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THE
MYTHOLOGY OF PLACE:
JAMES
K. BAXTER'S OTAGO WORLDS
Lawrence Jones
II
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| The
Brighton World |
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Page 33
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The black strings of kelp are riding on the tide's cold
virile breast.
At Goat Island at Long Beach the poet hears 'the sea
god's voice' echo off the cliffs and turns away from 'the young girls in
their pink blouses' to the liberating power of the sea:
Blessed be
The sea god's hammer that will
break
Dome after dome the cages of
the land
And set the dead men free.
The sea cave, with its 'kelp smell, / Sea smell, the
brown bladdered womb' is tempting, but he finally must turn away from comfort
to face the sea itself. On the beach at Aramoana, the
poet finally turns away even from Gea to 'where the black swells begin'
and beyond that to
where the serpent current flows
out of the harbour gates, long-
flowing, strongly tugging at
the roots of the world.
For the sea
is the image of death, the separating
and dividing void, which nevertheless is the source
of my joy. The serpent current
betrays the world by delivering it into the hand of God,
yet man is not a creature of
earth, his renewal can only come out of the storm, out of the
void, out of the depths of God.
And the serenity of God's silence is the answer to
man's prayer. |
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