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Phantom from Space (1953)


Cast:

Ted Cooper is Lt. Hazen
Rudolph Anders is Dr. Wyatt
Harry Landers is Lt. Bowers


What the box says:

Santa Monica is the landing place for a space-suited alien who kills two humans that attack him, terrified by his menacing appearance. He removes his spacesuit to elude pursuit by federal authorities and turns out to be invisible.


Plot:

As the ominous thunderstorm rattles, the omniscient narrator reveals about a strange story from government files. Stock footage of B-52s without beehive hairdos ensues. Unidentified object is spotted. Stock footage of planes show the chase after the mysterious object which is slowing down.

The communication department is tracking interference of radio and TV signals. Some chick runs down the road and flags down help. Her husband needs an ambulance. Apparently, the communication truck can�t use its radio to call for help. A guy goes to investigate.

More omniscient narration ensues.

Betty�s husband, Ed, is deader than Yahoo Serious�s career. Lieutenant Bowers is filling out the report from the guy who was with Betty and Ed. The idea of a guy dressed as a diver attacking them is too suspicious to the Bowers. The part about a guy with no head wearing a helmet really sets the suspicion bell off on Bowers, who is sure the friend killed the husband. Another call reveals another murder�

Bowers arrives at the scene and questions the witness. The Communication guys are nearby tracking the jamming.

Narrator reveals that the jamming is moving.

Back at the police station, Hazen, communication guy, talks with Bowers. A sketch of the murderous diver has been made from Betty�s description. The witness from the other scene is questioned and also identifies the sketch.

Hazen checks with Washington about the jamming. Hazen is sent to contact a Dr and a Major. Hazen learns the military top secret about how earlier in the day a UFO was identified. It wasn�t a plane, rocket, meteor, etc�

Wakefield, the sneaky reporter, tries getting Bowers to give him an exclusive about the killings.

More narration about patrolling the streets ensues. The posse starts searching for the Phantom who evades the group. The Geiger counter leads them on. Phantom locks himself in a cabin and takes off his suit and is INVISIBLE. The group finds the suit which is radioactive. The suit is taken to the Dr.�s lab. The invisible Phantom leaves the cabin and sneaks into the truck with his suit.

At the lab, Dr. and man carry the suit inside. Barbara�s dog acts as if it sees something and tries chasing after the invisible Phantom. Barbara ties the dog up to keep it out of the way.

In the lab, Dr. Major, and Barbara study the suit. The material cannot be cut or burnt. It is magnetic and repels acid. A long night of study ensues. The suit is radioactive but the helmet isn�t. They learn the Phantom breathes methane and must get the helmet back. Major ponders how to trap the alien. Bowers calls and reveals that the pictures didn�t develop, no images of the Phantom.

Major and Dr. meet Wakefield who wants the big scoop.

Barbara is still working in the lab unaware of the Phantom who traps here.

Barbara�s husband, Bill, heads up to meet her. She yells about the invisible man and to get help.

Bill gets Major and Dr. They rush to the lab and find the door open. However, Barbara is gone and search for her. The Phantom has carried her away.

Barbara awakens and is no longer in the lab. The men are still searching for her.

Floating helmet and heavy breathing ensues. Barbara figures out the Phantom is almost out of atmosphere. He starts tapping some sort of code out. Under an ultraviolet light, she sees the Phantom�s hand.

Her scream at seeing a floating hand is loud enough to alert the men to find her. The Phantom leaves out a window. Barking dog ensues.

The space suit is rapidly disintegrating.

The major chases after the Phantom but ignores the dog, the animal capable of reacting to the invisible alien.

Hazen calls the Dr.

Dr. shows everyone what little remains of the suit. . Random guessing ensues that the Phantom isn�t a carbon based life form but silicon based and magnetic propulsion of the space ship when it crashed. The Phantom reached shore.

Elsewhere, the Phantom reaches a communication truck and uses the device to �phone home.�

Bowers is worried about the alien not having fingerprints. The group thins that the Phantom didn�t intentionally murder anyone. Each of the killings, the people attacked him first.

Barbara reveals how the Phantom was trying to communicate with her.

Phantom is still �phoning home.�

Radio operators start hearing the alien code.

Dr, Major, and the rest learn that the Phantom was using the communication truck. The alien must stay by the helmet. Bowers wants to capture the alien. Dr. tries to convince everyone not to provoke him.

