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In a dark time, the eye begins to see
I meet my shadow in the deepening shade;
I hear my echo in the echoing wood -
A lord of nature weeping to a tree. 
                                                  ..... Roethke 
T R E E   R I B B O N S

 
 
Late in the evening of October 5th.,after a Communitree / Gordon House Group meeting in our living room, after everyone had gone home for the night, I gathered up dozens of rolls of white plastic and left, with Mike, to tie ribbons around every tree that lined the south end of Mississauga Road. We made it from the QEW to
Indian Line then came home for a warm drink. Mike stayed home and went to bed but Ed came out with me on the second shift. By six o'clock Tuesday Morning we had finished. Be-ribboned trees now haunted Mississauga Road.

In this peice of writing, more of an explication than an artist statement, I try to explain the reasons for the ribbons. The title "Venus and Mars are Alright" belongs to an installation piece, a manipulated video projection of a ribboned tree, shown at the Blackwood Gallery, University of Toronto at Mississauga, in March of 1999.


 
 
 
  Venus and Mars Are Alright

  Fred Hsu, a correspondent for World Journal,
  a Chinese daily from Toronto, told me a Chinese
  person would never tie white ribbons around trees.
    "Do you know why?" He asked me.
    "White signifies death."
    These ribbons talk about death. They encircle
  each tree as a symbol of protection. This need
  for protection implies a history of destruction.
  I don't want to tell my neighbours they need a
  tree by-law. I don't want to argue about the rights
  of land-owners. I don't want to lecture about
  environmental ethics, our thinning ozone layer or
  the oxygen producing properties of trees. I want
  each person to consider the trees that surround us.

    I know the trees that grow near our house. I 
  have wrapped my arms, and white ribbon around
  their trunks. At chest-height, I banded twin rows
  of trees up Mississauga Road, from Lakeshore
  to the Queen Elizabeth Way. These trees and I
  have slipped through platonic boundaries. We
  are intimate. I pass them and see individuals.

    Traffic slowed the morning after. People gazed
  at trees they had passed every day without notice.
  Rumours flew. A wedding. A parade. Activists.
  Tree-huggers.

    Some ribbons moved. They slipped off trees
  unto street sign posts and hydro poles. White
  ribbons held ponytails in place or slung from the
  straps of back packs. They gave a new voice to
  the owners of the property they adorned. Some
  took them down. Many left them up.
  All made a statement.

Why.
Why.
Why.
  Instant answers don't exist. These bows mystify.
  They personify the trees and take away answers.
A formal procession in blue morning light,
 ribbon rustles in the wind. 
  I read of Johnny Martin's tree. A white pine that
  stretched twenty feet across at its base. They
  said, the flames of its funeral  pyre filled the night
  sky with the greatest effect
                           -like Tasso's enchanted woods.

 
I consider the tree ribboning a sculptural piece. To speak about nature and its effect on me, my being, my state of mind, through art has proven difficult. Paintings often leave me feeling that I almost caught what had moved me, but not quite. For me, viewing the be-ribboned trees triggers a response similiar to the loss of trees.
 

Read, Lilliane's Garden, a short story that recounts an attempt to preserve nature through art.

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