment's DVD collection.

 

147. Sounds and Silences

gs: John McGiver (Roswell G. Flemington) Penny Singleton (Mrs. Flemington) William Benedict (Conklin)

 

Roswell is a very loud person. He listens to records of naval battles. One night everything begins to sound very loud to him. After visiting a psychiatrist, he uses his willpower to reduce a noise to a squeak, then realizes that everything sounds like that.

 

b: 03-Apr-1964 w: Rod Serling d: Richard Donner

 

 

148. Caesar and Me

gs: Jackie Cooper (Jonathan West) Morgan Brittany (Susan) Sarah Selby (Mrs. Cudahy)

 

Jonathan West, on the advice of his dummy, commits several burglaries. West's landlady's niece, Susan, overhears him talking about the burglaries and calls the police. Caesar tells Susan they should team up, but first she must get rid of her aunt.

 

b: 10-Apr-1964 w: Adele T. Strassfield d: Robert Butler

 

 

149. The Jeopardy Room

gs: Martin Landau (Major Ivan Kuchenko) John van Dreelen (Commisar Vassiloff) Robert Kelljan (Boris)

 

Major Kuchenko is a defector who is drugged by the bored, sadistic Commissar Vassiloff sent to bring him back. Vassiloff leaves Kuchenko in his room with a hidden bomb. Kuchenko has three hours to find and disarm it. The bomb is in the phone and if he picks up the receiver to answer it, it will detonate. The phone rings and he starts to pick it up, then runs from the room. Later, his assassins are in the room, wondering how he guessed to location of the bomb, when the phone rings. Vassiloff's henchman picks it up without thinking, and both men are blown to bits. The caller was Major Kachenko calling from the airport.

 

b: 17-Apr-1964 w: Rod Serling d: Richard Donner

 

NOTE: This episode lacks any supernatural, fantastical, or science fiction elements.

? Included on volume 31 of Image-Entertainment's DVD collection.

 

150. Stopover in a Quiet Town

gs: Barry Nelson (Bob Frazier) Nancy Malone (Millie Frazier) Karen Norris (Mother) Denise Lynn (Little Girl)

 

Bob and Millie wake up to find they are in a strange town. Everything appears to be props - trees, animals even cars. They try to catch a train and are picked up by a giant hand. They have been abducted by a giant alien, and are now the toys of his daughter.

 

b: 24-Apr-1964 w: Earl Hamner Jr. d: Ron Winston

 

NOTE: Included on volume 31 of Image-Entertainment's DVD collection.

 

151. The Encounter

gs: Neville Brand (Fenton) George Takei (Taro)

 

Fenton, a WW II veteran and Taro a Japanese-American are trapped in Fenton's attic. Taro notices a samurai sword that Fenton says he took off a dead soldier. Taro claims his father was a hero at Pearl Harbor. Actually, Taro's father was a traitor who signalled the enemy where to bomb. Taro realizes that Fenton killed a surrendering soldier and stole the sword off of him. Fenton admits his guilt and tells Taro he wants him to kill him. They wrestle and Fenton falls on the sword, Taro yells "Banzai" and jumps out the attic window.

 

b: 01-May-1964 w: Martin M. Goldsmith d: Robert Butler

 

NOTE: This episode is included on Image-Entertainment's Treasures of The Twilight Zone DVD.

? This is one of the original episodes that was not shown in syndication, apparently due to protests from viewers after its initial broadcast.

 

152. Mr. Garrity and the Graves

gs: John Dehner (Jared Garrity) J. Pat O'Malley (Gooberman) John Mitchum (Ace)

 

Mr. Garrity promises the townspeople that at midnight, all the inhabitants of the town cemetery will get up and return to life. As the time grows nearer, people start to have second thoughts and convince Mr. Garrity, for a price, to cancel his services. As he leaves town he fails to notice the cemetery and all its inghabitants rising and returning to town.

 

b: 08-May-1964 w: Rod Serling s: Mike Korologos d: Ted Post

 

 

153. The Brain Center at Whipple's

gs: Richard Deacon (Wallace V. Whipple) Paul Newlan (Hanley) Ted de Corsia (Dickerson)

 

By automating his plant, Wallace puts thousands out of work. After a former employee, Dickerson, tries to destroy the computers, Whipple has him arrested. Later Whipple is fired and replaced by a robot.

 

b: 15-May-1964 w: Rod Serling d: Richard Donner

 

NOTE: Uses Robby the Robot, the classic robot from the movie "Forbidden Planet".

