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Chapter 1.3:
Sixth-century fact and Gildas
Fabio P.
Barbieri
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There is in my view a kernel of
reality in Gildas' "Roman history"; but
it is to be sought, not in the
"historical" account, but in the points
he is making. Gildas, we know, had no intention
of writing a history. His work was dominated by a
passion for the present, and the past mattered so
far as it shed light on the horrible conditions
of his day. The fact that he seems to have little
to say on foreign matters - except for the Saxons
- leaves a misleading impression that the British
of his time knew and cared little of anything
beyond the Channel; but when he does not mention
a subject, it is not necessarily because he does
not know of it. He is a conscious
rhetorical artist with a definite object in mind:
that such a man will select his evidence for
effect is not so much probable as axiomatic. His
view of the "Romans" clearly had a
contemporary relevance. And it is perhaps not
sufficiently realized that the name he was using
was not that of some famous people of long ago.
"Rome" was the common name of a great
power of his time whose ferocious aggression was
the most visible single feature of the
mid-sixth-century international scene: the empire
of Justinian the First, whose murderous and
determined onslaught on the West destroyed the
two strongest Germanic successor states, Vandals
and Ostrogoths, and, more worryingly for the
British authorities, seized the gateway to the
Atlantic from the Visigoths.
here has been, and there still is,
a tendency to whitewash Justinian, the emperor
responsible for these wars: one of history's
monsters, the Hitler, the Stalin, the Pol Pot of
his time. And while a Gibbon, writing in an age
which knew little of murderous mass oppression
(which so far as it existed - in the Highland
clearances, in Ireland, in the slave plantations
of British colonies - was practised by his own
class and far away from his eyes) could be
excused for failing to see the meaning of
Justinian's acts, our century has no such
justification. We have had quite enough brutal
renewers of mankind and quite enough armies
rampaging across nations in the name of abstract
New World Orders to know what these things mean.
And when a historian like J.M. Wallace-Hadrill
describes the Romans of Italy as "lacking
cohesion and pride"[1] because they had been
somewhat less than enthusiastic about Justinian's
Greek hordes and mercenary scum from the ends of
the Earth, followed by a vampiric locust-swarm of
tax-gatherers leaving starvation in their wake,
and one such as Evelyne Patlagean is capable of
treating Justinian's reign as forsooth a great
age[2]; then polite language
simply cannot be used. The only word for it is a
scandal.
Some things are not
properly understood, or even known, unless they
are hated. Destroying ancient seats of learning
(such as the Academy of Athens) is wrong.
Oppressing the Church is wrong. Humiliating and
dethroning a Pope is wrong. To attempt
extermination of religious minorities such as the
Samaritans is wrong. Show trials are wrong. The
death penalty for homosexuality is wrong. And
false accusations of homosexuality to procure the
judicial murder of inconvenient persons are
wrong. Mass murder is wrong. Fostering criminals
and deliberately supporting gangs in a great city
is wrong. Insensitivity to the sufferings of your
own subjects is wrong. Perverting taxation into
systematized looting is wrong. Disregard of mass
starvation caused by your taxes and your wars,
and insistence on more taxes and more wars, are
wrong. Aggressive war is wrong. Brutal and
treacherous invasions are wrong. Despoiling an
empire to pay for a whole sequel of aggressive
wars is wrong. The wanton waste of public money
in a series of megalomaniacal schemes (both wars
and buildings) is wrong. The building of a police
state, the destruction of the old ruling class,
the plunder of private fortunes, the capricious
raising and equally capricious destruction of
nobodies in high office purely on the grounds of
their ability to plunder more efficiently, are
wrong. And as these comprehend Justinians
whole record, his policies and his instruments of
policy, how can our historians blind themselves
to what he did and was?[3]
In Justinian, the
unplanned and poorly motivated personal tyranny
that had been at the heart of Roman monarchy ever
since its Augustan beginnings found what it
needed to complete itself: a bookish, bloodless
self-righteousness, ready and willing to
sacrifice human lives on the altar of a
good cause. The short history of
the Roman Empire, and the long one of the
successor Byzantine state, were to be marked by
it for ever; preserving unchanged the worst
characteristics of old Roman politics - the
unsettled law of succession of an Empire that had
arisen from usurpation and civil war[4]: the brief and troubled
dynasties, the civil wars, the palace
conspiracies - while the creatures who, one after
the other, succeeded by mostly illegal and brutal
means to a throne that was never stabilized until
it was too late, strove nevertheless to project
themselves as sacred, unchangeable, hieratic
presences, stiff with ivory and gold and the
pretension of their culture.
A good deal of this came
from the personality of Justinian himself, an
anaemic and unimaginative megalomaniac completely
untouched by the agony of millions, let alone the
exhaustion of the imperial coffers, and therefore
disposed to drive the imperial machinery far
beyond any sane limit in pursuit of a wholly
unreal vision of Roman greatness. But part of it
was also the result of the kind of Empire-centred
attitude visible even in a man who hated him,
Procopius. In some ways Justinian must have
reflected the mind of his people, who, in a time
and a country prone to coups and plots, never did
get rid of him.