Narration ensues about the plan being in effect. The lab is opened. The roads are closed down, and the waiting begins. The Phantom approaches, and an alarm is triggered. The men jump into action. They catch Wakefield, the reporter. No one knows the Phantom is in the area save one: the dog who is in hot pursuit�(Huhhhhhhhhh-cooooooooooooo-cooooooooooooo-cooooooooooooooo, sorry Dukes of Hazzard reference).

Barbara is working in the lab near the helmet when the Phantom arrives again. She tries talking to him to no avail. Using the intercom, she tells everyone where the alien is.

The men can�t make heads or tail of the code. One tries tapping the code back at the alien. Wakefield uses his camera, and the flash freaks the alien. Cold-cocking the reporter, the alien is attacked by the dog.

Dr., Major, Barbara, and the rest chase after the scared alien. The Phantom is closed in the observation dome of the observatory. Ultraviolet light reveals where and alien is. He�s tapping the code out. The Dr. realizes the Phantom�s voice is above the human range of hearing. The Phantom collapses and is pronounced dead.

The Phantom�s body quickly melts away to nothing.

The alien dies on Earth. I�m sure there is something profound when the Dr. opens the observatory dome to the stars.


What I say:

Phantom from Space was trying to steal from the Thing from Outer Space. If a movie is going to steal from another one, go for the good stuff. We have the scientist trying to communicate with the alien and is sure of the great technological advances the alien can bring to the world. Though, the Phantom apparently reacts a little too harshly when provoked. The Thing is an intellectual carrot who doesn't mind smacking around the mealy-mouthed appeaser scientist.

Not every 1950s alien movie is going to be a classic. In fact, more sci-fi movies are on the bad rather than the good side. I'm not revealling some dark secret that has been hidden from the viewing public. Still, Phantom from Space seems to do practically everything imaginable that would make the movie even more dull and dry.

You'd think an invisible alien on a rampage would be somewhat interesting. Near the end, they decide the alien must be kept alive and ditch all the previous preparations. Far too much of the movie is just plain boing when the characters talking. The narration is far too irritating. That becomes the fatal flaw of the movie. I can accept bad special effects or acting, plot holes that can have be driven through with 18-wheelers. However, there is one thing I can't accept: a boring movie. A movie that has little action can be entertaining. A movie that is boring fails on all levels.

The guy who played the police lieutenant would have been channeling Rod Serling from the Twillight Zone had Rod been dead at this point. So, at this point, he was just doing a terrible Rod Serling impression. More than that, every movie where the cop doesn't believe the strange story they're told about a monster, etc, he manages to compact every single annoying aspect of not believing anyone because it goes against his ideas.

Massacre has been what I would consider to be the worst movie I watched in the name of SideOrderOfNinjas. This movie is skating with disaster and flirting on thin ice of surpassingMassacre's claim to craptacularity.

What 50s sci-fi movie would be complete without the necessary stock footage of military planes? It pads the running time and makes the movie seem like it has a larger budget for those who don't grasp the obvious tricks to to expand movies. The 50s sci-fi movies loved to have the city under alert. The stock footage police cars taking tight curves as the city goes under curfew.

With my ranting about what is wrongwith the movie, I'm not saying much against the diving helmet the alien is wearing. The 50s had quite a few strange monsters like Ro-Man, the diving delmeted gorilla robot from Robot Monster or the far more insane designed Brainiac.

1950s sci-fi movies aren't known for being scientifically believable. The idea that an alien that isn't carbon based but silicon based but is still humanoid is way out there. Star Trek at least had some explanation why so many planets were Roman, Greek, etc...Further on, they would even pretty much imply all the alien races more than carbon based but capable of cross breeding. Klingon-Romulan, Cardassian-Bajoran, etc...

50s sci-fi movies typically have the "2-fisted man of science." The brainy scientist that can handle himself in a fight. Unfortunately, this movie's idea of a scientific man of action appears to be a librarian in a truss.



1 1/2 NINJAS

Quotable Dialogue

"It was wearing some sort of helmet over his head."
"Kid claims guy with no head knocked the old man off."
"He needs his breathing apparatus back or die."


Morals of the Story

Oscilliscopes are needed to make labs look hi-tech.
Aliens dress to wear diving helmets.
Invisible aliens are elf conscious.
Radiation is fatal only if you wear radioactive clothes.
Dogs can't smell aliens but sense their prescences.
Opposable thumbs are signs of intelligence.
Aliens don't have nipples.




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