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S

 

"The House that Jack Built" Salmagundi [Saratoga Springs, NY:  Skidmore College] 43 (Winter 1979) 140-155.

Essay

 
"A Gingham Dress" Santa Monica Review 1:1 (Fall 1988) 25-27.

Story.

 
"Belinda's World Tour" Santa Monica Review 3:1 (Fall 1990) 93-100.

Story.

 

"[Untitled Essay]" Satire Newsletter [Oneonta, NY: State University of New York at Oneonta] 3:2 (Spring 1966) 95-100.

Commentary in same issue for "The Concept of the Persona in Satire:  A Symposium" pp. 89-153. Symposium's comments are responses to Irwin Ehrenpreis, "Personae" in Carroll Camden, ed., Restoration and Eighteenth-Century Literature:  Essays in Honor of Alan Dugald McKillop (Chicago: University of Chicago Press, 1963).

Alternate title: "The Persona in Satire: A Symposium in which Many Brilliant Scholars & Critics Unravel this Perplexing Problem"

 

[Untitled Review] The Scriblerian 2:1 (Autumn 1969) 17-18.

  • Caroline Goad, Horace in the English Literature of the Eighteenth Century
  • Donald M. Foerster, Homer in English Criticism: The Historical Approach in the Eighteenth Century
 
"August 30, 1989--January 8, 1991" in Stephen Kuusisto, Deborah Hall, and David Weiss, editors; Taking Note: From Poets’ Notebooks; A Special Issue of Seneca Review, Seneca Review
[Geneva, NY:  Hobart and William Smith Colleges] 21:2 (1991) 29-35.

Excerpts from a GD notebook.

 

"Claiming Kin:  Artist, Critic and Scholar As Family" Shenandoah [Lexington, VA:  Washington and Lee University] 36:1 (1985-86) 35-86. Essay.

Delivered as The Glasgow Lectures.

Issue's front cover drawing by GD.

Re-published in Every Force Evolves A Form as three related essays, entitled, "The Artist as Critic", "The Scholar as Critic", and "The Critic as Artist".

 

 

"Notes on ‘Émaux et Camées’" Spectrum [Santa Barbara, CA:  University of California at Santa Barbara] 5:3 (Fall/Winter 1961) 162-169.

Essay.

 

"Il Vecchio" St. Andrews Review [Laurinburg, NC: Presbyterian College] 1:1 (Fall/Winter 1970) 19-20. Essay.

Subject is Ezra Pound.

 

T

 

[Untitled Essay] TriQuarterly [Chicago: Northwestern University] 19 (Fall 1970) 117-119.

Subject is Edward Dahlberg.

This essay appears also in a reissue of TriQuarterly 19 as a book, Edward Dahlberg: A Tribute, ed. Jonathan Williams, (New York:   David Lewis, Inc., 1970.)  "A TriQuarterly Book".

 

U

 

V

 

"Three Books in One" Virginia Quarterly Review 47:4 (August 1971) 638-640.

  • Mary de Rachewiltz, Discretions
 
"Kelly in Time" Vort [Silver Spring, MD:  Barry Alpert] 2:2 (1974) 163-165.

Essay.

 

"From the Notebooks" Vort [Silver Spring, MD:  VORT WORKS INK] 3:3 (1976) 18-22.

Excerpts from a GD notebook.

Title page for this issue:  VORT Twenty-First Century Previews:  Guy Davenport -- Ronald Johnson.  Ninth in a Series Focusing on Contemporary American Writers.  Ed. Barry Alpert.  Contents:

  •     Guy Davenport [Photograph] -- Christopher Meatyard
  •     Guy Davenport:  An Interview -- Barry Alpert
  •     From The Notebooks -- Guy Davenport
  •     Narrative Tone and Form -- Guy Davenport
  •     Ex Nihilo -- Hugh Kenner
  •     Guy Davenport, the Teacher -- Richard Taylor
  •     Lapidary Fingers -- Hugh Kenner
  •     Flowers & Leaves -- Paul Metcalf
  •     Persistent Light Upon the Inviolably Forever Other -- Ronald Johnson
  •     The Italics are Guy Davenport's -- Ronald Johnson
  •     Tatlin! -- Paul Metcalf
  •     Tatlin! -- Fielding Dawson
  •     "1830" -- John Wilson
  •     Ezra Pound's Presence in Guy Davenport's Tatlin! -- Hugh Witemeyer
  •     Guy Davenport:  Understanding What to Save -- Robert L. Caserio
  •     Alkman's Guest -- John Peck
  •     Guy Davenport and the Use of Knowledge -- Donald Byrd
  •     Ronald Johnson -- Byron Smith
  •     Ronald Johnson:  An Interview -- Barry Alpert
  •     WOR(L)DS 25-27 -- Ronald Johnson
  •     What is the Matter -- John Shannon
  •     Synchronicity, Ronald Johnson, and the Migratory Phrase -- Steve McCaffery
  •     Focus a Fire Place -- Thomas Meyer
  •     Building Poems -- Gus Blaisdell
  •     [Introduction to Valley of the Many-Colored Grasses] -- Guy Davenport
  •     [Introduction to RADI OS] -- Guy Davenport
  •     The Editorial Process -- Barry Alpert

 

 
"Narrative Tone and Form" Vort [Silver Spring, MD: VORT WORKS INK] 3:3 (1976) 23-29.

Essay.

 

W

 

"On the Eve of Conversion, a Secular Fantasy" Washington Post Book World (July 6, 1969) 7.

  • Review of Thomas Merton, My Argument with the Gestapo: A Macaronic Journal
 
"An Appreciation of Samuel Beckett" Washington Post Book World (October 26, 1969) 3.

Essay.

 

"The Birth of Science; Written in the Stars" Washington Post Book World (December 21, 1969) 4. Review.

  • Giorgio de Santillana, Hamlet's Mill: An Essay on Myth and the Frame of Time

I have the reviewer's copy of the 'uncorrected proof' version of this book, a gift from GD.  Its text "underlined in the German manner" with Handschriften notes at the  bottom and top of several pages, one of which is "Weaving -- "

 
"Ezra Pound's Radiant Gists: A Reading of Cantos II and IV" Wisconsin Studies in Contemporary Literature 3:2 (Spring/Summer 1962) 50-64.

Essay.

 

 

X

 

Y

 
"Whitman a Century after His Death" Yale Review 80 (October 1992), 1-15.

Essay.

 

Z

 
"Every Force Evolves a Form" Zyzzyva 3:1 (Spring 1987) 143-148.

Essay.

 

"Herakleitos" Zyzzyva 6:2 (Summer 1990) 131- [135]

Essay for the Prospectus accompanying Herakleitos. Translated from Greek.

Note:  Precedes GD's Herakleitian fragments, pp. 97-102.

 
   
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