Cross contour

Cross contour refers to lines that describe a surface but unlike primary or secondary contour lines do not represent horizons, edges, changes of directions , coloration or shadow edges. Their direction and placement may be arbitrary. They represent planar sections, slices, or straight lines drawn on the surface of the form. The viewer translates these lines into surface information.

Do This:
Start by drawing a wavy line in pencil from edge to edge near the bottom of your 18"x 24" white paper. Draw another line that follows on top of the first, except make it 1/8" away from the first line on the left side of the first "hill" in the wavy line, and 1/2 " away on the right side of the hill. reverse these with the second hill. return to the first pattern with the third hill and so forth to the edge of the paper. Repeat this with a third, fourth anmd fifth line.

When you finish the fifth line, stop. Step back from your paper and notice that the five lines now describe a kind of wavy ribbon. Or it may resemble fried bacon, especially if you're hungry. But, in any case it will take on a three dimensional appearance of ridges and valleys running perpendicular (define) to the length of the "ribbon". This is caused by a perspective effect known as "foreshortening" (define) . You will learn more about that later. Notice that the ridges and valleys appear to be receding back at a slight angle. The ridges whose line are farther apart on their right side, appear to be veering toward the right. Those with wider lines on their left slopes, are heading back toward the left.

Do This:
Now draw five more lines, but this time, reverse the narrow spaces and the wide spaces. In other words, draw lines closer together on the slopes where before you made them farther apart, and draw wider spaces where you made them close. Notice that the direction of the ridges change as they recede.

Experiment in other ways. Make a small bump on a line. On the next pass of the pencil, make it larger, being careful to draw the second line closer to one side of the bump than the other. Continue to enlarge this bump with each pass.

Make a line closer at the top of a ridge and farther at the nadir of the valley. after several passes the ridge will appear to be somewhat flatter, as though it "eroded" and filled the valley. 

Make a line disappear behind another line and reappear on the oher side of a hill. Draw some parallel lines closer together to fill in background behind your ridges.Notice that you may stop at anytime and the white space on the top of your paper will appear as "sky".
Now, make a hole appear in the ground. Think about what the lines would do as they disappear down the hole.

A rock sitting on the ground is more difficult than it looks. Be sure and DON'T start in the middle of the rock. And make the lines closer together as they surface of the rock curves back from the viewer around the edge of its shape.

Now put it all together into an exciting fantasy landscape. Try to make the ground feel continuous so that the viewer could imagine walking into the terrain (define).
Student Liz Shock's Landscape
Student Liz Shock's "Landscape"

 
 

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