Much of the scholarly reluctance
to call a spade a spade and a monster a monster
is justified by the supposed unreliability of our
main, if scarcely sole[5], source for the villainy
of Justinian and his associates: the Anekdota,
or Secret History, by Procopius of
Caesarea. And it is true that this is a strange
document. Procopius had been, if not Justinian's
official historian[6], at least a favoured
writer. He was no professional historian, but a
civilian staff member of the Byzantine army who
had spent much of his career with Justinian's
leading general, Belisarius, on the Persian
border, in Africa and in Italy; and at some point
in the course of these stirring experiences, he
began, like many witnesses of great wars before
or since, to write his own account, in eight
books. But what nobody knew was that he was also
secretly compiling a ninth book, never to be
published until Justinian and all his court of
monsters were dead: hence the later title Secret
History. It makes festering reading.
Though the leading writer of the
period, Procopius is not a historian of the first
rank. He is careful and accurate enough, and even
in the "official" History, he does not
actually distort any facts; but, though he has
read Herodotus and Thucydides, he lacks the gift
that these men, so different in so many ways,
both had to a supreme degree - the gift of
forming a coherent and convincing picture.
Procopius is quite incapable of making any
connections except the most obvious, and his
perspective is sadly narrow. It is typical of his
inability to "only connect" that, in
telling the events that led to the independence
of Britain in 410AD, he seems to see no link at
all between the rise of the British usurper
Constantine III and the great invasion of Alans,
Vandals and Swabians that overwhelmed Gaul in
406-7 and that - according to Zosimus - had
caused the series of usurpations from which he
emerged. And the reason is that he is, as I said,
Empire-centred; he can only see events as they
affect the Emperor or Emperors of Rome. He is
only interested in Constantine III so far as he
threatened the legitimate emperor Honorius, and
in the barbarian horde so far as Honorius had to
do something about it; therefore he doesn't
notice that most of Constantine III's activities
were to do not with Honorius but with the
barbarians, whom he defeated in Gaul and pursued
into Spain. And since "Constantine III,
usurper" is in a different mental pigeonhole
from "Alan-Vandal-Suebian invasion", he
writes very misleadingly, mentioning
Constantine's usurpation (407) after the
fall of Rome to the Visigoths (410), and the
Alan-Vandal-Suebian invasion later still. There
is no reason to believe he was unaware of the
chronology involved, but his readers are bound to
understand that these events happened in that
order - and they didn't.
This lack of mental order is also
the reason why many historians have found the Anekdota
unconvincing. Procopius is unable to turn his
many and various grudges against Justinian, his
court, his fiend-like queen Theodora and her
equally depraved friend Antonina (the wife and,
according to him, the ruin of the great
Belisarius) into a coherent picture. He starts
from the wrong end, placing Antonina before
Belisarius and Belisarius before Justinian;
though that is understandable on personal grounds
- he had spent most of his career around
Belisarius, had once admired him greatly, and
regarded the woman as a disastrous influence - it
is totally unworthy of an intelligent historian.
His description of Justinian is incoherent,
jumbling in one whirl of hate his insensitive
disregard of his subjects' suffering, his
destruction of ancient institutions, his brutal
wars of aggression - and the fashionably
billowing sleeves of his thugs in Constantinople.
Procopius has a serious point; those
"Hunnish" sleeves were used to carry
concealed weapons; but as the climax of a list of
crimes against humanity, it is pitiful. Gildas,
or Justice Robert Jackson[7], would have done better.
He also suffers from a disability
typical of Roman culture; like Suetonius and
Juvenal, but to an even higher degree, he is
obsessed with sexual misbehaviour, especially
among high-ranking women. His pornographic report
of rumours about Theodora and Antonina take up a
lot of unnecessary space; unlike most historians
- clearly a blameless breed - I do not regard
them as particularly unreliable or incredible[8], but they are largely
irrelevant, and taint the whole book with a sour
and petty taste of sexual spite.
Procopius opened the Anekdota
by imploring future readers to believe him, since
he had to tell a tale of cruelty and horror such
as normal sane men in a normal sane age would not
be able to comprehend. Punctually, they have not
comprehended it, and the fault is largely his
own. And yet, behind the pettiness and spite, the
picture is clear enough; and it is a picture with
which our century is desolatingly familiar. The
judgement of the historian on the Great Emperor,
whom he had had the pleasure of knowing
personally, is simple: Justinian was the Devil
incarnate. And this was not a metaphor. Procopius
really believed that this man, at whose court he
had lived and in whose service he had worked, was
the Fiend come to earth in an obscene parody of
the Incarnation, to torture mankind. He had
experienced Justinian's presence as the presence
of absolute evil; a feeling with which those who
knew for instance Stalin were tolerably familiar.
As for his wife, a recent view[9] of another murderous
couple may be quoted almost unaltered: "Each
of the Wests was independently a fully fledged...
psychopath. Each was extremely dangerous.