 

154. Come Wander with Me

gs: Gary Crosby (Floyd Burney) Bonnie Beecher (Mary Racheal) John Bolt (Billy Rayford)

 

While searching for a folk song, Floyd hears a girl humming a tune outside a store. He finds Mary Rachel who's engaged to Billy Rayford. Suddenly, Billy appears and threatens Floyd. Floyd hits him with his guitar and kills him. The tape recording of Mary Rachael starts to play, and now there's a lyric about Floyd killing Billy. Mary Rachael tells him not to run because Billy will catch him again, like he always does. Confused, Floyd goes back to the store, and kills the old man after he refuses to help him. But by then, Billy is back at the store.

 

b: 22-May-1964 w: Anthony Wilson d: Richard Donner

 

 

155. The Fear

gs: Peter Mark Richman (Trooper Robert Franklin) Hazel Court (Charlotte Scott)

 

Trooper Franklin investigates lights in the sky reported by Charlotte Scott. While there his car is flipped over. Later he finds his car has been righted and there are huge fingerprints on the side. Next morning they see a huge, one-eyed space man. Franklin shoots it and it collapses - it was just a baloon. They find the real aliens, tiny creatures that flee at the sight of the huge humans.

 

b: 29-May-1964 w: Rod Serling d: Ted Post

 

 

156. The Bewitchin' Pool

gs: Mary Badham (Sport) Tim Stafford (Jeb) Georgia Simmons (Aunt T)

 

Jeb and Sport follow a boy into their swimming pool. They emerge in a paradise of happy children, presided over by Aunt T, a loving old lady. She explains this is a haven for children who's parents don't love them. Sport objects, saying their parents love them. Believing there arrival was a mistake, she sends them back home. When they arrive, their parents tell them they are getting a divorce, and they must choose which parent to live with. Rather than choose, they dive back into the pool and return to Aunt T forever.

 

b: 19-Jun-1964 w: Earl Hamner Jr. d: Joseph M. Newman

 

NOTE: Mary Badham, best known as 'Scout' from the film "To Kill a Mockingbird", makes one of her few other acting appearances.

 

 

 

Feature Movie

Twilight Zone: The Movie

gs: Dan Aykroyd (Passenger/Ambulance Driver (Prologue & Segment 4)) Albert Brooks (Car Driver (Prologue)) Vic Morrow (Bill Conner (Segment 1)) Doug McGrath (Larry (Segment 1)) Charles Hallahan (Ray (Segment 1)) Remus Peets (German Officer (Segment 1)) Kai Wulff (German Officer (Segment 1)) Sue Dugan (Waitress #1 (Segment 1)) Debby Porter (Waitress #2 (Segment 1)) Joseph Hieu (Vietnamese (Segment 1)) Al Leong (Vietnamese (Segment 1)) Stephen Bishop (G.I. (Segment 1)) Thomas Byrd (G.I. (Segment 1)) Vincent J. Isaac (G.I. (Segment 1)) William B. Taylor (G.I. (Segment 1)) Domingo Ambriz (G.I. (Segment 1)) Norbert Weisser (Soldier (Segment 1)) Scatman Crothers (Mr. Bloom (Segment 2)) Bill Quinn (Mr. Conroy (Segment 2)) Martin Garner (Mr. Weinstein (Segment 2)) Selma Diamond (Mrs. Weinstein (Segment 2)) Helen Shaw (Mrs. Dempsey (Segment 2)) Murray Matheson (Mr. Agee (Segment 2)) Peter Brocco (Mr. Mute (Segment 2)) Priscilla Pointer (Miss Cox (Segment 2)) Scott Nemes (Young Mr. Weinstein (Segment 2)) Tanya Fenmore (Young Mrs. Weinstein (Segment 2)) Evan Richards (Young Mr. Agee (Segment 2)) Laura Mooney (Young Mrs. Dempsey (Segment 2)) Christopher Eisenmann (Young Mr. Mute (Segment 2)) Richard Swingler (Mr. Gray Panther (Segment 2)) Alan Haufrect (Mr. Conroy's Son (Segment 2)) Cheryl Socher (Mr. Conroy's Daughter-in-Law (Segment 2)) Elsa Raven (Nurse (Segment 2)) Kathleen Quinlan (Helen Foley (Segment 3)) Jeremy Licht (Anthony (Segment 3)) Kevin McCarthy (Uncle Walt (Segment 3)) Patricia Barry (Mother (Segment 3)) William Schallert (Father (Segment 3)) Nancy Cartwright (Ethel (Segment 3)) Dick Miller (Walter Paisley (Segment 3)) Cherie Currie (Sara (Segment 3)) Bill Mumy (Tim (Segment 3)) Jeffrey Bannister (Charlie (Segment 3)) John Lithgow (John Valentine (Segment 4)) Abbe Lane (Sr. Stewardess (Segment 4)) Donna Dixon (Jr. Stewardess (Segment 4)) John Dennis Johnston (Co-Pilot (Segment 4)) Larry Cedar (Creature (Segment 4)) Charles Knapp (Sky Marshal (Segment 4)) Christina Nigra (Little Girl (Segment 4)) Byron McFarland (Pilot Announcement (Segment 4)) Lana Schwab (Mother (Segment 4)) Margaret Wheeler (Old Woman (Segment 4)) Eduard Franz (Old Man (Segment 4)) Margaret Fitzgerald (Young Girl (Segment 4)) Jeffrey Weissman (Young Boy (Segment 4)) Jeffrey Lampert (Mechanic #1 (Segment 4)) Frank Toth (Mechanic #2 (Segment 4)) Carol Serling (Passenger (Segment 4) Burgess Meredith (Narrator)

