The Known Poetry of Lord Arthur Brocket

Bemused Muse

A collection of Lord Arthur Brocket's poetry concerning the Company of Crimson
Published posthumously with an introduction by Lord Alfred Douglas

Introduction

My first recollection of Lord Arthur Brocket is of him animatedly reciting poetry as a schoolboy at Winchester. From an early age he had enjoyed poetry, though it was not until much later that he began composing seriously. He used to say that his own poetry was never written to be read - it was written to be DECLAIMED. This should be remembered in reading Brocket's poetry. To gain the full impact he intended for these poems, one should stand up confidently and declaim them in a voice which captures the pace, repetitive rhythm, alliteration, mood and meaning of the words.

This collection contains poems never hitherto published which are all linked by their connection to the Company of Crimson. Lord Brocket was one of the original members of the Company which was founded in 1897 as a group of friends bound together by an interest in the paranormal. It is now known that the Company subsequently became involved with many mysterious happenings, although the full details of these have never been fully disclosed. It is not my purpose here to dwell on the doings of the Company, although some understanding of the context in which they were written can help appreciate the events and characters mentioned. Sir Reginald Cranbury's admirable "Discussion on The Company of Crimson" (May, 1921), provides an excellent account of the nature of the Company and their escapades, including Brocket's own involvement.

During his lifetime, Brocket was loathe to discuss Company of Crimson matters with those who were not themselves members. However, it was his wish that these poems should be published posthumously in the form they are set out here. These poems in general relate to activities or events with which members of the Company were involved, although there are also some strange inclusions such as the children's poem "Gingerbread House" which has no identifiable link with the Company. Sadly missing, from the sake of prosperity, are what I believe to have been Brocket's finest poems, written during the spring of 1898. These were a serious of moving and dramatic poems full of fantastical other-worldly imagery. They were written while he was under the influence of a substance, presumably of a narcotic nature, which he referred to only as "FB".

It was searching for more FB that took him to Singapore where he briefly became addicted to opium. His friends feared that, like Coleridge, opium would destroy his life not just inspire his poetry, so they had him abducted from an opium den, and brought back to England. He managed to overcome his addiction, but sadly destroyed almost all the poetry from this episode in his life. He kept only one: "Bemused muse through hazed haze". Although his addiction was broken, he saw himself increasingly as the Company of Crimson's "bemused muse" as they became embroiled in increasingly dangerous and bizarre events which he never fully understood.

I was privileged that he briefly visited me over Easter 1898 before his trip to Singapore, and declaimed to me much of his poetry which is now lost. The greatest of these was "Golden Boy", by far the most powerful and inspiring epic poem I have ever heard. That in turn inspired one of my own sonnets, though it is but a pale reflection of the original. I offer it here in memory of the bemused muse:

I see you all bedecked in bows of rain,
New showers of rain against new-risen suns,
New tears against new light of shining joy.
My youth, equipped to go, turns back again,
Throws down its heavy pack of years and runs
Back to the golden house a golden boy.

Lord Alfred Douglas

"Ghostwatch at Skipton",
28 November 1897, Skipton
"What mystery is this?",
28 November 1897, Skipton Castle
"Bemused muse poem",
May 1898, Singapore
"Possession and Exorcism",
July 1898, London
"A Cambridge Excursion",
13 August 1898, Cambridge
"The Seance",
22 October 1898, Walesby
"Flight from Remorse",
28th October 1898, Paris
"12th Night Message",
5 January 1900, King's Lynn
"Black Dream"
12 January 1900, Limehouse, London

"An Alpine Break",
12th January 1899, Grenoble
"The Wilson Machine",
10 March 1899, written beneath Grimwith Reservoir, Yorkshire
"Ode to a Walking House",
10 March 1899, written in the Realm of Faerie
"
The Wedding Gift"
7 May 1899 - for Emerald & Jonathan
"Perfidious Pollenbury",
undated, Cheltenham
"Croquet Colours ",
19th August 1899, Skipton Castle
"Father Gragorin",
20th August 1899, Skipton Castle
"The Best of Men"
19 August 1899, Skipton Castle
& 6 January 1900, King's Lynn

“Live life for life’s sake
Give love for love’s sake
Love Art for Art’s sake.”

