"I have five brands," said the metal worker, "the common Kajira brand, the Dina, the Palm, the mark of Treve, the mark of Port Kar."
Explorers of Gor, pg. 70, by John Norman.

Her brand, however, was not precisely the same as mine. It was more slender, more vertical, more like a stem with floral, cursive loops, about an inch and a half in height, and a half inch in width; it was, I would later learn, the initial letter in cursive script of the Gorean expression 'Kajira'; my own brand was the "dina"; the dina is a small, lovely, multiply petaled flower, short-stemmed, and blooming in a turf of green leaves, usually on the slopes of hills, in the northern temperate zones of Gor; in its budding, though in few other ways, it resembles a rose; it is an exotic, alien flower; it is also spoken of, in the north, where it grows most frequently, as the slave flower; it was burned into my flesh. In the south, below the Gorean equator, there the flower is much more rare, it is prized more highly."
Slave Girl of Gor, pg. 61, by John Norman.

Kef:
The brand Eta wore was not the "Dina"; it was, as I would later learn, the initial letter in cursive script of the Gorean expression 'Kajira'; it, too, however, was, in its delicacy and floral nature, an incredibly beautiful and feminine brand; I recalled that I had thought that the brand I had heated might be too feminine to mark a man's properties, such as a saddle or shield, but that it would be perfect to mark something feminine in nature; now I realized that It marked me; both the brand that I wore and that which Eta wore were incredibly feminine; our femininity, whether we wished it or not, had been deeply, and incontrovertibly, stamped on us. It was natural, given the fact that the dina is the "slave flower," that eventually slavers, warriors and merchants, those with an interest in the buying and selling of womaen, should develop a brand based on the flower. Beyond this, there exists on Gor a variety of brands for women, though the Kajira brand, which Eta wore, is by far the most common."
Slave Girl of Gor, pg. 62, by John Norman.

The design also, according to some, is supposed to have symbolic significance. The straight line is supposed to represent the staff of discipline and the two fronds the beauty of a woman. The significance of the whole, then, would be beauty subject to the staff of discipline."
Fighting Slave of Gor, pg. 86, by John Norman.

"It will be the common Kajira mark," he said, "indicating that you are beautiful, but only another slave girl." "Thank you, Master," she said. I thought the cursive Kef, sometimes referred to as the staff and fronds, beauty subject to discipline, would look well upon her thigh."
Savages of Gor, pg. 75, by John Norman.

Northern Brand:
The brand used by Forkbeard is not uncommon in the north, though there is less uniformity in Torvaldsland on these matters than in the south, where the merchant caste, with its recommendations for standardization, is more powerful. All over Gor, of course, the slave girl is a familiar commodity. The brand used by the Forkbeard, found rather frequently in the north, consisted of a half circle, with, at its right tip, adjoining it, a steep, diagonal line. The half circle is about an inch and a quarter in height. The brand is, like many, symbolic. In the north, the bond-maid is sometimes referred to as a women whose belly lies beneath the sword."
Marauders of Gor, pg. 87, by John Norman.

Penalty:
"If a girl is already branded," I said, causally, but frightened, "she would not be again branded, would she?" "Commonly not," said Ena. "Though sometimes, for some reason, the mark of Treve is pressed into her flesh." She looked at me. "Sometimes too," she said, "a girl may be branded as punishment, and to warn others against her." I looked at her, puzzled. "Penalty brands," she said. "They are tiny, but clearly visible. There are various such brands. There is one for lying, and another for stealing." .br>Captive of Gor, pg. 276, by John Norman.

Treve:
"'I have never seen a brand of Treve,' I said.
'It is rare,' said Ena, proudly.
'May I see your brand?' I asked. I was curious.
'Of course," said Ena, and she stood up and, extending her left leg, drew her long, lovely white garment to her hip, revealing her limb.
I gasped.
"Incised deeply, precisely, in that slim, lovely, now-bared thigh was a startling mark, beautiful, insolent, dramatically marking that beautiful thigh as that which it now could only be, that of a female slave.
'It is beautiful,' I whispered.
Eta pulled away the clasp at the left shoulder of her garment, dropping it to her ankles.
She was incredibly beautiful.
"Can you read?" she asked.
"No," I said.
She regarded the brand. 'It is the first letter, in cursive script,' she said, 'of the name of the city of Treve.
"It is a beautiful mark," I said."
Captive of Gor, pg. 277, by John Norman.

