Hierarchy of Home Stones
'You have much to learn of Gor,' he said. 'Yet there is a hierarchy of Home Stones, one might say, and two soldiers who would cut one another down with their steel blades for an acre of fertile ground will fight side by side to the death for the Home Stone of their village or of the city within whose ambit their village lies." Tarnsman of Gor, pg. 27, by John Norman.

Gorean Alphabet
"The Gorean alphabet has twenty-eight characters, all of which, I suspect, owe their origin to one or another of the alphabets of Earth. Several show a clear-cut resemblance to Greek letters," Explorers of Gor, pg. 9, by John Norman.

Significance of Chairs
"On Gor, incidentally, chairs have special significance, and do not often occur in private dwellings. They tend to be reserved for significant personages, such as administrators and judges. Moreover, although you may find this hard to understand, they are not thought to be comfortable... The Gorean male, at ease, usually sits cross-legged and the female kneels, resting back on her heels." Nomads of Gor, pg. 45, by John Norman.

Veils
"The veil, it might be noted, is not legally imperative for a free woman; it is rather a matter of modesty and custom... Neglect of the veil is not a crime in Gorean cities, though in some it is deemed a brazen and scandalous omission." Slave Girl of Gor, pg. 107, by John Norman.

Status
"There are only three statuses conceivable to the Gorean mind outside of the Caste system: slave, outlaw and Priest King." Tarnsman of Gor, pg. 46, by John Norman.

Delights
"It is one of the excruciating delights of the mastery to expose oneself fully to, and yet skirt, the dangers of the girl's beauty, to keep oneself strong, to draw the absolute fullness of pleasure from her, and yet to resist her wiles, to get everything from her, and yet to keep her on her knees, completely." Slave Girl of Gor, pg. 36, by John Norman.

Gorean Customs
Sword rights
"After the death of Surbus, the woman had been mine. I had won her from him by sword right." Marauders of Gor, pg. 2, by John Norman.

Denial
"Publically denied bread, salt and fire, exiled from the city, and forbidden to return on the pain of death." Assassins of Gor, pg. 142, by John Norman.

Institution of Capture
"Institution of Capture: is universal, to the best of my knowledge on Gor; there is no city which does not honor it, provided the female is captured are those from an enemy city, either their free women or their slaves" ?? of Gor, pg. ??, by John Norman.

A kiss
"I blew her a kiss in the Gorean fashion, kissing and gesturing, my fingers at the right side of my mouth, almost vertical, then, with the kiss, brushing gently toward her. Marauders of Gor, pg. 135, by John Norman.

Document of Enslavement
"Sometimes a girl, rather than be sent from his presence, would beg to be kept as a collared slave. She would then sign a document of enslavement which, after her signature was affixed, she would be powerless to alter or break, for she would then be only a slave. Clitus Vitellius would commonly keep such a girl for a few days, and then discard her, usually giving her to a friend or selling her." Slave Girl of Gor, pg. 155, by John Norman.

Begging
"Goreans generally do not favor begging, and some regard it as an insult that there should be such, an insult to them and their city;" Assassin of Gor, pg. 11, by John Norman.

"Let me sell myself."
"Let me sell myself!" she wept. As a free woman she could do this, but, of course, she could not revoke the transaction for, after its completion, she would be only a slave. "I will sell myself into slavery," she said. "Kneel," he said. She knelt before him. "What have you to offer?" he asked. She held out the golden tarn disk. "I see that you are a true slave, zina." He said. "Yes, Hassan," she said. "I am a true slave." "It is far more than you are worth," he said. "Take it," she begged. He looked at her. "Please take it!" He smiled. She took a deep breath; she closed her eyes. Then she opened her eyes. "I sell myself into slavery," she said. His hand, open, was poised over the coin. Her eyes looked into his. His hand closed upon the coin; the transaction was completed. "Chain this slave," he said. Tribesmen of Gor, pg. 146, by John Norman.

"Let there be salt between us."
"Let there be salt between us," he said. "Let there be salt between us," I said. He placed salt from the small dish on the back of his right wrist. I placed salt on the back of my right wrist. I touched my tongue to the salt in the sweat of his right wrist, and he touched his tongue to the salt on my right wrist. "We have shared salt," he said." Tribesmen of Gor, pg. 60, by John Norman.

