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"They Make Total War"
Gadfly
1:1 (May 1, 1959) 19-22. Review.
- Sheri Martinelli, La Martinelli. Introduction by Ezra
Pound. (Milan: Vanni Scheiwiller, 1954).
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"From the Chrysanthemum Notebook" Gadfly
1:2 (December 1959) 13-16. Essay and translation.
About selected maxims from ancient Egypt from Boris de
Rachewiltz, Massime degli Antichi Egiziani.
"A man's paradise is his good nature." (Pharoah
Kati to his son Merikara)
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"The Symbol of the Archaic"
Georgia
Review 28:4 (1974) 642-657. Essay.
Subsequently published in Perspectives on Contemporary
Literature [Louisville, KY: University of Louisville Department of English] 1:1 (1975)
31-52.
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[Untitled Review] Georgia Review 29:2
(Summer 1975) 499-501.
- Italo Calvino, Invisible Cities
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"Au Tombeau de Charles Fourier" Georgia
Review 29:4 (Winter 1975) 801-841. Story.
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"A Field of Snow on a Slope of the Rosenberg"
Georgia Review 31:1 (Spring 1977) 5-41. Story.
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"The Testament of Ammenemes"
Gnomon
[Lexington, KY: Jonathan Greene] 2 (Spring 1967) 3-7. Translation.
"Translated by [GD] and R. W. Odlin".
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"Wheel Ruts"
Grand Street
7:2 (Winter 1988) 246-252. Review.
- Paul Veyne, ed., A History of Private Life; Volume One:
From Pagan Rome to Byzantium
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"Herondas: A Private Talk Among Friends"
Grand Street 14:1 (Summer 1995) 53-58.
Translation from the Greek.
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"Fifty-Seven Views of Fujiyama"
Granta (England)
4 (1981) 6 – 62.
Story.
Subsequently re-published in the Hudson Review
36:1 (Spring 1983) 45-74 and in 12 Stories (Counterpoint, 1997). Issue
#4 was reprinted October 1990 by Granta.
A special thank you to
Mario Godwin who sent me a copy of the original 1981 issue of Granta 4.
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"Colin Maillard" Granta
28 (Autumn 1989) 151-160.
Story.
Preceded (p. 150) by a photograph of GD by Guy Mendes.
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Harper's Magazine |
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"The Chair"
Harper's
269:1612 (September 1984) 60-62. Story.
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"Juno of the Veii" Harper's
281:1684 (September 1990) 47-48. Story.
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"A Life in the Maze" Harper's
300:1801 (June
2000) 169-[176]. Review.
- Tim
Hilton, John Ruskin: The Later Years.
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"Endlessly Talking: After a century
Whitman's selected chat" Harper's 303:1814 (July 2001)
78-82. Essay and review.
- Gary Schmidgall, ed., Intimate with Walt:
Selections from Whitman's Conversations with Horace Traubel, 1888-1892.
University of Iowa Press.
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"New Books" Harper's
303:1815 (August 2001) 63-64. Essay and book reviews.
Editor's note: "Guy Davenport was the recipient,
in May, of the Academy Award in Literature, given by the American Academy of
Arts and Letters. This essay marks the start of a new, monthly
column." (p. 63)
- Alastair Hannay. Kierkegaard: A
Biography (Cambridge University Press)
GD mentions writing in his notebook while
seated at SK's desk at the Kierkegaard Archive in Copenhagen a few years
ago.
"All books on Kierkegaard are tedious,
and as demanding as trigonometry. What did the man think?
How is Christianity 'ironic'? No philosopher has ever
taken such obscure roads to making himself understood. We are.
We can be Mozart's Don Giovanni, without a moral to our name; or we can be
Socrates, virtuous and scrutinizing. Or we can be ourselves, as 'the
god' intends."
- Anthony Bailey. Vermeer: A View of
Delft (Holt)
"It is our luck that one of the most
engaging of English prose stylists and one of the most civilized of the old New
Yorker writers, Anthony Bailey, should turn his hand to writing
[Vermeer's] life . . . ."
GD mentions E. V. Lucas's "On the Track of
Vermeer" in Old Lamps for New (1911)
"Vermeer concentrates on people
concentrating: reading, making lace, working in the kitchen, playing music.
This was just what bothered eighteenth- and nineteenth-century critics, for
whom the painter's intimate subject matter was a vulgarity."
