| Movie |
Star Rating |
Comments |
| The Dreamers |
3 |
An
adult art film by Bernardo Bertolucci telling the story of three college
students in Paris in 1968. A nice slice of life with some
fascinating scenes but the thin story drags it down.
|
| City of God |
3.5 |
A
disturbing look at life in a Brazilian ghetto. The gangs are run by
kids (as in 12 year olds!) and they toy with the cops for sport.
Based on a true story, this is a gritty, violent look at life in the
third world.
|
| Touching the Void |
3.5 |
I
normally don't have much sympathy for mountain climbers in peril. I
have trouble with the hero designation for those that have a crew of 150,
a budget of millions and use more gear than was needed for the invasion of
the Falklands. But here we have two climbers, with only what they
can carry on their backs, trying to scale a 21,000 foot Peruvian peak in a
way never attempted before. Up is not the problem, down is an
incredible nightmare. The approach is riveting; the two climbers
discuss their ordeal documentary style, interspersed with harrowing
reenactments of their adventure. Very well done and very
scary. This is a story of a man with an enormous will to live.
Inspiring.
So why only 3 and half stars? As good as 90% of the movie is, I
was disappointed at the ending. After take us through every
excruciating inch of their survival trek, the film ended too suddenly for
me. I would have liked a little more follow up on their
situation.
|
| The Cooler |
3.5 |
A
Vegas fable, with the always likeable William H. Macy as the cooler, a guy
so unlucky that all he has to do is walk by a roulette table to make
everyone lose. The violence is a bit out of place at times but
the terrific ending made up for it.
|
| Monster |
4 |
Not
only am I sure that Charlize Theron will be nominated for an Oscar for her
performance in Monster, I am sure she will win. Find a
bookie, ignore the odds and bet the house on her to take home the
statue. And it's not the physical change of a beautiful woman into a
street skank, it is much more how she becomes the character, much
the way Billy Bob Thorten became Carl in Sling
Blade.
This is a scary, troubling true story of a woman on the very edge of
society.
|
| In America |
2.5 |
This
is on lots of Top Ten lists, but it will settle in at around 50 on my Top
100. The performances are great, especially the two daughters, but I
just couldn't buy the premise of the father setting up his family for life
in the ghetto so that he can pursue his acting. It's not like he is
committed to being an actor, and needed to live in the city, he is barely
committed to getting out of bed in the morning.
|
| 21 Grams |
4 |
Amazing
performances by the three leads (Sean Penn, Benicio Del Toro and Naomi
Watts) as their interlocking stories are complicated by a seemingly random
style of editing that was troubling at first. The sequencing of Memento
had a purpose, here the time jumping took some getting used to, but it all
comes together in the end.
|
| Paycheck |
2.5 |
This
is on of those science fiction movies that work as long as you forget the
science part and focus on the fiction, as in; it could never
happen.
|
| House
of Sand and Fog |
4 |
A
fascinating study of culture, pride, despair and loyalty. With the
setting of a seemingly innocuous real estate transaction, this conflict
between individuals who are both right can be seen as an analogy for so
many things in today's complex world. Very well acted with a likely
Best Actor nomination for Ben Kingsley.
|
| Cold
Mountain |
4 |
An
amazing epic love story, with the end of the civil war as the backdrop
showing us not the "glory" of battle but the horrors of war;
starvation, chaos, and despair. I liked the way the characters
adapted to survive when faced with the most difficult of
challenges.
|
| Big Fish |
3.5 |
This
novel was made to be filmed by Tim Burton, but he had to be careful not to
get too excited about all of the outlandish "story" sequences,
which he almost did. Fortunately, by the third act he returns to the
main theme, ties things up nicely and gives us a very good film about
family, relationships and what really matters in life.
|
| Something's
Got to Give |
3 |
A
romantic comedy featuring Jack Nicholson playing Jack, the rogue who only
dates young women, until he meets the Diane Keaton character. And of
course they fall in love (but I am not sure why, I just didn't see what he
saw in her.) Funny at times, and pleasant overall but needed to be
about 30 minutes shorter. We all know what's going to happen, it
shouldn't take so long to get there.
|
| The
Station Agent |
3 |
This
is one of those small art films (STOP), and despite some nice moments it
just doesn't reach high enough (DON'T DO THIS) to get a top rating.