"Let us drink wine."
"Talena stood up. "Tonight," she said, "let us drink wine," It was a Gorean expression, a fatalistic maxim in which the events of the morrow were cast into the laps of the Priest Kings. "Let us drink wine," I agreed." Tarnsman of Gor, pg. 162, by John Norman.

Lo Sadar
"It spoke in Gorean. I knew what it would say. 'Lo Sardar,' it said. 'I am a Priest-King.' Priest-Kings of Gor, pg. 76, by John Norman.

Held Grass
"Suddenly the Tuchuk bent to the soil and picked up a handful of dirt and grass, the land on which the bosk graze, the land which is the land of the Tuchuks, and this dirt and this grass he thrust in my hands and I held it. The warrior grinned and put his hands over mine so that our hands together held the dirt and the grass, and were together clasped on it." Nomads of Gor, pg. 26, by John Norman.

Kneeling
"The position of the Tower Slave, in which Vika knelt, differs from that of a free woman only in the position of the wrists which are held before her and, when not occupied, crossed as though for binding. A free woman's wrists are never so placed." Priest-Kings of Gor, pg. 46, by John Norman.

Submission
"I was speechless for a moment, but then, remembering that harsh Gorean custom required me either to accept the submission or slay the captive, I took her wrists in my hands and said, "I accept your submission." Tarnsman of Gor, pg. 93, by John Norman.

Well wishes
"I wish you well," said Nar, using the common Groean phrase for farewell." Tarnsman of Gor, pg. 94, by John Norman.

Slay
"After all, according to the rude codes of Gor, I owed her nothing; indeed, considering her attempt on my life, which had been foiled only by the fortuitous net of Nar's web, I would have been within my rights to slay her, abandoning her body to the water lizards." Tarnsman of Gor, pg. 92, by John Norman.

Renewal
"The companionship is gone," said Telima. "More than a year has passed," she pointed out, "and you have not, together, repledged it." "That is true," I admitted. By Gorean lay the companionship, to be binding, must tgether, be annually renewed, pledged a fresh with the wines of love." Captive of Gor, pg. 367, by John Norman.

Gorean Sayings
Compliments
"Slave girls relish compliments. Indeed, there is a Gorean saying to the effect that any woman who relishes a compliment is in her heart a slave girl. She wants to please. Most Gorean men would not think twice about collaring a girl who responds, smiling, to compliments." Beasts of Gor, pg. 17, by John Norman.

Kindness
"I screamed, and screamed. I was alone with the pain, the agony, the degradation, the relentless, hissing object, so hurting me, the men. Mercifully they let me scream. It is common to let a girl scream, a Gorean kindness, while she is being marked with a white-hot iron." Slave Girl of Gor, pg. 57, by John Norman.

Natural Master
"Groeans do believe, however, that every woman has a natural Master or set of Masters, with respect to whom she could not help but be a complete and passionate slave girl." Hunters of Gor, pg. 310, by John Norman.

Talender
"Talender is a flower which, in the Gorean mind, is associated with beauty and passion. Free Companions on the Feast of their Free Companionship, commonly wear a garland of talenders. Sometimes slave girls, having been subdued, but fearing to speak, will fix talenders in their hair, that their master, may know that they have at last surrendered to him as helpless love slaves." Raiders of Gor, pg. 216, by John Norman.

Talender
" To put talenders in the neck rope of of the girl at the prow, of course, was a mockery, indicative of her possible disposition as a pleasure slave." Raiders of Gor, pg. 217, by John Norman.

Wisdom
"Wisdom decrees that the fruit of thought must not be planted where it cannot bear fruit." Tribesmen of Gor, pg. 258, by John Norman.

Live
Do not ask the stones or the trees how to live , they can not tell you ; they do not have tongues; do not ask the wise man how to live for, if he knows , he will know he cannot tell you; if you would learn how to live , do not ask the question; its answer is not in the question but in the answer, which is not in words; do not ask how to live, but, instead, proceed to do so." Marauders of Gor, pg. 9, by John Norman.