- David Markson. This is Not a Novel
(Counterpoint)
". . . 190 pages of interesting words or
sentences, about ten to a page: unrelated remarks (seemingly, but look again
-- they're a guessing game). . . . They create associations the
way soap bubbles pack into cubes and hexagons."
- John D'Agata. Halls of Fame
(Graywolf)
"Another strange new book, both like and
unlike Markson's . . . a succession of 'lyric essays' -- a form
invented by D'Agata himself -- sentences strung like a spiderweb over a
subject . . . D'Agata is an alchemist who changes trash into purest
gold. Both he and Markson are 'experimental' writers who defy all we know
and dread about experimental writing: they are readable."
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"New Books" Harper's
303:1816 (September 2001) 81-82.
- Jackie Wullschlager. Hans Christian
Andersen: The Life of a Storyteller (Knopf)
"Andersen began as a travel writer and
remains a master of that genre. His whimsical mind became his
trademark from the first words of his the world saw: Fodreise fra
Homens Canal til Østpynten af Amager ('Walking Tour from Homen's Canal
to the eastern End of Amager' -- today about a twenty-minute walk from where
Niels Bohr was born to where Vilhelm Hammershoj painted his incomparable
interiors."
"Wullschlager's is a fine biography,
careful, thorough, and a pleasure to read. It is also, in a wonderful
way, by Andersen, who never let people forget that he overcame poverty, a
lack of education, and personal ungainliness to dine with kings. This
is the first biography of Andersen to admit that he fell in love with men as
often as with women, rejected by both."
- Tom Shippey. J. R. R. Tolkien:
Author of the Century (Houghton Mifflin)
"The twentieth century's teller of tales
in English was an Oxford philologist and eminent scholar in Old and Middle English,
J. R. R. Tolkien, whose Hobbit (1937) and its sequel, The Lord of
the Rings, have sold millions of copies. . . . Students not up to The
Faerie Queene or the Morte D'Arthur responded with wild
enthusiasm to Tolkien. Professor Shippey, once Tolkien's
colleague and now professor at Saint Louis University, analyzes the reason
why in [this book]."
"When, fifty years ago, I attended
Tolkien's lectures, I realized that I was absolutely ignorant of the Far
North, its Wagnerian gods and heroes. Professor Tolkien lectured to
the floor, had a speech impediment, and was all too often given to wandering
off into Welsh cognates. The Lord of the Rings was, for me, a
redeeming gift for having learned the principal parts of Anglo-Saxon verbs,
fifty every Friday. Further redemption came when I met, here in
Kentucky, a classmate of Tolkien's who told me that good old Ronald
('whatever became of him?') was deeply inquisitive about backwoods
Kentuckians, who grew pip-weed and had names like Baggins and
Barefoot."
- M. E. Warlick. Max Ernst and
Alchemy: A Magician in Search of Myth (University of Texas)
"[This book] is at once a
biography, a history of surrealism, and an engaging interpretation of sixty
years of painting. . . . In this informative study [Professor Warlick]
analyzes Ernst's alchemical symbolism in relation to the ups and downs of
his life (exile, many marriages, a constant reinvention of himself
right up to age eighty-four)."
"If realism is a mirror, surrealism is, as
one of its exemplars said, 'through the looking glass.' We are all
surrealists when we dream, daydream, or tell children lies."
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"New Books" Harper's
303:1817 (October 2001) 83-84.
- Garry Wills. Venice: Lion City, The
Religion of Empire (Simon & Schuster)
"In her 1,510 years Venice has gone from
being an offshore redoubt in the Adriatic, built on piles driven into a
marsh (safe from horse-riding barbarians), to a theme park for tourists, who
come to see the canals and gondolas. In between, Venice was the West's
most beautiful city, a work of art in itself, compounded of churches and
palaces, artists' studios, print shops, and glass works, public sculpture
rivaling that of ancient Athens and Rome. Professor Wills ends his
history in the early seventeenth century, with the Council of Trent, which
draws a line between Renaissance and Reformation Europe. The Venice of
Proust and Henry James, of Gabriele D'Annunzio and Thomas Mann, has been
recorded by other writers."
"It is the religious grandeur of Venice
that Wills finds most interesting: the centrality of the body of St.