Ghostwatch at Skipton

Strong was the wind and dark the night
As the ghostly tale was read
Then alarm and sudden fright
The sound of footsteps overhead!
Now our great excitement grew
As through darkened rooms we stalked
Then hearing ghostly lovers true
We paused as they in whispers talked.

The ghostly whispers seemed to be
'Twixt cavalier and proud lady
"Remember, remember" was his plea
"Keep this coin and think of me".

The cavalier had rode away
As roundheads to the castle came
He left his lover dressed in grey
Returning not to his dear dame.

She stayed and never left that place
Waiting for him by strength of will
At the window we saw her face
Centuries on she haunts there still.

We rushed upstairs to chase the sound
Our fear and shock were quite absurd
With trembling hearts we looked around
'Twas only Buffy that we heard!

At the centre of the court
A yew tree stands in lonely state
There it was the ghost we sought
Rushed in through the stony gate.

The hurrying figure ran away
Then searching round we looked and found
Dropped by the lady dressed in grey
A woman's glove upon the ground.

(Lord Arthur Brocket, 28 November 1897, Skipton Castle)


The Possession

Hot burning hot!
Fiery passion
Tears steam, hands burn
Whence this heat?
Cold icy cold!
Frozen frigid
Tears freeze, hands numb
Whence this chill?

The Exorcism

Pray father pray!
Candle, book, bell
Mumbo jumbo
Get they gone!
Go demon go!
Thirteen chickens
Grind bones, paint face
Stay at bay!

(Lord Arthur Brockett, July 1898, London)

A Cambridge Excursion

Idly we drifted through idyllic meadows,
Languidly lounging in low floating punts,
Ladies reclining in restful repose,
Shaded by parasols from warm summer sun,
Gentlemen poling the boats past the banks,
Crowded with willows in clear water weeping.

Gathered together the Company of Crimson,
Pondering the points Professor Petrie reveals;
Hilda, his wife, having heard more than enough
Urges the rest to relax for the day;
Meanwhile the Major nonchalantly punts,
Setting high standards with effortless style.

Viscount Buffington his pole stuck in mud,
Backwards and forwards like punting in treacle;
Reverend Michaels in similar distress,
Leaving his pole but not loosing his dignity;
Dr Staunton our guide steers steadfastly by,
Expertly handling the river's high drama.

Valiantly boating for the very first time,
Deacon maneuvers with quiet decorum;
By contrast Miss Emerald, quite scantily clad,
Punts loudly along with frilly bloomers a-bloom,
Posing for photographs by fair Miss Elaine,
Destined for fame with such daring new fashion.

Listening to tales of Framlington Castle,
Haunted by ghosts that Miss Athena relates;
Gaston Le Roux gazes up at his love,
Full of fine words for his fiancee's favour;
Lord Arthur Brocket declaiming his verse,
Sips his champagne and composes this poem.

(Lord Arthur Brockett, 13 August 1898, Cambridge)



What mystery is this?

Is it a challenge - a gauntlet thrown down?
Is it a greeting - let's shake hands?
Is it a warning - beware what you hold?
Is it a sign - halt! go no further?
Is it a threat - a hand will be severed?
Is it a gift - just half of a pair?
Is it a clue - grasp the plot?
Is it a message - wave farewell?
It is a glove, a single black glove…

(Lord Arthur Brockett, 28 November 1897, Skipton Castle)

Bemused muse through hazed haze

I say "Hale friend, Inhale!" Rain or hale hear my tale,
Father, son or anyone, moon or sun, flee the One,
Holy Ghost! For the most of the host is the ghost
of the Fay! Fear today! Run away! Die this way!
If you're dead I have read that its said how blood red
is the knight by the light of starlight in black night.

Red knight's gaze through the haze of the maze will amaze
you and me. He can see that the sea calls for me.
So I sail away stale from the sale of the snail
which was sold, so I'm told, 'cos its cold , tired and old,
far too slow now to go with the flow and forego the hot glow
of the fire, fiery fire, which though dire will inspire.

We will land on the sand of dry land, sandy land
From where I with my eye can espy where the spy
seeks to know what I know but Oh No! I must go
to the gate where a fate worse than hate is this state.
Now my views are confused by the news of this ruse
that your muse is bemused by the ruse of a muse
and so whose shall I use if I lose my own muse?