Rask of Treve lifted the last iron from the fire. It was much larger, the letter at its termination some one and a half inches high. It, too, was white hot. I knew the brand. I had seen it on Ena's thigh. It was the mark of Treve. Rask of Treve decided that my flesh should bear that mark.
Captive of Gor, pg. 310, by John Norman.

Priest King and Kurii:
Incidentally, there are many brands on Gor. Two that almost never occur on Gor, by the way, are those of the moons and collar, and of the chain and claw. The first of these commonly occurs in certain of the Gorean enclaves on Earth, which serve as headquarters for agents of the Priest-Kings; the second tends to occur in the lairs of Kurii agents on Earth; the first brand consists of a locked collar and, ascending diagonally above it, extending to the right, three quarter moons; this brand indicates the girl is subject to Gorean discipline; the chain-and-claw brand signifies, of course, slavery and subjection with the compass of the Kur yoke."
Explorers of Gor, pg. 12, by John Norman.

Wagon Peoples Brands:
Kassar:
The standard of the Kassars is that of a scarlet, three-weighted bola, which hangs from a lance; the symbolic representation of a bola, three circles joined at the center by lines, is used to mark their bosk and slaves."
Nomads of Gor, pg. 106, by John Norman.

Kataii:
...the standard of the Kataii is a yellow bow, bound across a black lance; their brand is also that of a bow, facing to the left>""
Nomads of Gor, pg. 106, by John Norman.

Paravaci:
...the Paravaci standard is a large banner of jewels beaded on golden wires, forming the head and horns of a bosk its value is incalculable; the Paravaci brand is a symbolic representation of a bosk head, a semicircle resting on an inverted isoceles triangle."
Nomads of Gor, pg. 106, by John Norman.

Tuchuk:
I supposed that on the morrow Kamchak would call for the Tuchuk Iron Master, to brand what he called his little barbarian; the brand of the Tuchuk slave, incidentally, s not the same as that generally used in the cities. which for girls, is the first letter of the expression Kajira in cursive script. but the sign of the four bask horns that of the Tuchuk standard; the brand of the four bosk horns, set in such a manner as to somewhat resemble the letter "H." is only about an inch high; the common Gorean brand, on the other hand, is usually an inch and a half to two inches high; the brand of the four bosk horns, of course, is also used to mark the bosk of the Tuchuks, but there, of course, it is much larger, forming roughly a six-inch square; following the branding, I supposed that Kamchak would have one of the tiny nose rings affixed; all Tuchuk females, slave or free, wear such rings; after these things there would only remain, of course, an engraved Turian collar and the clothing of Elizabeth Cardwell Kajir."
Nomads of Gor, pg. 162, by John Norman.

Nonslave Brands
Acceptance Brand:
The street was lined by throngs of Tuchuks and slaves. Among them, too, were soothsayers and haruspexes, and singers and musicians, and, here and there, small peddlers and merchants, of various cities, for such are occasionally permitted by the Tuchuks, who crave their wares, to approach the wagons. Each of these, I was later to learn, wore on his forearm a tiny brand, in the form of spreading bosk horns, which guaranteed his passage, at certain seasons, across the plains of the Wagon Peoples. The difficulty, of course is in first obtaining the brand. If, in the case of a singer, the song is rejected, or in the case of a merchant, his merchandise is rejected, he is slain out of hand. This acceptance brand, of course, carries with it a certain stain of ignominy, suggesting that those who approach the wagons do as slaves"
Nomads of Gor, pg. 34, by John Norman.

Caste of Thieves:
"On his right cheek, over the cheekbone was the Thief brand of the Caste of Thieves of Port Kar, who use the small brand to identify their members."
Assassin of Gor, pg. 96, by John Norman.

"The thief's scar in Port Kar is a tiny, three-pronged brand, burned into the face over the right cheek-bone. It marks the members of the caste of thieves in Port Kar. That is the only city in which, as far as I know, there is a recognized caste for thieves. They tend to be quite proud of their calling, it being handed down often from father to son."
Mercenaries of Gor, pg. 239, by John Norman.