And when you consider the time of year, this film is dwarfed (YOU ARE
GOING TOO FAR NOW) by the competition.
|
| Lord
of the Rings; The Return of the King |
4 |
I
liked all three, but TROTK is clearly the best. Gollum/Smeagle is
back, continuing his inner debate. The hobbits show their mettle,
their camaraderie, and Samwise Gamgee emerges as their biggest
hero. This is a special effects triumph (except for the
nagging problem of trying to make the hobbits look real in scenes with
humans, sometimes it looks like a bad episode of Land of the Giants.)
I thought the battle scenes were great in The Two Towers,
but TROTK easily tops them in scale, impact and creativity.
One of the best films of the year.
|
| The Last
Samurai |
3.5 |
A
story of culture and commitment as a U.S. soldier tries to regain some
sense of order and honor by learning the ways of the Japanese Samurai
after his disturbing experience fighting native Americans in the post
Civil War West. A fascinating look at a different world.
|
| Talk to Her |
4 |
As
a rule I don't like subtitled films, and generally avoid them, but I heard
so many good things about Almodovar's Talk to Her, that I thought I
would give it a try (plus I was in Buffalo with nothing to do!)
A unique story of devotion, friendship that develops slowly but
powerfully. A very good rental, stick with it, you will be glad you
did.
|
| Bad Santa |
2 |
Bad
Movie
I was looking forward to this well reviewed "dark"
comedy. I like Billy Bob and am always up for some sarcastic,
cynical comic relief. But it plays like a one joke SNL skit, just
not enough comedy to sustain a full length movie.
|
| Tupac;
Resurrection |
3 |
An
unusual approach; a biography narrated by the subject (rapper Tupac
Shakur), in a film made after Tupac died. Life after
death? Time machine? Distortion of Space/Time Continuum?
Not quite so intricate, the producers built the project using edited
interviews with Tupac. He talks about his childhood (over home
movies), his rise to stardom, his activism and his frequent brushes with
authority and the rap sub-culture.
|
| Gothika |
2.5 |
Halle
Berry is excellent as the psychologist accused of murder and placed into
the mental institution where she previously worked (right, like that would
happen.) But she can't quite save the forced plot.
|
| The Human
Stain |
3.5 |
There
is a much talked about "secret" in this film, but it won't be
much talked about here, because then it wouldn't be a secret. (Roger
will tell you all about it in his review.)
Despite Anthony Hopkins being amazingly miscast, this is an worthwhile
film; deep, thought provoking, with another great performance by Nicole
Kidman.
|
| Master
and Commander: The Far Side of the World |
4 |
A
terrific epic, with exciting battle scenes, intricate character
development and a few unexpected turns. Oscar nominations for Best
Picture, Screenplay and Best Actor (Russell Crowe) are in the bag.
|
| Shattered
Glass |
3.5 |
Based
on the true story of Stephen Glass, the whiz-kid writer for the New
Republic who was under soooo much pressure that every once in a while he
felt like he had to twist a fact, add a fictional source or, what the
hell, just make up the whole damn story! Got to make that
deadline!
A fascinating look at corporate America.
|
| The
Matrix Revolutions |
2 |
I
didn't like the first two much (except for the cool visuals) and this one
is downhill from those efforts. It did have some (unintentionally)
funny scenes though. My favorite is when Neo and Trinity hop into
their incredibly complex and enormous flying machine, try to start it,
can't, and Trinity says "It must be a fuse" !! A
FUSE! what is this, 1940?!! So Trinity goes into the back of
the ship while Neo waits (reading the paper? doing his nails?
trying on cool sunglasses?) and of course that's where the bad guy is
waiting for her and proceeds to blah, blah, blah.....
