dadaco 1920,© 1995-2000 by mital-U

Hey, hey, young man, Dada isn't an art-form but an anti-art mouvement, a radical cultural revolution, as a response to World War I! Dada supported all types of misunderstandings and confusions; as a principle, out of a mood, as a fundamental opposition! Dada reaped the confusion, which it sowed. But the confusion was only a cover. The provocations, demonstrations and oppositions were only a means to provoke the bourgois' rage and bring them to a rude awakening. What really moved us was not so much the dispute, the contradiction and the 'anti per se', but rather the elementary question of these days (as of today) WHERE-TO-GO? Hans Richter

Berlin - Club Dada 1918 - 1923

Club Dada 1918-1923,© 1995-2000 by mital-U

In 1917 Richard Huelsenbeck moved from Zürich to Berlin and met there Franz Jung, Wieland Herzfelde and his brother John Heartfield. Additional 'Club Dada' members were Johannes Baader, George Grosz, Hannah Hoech, Walter Mehring and Raoul Hausmann. Dada Berlin was, dependent on the actual situation in this city, more political than the other Dada-groups. The Berlin group provoked the society with magazines as 'Club Dada', 'Der Dada' and 'Dada Almanach' containing photomontages, manifestos and Grosz's anti-bourgeois caricatures. The montage-technique became the main-instrument for the works of the Berlin dadaists. The expert of photomontages was John Heartfield, also called 'dada-monteur'! This special style has been copied years later by the lettrists and also by the punk-protagonists for their fanzines and record-covers!
Table of Contents

MERZ Picture With Candle, Kurt Schwitters, © http://www.scruz.net/~kokoshi/dada.htm

Hannover - Merz 1919 - 1923

Dada Hannover was one person: Kurt Schwitters ! He was an artist, graphic-designer, typographer and poet who moved to Hannover after completing his studies at the Berlin Akademie. Schwitters started his own specific dada-character, which he called 'Merz'. He searched for a name for his work and found it in one of his glued pictures. It was a part of an advertisement of the 'ComMERZ- & Privat- Bank Hannover'. Schwitters had contact to dadaists in Berlin (Hoech, Hausmann) and Zürich (Arp, Tzara). He published the magazine MERZ and the poem-book 'Anna Blume' with love-hymns and a print-run of 13'000 ! Schwitters erected the 'Merz-build', a three-dimensional constructivist room in his house. A copy (the original was destroyed in World War II) of it can be entered in the Sprengel-Museum in Hannover. Through his attention for the abstraction he got in contact to the constructivists, especially to El Lissitzky and Theo van Doesburg. With him Schwitters organized various dadaist actions in the Netherlands. Theo van Doesburg, the founder of De Stijl wrote under two pseudonyms (I.K. Bonset, Aldo Camini) also dada-poems.
© mital-U
Table of Contents/ France / Switzerland
DADA/GERMANY
created by Thomas Kleinherne, send mail
Portland Community College
last modified: May 10, 2000

This is not a commercial site. For educational purposes only.

URL: http://www.geocities.com/lein3_2000/germany.htm

Hosted by www.Geocities.ws

1