At the beginning of the 80s almost every japanese company had some kind of flagship
record-player in its line. Below you see some of that beautiful machines which marked
the dawn of the analog era.
JVC/Victor
JVC/Victor Corporation in the 70s were one of the leading companies in audio. During
Quadro-days JVC engaged itself very strongly. The Direct Drive decks from JVC in the early
days had a stron resemblance to the ones of Denon
but JVC changed to pll-quarz controlled motors quite early in the mid-70s. Very
interesting are their top-models from the early 80's which featured a main-bearing
supported by magnets.
JVC QL-A95
This was the top-model from JVC in the early 80s. The looks still reminds one of the Denon
models of that time. As for their tonearms: they look better than they sound. Most plinths
of JVC tend to resonate very strong but you can easily put the deck in a better plinth.
Today those flagships are rarely seen fetching 300,- to 500,- Dollars on the used market.
JVC QL-A70
Like the QL-A95 the QL-A70 had the innovative magnet-supported bearing.
JVC QL-V1
This was Victor's top-of-the-line model at the beginning of the 80s. Note the HMV label on the deck, very nice...
Marantz
Marantz made its statement in the beginning of the 80s by introducing the "Esotec-Series".
Belonging to the Esotec-Series was also a Direct-Drive turntable, the TT-1000.
Marantz TT-1000
The Marantz TT-1000 featured a unique plinth. A sandwich made out of glass and alloy holds the heavy
platter, which carries a glass-mat. Unfortunately the sonics didn't match its beautiful looks - the
glass-alloy sandwich just didn't sound very good. Today the TT-1000 is more interesting for collectors
than for the music-lover.
Onkyo
Onkyo entered the turntable-craze in the 80s and made its statement with the gorgeous PX-100.
Onkyo PX-100
Their top-of-the-line model. Just like the Trio/Kenwood L07 it had a "platter-mat" made out of steel.
It was only sold in asia and was never seen in europe. Look at the price-tag. 500000 Yen were a lot of
money back in the 80s. The PX-100 featured a so called "linear drive" which means that the platter itself
served as a motor-inductor. A second motor was used to start up the platter till it reached its nominal
speed and then was shut down. The 'linear drive' concept allowed for speed-regulation in both directions!
Pioneer
Even Pioneer hat to make a statement-model in the late 70's. At that time almost every japanese
audio-company had some battleship in its program mostly of image-reasons.
Pioneer PLC-590
This machine is quite seldom seen today, but with its plinth made out of alloy and its heavy platter
might well be a good performer. Unique is the analog meter showing current speed. Once saw one for 500,-
bucks.
Sansui
Sansui was known that days for their excellent amps and tuners. Their big analog shot carried the
name XR-Q7 and was introduced in the early 80s.
Sansui XR-Q7
The XR-Q7 featured an innovative motor called "Silent Syncrotor" which should reduce motor-noise.
In the beginning of the 80s there was a trend for changeable arm-tubes and the XR-Q7 allowed this
by giving you the opportunity to select different (straight and S-shaped) arm tubes. Used price for
a XR-Q7 should move in the 300-400,- Dollar range.
Yamaha
Yamaha was a japanese company which made almost everything from motorcycles to pianos to well
regarded audio components. Of course they had a statement-model too.
Yamaha GT-2000
Oooh what a machine. "Gigantic" is really the word that describes the GT-2000 best. Only few models
made the journey to Europe or the US. Never seen one but the price should be hefty anyway.
Here you see the follow-up model the GT-2000X: