DSP Crossover design

Introduction

Recently I started an investigation into the design of FIR (Finite impulse response) digital crossovers. For me this represents a way of removing many of the constraints facing conventional loudspeaker design. In this project I am attempting to compensate for non-ideal aspects of the drivers, including irregularities in SPL response and phase response.

For an example of how FIR filters can be used to correct the Impulse response of a midbass driver click here.

My approach to the design is similar to that used for Analogue crossovers. It involves specifying a 'Target Acoustic Response' in phase and amplitude and creating a digital filter to realise it.

The main advatages of FIR digital crossovers that I see include:

  1. Possible to apply accurate equalisation of most non-ideal driver charastistics, including delayed resonances that show up in frequency response and time domain measurements.
  2. Possible to include pure time delays to bring the acoustic centres off all drivers into alignment in the time domain. This means the target response can be more accurately achieved giving optimised vertical dispersion and imaging.
  3. Zero nonlinear distortion is introduced to the signal as a result of equalistion.
  4. Phase distortion can be reduced or possibly elliminated.
  5. Relatively steep crossover slopes can be used with very little impact on transient performance. The use of steep slopes allows improved power handling, reduced Intermodulation distoriton, and better controlled off-axis response.

The following disadvantages and limitations also exist:

  1. It is not practical to use FIR filters for equalisation of bass systems, as this will require massive amounts of DSP computation power.
  2. Some digital crossovers implementations suffer pre-ringing on transients.
  3. It not easy to make a low noise volume control. Digital volume controls genearally increase noise and reduce the available dynamic range at low volume settings.
  4. Greatly increased cost and complexity as a seperate DAC channels, amplifier channels, and cabling are required for each driver used in the system.
  5. Care are must be taken with amplifier and cable connections as there may be no passive circuit elements to protect the drive units from signals that are outside their intended frequency range.

Works in progress

DSP Project One - 3way Digital Crossover Design

DSP Project Two - 3way Digital Crossover Design (Actually a revision of the above - Updated 30/3/02)

Comparison of Simulated Off-axis response 96dB/oct FIR vs 24dB/oct Linkwitz Riley

Comparison of CD Player Square-wave response. Oversampling vs Non-Oversampling types

 

Back to Index

Hosted by www.Geocities.ws

1