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Control Fact:
you love filter sweeps and all the things analog
stuff usually does. Also:
you have a bunch of CDs with lot of beeps &
blips of ancient machines but they're static
Polaroid's of the real world and you want more
real-time control. The ASR-X has many mighty
filters with squeaky resonance waiting to be
modulated by the matrix options, or even by your
hands tweaking a knob. And, as we know, the
oscillators of the machines you adore generate only
a few simple (and periodic) waves that repeat ad
infinitum. So:
You
can get a lot of analog-style patches from this
single wave that responds just like you want
(without the frozen quality of the sampled ones),
and they takes a very little memory of your RAM.
If
you have access to external synth editor software,
you can layer some of those patches and create some
really PHAT basses, pads, etc. Yeah,
you can do it with nearly any sampler with filters,
but the X makes it especially fast thanks to the
DOS capabilities and the popularity of computers
and graphic editors. |
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Date Last
Modified: 10/17/03