Together, they were lethal." Justinian paid
public credit to the inspiration and support of
his wife; an endorsement that condemns her.
The goal of this utter outsider, a
man of obscure provincial birth whose uncle had
lucked upon the imperial crown after a successful
career in the Imperial Guard in spite of a rumour[10]that he could neither
read nor write, was simple and, like the
scientific popular racism of Hitler[11] and the
"scientific" Communism of Stalin,
rooted in widespread but false values of
contemporary culture: to rebuild, at all costs,
the glory that was Rome. What this meant in
reality was brutal open-ended aggression against
every successor state: states that had by then
stood, more or less peacefully and more or less
in order, for two or three generations. To pay
for this, Justinian squeezed his empire more than
dry, reducing his subjects to starvation; and
each conquered country in turn was immediately
subjected to similar exactions. His fiscal policy
may be summed up in the reported slogan of one of
his creatures, John the Cappadocian - "Give
me more pounds! The Emperor needs more pounds for
his wars!". To make matters worse,
Rome's eternal enemy Persia was at the time ruled
by a man of similar temper, Chosroes, who seems
to have decided that the world was not big enough
for Rome and Persia both. For most of Justinian's
reign, the empire was never fighting on less than
two fronts.
Britain was firmly within
Justinian's claim. There is an ominous shift of
tone between two Byzantine writers, Zosimus and
Procopius. Zosimus, who was a pagan and
presumably out of sympathy with Justinian's
murderous travesty of Christianity[12], praises the British for
defending Britain and northern Gaul from
barbarians and has no complaint about their
"usurping" government; rather, he
implies that, having been abandoned by the
Romans, they had a right to govern and defend
themselves. He also mentions the Rescript of
Honorius, an imperial decree dated 410AD that in
practice allowed them to do just that. Procopius,
who - whatever his view of the man - was a member
of Justinian's government and believed in the
centrality of the Christian Emperor, has nothing
to say about the British fightback against the
English[13] and describes their
authorities as tyrannoi[14], that is illegitimate
and usurping. Byzantium had never for one minute
given up meddling in the West, usually to
disastrous effect; so there is a menacing ring to
Procopius' statement that, since Constantine
III's usurpation, the Romans had never managed to
re-take the island, and it cannot be a
coincidence that he completely ignores the
Rescript of Honorius, and treats that emperor
with contempt, as being guilty of the fall of the
Roman west[15].
Procopius describes a Byzantine
attempt to kill two birds with one stone: early
in the war, during a peace conference,
Belisarius, in exchange for the island of Sicily[16], offered Britain to the
Ostrogoths, then settled in Italy and surrounding
countries. Procopius' account is clearly
eyewitness material, with Belisarius irritably
commenting on what he regards as the speciousness
and length of the Gothic case, and the Goths
commenting on the insincerity of his own; and the
offer indubitably has Justinian's authority
behind it - a couple of lines later, Belisarius
refuses to discuss Gothic proposals for Campania because
he has no imperial authority to do so. It was
Justinian who wanted the Goths to invade Britain
for him.
This, incidentally, tells us
something about the nature and quality of
Justinian's motivations. We can see from
Procopius' passages about Britannia and the
phantom he called Brittia, that the greatest of
islands was known to him purely from books, to
the point where he could be readily hoaxed about
its position[17]; and, while we know that
ordinary working seamen from Byzantine harbours
knew the place much better, there is no reason to
think that Justinian himself, a landlubber from
the mountains of Skopje, or any of his court,
shared any of it. If Procopius is at all
indicative, then the Byzantine higher classes can
only have known Britain from books. But never
mind; their books said that it had once been a
Roman province; therefore Justinian wanted it
invaded, in his name, by the Ostrogoths - start a
bloody and expensive war in a very distant
country that has done you no harm, just because
of a dead ancient claim. No clearer symptom of
the bookish unreality of his ambitions can be
imagined.
Though debated by historians, this
offer is neither impossible nor even unlikely.
From Odysseus to Onassis, Greeks have never
ceased being seamen, and the empire of Justinian
depended on sea power. To their seamen, Britannia
was not on the Moon: it was at the end of a trade
route which, to judge from the amount of
Mediterranean pottery found even in minor inland
centres, must have been as familiar to many
Byzantine shipmasters as the back of their own
hands[18]. Archaeological sites
such as Tintagel have yelded pottery produced in
Gaza (Palestine), Byzacena, Phocaea, Cyprus and
various Aegean islands. Any of the major East
Mediterranean harbours could certainly have found
a master able to plot a safe route to "The
Cassiterides", the Tin Islands whose metal
was in constant demand by bronze-makers
throughout the Mediterranean, for as many ships
as the Imperial government might see fit to send.
And moving barbarian peoples around like pieces
on a chessboard was an old Byzantine game: it was
within living memory that the Ostrogoths had been
sent to Italy to overthrow another barbarian king
whom the Emperor had happened not to like. One
hears Gildas' caustic comments about the lack of
a British fleet to ward off the Roman invasion, non
militaris in mari classis parata fortiter
dimicare pro patria, and wonders about the
state of British sea power, if any[19], while Greek ships,
harbingers of a power that was even then busy
subduing all the Mediterranean, reached Britain
unhindered every sailing season.
