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C

 
"Apples and Pears: Het Erewhonisch Sketsboek" Conjunctions 3 (1982) 12-60. Story.

 

 
"O Gadjo Niglo" Conjunctions 4 (1983) 168-201. Story.

 

 
"1880" [poem] by Harold Schimmel. Conjunctions 4 (1983) 38-50.

Translated from the Hebrew by Guy Davenport in collaboration with the author.

 
"Anakreon:  Complete Poems" Conjunctions 6 (1984) 44-82. Translated from the Greek.

 

 
"We Often Think of Lenin at the Clothespin Factory" Conjunctions 8 (1985) 46-57. Story.

 

 
"Badger" Conjunctions 13 (1989) 45-61. Story

 

 
"The Cardiff Team: Passages From a Longer Work" Conjunctions 24 (1995) 127-149. Story.

 

 
"Ezra Pound" Contemporary Literature [Madison, WI: University of Wisconsin] 11:4 (Autumn 1970) 579-585. Review.
  • Thomas H. Jackson, The Early Poetry of Ezra Pound
  • K. K. Ruthven, A Guide to Ezra Pound's 'Personae' (1926)
  • Herbert N. Schneidau, Ezra Pound: The Image and the Real
  • Hugh Witemeyer, The Poetry of Ezra Pound: Forms and Renewal, 1908-1920
  • Wai-lim Yip, Ezra Pound's 'Cathay'
 
"The Fox" Coraddi [Greensboro, NC: Women's College of the University of North Carolina] 52:3
 

(Annual Arts Forum Issue, 1948) 23. Poem.

 

 
"Lucullus Has Accomplished Much" Coraddi 52:3 (Annual Arts Forum Issue, 1948) 18-19. Story.

 

 
"Christopher Middleton" Curled Wire Chronicle [St. Louis, MO: Washington University] 2:1 (September 1954) 6-7.
  • Christoper Middleton, The Vision of the Drowned Man (Sussex, England: The Ditching Press, 1950)

GD's postscript provides a biographical sketch of the poet.

 
"Intent" Curled Wire Chronicle 2:1 (September 1954) 15.  Commentary.

About the intent of Curled Wire Chronicle.

 
"Leo Alektor" Curled Wire Chronicle 2:1 (September 1954) 17. Drawing.

Drawing submitted by GD to the editors of Curled Wire Chronicle as a proposed cover design for the journal. GD's note accompanying the drawing:

LEO ALEKTOR, a guardian, such as faced doors of the temples, or even today keeps the steps of libraries.  Not so terrible as one of the cherubim, part man, part ox, part lion, part eagle, keeper of things holy and taboo, but a more congenial kitty, a lion with improbable wings and the face that guarded oven, thesaurus and citadel; the abiding creature of a place, its jinni.  The Curled Wire signum remains as proper standard; the contiguous warder is for a traditional precaution with new enterprise.

 

 
"Map, or Ideogram: The Need to Know" Curled Wire Chronicle 2:1 (September 1954) 10-11. Essay.

 

 
"Prayer for the Rest of Elpenor" Curled Wire Chronicle 2:1 (September 1954) 13. Poem.

 

 
[Letter to the Editor] Curled Wire Chronicle 2:1 (September 1954) 19.

GD's response to Will Wharton's "The Great Pun" [about James Joyce] in Curled Wire Dispatches 1:10, pp. 2-4.

 
[Letter to the Editor] Curled Wire Chronicle 2:2 (October 1954) 12.

Letter is about the authorship of the 'Iliad'.

Issue contains also Will Wharton's response to GD (see above)

 
"David Jones' Anathemata" Curled Wire Chronicle 2:2 (October 1954) 3-4.
  • David Jones, Anathémata
 
"Poetry and Paideuma of the 'Odyssey'" Curled Wire Chronicle 2:2 (October 1954) 14-16.

Extracts from a September 1954 paper.

 

D

 
"Poliziano: 'The Tournament'; Stanzas for the Magnificent Giuliano de Piero de' Medici" Delos 4 (1970) 82-95.

Translation from the Italian.

 

E

 
 

F

 
"Two Essays on Brakage and His 'Songs'" Film Culture 40 (Spring 1966) 8-12.

GD's is the second essay on Stan Brakage, pp. 9-12.

 
 
   
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