[ Paulo Ordoveza // Gallery ]

v i d e o _p o s t - p r o d

Due to disk space considerations, Quicktime video clips are only available at this time as downloadable ZIP files,
and are not available not for web-viewing. This will be remedied as soon as possible.

VIDEO CITY: "CopyCat" (30s) This commercial banked on its simplicity for comedic effect. It involved simple cuts and dissolves, plus convincingly recorded fake audio. The punchline is derived from a popular Sharon Cuneta movie.	VIDEO CITY: "Sino Ka Man" (30s) Same strategy with this commercial; a movie about a star's assassination is instead dubbed to comedic effect as a singers' audition gone so bad that the auditoner has the singer assassinated.
JOY ANTIBAC (60s, excerpts only) Offline and online were edited on the media 100. Practically all of the chroma and effects were done on the HAL Express, but some, like the spinning radial background and this lightning composite, were done with AfterEffects.	EYE-MO (15s) Another simple commercial, showing an Eye-Mo bottle moving around the screen to relax the viewer. The entire sequence was animated in AfterEffects, using simple DVE's, some precisely tuned scaling to distort the bottle, and a ripple effect to bring in the endtag.
BENCH / ALCOGEL (5s) Co-edited by colleague Raffy Espiritu, this commercial was animated in AfterEffects from a series of scanned stills, with FilmDamage added for a grainy, distressed look. "Dirty Finger" won two awards at the 16th Philippine Advertising Congress.	BENCH / UNDERWEAR (15s) This entire sequence was animated in one pass in AfterEffects from a series of PICT stills, and totalled nearly 100 layers. The offset filter and motion blur filter saw generous use, with a slight jerk to cap off every motion.
OMNIPOST GEO-COUNTDOWN Animated in AfterEffects, the Geo-Countdown used a scrolling variation on the moonscape (see Original Art Gallery), a pair of rotating gyroscopic patterns with perspective, a 4-color X in Overlay Mode, and motion-blurred numbers in Rubino Sans ICG.	OMNIPOST GRID COUNTDOWN This countdown used a series of decaying numbers, moving and stationary grid patterns, animated Braille-style dots, a washed-out letterbox border, a scrolling 3D pattern in the background, and FilmDamage for that oh-so-film-noir grainy, distressed feel.
CAP NEWS TODAY LOGO Title sequence for a simulated news program in a C.A.P. audio-visual. A proper sense of balance and movement, with simple DVE's, layer modes, and color balance, formed the foundation of the logo, with some light bursts and lens flares for embellishment.	SPACE EXPLOSION An AfterEffects experiment, inspired by the opening scene of Star Trek VI. A travelling matte over a textured background was kept stationary at preset coordinates and mapped onto the top of an IceFX Sphere, whose radius was then keyframed outwards.

This is only a partial listing of representative works. A full project log is available upon request.

GALLERY HOme

ORIGINAL ART

RETOUCHING AND CORRECTION

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