Mark the Evangelist (brought to the city in 828 and enshrined not in a
cathedral but in the chapel of the Doge's Palace, the most splendidly ornate
building in Europe), the gorgeous processions around the church year, other
saints and holy relics. Whereas Ruskin saw Venetian luxury as
dissolute, Garry Wills sees it as grandeur and high spirits. Where Ruskin
saw greed, Wills sees power."
- Jan Morris. Triest and the Meaning of
Nowhere (Simon & Schuster)
"Jan Morris sees Trieste as the ideal
city. It has no serious allegiances to any country. It
recognized Franz Josef as politely as it entertained
Mussolini. It has two useful languages, many nationalities, a love of
books and music. Joyce praised it as 'the kindest city' Jan
Morris first saw it in the Second World war, when she was James Morris and a
British Soldier. She has made a special study of it over the years, soaking
it in an ever deeper nostalgia, and this las of her books (she says), is a
coda to the books she has written, and written well, about other cities
(Sydney, Hong Kong, Cardiff, Edinburgh)."
- Amir D. Aczel. The Riddle of the Compass:
The Invention that Changed the World (Harcourt)
"[This book begins] in the Italian coastal
town of Amalfi, where there is a statue of Flavio Gioia, 'inventor of the
magnetic compass.' This hero turns out to be 'a fantasy produced by
the fertile southern imagination of the people of Amalfi. . . .'
As for the magnetic compass, it came from China. This charming little
book explains how sailing was done before the compass (by the stars and wind
directions), the history of what me mean by 'direction', star charts, wind
charts, and much nautical lore, adding a measure of awe to hoe Venetians and
Triestini became sea powers at all.")
- Edward Fox. Sacred Geography: A Tale
of Murder and Archaeology in the Holy Land (Metropolitan)
"Edward Fox's [book] is about the murder
of an archeologist, the Lutheran Albert Glock, who was shot just after
getting out of his car near Birzeit in 1992. Glock leaned toward the
Minimalist School of Biblical studies. These scholars,
largely Danish and American, limit themselves to desdribing what they find,
and tend to call their excavations 'ancient Palestine'. Glock, indeed,
was interested in teaching young Palestinians a sense of their past, and the
evidence points to one of them having murdered him, suspecting him of being
an Israeli spy."
"Edward Fox's eye-opening book is as good
as a detective novel, as interesting to an archaeologist as to a political
scientist; it is also a fable of the risks assumed by those who proceed from
a love of truth."
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"New Books" Harper's
303:1818 (November 2001) 73-74.
- Daniel Fischer. Mission
Jupiter: The Spectacular Journey of the Galileo Space-Craft
- Lucy Jago. The Northern Lights
- Stephen J. Pyne. Fire: A Brief
History
- Sebastian Junger. Fire
- Jenny McMorris. Warden of English
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"Blake and . . ."
[sic] Haverford News [Haverford, PA: Haverford College] 53:19 (April
27, 1962) 2.
Review of a performance of William Blake, 'The Marriage of Heaven and Hell' read in
conjunction with a jazz performance with slide-to-screen projections of Blake's drawings
and engravings.
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"The Richard Nixon Freischütz Rag"
Hawaii Review 5 (Spring 1975) 56-64.
Story.
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"Beyond Punt and Cush"
Hollow
Spring Review of Poetry 2:2 (1978) unpaged.
Poem.
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"The
Playing Field" Hotel Amerika [Athens, OH: Department of
English, Ohio University] 1:1 (Fall 2002) 21-30.
Story.
"Guy Davenport has published nine
books of short fiction, three collections of essays, and various
studies, notably of Balthus, Cadmus, Burchfield, and Will McBride.
He is a painter, a translator, Rhodes Scholar, MacArthur Fellow,
and member of the American Academy of Arts and Sciences."
(Contributors' Notes, p. 116)
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"Celebrating the Shaker Vision"
House
& Garden 158:7 (July 1986) pp. [136]-138, 146, 148.
The 'running' title is "Celebrating the Shaker
Vision: The communities of Hancock Village, Massachusetts, and Pleasant Hill,
Kentucky, exemplify the purity and variety of Shaker design captured in a
major museum exhibition and several new books" by Guy Davenport [with]
photographs by Jacques Dirand.
Review essay.
