Age Of Empires |
||
| Much of the Pre-Gupta art actually comes from the
Mauryan era (4th - 2nd Century BC). Much of the older art has not been preserved well. The
Mauryan empire was instrumental in bringing together the Dravir and Aryan art. There was
great patronage of art by the emperors during this phase and not just science, religion
and architecture as most assume. The other art type that was prevalent in the ancient times was art on fabric. Bengals, Kalingas (Orissa) probably two of the descendant groups of the Indus carried on a tradition of fabric painting that started in the Indus. This is one of the several art forms that seem to have continued from the Indus. Even before the 7th century BC Bengal was a centre of fabric production. They produced silk, cotton and other fabrics, like jute. On these they created beautiful images. The carpet probably has its origins in Bengal which still produces 80% of the world's jute. Later Banaras and Madhya Pradesh become centres of fabric production as well. Bengal fabric production reached a climax around the 18th century. They produced the Muslin. This was forcibly shut down by the British. The art form of this period is archaic as the Age Of Civilization but a definite classical form can be seen emerging among the various art forms. |
||
Author: NOVO E-mail: [email protected] 27th July 2000 |
||
2nd Century Baja Cave Temple (Left) Inside the Cave are corroded and hardly visible art work. (Right: sample) Pre-Gupta 1500 BC -350 AD |
||
| Image | Content/Time Period | Form |
![]() |
Embroidary Silk Embroidery Symmetric but not rigid. Existed before the 7th century BC and continues today. This is a reproduction. |
Classic |
![]() |
Ashokan Lions Mauryan Empire, (Ancient Indian Empire) 3rd Century BC This is now the national symbol of India. The art shows great detail but stylization and rigidity. |
Archaic |
![]() |
Sanchi Gateway North India 3rd Century BC Symmetrical and stylized. |
Archaic |
![]() |
Elephants 3rd Century BC Mauryan Art Somewhat realistic but still stylized. |
Archaic |
![]() |
Buddha Rajgir, North East India 3rd Century BC Symmetrical and idealized. |
Archaic |
![]() |
Goddess Yakshi with Elephant Mauryan Empire 3rd Century BC This carving shows great detail and is based on s-curves going up her torso and across her arms. There is fluidity in the piece, yet retains certain idealization. |
Classical |
![]() |
Battle Unknown Timeframe Possibly Mauryan Empire 3rd Century BC This is a complex piece depicting a war scene. There is a lot of action and the curves are convoluted, yet there seems to be not much realism. Two things to note: The head gear is horned like that of Pashu-Poti from the Indus valley and the figure that looks like a horse at first glance is not a horse but possibly a tiger. Is this a pre-historic battle before the 3rd century BC? |
Baroque? |
![]() |
Elephant with Riders Mauryan Empire Uttar Pradesh, North India Material: Black Terra-cotta Stylized and rigid. |
Archaic |
![]() |
Dancing Shiva Ellora (Ancient Shiva site later used by Buddhists and Jains, where 36 temples were curved out of rock downwards from the top), India Unknown time frame but BC. The use of the circle is obvious with the extreme portions of the sculpture touching the circumference. S-curves come together to form the beautiful form of Shiva. This is also idealized. |
Classical |
![]() |
Shiva Ellora Unknown time frame but BC. This is a static symmetric statue carved out of the rock wall in a rocktemple. It is rigid and thus of Archaic form. Note the three heads. |
Archaic |
![]() |
Couple Karla, North India (Near Baja) Buddhist Art 2nd Century BC Religious and not very fluid. |
Archaic |
![]() |
Painting Pitalkhora, North India 2nd Century BC Idealized and rigid. |
Archaic |
![]() |
Horse Rider Badsa, North India 2nd Century BC This exquisite sculpture shows a man (woman?) on a horse. The sculpture is realistic yet idealized. |
Classical |
| Ajanta Fresco Ajanta (Ancient Shiva site), near Bombay, India 2nd Century BC This ancient painting shows use of different shapes that curve. |
Classical | |
| Ajanta Fresco Ajanta (Ancient Shiva site), near Bombay, India 2nd Century BC This ancient painting shows use of different shapes and curves. The curves are tumultous. |
Baroque | |
![]() |
Woman 100 BC Kushan Empire, N W India This figure with its great detailed design is from the Kushan empire. Though it is not extremely rigid, it is still static and so an archaic form. |
Archaic |
![]() |
Yakshi Bharhut, Central India 2nd Century BC Material: Sandstone Religious, idealized. Not rigid. |
Classic |
![]() |
Queen Maya's Dream Bharhut, Central India 2nd Century BC Material: Sandstone Religious, idealized. Not rigid. |
Classic |
![]() |
Couple
Bharhut, Central India 2nd Century BC Material: Sandstone Secular, idealized. Not rigid |
Archaic |
![]() |
Nagini Location: Bihar (NE India) Material: Gray terra-cotta 100 AD Semi-divine proto-type of Snake Goddess. Rigid and generalized with some details. |
Archaic |
![]() |
Standing Bodhisattva Gandhara (Old name of Afganistan) 2nd Century AD This statue has great detail in the clothes but is very rigid and static. |
Archaic |
|Feedback| |India| |Ancient| |Majlish|Kashmir|NOVO1|NOVO2|NOVO3| |HOME| |
||