Ritual
Ritual is important. It is fulfilling and meaningful. It is beautiful. It is symbolic, mnemonic, and instructive. It establishes protocols. It expresses, defines, and clarifies conditions. It is essential to, and ingredient within, civilization. Similarly, do not overlook the significance and value of symbolism." Vagabonds of Gor, pg. 213, by John Norman.

Judge
"You may judge and scorn the Goreans if you wish. Know as well, however, that they judge and scorn you. They fulfill themselves as you do not. Hate them for their pride and power. They will pity you for your shame and weakness." Beasts of Gor, pg. 11, by John Norman.

History
"The meaning of history lies not in the future but in the moment. It is never anywhere but within our grasp. And if the history of man, terminated, should turn out to have been but a brief flicker in the midst of unnoticing oblivious let it at least have been worthy of the moment in which it burned. But perhaps it would prove to be a spark which would, in time, illuminate a universe." Explorers of Gor, pg. 230, by John Norman.

Fear
"But do not fear. I am certain, sooner or later, you will come into the possession of one who will not only accept your slavery, in it's beauty, in it's tenderness and needfulness, in it's honesty and truth, but will celebrate it and relish it, and for whom you will be a treasure, an incredible and marvelous treasure, to be sure, one to be kept under the closest of disciplines." Magicians of Gor, pg. 234, by John Norman.

Mythology
"In Gorean mythology, it is said that there was once a war between men and women and that the women lost, and the the Priest-Kings, not wishing the women to be killed, made them beautiful, but as the price of this gift decreed that they, and their daughters, to the end of time, would be the slaves of men." Dancer of Gor, pg. 352, by John Norman.

Climb
Let those who can climb mountains climb them; let those who cannot climb them console themselves with denying their existence." Rogue of Gor, pg. ??, by John Norman.

Realty
In the end, few things are real, perhaps the weight and glitter of gold, the movement and nature of weapons, a slave at one's feet, and too, perhaps, in spite of all, if we will have it so, defiance, honour, responsibility, courage, discipline, such things, such baubles, such treasures." Magicians of Gor, pg. 208, by John Norman.

Vengance
'The vengeance of a girl,' I said, `is not a light thing.' `Neither,' said he, looking at me, `is the vengeance of a warrior.' Slave Girl of Gor, pg. 352, by John Norman.

Truth
"The name of truth all prize; the face of truth most fear. Yet I think the nature of truth is not that terrible. It is just that it is different, and more beautiful than the lies." Renegades of Gor, pg. 100, by John Norman.

Pity
"At such time a man may not be spoken to, for according to the Gorean way of thinking pity humiliates both he who pities and he who is pitied. According to the Gorean way, one may love but one may not pity." Outlaw of Gor, pg. 31, by John Norman.

Name
"...from the Gorean's point of view, one of the most fearful things about slavery is that one looses one's name. That name which he has had from birth, by which he has called himself, and knows himself, that name which is so much a part of his own conception of himself, of his own true and most intimate identity, is suddenly gone." Outlaw of Gor, pg. 197, by John Norman.

Free Men
Now, with weapons and courage, perhaps for the first time, they were truly free men, for they could now defend their freedoms, and those who cannot do this are not truly free; at best they are fortunate." Raiders of Gor, pg. 301, by John Norman.

Deny
"In denying it we deny our nature. In betraying it we betray no one but ourselves. The master will never be happy until he is a master. The slave will never be happy until she is a slave. It is what we are." Explorers of Gor, pg. 159, by John Norman.

Possess
"The Gorean master desires more than a slave's submission, more than merely her body. A Gorean man is satisfied with nothing less than all of a slave. He will possess you, body and mind, heart and soul. Nothing less is acceptable." Savages of Gor, pg. 174, by John Norman.

"Do you ask my favor?"
"Do you ask my favor?" I asked, which on Gor, was much like asking if the person was willing to make a request--more simply, to say, "Please" To that small particle of respect it seemed I had a right." Tarnsman of Gor, pg. 93, by John Norman.

Sa'ng-Fori
"Outside the walls several small buildings had been burned. On the wall itself over the gate in huge letters there was scrawled the legend 'Sa'ng-Fori', literally 'Without Chains' but perhaps better translated simply as 'Freedom' or 'Liberty' Outlaw of Gor, pg. 216, by John Norman.