- Dolores Hayden, Seven
American Utopias: The Architecture of Communitarian Socialism, 179--1975
- Priscilla J. Brewer,
Shaker Communities, Shaker Lives
- Gerard C. Wertkin,
The Four Seasons of Shaker Life: An Intimate Portrait of the Community at
Sabbathday Lake
- June Sprigg, [Catalog,
Shaker "traveling museum show" at the Whitney Museum of American Art, May
1986]
Full-page photos on pp. [136]-137, 139-[145]
Republished with the title
"Shaker Light" in
The Hunter
Gracchus (1996)
Excerpts:
* * *
"When the Bauhaus and its
master Walter Gropius announced that art as ornament and adjunct must
disappear by being resolved into the total design of rooms and buildings (an
idea the Bauhaus took from the Russian Constructivists and others), the
Shakers had been there before them. Mother Ann Lee's rule that 'every force
evolves a form' was a text we are more familiar with in the theories of Le
Corbusier and Mies van der Rohe."
"It was on a winter day in
Kentucky over twenty years ago that I heard Thomas Merton say that 'the
peculiar grace of a Shaker chair is due to the fact that it was made by
someone capable of believing that an angel might come and sit on it.' He was
at the time writing his introduction to Edward Deming and Faith Andrews's
Religion in Wood (1966), the last of the Andrewses' authoritative series
of books on Shaker doctrine, history, and artifacts. The remark was made of
a shaker chair that Tom had in his hermit's cabin in the woods around the
Trappist monastery of Gethsemane. Ralph Eugene Meatyard, the photographer,
Jonathan Williams, the poet, and I were spending a bright, sharply cold
morning with him. He had served us a frugal lunch of salted peanuts,
goat cheese, and bourbon (from a bottle under his bed)."
* * *
"They [the Shakers]
reinvented the world. They invented a new kind of light, a new kind of
space. One of the debates of the eighteenth century was what human nature
might be under its crust of civilization. Rousseau had an answer, Thomas
Jefferson had an answer. One of the most intriguing answers was that of
Charles Fourier, who was born in Besançon two years before the shakers
arrived in New York. He grew up to write twelve sturdy volumes
designing a New Harmony for mankind, an experiment in radical sociology that
began to run parallel to that of the Shakers. Fourierism (Horace Greeley
founded the New York Tribune to promote Fourier's ideas) was
Shakerism for intellectuals. Brook Farm was Fourierist, and such place names
as Phalanx, New Jersey and New Harmony, Indiana, attest to the movement's
history. Except for one detail, Fourier and Mother Ann Lee were of the same
mind; they both saw that mankind must return to the tribe or extended
family, and that it was to exist on a farm. Everyone lived in one enormous
dormitory. Everyone shared all work; everyone agreed, though with constant
revisions and refinements, to a disciplined way of life that would be most
harmonious for them, and lead to the greatest happiness. But when, of an
evening, the Shakers danced or had 'a union' (a conversational party),
Fourier's Harmonians had an orgy of eating, dancing, and sexual high jinks.
There is a strange sense in which the Shakers' total abstinence from the
flesh and Fourier's total indulgence serve the same purpose. each creates a
psychological medium in which frictionless cooperation reaches a maximum
possibility. It is also wonderfully telling that the modern world has no
place for either."
* * *
"Just around the corner
from my house in Lexington, Kentucky, there stood for well over fifty years
a pear tree and an apple tree which had grown around each other in a double
spiral. In the twenty years I have walked past them daily, they have always
got into my thoughts, and always benignly. They were a husband and wife, as
in Ovid's poem in which an inseparable couple become trees side by side in
an eternal existence. They generated in my imagination a curiosity about the
myths our culture has told itself about apples and pears. Apple is the
symbol of the Fall, pear of Redemption. Apple is the world, pear Heaven.
Apple is tragic. A golden one given first as a false wedding gift and later
presented by a shepherd to a goddess began the Trojan War and all that Homer
recorded in the Iliad and the Odyssey. An apple that fell at
Newton's feet also fell on Hiroshima and Nagasaki, and is right now embedded
in thousands of bombs mounted in the heads of rockets, glowing with
elemental fire that is, like Adam and Eve's apple, an innocent detail of
creation if untouched, and all the evil of which man is capable if plucked.
The day before yesterday
this intertwined apple and pear were in full bloom. In every season these
trees have been lovely, in autumn with their fruit, in winter a naked grace,
in summer a round green puzzle of two kinds of leaves; but in spring they
have always been a glory of white, something like what I expect an angel to
look like when I see one. But I shall not see these trees again. Some
developer has bought the property and cut down the embracing apple and pear,
in full bloom, with a power saw, the whining growl of which is surely the
language of devils and their business, which is to cancel creation.
