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THE
MYTHOLOGY OF PLACE:
JAMES
K. BAXTER'S OTAGO WORLDS
Lawrence Jones
II
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| The
Brighton World |
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Page 25
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It was the hour of the hawk, not the hour of the
dove. While the waves chiselled at the rocks below, the mythical
identification with all things living was achieved.
'The goddess sex' had 'led him through a low doorway
to the only earthly paradise'. At Tunnel Beach the 'hour of
the dove' is experienced, but the revelation is more ambiguous.
The sexual act seems to 'shut out sea thunder', to bring
doves that still 'the lonely air'. But then the poet hears 'the voices
of the sea's women riding / All storm to come', and he is not left
with the doves of love but rather 'combers grinding / Break
sullen on the last inviolate shore'.
A passage in the later 'Letter to Robert Burns'
provides a gloss on that experience, as the poet praises it for putting
him in touch with the 'biology' and 'mythology' that our culture
represses and that are essential to the poet:
And I must thank the lass who
taught me
My catechism at Tunnel Beach
For when the hogmagandie ended
And I lay thunder-struck and
winded,
The snake-haired Muse came out
of the sky
And showed her double axe to
me. |
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