Tor-tu-Gor
"You see?" asked the beast, pointing upward, it seemed at a starry sky above our heads. "Yes," I said. I did not recognize the patch of the heavens above us. "That was our star," he said, "a yellow, medium-sized, slow-rotating star with a planetary system, one small enough to have sufficient longevity to nourish life, one large enough to have a suitable habitable zone." "Not unlike Tor-tu-Gor, or Sol," I said. "the common star of Earth and Gor." "Precisely," he said." Beasts of Gor, pg. 372, by John Norman.

Ta-Sadar-Gor
'I am offering a libation,' he said. 'Ta-Sardar-Gor.' 'What does that mean?' I asked, my words fumbling a bit, blurred by the liquor, made unsteady by my fear. 'It means,' laughed Cabot, a mirthless laugh, ' - to the Priest-Kings of Gor!' Outlaw of Gor, pg. 13, by John Norman.

Approaching a Camp
"In the vicinity of the camp, upon our approach to it, my captor had taken his shield from me, which I had been bearing for him. One does not approach a camp, even one's own, unarmed. One does not know what may have transpired in one's absence." Slave GIrl of Gor, pg. 46, by John Norman.

Speaking of the Home Stone
"Come to understand more of what he felt. Indeed, there is a saying on Gor, a saying whose origin is lost in the past of this strange planet, that one who speaks of Home Stones should stand, for matters of honor are here involved, and honor is respected in the barbaric codes of Gor." Tarnsman of Gor, pg. 26, by John Norman.

Slave for an hour
"It is said," said Verna, "that Ka-la-na makes any woman slave, if but for an hour." Captive of Gor, pg. 124, by John Norman.

Wants
"Every woman has a need to submit herself to a master," I said. "When she finds herself at the feet of her master her body will no longer permit her to be frigid. There is no longer any reason. She is now where nature places her, at his feet and in his power. She kisses his feet and, weeping, feeling the heat and oils between her lovely legs, cannot wait to be thrown to the furs." Beasts of Gor, pg. 245, by John Norman.

Freedom
Freedom permits a woman to live without men. Slavery makes a woman need a man's touch. The sexuality of a free woman is largely inert; the sexuality of a slave girl, on the other hand, has been deliberately and seriously activated." Beasts of Gor, pg. 225, by John Norman.

Desires
It is said, in a Gorean proverb, that a man, in his heart, desires freedom, and that a woman, in her belly, yearns for love. The collar, in its way, answers both needs. The man is most free, owning the slave. He may do what he wishes with her. The woman, on the other hand, being owned, is institutionally and helplessly subject, in her status as slave, to the submissions of love." Slave Girl of Gor, pg. 180, by John Norman.

Second Knowledge
A Gorean saying, of the second knowledge, has it that a steel collar locked on the throat of an Earth woman is perfect." Slave Girl of Gor, pg. 290, by John Norman.

Slave quotes
Owned
"There is something about being owned, and belonging to another, which is very meaningful to a woman," she said. "It is also, in a way that is hard to make clear to a man, profoundly satisfying." Beasts of Gor, pg. 312, by John Norman.

Slave orgasm
Samos, it was said, was the first to have brought her to slave orgasm. It had happened six days after she had first been brought to his house. It is said that a woman who has experienced slave orgasm can never thereafter be anything but a man's slave. She then knows what men can do to her, and what she herself is, a woman. Never thereafter can she be anything else." Explorers of Gor, pg. 13, by John Norman.

First girl
I realized then that she was first girl in the camp, and that I must obey her, that she had been empowered to set me tasks and duties. Suddenly I feared her. Now I realized I must, without question, take slave instructions from her and discharge swiftly and well whatever menial duties she might place upon me. I was inferior to her. She could command me. She held the switch. I would obey. She was first girl." Slave Girl of Gor, pg. 66, by John Norman.

Drinking
"Drink," he said, offering me the cup. I looked at the rim of the cup. I shook with terror. "A slave girl dares not touch with her lips the rim of the cup which has been touched with the lips of her Master," I whispered." Captive of Gor, pg. 302, by John Norman.

