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What
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What
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What
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NSW
State Gov's Cultural Planning Guidelines (pdf download)
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COMMUNITY
NEWSLETTER:
Issue no. 1, Autumn 2005
external
links will open as separate pages
CONTENTS
What is Forbes Arts & Culture Working Group?
What is Cultural Planning and why is
it important for Forbes Shire?
What is culture?
'Culture' is what makes locals who they are and
our Shire unique: a
report on an a talk in Forbes by Hannah Semler, Arts Out West
A Shire that's much more than the town
of Forbes
Cultural Planning Guidelines:
NSW State Government
INVITATION:
You are invited to the next meeting of
the Forbes Arts and Culture Working Group
to discuss local arts & culture and why we need a cultural plan.
NB:
ORGANIZATIONS ARE REQUESTED TO NOMINATE A MEMBER TO REPRESENT THEM
AT THIS IMPORTANT MEETING.
WHAT
IS THE FORBES ARTS & CULTURE WORKING GROUP?
Forbes
Shire Council’s Arts and Culture Working Group began its life
in early 2004 as the Arts and Cultural Sub-Committee of the Forbes
Shire Council. The sub-committee lapsed after the last Council
elections but was revived in 2005 as an independent working group
after local writer, Merrill
Findlay, reluctantly accepted Mayor Alister Lockhart’s
invitation to chair it.
Mayor
Alister Lockhart with books from the historic Paul & Hettie
Wenz Collection, 12 June 2004. Photo by Merrill Findlay.
The
Working Group’s primary task will be to develop a 3-5 year
cultural plan for the Forbes Shire through a process of community
consultation and participation. It will also seek to support, facilitate
and inspire creative endeavours that both enrich the lives of Shire
residents and attract more people to visit and settle in the shire.
At
its meeting on 19th April 2005 the
Working Group will host a broad-ranging discussion about local arts
and culture as a first step in the cultural planning process. All
schools, churches, service organisations, arts, crafts and theatre
groups in the shire are invited to nominate representatives to contribute
their ideas to this meeting.
The
interim Chairperson, Merrill
Findlay, also extends a personal invitation to all the Shire’s
cultural practitioners: to our community writers, painters, musicians,
choristers, photographers, historians, computer geeks, software
and web designers, sculptors, landscapers, revegetation experts,
gardeners, graphic designers, farmers, teachers, cooks, rappers,
rockers, poets, bush balladeers, wood workers, knitters, spinners,
weavers, potters, builders, welders, collectors, performers, folklorists,
video/film makers, theatre directors, actors, singers, composers,
restaurateurs, publicans, café proprietors, beer and wine
makers, fashionistas, ‘dags’, couch-potatoes and story-tellers
of all ages and all backgrounds. To anyone, indeed, who does anything
creative and/or cares about the future of Forbes and the many small
communities and districts that are part of our Shire.
WHAT
IS CULTURAL PLANNING & WHY IS IT IMPORTANT FOR FORBES?
Local
government in the twenty-first century is about much more than Roads,
Rates and Rubbish; it’s even about more than sound economic,
environmental and social management. Because, these days, councils
are expected to also consider the cultural dimensions of people’s
lives through an integrated and strategic process of cultural planning.
Local
musicians performing at Champsaur Winery, Forbes, 12 June 2004.
Photo by Merrill Findlay.
The
NSW Department of Local Government and Ministry of Arts recent publication,
Cultural Planning Guidelines
for Local Government, suggests that good cultural planning contributes
to a community’s ongoing wellbeing and future sustainability
by ‘providing opportunities and removing obstacles to people’s
cultural expression, creativity and sense of place’.
It
claims that in healthy and vital communities all residents, regardless
of their backgrounds, have opportunities to express themselves creatively;
to engage with local cultural heritage, such as historic buildings
and landscapes, literature and music, community traditions and folklore;
to experience new artistic productions, such as travelling exhibitions,
theatre, books and music productions that challenge them with new
ideas; and to develop uniquely local forms of cultural expression
through individual or collaborative projects. Such opportunities
can be encouraged and facilitated by local government through strategic
and integrated cultural planning.
BUT WHAT IS ‘CULTURE’?
The
State Government’s Cultural
Planning Guidelines (pdf download) suggests that culture
is about individual and community values as well as material
things.
‘Culture’ is our ‘relationships; shared memories,
experiences and identity; diverse cultural, religious and historic
backgrounds; values and aspirations; and what we consider to pass
on to future generations.’
‘Culture’
is also ‘the performing and visual arts including digital
and website art, craft, design and fashion; media, film, television,
video and language; museums, art galleries, artefacts, local historical
societies, archives and keeping places; libraries, literature, writing
and publishing; the built environment, heritage, architecture, landscape
and archaeology; sports events, facilities and development; parks,
open spaces, wildlife habitats, water environment and countryside
recreation; children’s play, playgrounds and play activities;
tourism, festivals and attractions, and informal leisure pursuits’
(Cultural Planning Guidelines,
p. 22).
Cultural
planning is therefore a way of identifying the values and things
that contribute to our quality-of-life and give us our ‘sense-of-place.