And about those cool visuals, I loved the scene in the original when
Trinity runs up the wall to escape the bad guys. Just amazing.
But here is a typical scene in Revolutions: The good guys burst
into a room and start shooting at the bad guys. 10 people firing at
each other, in a 12 foot by 12 foot room, all with automatic weapons, and
naturally no one is getting hit but they needed a special effect so the
bad guys rotate themselves to stand on the ceiling. Still firing
away, not any more protected than they were before and still no one is
getting hit (maybe their fuses are blown.)
|
| Elf |
3 |
Saw
the preview, looked pretty silly, almost didn't go but Roger said it was
worth it and he was right. It is silly, and goofy but Will Farrell
fan's will like it, kids will like it and lots of people clapped at the
end.
|
| In the Cut |
3 |
This
is a first, a new genre; a serial killer / art film. Excellent
cinematography, great performances and deep characters set against a
typical "find the slasher" backdrop.
|
| Scary Movie
3 |
3 |
Better
than SM2, not quite as good as the original, but it kept me
laughing.
|
| Sylvia |
1.5 |
If
you loved last years Oscar nominee The Hours you will adore Sylvia.
Of course that is like saying that if you like to drive wood chips
under your fingernails you will like to drop a bowling ball on your
toes. Sylvia is boring and depressed. So is the movie.
|
| Runaway Jury |
2 |
A
convoluted story and no one to cheer for make Runaway Jury a
loser.
|
| Mystic River |
4 |
It
is clearly an off year for movies (this is only my third 4 star flick of
2003), but Mystic River would be a winner in any year. An
intriguing story told by a great cast that give wonderful
performances.
|
| Veronica
Guerin |
3.5 |
Based
on Veronica's crusade as a newspaper writer trying to bring down crime
lords in Scotland, it is a gripping tale but I found that I liked the
movie more than I liked her. Although she certainly got results, she
was reckless and a little bit stupid. The irony is that the amazing
impact she had is because of her fearlessness; martyrdom is a powerful
force.
|
| Intolerable
Cruelty |
3 |
George
Clooney is great as the smarmy lawyer in this unusually tame effort by the
Coen brothers (O Brother, Where Art Thou?, Fargo.)
|
| Kill
Bill Volume 1 |
3 |
This
is Tarantino's ode to martial arts flicks with lots of over the top action
scenes with a smattering of hip dialogue. But I did feel a bit
cheated by the fact that this was originally one long movie and the studio
talked him into making it into two. You can tell, the story is not
over, but now I get to have two large bags of popcorn for "one"
movie (a first!)
|
| School of
Rock |
2.5 |
Jack
Black dominates in what is basically a sports movie (build the team,
challenge the players, finish with the big game - in this case the Battle
of the Bands), but it could used a few more laughs.
|
| Out of Time |
3.5 |
A
very well done film noir, without the plot impossibilities that so many
thrillers have these days. This will keep you guessing (especially
if you haven't seen the trailer.)
|
| Underworld |
3 |
My
favorite vampire vs. werewolf film of the decade! This was a popcorn fix
excursion but I was pleasantly surprised. Looks good, actually has a
somewhat intriguing story and features some nice matrix-style
effects.
|
| The Rundown |
3 |
Better
than the trailer led me to believe. And it would have more fun if
they had toned down some of the violence, this is a comic book film and
they shouldn't have looked to The Deer Hunter for
inspiration.
|
| Lost
in Translation |
3 |
A
nice slice of life, and the location of the slice is the key. This
is a story of two Americans trapped in Japan for a few weeks separated
from their spouses and their comfortable surroundings. Naturally
they hook-up but that's where the typical plot line stops. Good
performances, and interesting look at Japanese culture.