Procopius, like the ambassador
Olympiodorus before him, was no private citizen
writing down the street rumours of provincial
towns, but a high functionary who may without
stretching the imagination be held to have known
as much as the imperial government knew. He was
on Belisarius' staff, and his authority for the
offer to the Ostrogoths must be regarded as
impeccable. A government prepared to make such a
proposal cannot have been well disposed towards
the kings of the British; and, given
Justinians notorious duplicity and
paranoia, his welcomes and his lavish gifts to
frequent British embassies[20] could not be regarded as
reassuring. In the 550s, the Byzantines had
seized Gibraltar and Malaga from Visigothic Spain[21]; these regions, as far
as Britain was concerned, were the halfway house
between "Rome" and Britain, and recent
history had shown that no country was safe as
long as it was accessible to the Imperial fleet.
The Ostrogoths had once managed to drive the
Greeks out of all Italy except one single
harbour, and that harbour had been their ruin.
This must have raised cold shivers
among the more outward-looking Britons. The
limits to Roman power, if any, were not readily
appreciated so far from its centre, and the
apparently endless resources used to destruction
in the harrowing wars in Persia, Italy and Spain,
must have left the impression that Napoleon left
on his enemies: of an empire capable of raising
armies without end or stint or limit. It was not
Greek military brilliance that put an end to the
Ostrogothic state; it was sheer overwhelming
persistency, eighteen bloody and hideous years
that wore the Ostrogoths down to nothing and
reduced the heart of the Latin West to starvation
and cultural collapse (it was in this period that
the tripartite Roman system of naming went out of
use in Italy). And at the same time the Roman
Empire was fighting a major war against the
Persians. It hardly seems irrelevant that Gildas
says that, before turning acies flammae,
the edge of flame, against the furthest West -
Britain - Rome had subdued the islands of the
East and "first achieved peace with the
Parthians of the Indian borders", obtinuissent...
primam Parthorum pacem Indorum confinium. In
the past, peace with "the Parthians of the
Indian borders" had preluded to an all-out
assault on the furthest West.
This supplies us with a date
and confirms another Peace (or rather, a
ten-year truce) between Justinian and Chosroes of
Persia was agreed in 561: if Gildas is alluding
to it, then it took place as he was writing, and
he regarded a Roman invasion of Britain as the
inevitable next stage. And if Gildas is
alluding to it, then the traditional date of the
battle of Badon Hill is correct. According to
the Annales Kambriae, the battle of Badon
took place in 516/518. Gildas dated his writing
of De Excidio forty-four years and one
month after; this would be between 560 and 561:
complete correspondence[22]. It is, in theory,
imaginable that some later compiler noticed the
Persian reference in Gildas, read it correctly,
and dated the battle of Badon back from it. If
so, it cannot have been the author of the Annales
himself: he reports the death of Gildas
contemporary Maelgwn, whom Gildas addresses as
alive, in 547! And surely it is asking rather
much of Dark Age Welsh savants, to expect them -
in such a greatly changed political and
intellectual environment - to be able to
correctly identify a pivotal but not obvious
date; if any back-tracking there was, it is
easier to believe that it was from the known date
of composition of The ruin of Britain. Otherwise,
we have to conclude that the date of the peace of
Justinian and Chosroes and the Annales
Cambriae date of Badon are two
independent markers pointing to the same
chronology; and at any rate, neither of the
two possibilities does anything to discredit it.
This has an important corollary.
It was twenty-five years before (537) that
Belisarius had offered Britain to the Ostrogoths,
in Justinians name. If Gildas could hope to
rouse British fears of a possible Byzantine
invasion now, the fears he was appealing to must
have been long entertained. The mention of the
Persian is probably a device to explain to
sceptical readers why the long-dreaded Roman
invasion delayed so long; they had to deal with
the Persians first - and, adds Gildas
threateningly, now they had.
To late-classical geography,
Persia (with India, scrupulously mentioned by
Gildas) was the Eastern end of the civilized
world - just as Britain, "the greatest
island in the world", was the Western;
settling matters with that remote country may
well have been seen as the natural prelude to
settling them with its equally remote opposite.