Curiosity
"Curiosity," he said, "is not becoming a kajira," I did not understand him. "you might be beaten for it," he said." Captive of Gor, pg. 14, by John Norman.

Instrument
"She is an instrument of passion on which He plays, delighting Himself with the music of her expressions...she is forced to contribute to her own sexual subjugation...she has no choice." Marauders of Gor, pg. 293, by John Norman.

Proper Collar
"Most female slaves,' said Hassan, 'walk very proudly. They are proud of their slavery, and their mastery by men....Given the proper master they are quite content. In the proper collar a woman is serene and joyful." Tribesmen of Gor, pg. 232, by John Norman.

Collar
"The collar is put on from without, but what it encircles comes from within. Slavery, true slavery, comes from within." Savages of Gor, pg. 210, by John Norman.

Sexuality
"The sexuality of the aroused slave girl is incomprehensible to the free woman. It is nothing she will ever understand. It is a color she cannot see, a sound she cannot hear." Beasts of Gor, pg. 225, by John Norman.

Bondage
'The Perfect Bondage' is said to be one man and one woman, the complete master and the complete slave, ideal and perfect for each other's needs." Slave Girl of Gor, pg. 42, by John Norman.

Vengance
'The vengeance of a girl,' I said, `is not a light thing.' `Neither,' said he, looking at me, `is the vengeance of a warrior." SLave Girl of Gor, pg. 352, by John Norman.

Dance
"Dance your body, Slave," I told her, "to the guests of Samos." Angrily the girl, man by man, slowly, meaningfully, danced her beauty to each guest. They struck tables, and cried out. More than one reached to clutch her but each time, swiftly, she moved back. The dancer continued to move before the low tables. The eyes of the men gleamed. Before each man, for moments seemingly his alone, she danced her beauty." Tribesman of Gor, pg. 28, by John Norman.

la kajira
"I wept; a Kajira, I knew, was not even a servant; a Kajira was a slave girl; and the meaning of "La Kajira," which I had uttered to my captor was "I am a slave girl." Slave Girl of Gor, pg. 65, by John Norman.

slave rape
"It is one thing to be thrown down and raped; it is quite another to hear the indolent command, "Please me." The responsibility for pleasure is often placed on the slender, lovely shoulders of the slave girl. It is she, then, who must labor in her bondage to be pleasing. As soon as I had understood that the quality of my life on Gor, given my brand, would depend on my ability to please men I had begged Eta to give me instruction. She had been extremely helpful, teaching me many things I might never have discovered myself." Slave Girl of Gor, pg. 162, by John Norman.

Sa-Fora
"Kajira is perhaps the most common expression for a female slave. Another frequently heard expression is Sa-Fora, a compound word, meaning, rather literally, Chain Daughter, or Daughter of the Chain." Nomads of Gor, pg. 0, by John Norman.

Talendar
"The talender, fixed in her hair, is a slaves girl's wordless confession, which, commonly, she dares not speak, that she cares for her Master." Hunters of Gor, pg. 5, by John Norman.

Kiss
"She had stood there, not daring to approach. Then my captor had indicated that she might enter his presence. Radiantly, joyously, she fled to him, and knelt before him, putting her head to his feet. His shield and spear, and helmet, he handed to another. At a word from him, then, she leapt to her feet and he took her in his arms, as though he might own her, and she kissed him, too, as though she might be owned. Never had I seen human beings kiss like that. It seemed a deeply sensuous complementarity that shook me to the core. It was the kiss of lovers, but more than the kiss of lovers. It was the kiss of a lover who is owned and of one who owns his lover." Slave Girl of Gor, pg. 47, by John Norman.

Duty
"Is it a slave girl's first duty to be interesting?' I asked. "No," she said. "That is a concern of free women." "What is the first duty of a slave girl?" I asked. "To be pleasing to the master," she said. "Let that be your concern," I said. "Yes, Master," she said." Beasts of Gor, pg. 279, by John Norman.