|
| Once
Upon a Time in Mexico |
3 |
Writer/
Director/ Producer/ Editor/ Musician Robert Rodriguez obviously
loves his work. He must have had a lot of fun making this movie, and
all of that joy shows on the screen. Lots of well filmed
action, a few jokes thrown in and another good performance by Johnny Depp
make this a good popcorn afternoon.
|
| No Good Deed |
3 |
A
low budget, but effective thriller with plot gaps that can be overlooked
as you try to figure out which of the bad guys will turn out to be the
good one in the end (or will any of them?)
|
| Matchstick
Men |
2 |
This
is getting excellent reviews from just about everybody (72% positive on rottentomatoes.com
- the review aggregating website), but not from me! This is ostensibly
three movies in one, so lets pick 'em apart one at a time!
Much is being made of the portrayal by Nicolas Cage of a
obsessive-compulsive, but while he gets the surface fine the heart is
missing. OCD isn't psychosomatic, and why is he smoking all the time
if he hates dust, smoke and dirt??
The second movie in a movie is
his relationship with his long lost teenage daughter. He had never before
met the girl, so how does he try to build a relationship? By taking
her along on a dangerous scam. Nice Dad.
Part three of this
multi-part mess is the Con Game stuff. The audience is conned by a
miserable big twist at the end that is as likely to happen as the Bears
winning the Super Bowl this year.
|
| Thirteen |
3.5 |
A
very scary (and likely all too accurate) portrayal of teenagers that turn
to the dark side. Co-written by one of the teen leads, this movie
feels way too real. It features outstanding performances by Evan
Rachel Wood and Nikki Reed as the teen hell raisers and Holly Hunter as
the Mom that tries so hard.
|
| American
Splendor |
3.5 |
A
true story of a man famous only for being famous. A less than
average Joe, twice divorced, working a mundane job as a clerk in a VA
hospital finds a niche as a writer of underground comics. This
brings him only modest success, but it does start a notoriety chain
(appearing on David Letterman, a play made of his life) that results in
the making of this film. The approach is intriguing as
interview clips of "the real" Harvey Pekar, his wife and nerdy
friend are cut into the film. This enables the viewer to see
how well the actors represent them.
|
| The Order |
1.5 |
I
hadn't seen a movie in 2 weeks, the night sweats and hand tremors were
getting worse. I needed a fix. Something.... anything. I
knew "The Order" had not been released for critical review but I
took a chance anyway... big mistake. I bailed after an hour, I am
sure that the last 40 minutes could not have added any value to this
misguided, boring mess of a movie.
|
| Le Divorce |
2 |
A
confusing jumble of ideas, subplots, and characters. At one point I turned
to Denise and asked "Is this a comedy?" We weren't sure.
Another example of how hard it is to turn a novel into a good movie.
|
| Open Range |
3 |
A
bit corny at times, but you have to like Costner and Duvall as the
reluctant cowboy heroes. This is a classic western with modern
production values.
|
| S.W.A.T |
2 |
Apparently
they have run out of good TV shows to base movies on, now they are tapping
into car wrecks like this one. Colin Farrell is obviously not
concerned about his reputation (big paychecks will do that to you.)
|
| Dirty
Pretty Things |
3.5 |
A
fascinating portrayal of the life of "the little people" in
London as they are caught up in a scheme to improve the supply of human organs
for transplant (maybe that urban legend is true after all?)
|
| Gigli |
2.5 |
Two
and a half stars for the worst reviewed movie of the year??? Is that a
typo you say??? It's for real, it wasn't nearly as bad as the
Bennifer haters would have you believe. It does have plenty of
problems, not the least of which is the miscasting of Ben and J. On the
plus side, the scene about "what a women wants" is great, and
the cameos by Walken and Pacino are worthwhile.
|
| Seabiscuit |
4 |
Just
prior to seeing Seabiscuit, I watched movies where robots fought robots, pirates
fought
skeletons, cops fought everybody, dead bodies were tossed around like frisbees
and zombies were killed by the dozens.