There is a lot more evidence, if
of a less exact kind, for a date in the early
560s. The date of 561 for The Ruin agrees
with Gildas death date in Irish annals:
570, which would make him fifty-three - an early
but scarcely unusual age in that dangerous and
insanitary time. The scandal of invalid British
episcopal titles awarded in Armorica, alluded to
in The Ruin, was dealt with by the Second
Council of Tours, 567 (typically ecclesiastical
slowness!), which ruled that no British or Roman
bishop might be consecrated in Armorica without
the consent of a metropolitan. The Life of
St.Gildas of the Monk of Ruys, a largely
legendary production, contains a notice that the
Irish king Ainmire summoned the renowned Gildas
to Ireland to reform the monasteries there; the
only known Ainmire from the period reigned quite
briefly in Leinster in the late 560s. In turn,
the work of reformer of Irish monasteries
attributed to Gildas by this notice agrees with
the fact that, while his The Ruin survived
in various British and Continental monasteries,
his fragments on monastic discipline and his
so-called Penitential survived in Ireland
alone. Forty years later, in about 600AD,
St.Columbanus of Luxeuil - an Irish monk -
remembered Gildas with great respect as an
authority on monastic discipline, a great auctor
from an earlier generation, distant enough to be
regarded as classical, but close enough for the
problems he discussed - simoniac bishops and the
relationship between monks inclined to severity
and their more easy-going abbots - to be still
contemporary and contentious (Columbanus himself
was about as severe as they came)[23].
All these elements place the
heyday and death of Gildas in the 560s. I think
therefore that we can take the dates of 516/7 and
561 as pretty much established; Gildas was
writing in the last years of Justinian, when the
beasts tail had almost stopped thrashing,
but might still look very formidable to
outsiders.
And now let us try to read, or
rather to hear, The ruin as it must have
sounded to its contemporaries, with their ears
still ringing with rumours of war atrocities in
Italy and Africa, Spain and the Balkans, the
Black Sea and the Persian border. I think there
is little doubt that its description of Roman
conquest absolutely growls with echoes of recent
events. The power of Rome is sweeping all
countries east and west with a flaming sword
edge. The furthest men in the world, "the
Parthians of the Indian border", may soon
make peace; indeed, they may already have made
it. Why should Gildas criticize the lack of naval
defence when the Romans first came? If he
suggests the need of such preparedness in his
day, the enemy in his mind cannot be the Saxons -
they are in Britain already; but all the most
successful "Roman" campaigns began with
invasions from the sea. Why underline the fiscal
greed and tyrannical control of the Roman state?
It is not to no purpose that Gildas makes as much
as he does of the spoliation of Britain by her
first invaders, especially in its fiscal aspects
- the forced labour and enslavement[24], the stamping of the
Imperial name on all the gold and silver.
It must be admitted that, under
such circumstances, no literary artist, let alone
one as skilful as Saint Gildas, has any need of a
direct threat: "if you don't start behaving,
the Romans will come again and eat you all up, as
they already did once long ago". It works
incomparably better as the softly-heard
background, the growl of distant thunder, to
everything he is saying. More importantly still,
Gildas does not in fact want the Romans to come
(though if they did, and savaged the country as
they are doing to Italy and Spain, the British,
he implies, could have no complaint of God's
justice) but rather the British to be converted.
That is the real, the positive burden of his
work. There is no sin he is not disposed to
forgive, if the wicked kings and the corrupt
churchmen will just turn again and know their
God; murder, treachery, simony, heresy,
parricide, incest, are just some of the moral
horrors for which he promises prompt and
immediate pardon.
In my view, therefore, Gildas
expected not an English takeover - he is quite
clear that Mount Badon has put an end to any
major barbarian threat - but a Roman invasion.
For all those who stood in the way of Justinian
and his ambitions, the 540s and 550s must have
felt like June 1940 to our fathers: the horror of
universal dissolution, the rise of a long-dreaded
and apparently invincible enemy. Why, after
giving a lyrical description of the land of
Britain, does Gildas neglect its early legendary
history - of which, he informs us, he knew quite
enough - and begin with the Roman invasion?
Because, like the description of the beauty and
fertility of Britain the Bride which immediately
precedes it, Roman invasion is a part of his
theme[25]. Once already, in the
past, the Romans have come, slaughtered locals as
rebels and not fit even for slaves, taken over
Britain's whole wealth, and settled her with
their people. Do you not, he is suggesting, hear
again the distant rumble of their footsteps?
If Gildas indeed believed that
history could repeat itself in that sense, it
must have been that he held the Empire of the
world to be, not a passing historical fact, but
an eternal reality, which, once brought about on
this earth, is, like the creation of man and the
Redemption, an irreversible divine truth. Once
the Empire had been established by Caesar, it
would exist for ever, and the status of all
earthly government would be defined by their
relationship with the imperial centre, which was
Roman whether or not it was placed in Rome. This
is indeed the common doctrine of both classical
and mediaeval ages: His ego nec metas rerum
nec tempore pono/ Imperium sine limite dedi...
- so says God in the only piece of classical
poetry which we are certain that Gildas did know[26]. The Roman Empire must
have been not a state among other states, but the
constant background to all history. To Gildas,
the furious revival of Roman political power was
not a surprise, but a return to the natural and
proper condition of civilized mankind.