I said "Hale friend, Inhale!" This my tale will now fail…

 (Lord Arthur Brockett, May 1898, Singapore)

Séance at Abcriss

For answers to questions we came to Abcriss,
Seeking to question ancestors long dead,
Madame Pavlovski, a medium of fame,
Dramatically welcomed us to Evelyn's old home.

Eagerly we entered the small darkened room,
One by one making the circle complete,
Hand holding hand around the draped table
Bedecked with candles and a strange scary skull.

The atmosphere tense with anticipation,
Some of us sceptics, others keen to believe,
Breathing deeply as Madame Pavlovski commanded,
Awaiting a message from the dear departed.

A light flickered and strange music began,
Madame Pavlovski sunk into a trance,
In deep dusky tones she addressed Miss Athena,
Was this a spirit or the medium's mere trickery?

More spirits approached, or so the medium claimed,
Perhaps one was Aubrey who had recently died,
Knock once for No and twice for Yes,
A channel was opened to learn from the dead.

A message was tapped out by knocking the table,
Spelling out "Love" but what did it mean?
Was this the proof we so long had sought?
Or us hearing that which we wanted to hear?

The séance was ending, Madame Pavlovski done,
When contorted by spasms she lost all control,
Turning to Thomas she spoke out aloud,
Calling him Theodore as if she were Evelyn.

We soon learnt the séance was sadly a fake,
When beneath the table a contraption was found
Of strings and pulleys and a lever that knocks,
Controlled by the medium all too much of this world.

But the last instance felt different, perhaps that was real?
Maybe by Evelyn she was really possessed?
If so then the mystery becomes even more deep,
With questions unanswered we left Abcriss.

(Lord Arthur Brocket, 22 October 1898, Abcriss, Nottinghamshire)

Flight from Remorse

The gunshots haunt my troubled sleep,
What crime was our's to shoot men dead?
Guilt-ridden dreams with blood are stained,
What crime was their's by evil led?
With heavy heart and tortured soul,
Where can I go from anguish free?
From London's scandals to escape,
Where can I go my fears to flee?

To Paris city of romance,
When will come solace to my soul?
My spirit soars and lifts my heart,
When will my life again be whole?
Into another's arms I fall,
Who has appeared and rescued me?
Embraced at last I dream and sleep,
Who has inspired love's fantasy?

(Lord Arthur Brockett, 28th October 1898, Paris)

An Alpine Break

Alpine explorers, Gaston and I,
Where snow-clad mountains pierce the sky,
With break-neck speed on skis we fly,
Racing down hills, then jumping high,
A double-somersault I try,
Alas the landing goes awry,
I break a rib and fear I'll die,
Upon the ground in pain I lie,
But Gaston brandy can supply,
So I'll recover, by and by.

(Lord Arthur Brockett, 12th January 1899, Grenoble)

The Wedding Gift

What earthly treasure can a mortal bring,
If with eternal Love he must compete?
For perfect union all else will beat,
No gift compares against the wedding ring.
Let marriage bells peel out and angels sing,
Two lives made whole, a fairy tale complete,
As crimson lips they join, their kiss so sweet,
Makes her his queen and crowns him as her king.

By matching lovers' love with friendship true,
There is a way this day to celebrate,
Arise, O present, from this poet's heart,
Go forth, my muse, inspire these happy two,
Since verse speaks for the soul: I dedicate
This humble sonnet as the gift of Art.

(Lord Arthur Brocket, 7 May 1899, written for the occasion of the marriage
of Miss Emerald Forsythe to Rev Jonathan Michaels)

Origin of "Ode to a walking house"

There are strange tales about members of the Company of Crimson apparently travelling to what they described as fairyland in mysterious circumstances in 1899. Whether this was some joint story-telling exercise, or a group delusion arising from the use of FB or some other narcotic substance, or whether it was indeed based on some real fantastic journey will never now be known. Those who made the journey maintained that it was a real expedition during which they came across a strange house in a lake. The house was built on stilts in the shape of legs. Inscribed within were the following lines:

"Ask me nice in rhyming verse
My bounds to shore I'll gladly burst
And carry me both fast and slow
To anywhere you wish to go"

Brocket leapt at the challenge and composed doggerel poetry on the spur of the moment, resulting in the house literally walking around, while carrying members of the Company!

