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CONTENTS

Book Review

CD Review

Piano Methods

Editorial



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THE BOYS ARE BACK

a review



If you haven't heard of David Barber yet, then you are missing out on side splitting humour mixed with music history and a dash of philosophy. Canadian David Barber has made a name for himself from his educating and entertaining books that revolve around none other than - music.

"Bach, Beethoven and the Boys: Music History as it Oughtto be Taught" is exactly that. Barber starts with early music ideas and quickly moves to Josquin des Prez, Palestrina and Gesualdo. He touches base with most of the major composers and important events that leas right up to John Cage.



The Book is a quick and delightfull read for anyone who is remotely interested in musicology (or you just want to enlighten your mind). It is usefull as a memory jogger back to first year music history - but it also adds extra interesting - though kind of unimportant - but funny facts. For instance, did you know that Buxtehude offered Bach his job in Lubeck, but Bach refused because he also had to marry Buxtehude's daughter, Ann Margreta. (Johann Matheson and Geoprge Handel also were offered the job, but turned it down too when they found out the package deal).

I highly recommend this book, it is very good - and it has sparked me to read other books by David Barber such as "The Muscian's Dictionary", "When the Fat Lady Sing: A History of Opera", "Getting a Handel on the Messiah" and "Tenors, Tantrums and Trills: A Dictionary of Opera".

by Sarah Parker






CHOPIN: NOCTURNES (COMPLETE) VOL. I

played by Idil Biret, Piano


This is a great CD for late at night - the delicate melodies never feeling heavy - just float around you like stars while the bass waves quietly like the sea. Biret captures the nocturne mood - steadily and quietly- almost as if to bring you into a deep trance.

The CD moves through the nocturnes as Chopin had written them, which is interesting because you can actually feel the development of his nocturnes from track to track. And when you have finished the CD and return to the beginning, the progression seems astounding.

The CD insert, though brief, does a rather good job describing where and when each opus was written, leaving the listener with a more satisfied understanding of each piece.

Idel Biret (Ankara) does a good job at imitating the soft touch that Chopin is known for, and besides a few parts of Nocturne in B Flat Minor Op. 9, No. 1 that seem rushed, she does an exquisite performance of all the "night pieces".

CD at Indigo Books for $16.99.

Well worth it!

PIANO METHODS: For The Young Beginner

Bastien Books are an ever popular piano method for Adult Beginners. You know, the one with a black cover and some tacky red and orange poppies? Of course they also have a children's series - which is very nice with glossy covers with each of the following per level: theory,performance and tecnic and artistry, and lesson. Although it is a very nice method book, it is still aimed at the older child, 7 and up. So what about 4, or 5, or 6 year olds who start?

Bastien has a wonderful extention to their children's series, the PRIMER A and B books. There are two books for A, and two for B: Piano Lesson and Theory/ Tecnic. I must admit, that I bought the books because they were glossy, and red, and have coloured pictures inside. (They looked like plin fun to me).



When I started teaching from these books I was surprised at how good they were. Behind the fan fare, the instructions are easy, the lessons are very logical, and it is easily comprehendable by a young child.

Personally, I used the PRIMER A book to start to teach my 4 1/2 year old brother piano lessons, and so far they have been a huge success. It is that same red and glossy cover that got him excited too - and the pictures are a reward to see when you complete a lesson. The music is fine as it can be - but the second half of the book is teacher student duets. All the lessons are coupled with a few theory excercises from numbering your fingers to drawing treble clefs.

Although there are a ton of piano methods courses around, I have not found one directed so well to the young beginner as these.



EDITORIAL: Do You Remember Dozen a Day?

You remember dozen a day, don't you? All those finger exercises cleverly disquised as fun -well - excercises?

Send us your comments so that we can write this editorial - or write it for us and we will post it here for you!

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