However, it is the effect of
Justinians activities on Gildas that must
be noticed. What happened was that Gildas'
despair at contemporary British politics, his
belief in Roman authority, the general racist
beliefs of his time, and his reversal of it in an
anti-British direction, combined in his mind with
the genuine horror of Justinian and his hordes,
to produce a picture of merciless justice, of
Rome as the power of pure punishment. Believing
in Roman authority as ultimate, Gildas had to
believe Justinian's actions were justified; and
while he could not be aware of the mean,
crawling, vicious reality of Justinian's tyranny
in his own empire (or at least, not as aware of
it as someone like Procopius, who lived in it),
he knew all too well the contemptible realities
of British rule. British sins and Roman
punishment came together in his mind as
complementary realities, as fitted to each other
as lock and key; and furnished a pattern of
politico-moral interpretation that can be traced
in the rest of his picture of history.
Now Gildas' Saxons look like
nothing so much as bad copies of Gildas' Romans.
They too inflict God's punishment as the Romans
had, but without as much right: they too plunder
and take over the land, settling in it as a new
aristocracy; they too destroy those among the
natives who surrender, more or less at random,
keeping some as slaves (alii fame confecti
accedentes manus hostibus dabant in aeuum
seruituri, si tamen non continuo trucidarentur...);
in both cases there is mention of hunger (inopiam,
6.1; fame; 25.1) before the conquerors
return to their homes (Romam...repedantibus,
6.1;...cum recessissent domum crudelissimi
praedones... 25.2). And with such a conscious
literary artist as Gildas, we do not have to
believe that the resemblances between these two
groups of invaders are casual or subconscious. He
has structured them around the ancient Christian
idea that diabolus simia Dei, evil things
always are bad imitations of good ones. The
Saxons are bad imitations of the
"nobler" class of invader.
The element of supernatural
support is especially to be noted. The Saxons had
supernatural support for their settlement in
Britain: their omens offered them three centuries
of residence there, and Gildas never says
anything to make us doubt the efficacy, if not
the sanctity, of these pagan forecasts. He says
they were based on a certo presagio, a
firm omen; and makes them be followed by their
effective success. Now Gildas' story of the Roman
conquest of Britain is underlain by the common
Christian view that the peace imposed by the
Romans, and especially by Augustus, over all the
world, and emphasized by the famous closing of
the gates of Janus' temple (not that I'm
suggesting that Gildas knew of that episode!),
was the necessary and divinely appointed
condition under which the Gospel of Jesus could
be preached to all the nations. The great island
was the last part of the world to be taken over,
and Gildas explicitly says that it happened after
in omni paene terra... cessauere bella,
"wars had ceased throughout almost the whole
earth"; that paene means no doubt
that Britain was the only exception. Its conquest
fulfilled the divine plan[27] to have Roman peace
throughout the world, so that the Gospel should
be preached; according to Gildas, with the
protection and support of Tiberius Caesar. If he
does not underline this Divine aspect of the
Roman triumphs, it is surely because he thought
it too obvious.
Now, though Gildas doesn't
actually state it explicitly, it is fairly
obvious that the omen driving the Saxons to
Britain was devil-given rather than God-given.
Gildas is one of those who believe that, before
the coming of Christ, all human religions save
the Hebraic were entirely the work of the devil: priscos
illis communesque cum omnibus gentibus errores,
quibus ante aduentum Christi in carne omne
humanum genus obligabatur abstrictum... patriae
portenta ipsa diabolica paene numero Aegyptiaca
uincentia "those ancestral errors, and
shared with all the gentes[28], by which, before Christ
came in the flesh, all the human race was
chained... those very miracles of the Devil in
our own nation, almost surpassing those of Egypt
in number..." (4.2). Portenta diabolica:
the Devil had power to work actual miracles, not
just delusions. Stories of effective marvels
worked by Pagan gods would not find Gildas
sceptical; he would just say that they were
indeed miracles, but not from the right side.
The Saxons are still under the
Devil's bondage in their entirety, Deo
hominibusque inuisi, hateful to men and to
God; and they have in common with sin and the
Devil that they are to be dreaded more than
death, quos propensius morte... tremebent.
Gildas is not using exaggerated language here. He
seriously says that it would have been better to
die in war with the Pictish and Irish invaders
than to make a deal with the Saxons, just as it
is better to die than to make a deal with the
Devil. But there is something of a matter of
proportion involved. As the Saxons were not
supported by God as the Romans were, so too they
were nothing like the Romans in power, in
irresistibility, and in the length of stay
promised them. Even with Britain denuded of its
ancient armies, and after a terrible plague that
had decimated the population, their strength had
not been remotely enough to take over the island.
Correspondingly, even the fading shadow of the
British, led by "almost the last" of
the Roman aristocracy set up long ago when the
British had been destroyed and enslaved, had been
able to rein them in. And even those devil's
oracles that had sent them sailing on their way
had not dared offer them more than three hundred
years on the island, half of it spent plundering
(...uaticinabatur certo apud eum presagio,
quod ter centum anni patriam, cui proras
librabat, insideret, centum uero quinquaginta,
hoc est dimidio temporis, saepius uastaret...).
But we are to understand that these omens, at the
very least, stretched a point: if the Saxons'
plundering of Britain ceased about Gildas' birth,
at the time of Badon Hill, then, however we
reckon the date of that battle, they certainly
had not had the 150 years promised by a reliable
omen - certo apud eum presagio. And I
know, says Gildas, that since then forty-four
years and a month have passed[29].