His "Ode to a Walking House" was apparently the actual words quickly composed on this occasion, each verse being declaimed as an instruction to the house to take the Company from place to place within the Faerie Realm. This perhaps accounts for the poem's simplistic unpolished nature, with repetitive forced rhymes and unusual scanning. Brocket claims he never subsequently modified the poem after initial composition.


Ode to a Walking House  

Dear little house we wish your aid
Please take us from where you are bound
Cross the water to island glade
Where baby Benjamin is found.

Thank you dear house now please do wait
For us here a while and stay
Until we wish to go away
And go back to the portal gate.

Once more dear house on you we call
Please take us where we want to go
Unto the mighty waterfall
Where dwells the nymph of the rainbow.

Thank you dear house, again please wait
For us here a while and stay
Until we wish to go away
And ask to go unto the gate.

Last time dear house we wish to call
Upon your help to carry us all
Unto the gateway from this land
Then "farewell" we'll say from all our band.

Goodbye, farewell, dear little home
A mighty house you are indeed
Poems I'll write to fill a tome
Of how you carried us at speed
To this great gate, now please go slow
And put us down so we can go.

The Wilson Machine

Deep down underground was the roaring sound
of furnace fires and the hissing sound
of hot air hose and the grinding sound
of groaning gears and the sucking sound
of vacuum valves and the pumping sound
of piston pipes and the whirring sound
of whirling wheels. The powerful sound
of Wilson's Machine. The noise rumbled round
the echoing cavern - deep down underground.

Deep down underground was Wilson's Machine
with valves that steam and pipes that gleam
with levers to pull and handles to turn
with gauges to watch in great glass dials
with walls of iron and towers of tin
with big copper boilers bound up with steel.
A marvellous machine, a massive machine,
The size of St Paul's - deep down underground.

Deep down underground was Wilson's Machine.
But what was it for, this mysterious machine?
But what did we think of this mind machine?
But why did we mess with this mighty machine?
But where did we go in this trav'ling machine?
But when did we go in this time machine?
But who did we find through this faerie machine?
Those secrets are ours, and that which we found.
The machine is no more - deep down underground.

(Lord Arthur Brocket, 10 March 1899, written under Grimwith Reservoir, Yorkshire)


Perfidious Pollenbury

The Company of Crimson
Were exploring Belas Knapp,
Where at the long-barrow lurked
A man called Pollenbury.

We introduced ourselves
And asked him who he was;
With shifty glance he muttered,
"I'm Henry Pollenbury".

He attached himself to us,
As if to join our party,
Then tried to win trust,
The pushy Pollenbury.

Our suspicions were aroused,
As for days we had been followed;
Was he perhaps a spy,
This curious Pollenbury?

He acted as a gentleman,
But I was not convinced,
So determined to discover
Who was this Pollenbury.

I pretended to be friendly,
But laid a little trap,
To test if he were truthful,
Suspicious Pollenbury.

I gave him rope, he hanged himself,
He fell right in by telling lies,
With proof he was no gentleman,
I unmasked Pollenbury.

Corrupt cad, lying bounder,
Shameless, shifty, sly and shady,
Cunning cur, crooked rotter,
Impostor Pollenbury.

Deceitful rogue, dodgey rascal,
Dixon's henchman, spy for Crowley,
Devious villain, vicious scoundrel,
Perfidious Pollenbury!

(Lord Arthur Brocket, date unknown)


Croquet Colours

Upon the verdant croquet green
All the colours in turn are seen.
Blue and red and black and yellow,
Buffy is a jolly fellow,
Until upon the croquet ground
From hoop to hoop he'll race you round,
Then he becomes a fearsome foe,
He plays to win - you ought to know.

He'll knock your ball with all his might
As if he's spoiling for a fight,
Then gently tap his ball quite slow,
Straight through the hoop it'll smoothly go.

A noble lord his blood is blue,
With mallet swing his aim is true,
Though should he miss his face turns red,
Sadly upset he shakes his head,
But miss again his brow turns black,
He'll give his ball a mighty whack,
Missing more will make him bellow,
As his face turns sickly yellow.

Upon the verdant croquet green
All the colours in turn are seen.
Yellow and black and red and blue,
He plays to win - but if you do,
All the colours in turn will race
Across young Buffy's angry face!

