collective
memory and memorialising history
Czelsaw
Milosz, the internationally respected poet and humanitarian,
upon accepting the Nobel Prize for literature in 1980, identified
a "refusal to remember" as the chief vice of our time.
For Milosz, the horrors of history - of Nazi barbarism, Stalinist
totalitarianism and the inhumanity of slavery loomed so monstrously
over the present that for many people it had become simply easier
to 'forget' than to live with the burdens and responsibilities
of remembering.
The
metaphysical terrain of collective memory is ever-evolving, choosing
to dote on special memories while simply blot others out. One
of Edward Said's essays, US
- A Disputed History of Identity, highlights these notions
of proteal history with reference to America's 'taming of the
west'. Said recalls watching westerns in his youth in which Native
Americans were depicted as "Red Devils", however he
observes now how Native Americans are depicted in recent times
as victims of the expansion of US forces into the West.
collective
remembrance - 'mnemonic fever'
America
has been described as possessing a "mnemonic fever" in
terms of its dedication to the memorialisation of significant
cultural events and its cities are decorated with memorials that
number in the thousands. Washington, the nation's capital, contains
more monuments than any other city in the world and has spent
more money, lavishing millions of dollars to ensure that its
citizens never forget those who are commemorated in stone, marble
or paper. The Vietnam Memorial
Wall in Washington, for example, is perhaps one of the most
recognised memorials in the world due to its sheer size and the
scale of the loss of life it commemorates.
Across
the country there are over twenty-one official Jewish Holocaust
memorial sites, most notable are those in New
York (two), Los Angeles( four) and Washington.
America was home for thousands of Jewish settlers long before
the brutality of The
Holocaust. Over the last three hundred years Jewish immigrants
are documented to have emigrated from Europe in three major waves,
the first of these mass emigrations occurring before the early
nineteenth century from Germany. The second wave transmigrated
in the early twentieth century to escape persecution in Russia
and the third, and most noted, occurred during Nazi persecution
before and during the second World War. A detailed account of
these movements can be found by clicking here.
After
the end of World War 2 and the terrible truth of Nazi Germany
emmerged, America set about memorialising the 6 million Jewish
lives that were systematically murdered in Nazi death camps and
death squads. The results are the numerous museums and memorial
sites located across the country today. By commemorating an event
in such a profound and dedicated way America has adopted the
fundamentally European horror of the Holocaust into part of its
own collective memory.
collective
forgetting - 'national amnesia'
Paradoxically
however, this 'mnemonic fever' is starkly absent when it comes
to commemorating the atttrocities committed during slavery, a
period which lasted some one hundred and fifty years, claiming
around 50 million lives until it was officially abolished by
Abraham
Lincoln in 1866. African Americans such as the nobel prize winning
author Toni Morrison have attacked this phenomenon of national
amnesia by referring to the fact that there exists no adequate
sight of memorialisation to atone for or convey the extreme loss
of life. She says in her essay A
Bench By The Road "there is no place you or I can
go ... there is no suitable memorial or wall or park or skyscraper
lobby. There is no 300 foot tower [that commemorates slavery]." Indeed
there is only one museum in America dedicated to the preservation
of the memory of The African American Holocaust.
collective
memory and american politics
For
decades politicians have used the shared memories of its target
audience as a tool with which to manipulate and convince. The
US, as mentioned in the previous section, constructing
history, has had to use a relatively small historical timescale
within which to draw parallels with its electoral register. This
has resulted in the obstruction of, and in extreme cases, the
denial of 'incompatible' narratives that do not concurr with
the world view of those running for political office.
For
example, at the 1980 and 1984 Republican
National Conventions, Ronald Reagan envoked images of America's
past that were criticised for their denial of much of the electoral
register's history. Reagan spoke of how "we" landed
at Plymouth Rock in 1620 and how "we" tamed the frontiers
and expanded westward into California. He also spoke of how "we" won
two World Wars and conquered space. During his second
inaugural address Reagan used a series of cultural vignettes
in which "a general falls to his knees in the hard snow
of the valley forge" and "a settler sings a song and
it echoes forever into the vast unknowing air." Reagan,
by asking his audience to begin their story in 1620 and identify
with westward expansion, the conflict of two World Wars and space
exploration, envoked the popular history of the United States
and presumed that the audience would take it on as their own
cultural heritage.
By
saying these things,
Reagan denied and discredited the histories and personal narratives
of those Americans who emigrated from Latin
America and Asia. He ommited the histories of those Americans
who were brought to America in chains from Africa as well as
the Chicanos and Native Americans whose land was stolen away
from them by "westward expansion". By envoking this
version of the history of the USA, Reagan employed a particular
political strategy; that of appropriating the history of the
state as the history of its people. By targeting this kind of
collective memory Reagan hoped that his political stance might
better reflect the views of America. As it turned out Reagan
succeeded and he remained in power for two terms, however his
administration has subsequently been accused of maintaining racist
agendas.
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