| SONY 4K SXRD R220 Digital Cinema Projector |
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| Digital Cinematography | |||||||||||||||||||||||||||
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| Digital 3-D Stereography | |||||||||||||||||||||||||||
| Aerial Videography | |||||||||||||||||||||||||||
| Digital Theater Projection 2k/4k | |||||||||||||||||||||||||||
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| Camera Stabilizing Systems | |||||||||||||||||||||||||||
| 3-D Laser Scanner | |||||||||||||||||||||||||||
| Motion Capture System | |||||||||||||||||||||||||||
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| We offer digital cinema mastering for digital cinema projection according to Digital Cinema Initiative (DCI LLC) regulations. A complete Digital Cinema Package is a collection of all files necessary for a digital cinema work such as a motion picture or a trailer. This will include ASSETMAP, a VOLINDEX, a Packing List (PKL), one or more Composition Playlists and all sound, picture and subtitle track file referenced by the CPLs. The Packing List also includes useful data to determine if one has received the DCP intact and without errors. Starting with the incoming data verification and QC, the next step is JPEG2000 compression of the image files. This is followed by creating picture track files from the compressed image files and also creating the sound track files from the uncompressed broadcast wave files. Once you have the sound and picture track files, you need to make the Composition Playlist (CPL) that defines how the sound, picture and subtitles track files are played back. A complete DCP consists of all the CPLs and associated elements/files. References: SMPTE 426-3 Sound and Picture Track File SMPTE 426-4 MXF JPEG2000 Application for D-Cinema SMPTE 426-5 Subtitle Track File SMPTE 426-6 MXF Track File Essence Encryption SMPTE 429-7 Composition Playlist SMPTE 429-8 Packing List SMPTE 429-9 Asset Map The responsible specialist in digital cinema mastering in our consortium is Radoslav Markov. After the mastering we provide 4K digital projection in a 4K DCI-digital cinema theatre. |
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