Numbing.
Now a good 'ol American movie comes along with terrific structure,
performances and cinematography. One that has intelligent dialogue
and a spirit that just makes you feel good. The audience clapped
loudly when the credits came up. I was one of them.
|
| Lara
Croft: Tomb Raider, The Cradle of Life |
2 |
I
keep hearing that this is better than the first, but I disagree.
Lara is fine, but the action sequences (although well drawn on paper)
suffer on the screen. The editing, direction and effects are not up
to 2003 standards.
|
| Johnny
English |
1.5 |
Popcorn
fix movie. Couldn't help myself, needed the big one with extra
butter. Bad choice, bad movie.
|
| Bad Boys II |
1.5 |
What
made this especially painful to watch was the fact that there was a family
of five sitting behind me, including two girls about five and eight.
I cringed every time another line was crossed. This movie is
way over the top with scathing violence, impossible action scenes and just
way too many dead bodies flying across the screen. The Buddy Movie
becomes The Body Movie.
|
| Swimming
Pool |
3.5 |
ART
FILM WARNING: This movie moves slowly, requires thought, includes a few
subtitles and may actually require you to discuss the "meaning"
after viewing.
|
| Pirates
of the Caribbean, Curse of the Black Pearl |
3 |
Johnny
Depp steals the show, his pirate performance is worth the price of
admission. Sequels are inevitable. The action scenes are well
done and the plot has fewer holes than most of this genre.
|
| Finding Nemo |
3 |
Another
from the Toy Story group, with the expected incredible CGI and warm
story.
|
| Whale Rider |
3 |
A
nice little art film, that of course won't find wide release because with
an average of 20 screens in suburban theatres there is just no way they
can bump a few of the 442 daily showings of "League of Extraordinarily
Lame Summer Movie Sequals" to put up a movie that makes you smile as
you think about it later.
|
| Terminator
3; Rise of the Machines |
3 |
Since
T3 is a sequel, let's review the plot of T2: Arnold returns from the
future (this time as a GOOD guy cyborg) and helps to protect John Connor
from the BAD guy cyborg sent to kill John. Arnold and John then try
to stop Skynet from taking over the world (which would allow the machines
to start "Judgment Day", where lots of nukes would kill
everybody, effectively ending the Terminator
franchise.) So did they come up with a clever new
plot line for T3? Nope, everything I describe above is in the
new one! (screenwriting by Xerox) Despite the duplication,
Arnold "is back", the car chase is in a league with the ones in
Bullitt and The French Connection (light years ahead of the one in Matrix
Reloaded) and the effects filled, non-stop action is great
fun!
|
| 28 Days
Later |
3.5 |
Described
as a "zombie" film by many, it is actually an "end of the
world" movie (much better genre). Scary at times and thought
provoking throughout.
|
| Charlie's
Angels: Full Throttle |
3.5 |
I
liked it. A lot. There, I said it. Hard to admit, but it
was funny, way over the top (they didn't bother with any of the
semi-serious plot development scenes) and great with
popcorn.
|
| Hulk |
2.5 |
It
has a nice start, with some intriguing split-screen editing to give it a
comic book look, but the Hulk is too big, too green and too phony for
me. The ending was silly. If you like comic movies, rent
Spider-Man or Daredevil.
|
| 2 Fast 2
Furious |
2.5 |
Great
race scenes but a ridiculous plot that they take too seriously. If
they wanted pure summer action, they needed to jettison the plot (e.g.