Bondage knot
"On Gor, the female slave, desiring her master, yet sometimes fearing to speak to him, frightened that she may be struck has recourse upon occasion to certain devices, the meaning of which is generally established and culturally well understood. There is, first, the bondage knot. Most Gorean slave girls have long hair. The bondage knot is a simple looped knot tied in the girl's hair and worn at the side of her right cheek or before her right shoulder. The girl approaches the master naked and kneels; the bondage knot soft, curled, fallen at the side of her right cheek or before her right shoulder." Tribersmen of Gor, pg. 27, by John Norman.

Collar purpose
"What is the common purpose of a collar? "The collar has four common purposes, Master," she said. "First it designates me as slave, as a brand might not, if it should be covered by clothing. Second, it impresses my slavery upon me. Thirdly, it identifies me Master. Fourthly-- Fourthly--" "Fourthly," he asked. "Four thly, it makes it easier to leash me." He kicked her in the side. She winced. Her response had been slow." Explorers of Gor, pg. 79, by John Norman.

Compliments
"Slave girls relish compliments. Indeed, there is a Gorean saying to the effect that any woman who relishes a compliment is in her heart a slave girl. She wants to please. Most Gorean men would not think twice about collaring a girl who responds, smiling, to compliments." Beasts of Gor, pg. 17, by John Norman.

slave pride
"no, no," she cried. Not a hot slave, not I!" "Let us see," said I. "Oh, oh," she moaned softly. She looked up at me. "How can you respect me?" she asked. You are not to be respected," I told her. "You are only a slave." "Yes, Master," she said. You are no longer have any pride to guard," I said. "A slave is not permitted pride." Explorers of Gor, pg. 175, by John Norman.

Rights
a slave has no identity; In Gorean law a slave is an animal; before the law he has no rights, he is dependent on his master not only for his name but for his very life; he may be disposed of by the master at any time and in any way the Master pleases." Raiders of Gor, pg. 222, by John Norman.

Squabbles
Phyllis leaped upon her and in a instant the two girls were rolling, and scratching the surface, screaming at one another. "Stop them!" cried Elizabeth. "Stop them!" I spoke calmly, "Free men do not much interfere in the squabbles of slaves." Assassins of Gor, pg. 02, by John Norman.

Inhibitions
"You are a wanton slave," I said. She looked up at me, laughing. "A girl in a collar is not permitted inhibitions," she said. It was true. Slave girls must reveal their sexual nature, totally. Do they not do so, they are beaten." Marauders of Gor, pg. 278, by John Norman.

Instrument
"She is an instrument of passion on which he plays, delighting himself with the music of her expressions; she is forced to contribute to her own sexual subjugation; she has no choice." Marauders of Gor, pg. 293, by John Norman.

Symbolisy
its symbolism, I think, is much richer than this. For example, in the slave brand, the 'Kef', though clearly a Kef and in cursive script, is more floral, in the extended, upturned, frondlike curls, than would be the common cursive Kef. This tends to make the mark very feminine. It is at this point that the symbolism of the brand becomes more clear. The two frondlike curls indicate femininity and beauty, the staff, in its uncompromising severity, indicates that the femininity is subject to discipline; the upturned curves on the frondlike curls indicate total openness and vulnerability. It is a very simple, lovely brand, simple, as befits a slave, lovely, as befits a woman." Explorers of Gor, pg. 12, by John Norman.

Unbinding
Unbinding a girl's hair, on Gor, incidentally, is culturally understood as being the act of one who owns her. A free woman, captured, whose hair her captor unbinds, usually the first time by the stroke of a knife, a precaution against poison pins and other devices, knows full well by this act that she will soon be made his slave." Explorers of Gor, pg. 198, by John Norman.

Kiss
"At a word from him, then, she leapt to her feet and he took her in his arms, as though he might own her, and she kissed him, too, as though she might be owned. Never had I seen human beings kiss like that. It seemed a deeply sensuous complementarity that shook me to the core. It was the kiss of lovers, but more than the kiss of lovers. It was the kiss of a lover who is owned and of one who owns his lover." Slave Girl of Gor, pg. 47, by John Norman.

Larma
"She touched the imaginary larma to her body, caressing her swaying beauty with it, and then, eyes piteous, held her hands forth, as though begging me to accept the lush fruit. On Gor, the female slave, desiring her master, yet sometimes fearing to speak to him... offering him fruit, usually a larma, or a yellow Gorean peach, ripe and fresh." Tribesmen of Gor, pg. 28, by John Norman.

