Age Of Darkness

Post-Mogul

The Post-Mogul phase starts in the 18th century and continues to the begining of the 20th Century. This is a period of British Rule. Even though many historians try to hype the British rule, India was greatly damaged by their rule. The economy of India had been ravaged to fund the Industrial revolution of England.

The scanty art from this period reflects the harsh conditions. People were too busy dealing with the periodic famines that ravaged India during the British rule. Art of India is at its worst era. Some beautiful art does come from this period though. Many come from Karnataka, a South Indian state and these are Classical. The art of this period is both classical and archaic, with archaic gradually becoming the norm. The British had no contributing influence on Indian art.

Author: NOVO

E-mail: [email protected]                   27th July 2000

Boti

 

This bird like piece of art is actually a unique cutting utensil from Bangla (Bengal), not found in the rest of the world. This is a Bot(h)i. It is much larger than a knife and its blade faces up, as you can see.

 
It allows one to put a foot on the flat end (looks like the tail) if necessary to hold it still and then take the help of gravity to cut objects. The part that looks like as if it is a beak is a circular grating instrument. It is used for purposes like grating the white inside of a coconut. This is a most useful and ingenious utensil and is a regular item in every kitchen.

 

Image Description Form
Female bhuta. Female Bhut

Location: Karnataka, India

1800 AD

Material: Wood with traces of pigment

Bhuts are supernatural spirits. This carving is rigid.

Archaic
River Goddess Gangha on Her Fish Mount River Goddess Ganga

Location: Punjab, NW India

1815

Material: Opaque watercolor and gold on paper

There are s-curves moving  but overall the picture is pretty static. But the use of colour is beautiful.

Classical?
Parvati and Ganesha Parvati Suckling Ganesh

Location: Jaipur, India

1820 AD

Material: Opaque watercolor on paper.

Playing beautifully with curves and geometry.

Classical
Sarasvati Swarasvati

Karnataka

1840 AD

Material: Opaque watercolor on paper.

Another exquisite painting from Karnataka. The use of colour tones and shapes is easily visible.

Note the suffixes of the names of the Goddesses. They end in -vati (boti, North Indians usually use a -va when pronouncing Dravir -bo) boti is a suffix still used in Bangla ... used for females. Rupoboti is a female who has beaut and Mayaboti is a female who has Maya. -- NOVO

Classical
Seven sisters on a pedestal. Seven Sisters

Madhya Pradesh, Central India

19th Century AD

Very rigid and stylized

Archaic

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