Charlies Angel's) rather than pretend that it makes sense.
|
| May |
2 |
An
art film getting rave reviews, it features despair, loneliness and random
violence by central character May (all because Mommy didn't like
her.) Boring.
|
| Hollywood
Homicide |
2 |
It's
been done before, done before, done before. A buddy cop movie with
the aging vet trying to get along with the twenty-something, screw-up
partner.
|
| Bend
it Like Beckham |
2.5 |
A
pleasant film about a teenage girl whose parents don't want her playing soccer,
so of course she spends every waking moment playing, practicing or
thinking about playing soccer.
|
| The
Italian Job |
3 |
I
just finished two books about screenwriting by William Goldman
(screenwriter of Butch Cassidy and the Sundance Kid), and he
maintains that 'story structure' not dialogue is the most important part
of a script. This caper/thriller movie has great structure,
featuring two terrific 'heists' but the dialogue is second class (could
have used some doctoring by Mr. Goldman!)
This movie also has the most impressive product placement marketing
since Reeses Pieces in E. T. Three souped-up Cooper Mini's are
featured in several extended scenes. I don't know what they paid,
but they definitely got their money's worth.
|
| Winged
Migration |
3.5 |
An
amazing documentary about migrating birds with very little narration
relying instead on incredible photography that had led me to create a
movie mantra " How did they film that?" (he said
over and over, repeatedly and redundantly!)
|
| The Shape of Things |
3 |
Neil
LeBute with another of his relationship movies, this one more of a two act
play with only four characters, but it kept my interest throughout.
|
| Matrix Reloaded |
2.5 |
I
didn't "get" the first one, and I don't "get" the
reload either. I still have problems with the lack of rules present
in "the matrix". Example: Neo is engaged in hand to hand combat
with 100 bad guy look-alikes, but earlier he suddenly exhibited the
ability to fly (looked just like Superman, didn't he?) Why
doesn't he fly away when confronted by the nastys? Easy
answer; if he did, no special effects kung-fu scene. So, no rules,
no structure, low expectations, silly plot, but I have to admit, they do
wear some cool looking sunglasses.
|
| The Good Thief |
2 |
Good
thief.... bad sound editing. Hard to understand half of the characters half
of the time makes for a story line that is only halfway
decent.
Nick Nolte mumbles through his role in a plot that probably would have
been convoluted if I could have understood the dialogue.
|
| Xmen2 |
3 |
A
sequel better than the original, especially the look and the effects (the
first one had some low-rent scenes).
|
| Confidence |
2.5 |
A
good try, but it doesn't quite make it. This is one of those movies
filled with twists and turns that exist only to justify the next plot
device. At the time it makes sense, but when you think about
the story afterwards you feel cheated.
|
| Identity |
3.5 |
This
is a love it or hate it movie. I enjoyed it, Denise took the other
side. A thriller that will pull you in different directions and if
you accept some of the ambiguities you will like it.
|
| A Mighty Wind |
2.5 |
Same
writers, director and the entire cast from the very funny "Best in
Show", but just doesn't have as many laughs or as many fun
characters.
|
| Holes |
3 |
From
the kids book of the same name, it works for big kids too.
|
| Laurel Canyon |
3.5 |
The
great performance by Frances McDormand makes the movie worthwhile.
|
| The Core |
3 |
A
corny, campy sci-fi movie with outrageous science that still manages to be
fun because it stays within the rules it sets up. It was easy to
suspend belief and just go with it.
|
| Phone Booth |
4 |
The
first really good film of 2003. A compact thriller, essentially a
one act play that keeps building and finishes strong. Colin Farrell
is outstanding as the smarmy publicist having a very bad day.
|
| Head of
State |
3 |
If
you like Chris Rock's stand-up routine you will like this movie. I
laughed very hard quite a few times. It has a few rough edges (this
is Rock's first time as director) but his script is funny.
|
| Basic |
1.5 |
Here
is my excuse; I caught some review headlines that mentioned
"complex" and "plot twists"... right up my alley, I
can handle complex - I like twists. So I figured Ebert's one star
review was more of his David Gale hysteria, and I headed for the
popcorn.