(Lord Arthur Brocket, 19 August 1899, Skipton Castle)

Dedicated to Viscount Rupert Buffington, a generous host and fine sportsman who always plays with good grace,
whether he wins or loses, and about whom this poem is written entirely in jest


Father Gregorin

Of Father Gregorin are told many lies,
His powerful presence and flaming red eyes,
With big bushy beard and flowing black hair,
Does he seduce, or does he speak fair?

The tallest of men, his voice is quite low,
When speaking his eyes have a piercing glow,
They see into your soul and lay your heart bare,
His honeyed tongue your mind will ensnare.

The truth that he teaches is "All should be One"
Life should be lived, so revel in fun,
For God shows his mercy to those who sin,
This is the creed of Gregorin Rasputin.

(Lord Arthur Brocket, 20th August 1899, Skipton Castle)


The Best of Men

Faithful, reliable,
Completely unflappable,
Solid, dependable,
Utterly admirable.

Devotedly diligent,
Totally competent,
Discreetly efficient,
Supremely self-confident.

Whatever our troubles,
Nothing him hassles,
Though others may flee,
He calmly serves tea.

Stalwart through danger,
Stands firm under fire,
He won't flinch or give ground,
But bullets hand round.

Brave butler and valet,
Steadfastly he'll stay,
He will never forsake,
But always serve cake!

A gentleman's gentleman,
With teapot or shotgun,
Always depend upon
The excellent Jackson.

(Lord Arthur Brocket, 19 August 1899, Skipton Castle)

Addendum

But give him a night off,
He'll behave like a toff,
And drink too much port,
Far more than he ought.

Madiera and sherry,
Whiskey and brandy,
With all this to drink,
He'll throw up in the sink.

Early next morning,
Just as we are stirring,
Regaining his dignity,
He'll bring us our tea.

(Lord Arthur Brocket, 6 January 1900, King's Lynn)


Black Dream

poetic dreaming… dream-telling poetry…

portentous omens… ominous portents…

prophetic mystery… mysterious prophecy…

men in dark glasses dressed all in black
silently sinister from nowhere appearing
pin-pricks piercing my neck till it bleeds
darkness falls as sleep overpowers

far-seeing old mother dressed all in black
stars falling, fears rising, blood-filled dread
the war-like planet brooding red
sky ships sailing cross celestial spheres

Russian theosophist dressed all in black
summoning circle sacrifice seeking
severed hands: the flaming hands of glory
burning hot rocks now all that remain

asylum warders dressed all in black
the moon-lorn count in madness long-living
a much-loved wife with wandering mind
restored by blood but then to death bleeding

dangerous doctor dressed all in black
macabre experiments, blood giving life
Romanian count in darkness hiding
shrouded mummies sail cross the sea

girls in dark glasses dressed all in black
scene of a murder secrets searching
bloodied steps climbing to hallowed ground
ominous poem portends mystery death

devilish charmer dressed all in black
eyes of seduction on innocence prey
kiss of death giving maiden false life
lethal love bite brings bloody kin-slaying

men with beak noses dressed all in black
crows keeping company constantly follow
secret spying dark eyes seeing
passing through portals the ancient gateways

web-handed mermen dressed all in black
long-lost legends sunk under the waves
undersea ship sails to undersea city
blue and green eyes the sea colours see

victorious queen dressed all in black
ministry minions mastering ministry
end of an era, twilight dawning
War of Worlds or World of War?

me in dark glasses dressed all in black
stone cage for the body, brass cage for the mind
metallic skull-cap wired to my head
dark-mirrored prison - will I awake?

prophetic mystery… mysterious prophecy…

portentous omens… ominous portents…

poetic dreaming… dream-telling poetry… … …

(Lord Arthur Brocket, 12 January 1900, Limehouse, London)


Twelfth Night Message

Thirteen dined the night before,
Superstitious fears were scorned,
Twelfth Night came unleashing lore,
Peace and safety sadly mourned.

Emerald and amethyst
Like two eyes within a face
Joined together give the gist,
Warnings from an ancient race.

Pantomime and comic sketch,
Should end Christmas jollity,
But instead a message fetch,
Cabled from beneath the sea.

Lore from long lost Atlantis,
Tells of how the city sinks,
Death embraced by ocean kiss,
Now its watery doom us links.

(Lord Arthur Brocket, 5 January 1900, King's Lynn)

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