If the distant roar of Byzantine
armies is the background noise of Gildas' world,
the need for all-out war against the Saxons is
the burden of his song. Gildas is no pacifist.
Almost the first thing he says is that
"Since it was granted to me not so much to
describe the dangers of mighty soldiers in grim
war, as to speak out about poltroons, I have kept
silent, I confess, while the space of twice five
years or more went by; to my immense grief, as
the Lord is witness Who searches my inward
parts....[30]" He wishes he could
write about gallantry and heroes, but his time
supplies few.
He does not only regret his
failure in his religious obligation, but also in
his literary duty: as he could not write about
heroes but only about scoundrels, he kept silent
- silui, fateor, cum inmenso cordis dolore.
I get the impression of a wonder-boy, an
immensely promising young scholar from whom
everyone expected a lifetime of literary
achievement, but who, perhaps after a few early
successes, had fallen silent for more than a
decade (spatio bilustri temporis uel eo
amplius praetereuntis) to the astonishment
and distress of all his admirers. Here, it seems,
he explains why: this is no time for great pages
about heroes - this is a time to weep.
One conclusion demands to be
drawn: Gildas had a literary model to which he
aspired. It was not given to me to
describe heroes; someone else, evidently,
had had that privilege, probably about the Saxon
war, detailing "the dangers of mighty
soldiers in grim war". He had wished to
emulate this writer; he may even, as soon as his
literary talent was clear to his contemporaries,
have been expected to. But while others were
allowed to use their writing talents to praise
heroes, he laments he is only able to describe
"poltroons" - the tasty Latin
descriptive desidiosi - and even that it
is the baseness of the subject, as much as his
unwillingness to posture on the stage, that kept
him silent for more than ten years.
This, in turn, shows that the
literary monument, the story of valiant heroes
fighting Saxons, against which which Gildas
wanted to measure himself, was a contemporary,
eyewitness account; otherwise, it makes no sense
that Gildas should feel unable to imitate the
great writers of the past because in his time
there were no contemporary heroic models.
Literary, moral and religious disappointment,
come together in his "immense grief".
Nobody who reads The ruin can doubt that
Gildas was born to write; but a man of his
serious and passionate temperament would never
have been content to indulge in art for art's
sake while his nation and his fellow-countrymen
suffered. His art, like that of Dickens or Dante,
would always have been in the service of social
and religious ideals, of an intensely felt sense
of ethics.
Living in a world where war was an
inevitable part of politics - pax Romana
had been well and truly over for two centuries,
and peace between states was not so much
difficult as impossible to maintain, due to the
inchoate pressures of migrating barbarians and
the incapacity of the civilized world to defend
its territories - Gildas never thought of peace
as a possibility; but he did want to discipline
war, placing it - as it should be - in the
service of a stable national community, rather
than of disruptive, immoral warlords. His fury at
British cowardice and treachery implies that
gallantry and warrior loyalty are good things;
such good things, indeed, that the nation that
does not have such virtues is ipso facto
damned. He sees no contradiction between such a
scale of values and his Christian faith, which is
heartfelt and deep; he has never stopped to
wonder about the Christianity of killing men,
since the visible evil of warlord violence and
barbarian idolatry dominates his time. Had he
known Marcus Porcius Cato, he might have borrowed
his tag: ceterum censeo Saxones delendi esse.
It is not enough, Gildas says, to boast that you
do not, like them, offer sacrifice to idols
(38.5) if you do not obey the Lord. And how do
you obey the Lord? Well, Gildas says that the
kings have displeased the Lord, and brings
several unflattering Biblical parallels (39-41);
and then he mentions one Old Testament king who
had not displeased Him - King Asa, who, according
to Chronicles, had done away with 100,000 pagan
Ethiopians[31] (42.1) come to Judah
with less than kind intentions. Immediately after
he attacks those who put up with Christian
bad kings such as the five whose moral characters
he has just finished dissecting.
What is the connection between
putting up with evil Christian lords and
displeasing the Lord by not destroying
100,000 pagan invaders? Obviously, that wicked
kings have inflicted so much violence and civil
war on Britain that the country has no strength
left to expend on pagan Saxons. They have killed
by battle or stealth brave fighters who would
have been better employed on the Saxon frontier:
the heroic two brothers murdered by Constantine
in church, Maglocunus valiant royal uncle
and most of his splendid guard. Here we see the
connection between Gildas' two British vices,
treachery at home and cowardice abroad. As they
are too busy killing each other, to put it
crudely, they cannot spare the time to kill their
enemies. Brother kills brother - and all the time
the Saxons have Christian slaves descended from
the starving wretches who had surrendered to them
before Badon in order to eat (25.1); and all the
time they hold sacred Christian shrines[32]. If the British had had
the persistency and courage, the Saxons could
have been expelled altogether; but they prefer to
kill each other rather than to seriously fight
for Britain the Bride, their beautiful mother
country.
