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The
eye is forced to jump from one point to another in the (Terreros)
work. It rejects all patterns, prejudices,
inclinations of taste. The result are fragmented pictures or diptychs
whose different parts are in outright
contradiction... His paintings does not worship the object in front
of it but rather what the retina actually
beholds. Terreros, the painter, works with colours in the same way
as a poet works with wards. He seeks out
the colour deep down inside himself and inside the subject matter.
That is how he builds up spaces and
volumes that are not abstraction, but rather a construction of his
consciousness.The painting does not
represent something, it is that something.
Aurelio Torrente
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PARA
UNA MÁSCARA ANTIGUA 1990
Acrylic
and oil on canvas,
23.5" x 18"
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AUTORRETRATO
DEL VERANO DE 1990 1990
Acrylic
on canvas,
23.5" x 18"
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BUSTO
CON BLUSA ROJA 1991
Acrylic
on canvas,
23.5"
x 19.5" |
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CASQUE
D ´OR, 1 1992
Acrylic
on canvas,
16" x 13" |
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COSAS
SOBRE UNA MESA, 14 1998
Acrylic and oil on card-board. Poliptych, 31" x 21"
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PARA
L. M. 1 1998
Acrylic
on canvas,
23.5"
x 18" |
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PARA
L. M. 2 1998
Acrylic
on canvas,
18"
x 23.5" |
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PAYS
SAGE 1994
Acrylic
on wood.
Diptych, 21" x 14" |
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PAISAJE
Y CERROJO 1991
Acrylic
on wood.
Diptych, 27" x 16" |
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PUENTE
DE TRIANA 1994-1995
Acrylic
and oil on wood,
22.5" x 30"
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