 

Four segments in the spirit of the original TV series 'The Twilight Zone': a Redneck who lost his promotion to a Jewish colleague makes some racist remarks, only to find himself in the shoes of those he condemned; old people at a geriatric institute re-live their childhood games, and more...; a young teacher on the road befriends a boy whose home is every child's dream... or nightmare? And a nerve-wracked passenger aboard a plane in a storm thinks he knows the cause of the plane's engine problems.

 

b: 01-Jun-1983 w: John Landis , George Clayton Johnson, Richard Matheson, Melissa Mathison and Jerome Bixby d: Joe Dante , John Landis, Steven Spielberg and George Miller

 

NOTE: Carol Serling is the real-life wife of the late Rod Serling.

? Helen Foley was the name of Serling's favorite teacher as a child and was also used in a Twilight Zone episode called "Nightmare as a Child".

? Shortly before the film's release Donna Dixon and Dan Aykroyd married.

? Bill Mumy played the young boy who "wished people out into the cornfield" in the TZ episode "It's a Good Life," and has a brief cameo as a diner patron in the third segment, based on that episode. In the third segment, when Kathleen Quinlan asks for directions and Dick Miller answers her, they refer to various towns that were referred to in the original series, such as Willougby and Shelbeyville.

? One of the German soldiers in the first segment says (in German) "See you next Wednesday." John Landis was the director of that segment, and this phrase appears in almost every movie he directs.

? The first segment was to feature the sequence with Vic Morrow and two juvenile Asian actors with a helicopter. The helicopter crashed and all three were killed. An involuntary manslaughter was brought against John Landis (the director) and four other crew involved, and they were found not guilty of the charges in 1993.

? In the first segment directed by John Landis, during the Vietnam sequence, soldiers slogging through the swamp talk about fragging Sgt. Neidermeyer. This is a reference to National Lampoon's Animal House, which Landis also directed, and the fact that at the end the movie's character, Sgt. Neidermeyer, is said to be killed by his own troops in Vietnam.

 

 

 

TV Movie

Twilight Zone: Rod Serling's Lost Classics

gs: James Earl Jones (Host) Amy Irving (James' Fiancee ("The Theater")) Gary Cole (James ("The Theater")) Patrick Bergin (Dr. Benjamin Ramsey ("Where the Dead Are")) Julia Campbell (Maureen ("Where the Dead Are")) Jack Palance (Dr. Jeremy Wheaton ("Where the Dead Are")) Joanne Pankow (Ticket Lady ("The Theater") [uncredited])

 

This television movie featured two stories by Rod Serling and Richard Matheson.

 

"The Theater"

A young girl goes to the cinema to see "His Girl Friday" starring Cary Grant. Suddenly she sees scenes from her own life instead of the comedy. The scenes actually took place earlier that day. She is very confused because the other people didn't see those scenes. As she goes to see the movie again, scene from here future appear on the screen. And that future is very frightening...

 

"Where the Dead Are"

Dr. Benjamin Ramsey is professor at the university in Boston in 1868. In front of his students he performs an appendix operation. As the patient dies after the operation, Dr. Ramsey discovers that he suffered from a serious scull fracture twelve years ago. Since no one could have survived such an injury, he travels to the mysterious island where the patient came from. There he visits Dr. Jeremy Wheaton who earlier had experimented with tissue regeneration...

 

b: 19-May-1994 w: Rod Serling , Richard Matheson d: Robert Markowitz

 

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