Gildas turns the story of Jepthah
sacrificing his own daughter to the Lord "in
order to lay low the innumerable armies of the
Pagans" into a metaphor of sacrificing one's
own natural pleasures and affections to the great
task of patriotic and Christian war of
liberation; from which we assume that one of the
reasons why the Saxons were not yet driven out
for good was simply some people's selfish
idleness - they were too bent on propria
uoluptas... cum tympanis et choris, id est
carnalibus desideriis... "their own
lust... with instruments and songs, that is with
carnal desires..." (one suspects he may be
thinking of a specific story, possibly famous in
his time, of someone who left the war for a
girl). To this he throws out a quotation from St.
Paul: "I'm not looking for what is useful
for me, but what is useful to the greater number,
to save as many as I can". He also
repeatedly calls on the clergymen of his time to
make the British hear, like the Jews of old, the
sound of innumerable invisible armies, more than
outnumbering the Pagan hosts (70.3: 71.2: 72.2);
it seems that part of the duty of a good priest
was to preach the Crusade, and to explain that,
however large the Saxon hosts might be - and the
huge size of Gentile hosts is as much a
commonplace for Gildas as it was for the Old
Testament - the angels of the Lord are more
numerous, and will draw sword on our side. Do not
be afraid of the Saxons, he says. God does not
mean them to have either kingship or permanent
possession over this island; even their devilish
omens could not promise them permanent possession
of the island, only three hundred years of
temporary residence. And, if properly read, they
will tell you that the day has almost come to put
an end even to their remaining - peaceful - time
in Britain[33]. The promise of a
hundred and fifty years of plunder and a hundred
and fifty years of peace had been a devil's lie,
sufficiently proved by the fact that the period
of plunder had reached a forcible end a at Badon,
only seventy-five or so years after it started.
Devils lie, that is their nature; Gildas probably
knew enough Greek for the meaning of diabolos;
but they only do so "by high permission of
all-ruling Heaven" - that has always been
Catholic doctrine. The devils who released that
lying oracle to their deluded pagan worshippers,
therefore, had only meant to mislead them, first
for the punishment of the Britons, but then to
their own destruction. And now is the time, the
year, the day. Gildas is counting not even the
years, but the months. Now even the devil's
oracles, properly interpreted, promise victory to
the British. There is no danger that the Saxons
should ever rule the island; that has not been
promised them; but now they can, as they could
not before, be driven from it - the plunderer be
plundered, the enslaver be enslaved, the invader
be invaded and conquered.
And indeed, if it is fate that the
English should not stay on the island beyond a
hundred years; then, if the British do not drive
them out, someone else will. The will of God, one
way or another, will be done. While the Saxons
never had a claim to rule the island as kings,
the Romans, in the legal system postulated by
Gildas, would not have had to claim kingship;
they had it already. It was their own decision to
stay away from Britain, and they could rescind
it. They can come themselves, with their
irresistible strength that had already broken the
island before, and punish both those who had done
the evil - the Saxons - and those who had failed
to punish them - the British.
If, therefore, the British do not
morally and politically get their act together,
and undertake a moral reformation one of whose
side-effects will be a crusade against the
barbarians, then - the threat is left unspoken;
but something is coming compared to which the
string of previous disasters, Irish, Pictish,
Saxonic, will seem as nothing, a tool of
punishment that can and will destroy the island
if it pleases. God is weary of British crimes.
ow think of the news that must
have been reaching Britain from Italy - not a
distant or unreachable country - with every new
ship that sailed: cities plundered, cities
burned, cities as great as Milan razed to the
ground; armies routed and slaughtered, people
starved to cannibalism, freed men enslaved,
churches and monasteries burned down; and
everywhere tax agents swarming like locusts,
trying to squeeze the last ounce of sustenance
from a desolate land and an exhausted people.
What had Italy done to deserve it? - or Africa?
Nothing, except not driving out the barbarians
by themselves. The Romans had come and done
the job, with no consideration for the common
people of the land.
If I am correct in my reading,
then Gildas' contemporaries must have had a
fairly exact idea of what a "Roman"
invasion meant; and it is not imaginable that
Gildas, of all people, should be so out of touch
as not to know it. He was the sort of person who,
in our day, reads all the papers, with particular
emphasis on the political news. Sitting in his
religious community, he took notice of all the
news that reached him from all corners of his
country, and was - as other people might not have
been - personally saddened and angered by the
iniquities of politicians he may never have seen
in person. Such are the people who, today, fill
letter columns and are often asked why they get
so upset about the Government's latest misdeed.
He was part of the Church, an international
society whose headquarters were and are in Italy:
do we for a minute imagine that news from Italy
would not have affected him? The whole tone of
his work is urgent: change your lives, change
them now - the destroyer is here, this is the
last day you can do it without consequences, this
is the last day you can turn to the Lord and be
healed - if you don't do it NOW, punishment is
waiting.
Notes
History
of Britain, 407-597 is copyright © 2002, Fabio
P. Barbieri. Used with permission.
Comments
to: Fabio P.
Barbieri
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