Mouths
"The mouth of a woman, by men of the Tahari, and by Goreans generally, is found extremely provocative, sexually. The slave veil is a mockery, in its way. It reveals, as much as conceals, yet it adds a touch of subtlety, mystery; slave veils are made to be torn away, the lips of the master then crushing those of the slave." Tribesmen of Gor, pg. 70, by John Norman.

Offering
"It seemed, in her hands, she held ripe fruits for me, lush larma, fresh picked. Her wrists were close together, as though confined by the links of slave bracelets. She touched the imaginary larma to her body, caressing her swaying beauty with it, and then, eyes piteous, held her hands forth, as though begging me to accept the lush fruit. On Gor, the female slave, desiring her master, yet sometimes fearing to speak to him, frightened that she may be struck has recourse upon occasion to certain devices, the meaning of which is generally established and culturally well understood. Another device, common in Port Kar, is for the girl to kneel before the master and put her head down and lift her arms, offering him fruit, usually a larma, or a yellow Gorean peach, ripe and fresh." Tribesmen of Gor, pg. 28, by John Norman.

Helpless
"The pleasure slave, so submissively and vulnerably positioned, so helpless and opened before men, cannot help herself but become curious and excited, and heated, about them; in becoming excited and heated by men in general she naturally becomes excited and heated about the master in particular; after all, it is to him that she actually belongs; he is the one who is her master; in a pleasure slave passion is an accident; inhibitions are simply not permitted; beyond this, instincts are triggered and intelligently released, and then allowed, untrammeled, to take their natural course; biology's dominance/submission equation is genetic." Slave Girl of Gor, pg. 77, by John Norman.

slave rape
"I went to the side of the room and picked up my sea back. I threw it to the center of the room. She looked down at it, puzzled. It was of heavy blue material, canvas and tied with a white rope. "Lie down upon it," I told her, "on your back, your head to the floor.: She did so. "No, please," she said, "not like this." It is a common position for a disciplinary slave rape. In it the woman feels very vulnerable, very helpless I then took her. "No," she wept, in English, "have you no respect for my feelings? Am I nothing to you?" I stood up. I had, by intent, given her no time to respond, other than as a brutalized slave, no time t feel, other than as a girl unilaterally subjected to her Master's pleasure." Explorers of Gor, pg. 202, by John Norman.

Treatment
"Treatment of a girl does not always preclude courtesy and gentleness no more than it always involves them. There is a time for courtesy and gentleness, and a time for harshness. The master must remember that he owns the girl; if he keeps this in mind he will generally treat her correctly. He must be strong, and he must be capable of administering discipline if she is not pleasing" Beasts of Gor, pg. 0, by John Norman.

Took
"I took her by the arm and drew her beside me, roughly, and threw her on her back. She opened her eyes suddenly, startled, half crying out. "Master!" she gasped. Then I had her swiftly. "Master! Master!" she whispered, clutching me. Then I was finished with her. "Master," she whispered. "I love you. I love you." One has a slave girl when and as one wishes." Beasts of Gor, pg. 9, by John Norman.

Slavery
"Slavery itself," I said, "often makes a woman more beautiful and desirable. It removes tensions. It removes inhibitions. It makes women happy. It is hard, I think, sometimes, for a woman who is happy not to be beautiful. Sometimes Goreans ask, is she a slave because she is beautiful, or beautiful because she is a slave?" Beasts of Gor, pg. 247, by John Norman.

slave
"A slave girl is not a slave only, you see, when she is commanded or taken in the arms of the master. She is a slave wholly, fully, all the time. It is what she is. I think it is this wholeness, this fullness, this beauty, this totality of bondage which you men do not understand." Beasts of Gor, pg. 312, by John Norman.

Perfect bondage
"I was the only girl in his compartments. I well understood the meaning of this. He had chosen the perfection of one man, the complete master, and one woman, the total slave. It is called the perfect bondage, each all and perfect to the other." Slave Girl of Gor, pg. 442, by John Norman.