It is also a necessary first step in conserving, nurturing, supporting,
enhancing and promoting them in ways that enrich the lives of all
Shire residents now and in the future, and attract more people to
the region.
The
State Government’s Cultural Planning Guidelines are also available
from www.arts.nsw.gov.au/WhatsNew/CPG.htm.
‘CULTURE’
IS WHAT MAKES LOCALS WHO THEY ARE & OUR SHIRE UNIQUE
Report on the presentation to the March
meeting of the Forbes A&C Working Group meeting by Hannah
Semler, Executive Officer of Arts
Outwest Inc.
Local
culture, in its broadest sense, is everything that makes Forbes
Shire special and unique: all the traditions, memories, buildings,
landscapes, experiences and practices that make Forbes people who
they are, Hannah Semler told the Working Group.
These
values and things can be identified, or ‘mapped’, as
part of a cultural planning process. Cultural mapping can also identify
the gaps in people’s cultural experience, as well as ways
of filling those gaps.
A
number of Central Western councils have already developed cultural
plans, Hannah noted. One of the most successful of these was completed
for Cowra by members of the Cowra Cultural Council, a Section 355
Committee of the Shire Council. It was adopted in October 2003,
and a Culture and Recreation Officer has been appointed to implement
its strategic goals.
Portrait
of local writer and farmer, Paul
Wenz (1868-1939), at the Forbes and District Historical Society’s
museum. Wenz's literary work could become the focus for a rural
writers festival and/or a French Heritage Centre within a larger
Lachlan
Cultural Complex in Forbes, for example.
Cowra,
a town of comparable size to Forbes, already has some excellent
arts amenities, Hannah told the meeting. These include a modern
cultural precinct with a sophisticated art gallery that is now staffed
by a full-time professional director and offers a year-round exhibition
program. Cowra also boasts an impressive Visitor Information Centre
on the Mid Western Highway, with space for local artists and crafts
workers, a book shop, and a hologram theatre commemorating one of
the shire’s most historically significant events, the breakout
of Japanese POWs in 1944. These cultural facilities, along with
Cowra’s beautiful public gardens, are an inspiration for other
towns along the Lachlan River, Hannah said.
Parkes
Shire also offers some enviable cultural amenities, including a
well-resourced new library, a new theatre, and public spaces that
are ideal for art exhibitions, receptions and chamber music recitals.
Parkes also has a functioning Arts Council to support and facilitate
local arts events.
All
the cultural plans that Hannah Semler discussed were developed before
the Ministry for Arts and Department for Local Government published
their ‘How To’
guide, and are not as comprehensive as they might be, she commented.
In particular, they lack a reviewing process and are not adequately
integrated across all spheres of government. Most cultural plans
also tend to echo motherhood statements about ‘sense of place’
and local identity without really capturing what Hannah Semler calls
the ‘heart and soul’ of a place.
‘So
for Forbes, the most important thing will be that your cultural
plan reflects the true heart and soul of the Shire as a whole --
in all of its parts, not just what we assume and what we have seen
elsewhere, or what has already been tagged as significant,’
she said.
Hannah
emphasised, however, that cultural planning requires an integrative
whole-of-Council approach so that the social, environmental, economic
and cultural dimensions of all Council decisions are considered.
MORE
THAN THE TOWN OF FORBES
Forbes
Shire is much more than a single town. It includes many small rural
communities and localities, each of which has its own unique local
heritage that needs to be considered in the cultural planning process.
In
spatial terms, the Shire includes the following communities and
localities: Back Yamma, Bandon, Bandon South, Bareenong, Bedgerebong,
Bonny Dell, Bundaburrah, Calarie, Carawandool, Carrawabbity, Cookamidgera,
Corinella, Corridgery, Cumbijowa, Daroobalgie, Derriwong, Eugowra,
Forbes, Forbes North, Forbes South, Garema, Grawlin, Grawlin Plains,
Grudgery, Gunning Gap, Inchgower, Ironbarks, Jemalong, Jemalong
Weir, Mackay’s Creek, Mafeking, Mandagery, Mulguthrie, Mulyandry,
Mungarra, Ootha, Paytens Bridge, Pinnacle, Red Bend, Riversleigh,
Slimbridge, South Lead, Tomanbil, Vychan, Wandary, Warroo, Weelong,
Wirrinya, Wongajong, Wowingragong, Yarrabandai, and Yarragong.
The
Shire is also home to 10 000 people from diverse traditions, backgrounds
and ethnicities, including Wiradjuri, Irish, English, Scottish,
Welsh, Chinese, Italian, French, German, Greek, Dutch, Sikh, Korean,
Filippina, Vietnamese, Lebanese, African and Afghan, to name but
a few. The contributions each of these groups has made to the Shire
need to be acknowledged and celebrated, and their different cultural
aspirations included in the cultural planning process. The Working
Group is committed to giving everyone an opportunity to participate
in this project.
Next
meeting: 19 April, 5.30 pm,
at the Council Concourse. Please attend to have your say.
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