Third Day : While Come Together reflects Third Day's cooperative environment, the band humbly wishes the larger church could adopt a continuously unified spirit, similar to the one demonstrated by the American culture in the wake of September's terrorism. "We came up with this 'come together' idea maybe a year-and-a-half ago," guitarist Mark Lee reflects, "but after that, to see the election last year, and see how divided this country was afterward, I just think it's a really fitting title for the time that we're in right now." Come Together also fits the current period of Third Day's career.

The band's creative ideals and commercial appeal have come together at the same time, with the five-piece ensemble progressing from an underdog in the Christian marketplace to a significant force. The band's ceaseless work ethic and unwavering desire to make a difference earned fierce recognition at the 2001 Dove Awards, where the Atlanta-based act racked up five trophies, becoming the first band in two decades to win both Artist of the Year and Group of the Year. At the same time, after veering between modern rock, pop, Southern rock and praise & worship music on its previous albums, Third Day's diverse influences all combined in a cohesive musical melting pot on this album. Part of the album's artistic success derived from an unplanned development in Third Day's career. The group released a partially live project, Offerings-A Worship Album, in July 2000, and backed it with a small concert tour. Its overt Christian message gained huge, immediate support, propelling the band to its first gold album. Instead of finishing Come Together for release in the summer of 2001, they re-tooled their plans, to capitalize on the excitement. "We did this frantic, quick booking of a spring 2001 tour, which turned out to be our most successful tour ever," drummer David Carr says, "so it held everything back. But I think it was a good thing. It helped us be able to sit on the music for a while and see what we needed." Ultimately, they decided the album could be improved by swapping out several songs, so they booked time in one of Atlanta's landmark studios, Southern Tracks, and cut three more: the bristling "Get On," the thoughtful "Show Me Your Glory" and the soulful "I Got You"-all of which made the final cut. The moments, and the momentum, have built slowly but steadily for Third Day since the group's evolution began a decade ago. Powell and Lee first started working together in 1991, after meeting in high school. By the beginning of 1993, Carr and Anderson came on board, and in 1995, Brad Avery joined Lee as the band's guitarists. Instead of aggressively chasing the big time, Third Day atypically-and unwittingly-let the music industry reach out to them. The group pitched itself for bookings only three times during its developmental years, and each occasion led to a series of regular appearances. When the band first headed into a recording studio, it had no intention of making a demo tape for a record company; the guys merely wanted cassettes to sell at their concert. The praise songs of Third Day's Offerings, intended as a side project for the group's most ardent fans, solidified the group's presence. That album preceded their momentous night at the Doves, a victory accompanied by a heightened profile, which the band is only beginning to feel. "I always thought there's the mainstream Christian music scene, and here we are off over to the side doing our own thing," Lee explains. "As soon as you win Artist of the Year, it means you're right at the forefront of what's going on in Christian music, so I think we realized then that it's a cool thing. But it's also this responsibility, because people are looking at us to see what we do next, and it can really shape where Christian music goes, as far as reaching more toward people that didn't grow up in the church. So I think we have a responsibility to do some things that maybe aren't the popular thing. Because we've been put in this position, we should do some things to try to influence Christian music." Third Day's approach to its music is a model in communication and teamwork. Many bands, if not most, start out as a democracy, only to implode when one or two members commandeer the group's direction.

Third Day started with a democratic mindset that has only increased over time. The songwriting credits have become more evenly distributed as the group has developed, and the individual players consistently set aside personal aspirations for the betterment of the larger unit. That ideal is exemplified by its two primary guitarists, Lee and Avery, who blend so naturally that months after the completion of Come Together, they weren't able to determine who played which guitar parts. "Come together: that's the essence of what being a band is about," Anderson says. "It's the five of us, plus the huge support team of 50-plus people. We go out and do our own things. We go to our own houses; we have our own families; we have five different personalities and five different denominational backgrounds and perspectives on life. But when we come together as a band, it's something special."

_.:Third Day Official Site

 

 

"His thing isn't all technique and perfection, It's like capture the moment." -Third Day

Hosted by www.Geocities.ws

1