It is very probable that my
murdered apple and pear grew from Shaker sees in neat paper packets. If so,
the symbolism of these old trees, themselves a living symbol of love and
harmony, parallels the flourishing and decline of the Shakers. In their
idealism and in their skilled practicality they have left us a heritage of
moral splendor."
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Hudson Review |
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"Poem: For Lu Chi's 'Wen Fu' (302 A.D.)"
Hudson Review 8:4 (Winter 1956) 556.
Poem.
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"Provender from Cathay" Hudson
Review 21:3 (Autumn 1968) 564-574. Review.
- Alan Ayling and Duncan MacKintosh, trans., A Collection of
Chinese Lyrics
- J. D. Frodsham, trans., An Anthology of Chinese Verse: Han
Wei Chin and the Northern and Southern Dynasties, with the collaboration of Ch'eng
Hsi; Edmund Keeley and Philip Sherrard, eds.
- George Seferis: Collected Poems 1924-1955
- Boris Pasternak, Sister My Life, trans. by Phillip C.
Flayderman
- Vladimir Markov and Merrill Sparks, eds., Modern Russian
Poetry
- Andrei Voznesensky, Antiworlds and The Fifth Ace,
edited by Patricia Blake and Max Hayward
- Yevgeny Yevtushenko, Poems, trans. by Peter Levi and
Robin Milner-Gulland
- Miroslav Holub, Selected Poems, trans. by Ian Milner
and George Theiner
- Nicanor Parra, Poems and Antipoems, ed. by Miller
Williams
- Pablo Neruda, The Heights of Macchu Picchu, trans. by
Nathaniel Tarn
- Jules Supervielle, Selected Writings, trans. by James
Kirkup and others
- Friedrich Holderlin: Poems and Fragments, trans. by
Michael Hamburger
- Giacomo Leopardi, Selected Prose and Poetry, ed. by
Iris Origo and John Heath-Stubbs
- Medieval Irish Lyrics, trans. by James Carney
- The Penguin Book of Modern Verse Translation, ed. by
George Steiner
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"The Aeroplanes at Brescia" Hudson
Review 22:4 (Winter 1969-1970) 567-585.
Story.
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"C'est Magnifique Mais Ce N'est Pas Daguerre"
Hudson Review 23:1 (Spring 1970) 154-161. Review.
- Joyce Carol Oates, Them
- William Eastlake, The Bamboo Bed
- Witold Gombrowicz, Cosmos
- Robert Rushmore, The Unsubstantial Castle
- Ward Dorrance, The Party at Mrs. Purefoy's
- F. D. Reeve, Just Over the Border
- Richard Brautigan, Trout Fishing in America
- Richard Brautigan, The Pill Versus the Springhill Mine
Disaster
- Richard Brautigan, In Watermelon Sugar
- Robert Coover, Pricksongs & Descants
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"Where Poems Come From" Hudson
Review 23:2 (Summer 1970) 339-343. Review.
- Stanley Burnshaw, The Seamless Web
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"Ezra Pound, the Poet?" Hudson
Review 23:4 (Winter 1970-1971) 754-758. Review.
- Noel Stock, The Life of Ezra Pound
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[Letter to the Editor] Hudson Review
24:1 (Spring 1971) 10.
GD's response to Noel Stock's letter to the editor in the
same issue.
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"The Antiquities of Elis" Hudson
Review 24:1 (Spring 1971) 94-110.
Story.
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"Distant Voices" Hudson Review
24:4 (Winter 1971-1972) 696-701. Review.
- Otto Rene Castillo, Let's Go / Vamanos Patria a Caminar,
trans. by Margaret Randall
- Octavio Paz, Configurations, trans. by G. Aroul [and
others]
- Doris Dana, ed., Selected Poems of Gabriela Mistral
- Gabriela Mistral Reading Her Own Poetry, Library of
Congress Sound Recording, recorded December 12, 1950
- Paul Celan, Speech-Grille and Selected Poems, trans.
by Joachim Neugroschel
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"Robot" Hudson Review
25:3 (Autumn 1972) 413-446. With an "Historical Note" pp. 445-446.
Story.
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"Prehistoric Eyes" Hudson
Review 26:1 (Spring 1973) 248-256. Review.
