THE MYTHOLOGY OF PLACE:

JAMES K. BAXTER'S OTAGO WORLDS

Lawrence Jones
II

The Brighton World
Page 33 

The black strings of kelp are riding on the tide's cold virile breast. 
At Goat Island at Long Beach the poet hears 'the sea god's voice' echo off the cliffs and turns away from 'the young girls in their pink blouses' to the liberating power of the sea: 
             Blessed be 
     The sea god's hammer that will break 
     Dome after dome the cages of the land 
     And set the dead men free. 
The sea cave, with its 'kelp smell, / Sea smell, the brown bladdered womb' is tempting, but he finally must turn away from comfort to face the sea itself.   On the beach at Aramoana,  the poet finally turns away even from Gea to 'where the black swells begin' and beyond that to 
     where the serpent current flows 
     out of the harbour gates, long- 
     flowing, strongly tugging at 
     the roots of the world. 
For the sea 
     is the image of death, the separating and dividing void, which nevertheless is the source 
     of my joy. The serpent current betrays the world by delivering it into the hand of God, 
     yet man is not a creature of earth, his renewal can only come out of the storm, out of the 
     void, out of the depths of God.  And the serenity of God's silence is the answer to 
     man's prayer. 
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