The plot is not complex, it is not intricate ... it is impossible,
incomprehensible and shameful.
If Titanic had been written by the screenwriter of Basic,
the movie would end with the boat magically popping back to the surface,
in one piece, with all of the passengers alive and well, happily
sitting on deck chairs listening to the band playing ragtime.
|
| Dreamcatcher |
3 |
Dreamcatcher
is written by William Goldman and Lawrence Kasdan (two of my favorite
screenwriters) from a book by Stephen King. Most King adaptations
fall short, but these two writers seemed to have a lot of fun with
it. Excessive at times, but filled with interesting dialogue.
|
| View
From the Top |
1.5 |
Late
Winter; the ugly movie season. Three of the last four films I have
seen have been bad. I blame my attendance this time on Roger, he was
obviously distracted by the short skirts on the "Sierra
Airlines" flight attendants when he gave this three
stars.
This movie is a confused mess. It features an out-of-place fist
fight between two stewardesses, a silly, "afterschool
special" story line for Gweneth Paltrow and Mike Myers dropped in for
semi-comic relief.
The film is so bad that the outtakes shown over the credits are not
only humorless, but most of them are from scenes cut from the movie!
|
| The Hunted |
3 |
Over
the top, but in an entertaining way, although I am sure that many will
just find it too implausible and ultimately too violent.
|
| Bringing
Down the House |
1.5 |
I
was talked into going. Honest. Really. Not my fault,
I didn't pick it. The preview is bad, the movie is
worse.
|
| Tears of
the Sun |
2 |
Bruce
Willis is not the problem, he is believable as the action star, but
the story has too many holes and the battle scenes were poorly
staged. And given the importance of movie marketing in Hollywood
today, who thought that this title would bring anyone into the
theatre?
|
| Poolhall
Junkies |
2.5 |
This
is one of those "Rocky" type films where an aspiring
actor/writer/director maxes out his credit cards and begs friends, relatives
and bystanders to loan him a few bucks to make his movie. In this
case it's Mars Callahan in charge, and he does pretty well. As a
sports movie we know it will end with the big game, but this time it's the
big con and it is almost believable.
|
| The
Life of David Gale |
3.5 |
Roger
Ebert reviews hundreds of movies every year. He gave this movie ZERO
stars, one of only 28 movies to receive his lowest rating since 1985
(source: Roger Ebert's Sun-Times web site.) Why such a bad
review?.... he didn't like one aspect
of the ending. hmmm... sounds like he was having a REALLY bad
day.
I didn't mind the ending at all, I enjoyed the twists and was quite
proud of myself that I basically figured it all out about half way
through. (Maybe Roger was mad because he got
fooled!)
|
| Dark Blue |
3 |
An
enjoyable thriller about bad cops in the LAPD, using a back drop of the
South Central Rodney King riots. The intrigue of the plot had me
hooked until a drop off in the final scene.
|
| Daredevil |
3.5 |
Another
fun comic book movie, this one has all of the necessary components, and
executes them all well. Colin Farrell as Bullseye is especially fun
to watch.
|
| Shanghai
Knights |
3 |
Jackie
Chan has found a formula that works well for his recent movies. He
combines his traditional highly choreographed action scenes with a
standard "buddy" movie. This one finds him hooked up again
with Owen Wilson (always funny) as the sidekick, it also worked well with
Chris Tucker in the buddy part.
|
| The Recruit |
3 |
"Nothing
is what it seems" is the tag line repeated throughout the film by the
spy trainer played by Al Pacino so that recruit Colin Farrell knows that:
1) Al's chronically messy hair is actually a hairpiece that features a suspiciously
odd hairline. AND
2) The plot will contain more twists and turns than the new coaster at
Great America and suspected bad guys are probably good guys unless they
are bad guys posing as good guys pretending to be bad guys.
Despite the plot conveniences and a too long first act, it is enjoyable
and therefore barely recommended.
|