- Alexander Marshack, The Roots of Civilization: The
Cognitive Beginnings of Man's First Art, Symbol and Notation
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"The Indian and His Image" Hudson
Review 27:1 (Spring 1974) 101-105. Review.
- Elemire Zolla, The Writer and the Shaman: A Morphology of
the American Indian, trans. by Raymond Rosenthal
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"The Man Without Contemporaries" Hudson
Review 27:2 (Summer 1974) 296-302. Review.
- Nadezhda Mandelstam, Hope Abandoned
- Clarence Brown, Mandelstam
- Osip Mandelstam, Selected Poems, trans. by W. S.
Merwin
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"Archilochos Epode: Fireworks on the Grass"
Hudson Review 28:3 (Autumn 1975) 352-356.
Translation from the Greek followed by an essay, with
reference to R. Merkelback and M. L. West, Zeitschrift fur Papyrologie und Epigraphik
14 (1974).
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"C. Musonius Rufus" Hudson
Review 29:1 (Spring 1976) 19-44.
Story.
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"Making It Uglier to the Airport" Hudson
Review 30:2 (Summer 1977) 313-320. Review.
- Ada Louis Huxtable, Kicked A Building Lately?
- Manfredo Tafuri, Architecture and Utopia: Design and
Capitalist Development
- Dolores Hayden, Seven American Utopias: The Architecture
of Communitarian Socialism
- George Steiner, "The City Under Attack" Salmagundi
24 (Fall 1973)
- Alison Sky and Michelle Stone, Unbuilt America: Forgotten
Architecture in the United States from Thomas Jefferson to the Space Age
- John Baskin, New Burlington: The Life and Death of an
American Village
- Orville Schell, The Town That Fought to Save Itself
- John and LaRee Caughey, Los Angeles: Biography of a City
- Roger Sale, Seattle: Past and Present
- Michael Lesy, Louisville in the Twenties
- Roslyn Banish, City Families: Chicago and London
- Dorothy Gallagher, Hannah's Daughters: Six Generations of
an American Family
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"Post-Modern and After" Hudson
Review 31:1 (Spring 1978) 229-240. Review.
- Jerome Klinkowitz, The Life of Fiction (with graphics
by Roy Behrens)
- Robert Martin Adams, Afterjoyce: Studies in Fiction After
'Ulysses'
- Richard Ellmann, The Consciousness of Joyce
- C. H. Peake, James Joyce: The Citizen and the Artist
- Roland McHugh, The Sigla of 'Finnegans Wake'
- Michael Seidel, Epic Geography: James Joyce's 'Ulysses'
- Marion W. Cumpiano, "The Salmon and Its Leap in
'Finnegans Wake'" James Joyce Quarterly 14:3
- Morroe Berger, Real and Imagined Worlds: The Novel and
Social Science
- Arthur Heiserman, The Novel Before the Novel
- Marthe Robert, The Old and the New: From 'Don Quixote' to
Kafka
- Frank D. McConnell, Four Postwar American Novelists:
Bellow, Mailer, Barth, and Pynchon
- Mas'ud Zavarzadeh, The Mythpoeic Reality: The Postwar
American Novel
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[Letter to the Editor] Hudson Review
31:2 (Summer 1978) 246.
GD's correction to his review "Post-Modern and
After" Hudson Review 31:1 (Spring 1978), noting that Carl Andre was
"not a line brakeman, but a yard brakeman."
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"The Champollion of Table Manners"
Hudson Review 32:3 (Autumn 1979) 423-428. Review.
- Claude Levi-Strauss, The Origin of Table Manners:
Volume 3 of Introduction to a Science of Mythology, trans. by John and Doreen
Weightman.
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"Imaginary Americas" Hudson
Review 33:3 (Autumn 1980) 469-473. Review.
- Peter Conrad, Imagining America
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"In That Awful Civil War" Hudson
Review 35:1 (Spring 1982) 123-129. Review.
- C. Vann Woodward, ed., Mary Chestnut’s Civil War
- William S. McFeely, Grant: A Biography
- Charles E. Beveridge, ed., The Papers of Frederick Law
Olmstead: Volume Two, Slavery and the South, 1852-1857
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"Fifty-Seven Views of Fujiyama" Hudson
Review 36:1 (Spring 1983) 45-74. Story.
Previously published in Granta 4
(1980) 5 - 62.
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