| gNASHVILLE! |
| 1. I Want to be a Christian -- Intro 2. Read it in a Letter 3. Barbie Dolls 4. Wake 5. Closer to You 6. Arise, My Soul 7. Gnashville 8. Radiation 9. Johnny's Dead 10. Perish Hilton 11. Thelma and Louise were a Couple of Dishes 12. Loser's Lament 13. Leper's Logic 14. My Hope is Built 15. Zaccheus 16. Television Anesthesia 17. Hypocrisy 18. I Want to be a Christian 19. Joy 20. Rejoice 21. How Firm a Foundation |
| Track 16: Television Anesthesia |
| Verse 1: Lonely dog in the pound In its last days as a hound Quietly succumbs to its own fate. Munching its last Alpo meal To the eye and tongue appeal It didn't see the poison on its plate. Chorus: Television anesthesia knock you out before you die. (2x) Verse 2: Convicted man on death row With just one last stop to go Passes time by staring at the screen. The cable brings his mental snack His spark of life fades out to black Sedated by the poison intravene. Chorus Verse 3: Modern man, you're sofa-bound How do you differ from that hound? Your hourglass is nearly out of sand. What have you done with all your years? Laughed fake laughs and cried vain tears Your tombstone won't have bunny ears Buried with a remote in your hand. Chorus |
| Written by: Bob Brown Date of Writing: February, December 2005; March, June 2006; May 2007 |
| Notes The Moron Tabernacle Choir (Anna Dove, Andrew Dove, Megan Rossi, and Katherine Rossi) sang back up on this song. Verse 1: I don't know how a dog in the pound is euthanized, but I imagine for the purposes of this song that it would be by a poisonous compound added to its food. (It's probably by a tranquilizer shot, really.) The dog is obviously unaware of the poison; most habitual TV viewers are probably equally unaware that they are being sedated to real life and eternity. Verse 2: First three lines--Imagine a convict on death row hours before his execution, watching TV. "The cable" means Cable TV and it also signifies the tubes that deliver the poisonous compounds that kill him during the lethal injection. Verse 3: "Laughed fake laughs and cried vain tears"--This refers to phony laugh tracks built in to many sitcom productions. It also points out that habitual TV watchers spend their emotions on things that are not real. How about crying for the aborted children for a change, and not for some fictitious character on ER who had to break up with the sleazy doctor she'd been sleeping with? Boo hoo her. |