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I
remember that summer there was a dirty black row of knots running
across my forehead parallel to my brow, highlighted by a pink
Mercurochrome smear. I'd been in the fig. Just straddling a branch
swinging my legs, feeling the blood in my toes. But I was looking
for some new territory higher up. As I shimmied higher, the finer
branches slapped my face; the newer leaves were supple, not like
the leathery foliage beneath.
I heard a crack.
It sent me slipping down reaching for branches, sticks poking
into my soft body. Then I thudded into the bitumen leaking blood,
a sticky round fig squashed against my face. I lay on the warm
road too scared to go inside and tell my mother I'd been climbing
in the fig again. In the end a neighbour drove by and took me
inside. That, of course, tempered my mother's reaction, but she
still managed to throw me a glassy eye before tending to the
oozing blood of my ruptured head.
That's the first
memory that reaches me as I stand there looking up at the big
groping fig. But the fig is a tinder box of memories; just seeing
it uncoils them for me.
It was even
bigger than I remembered. It was too sturdy to sway, even in
the late August breeze, although at the very tip of its branches
there was the slightest tremble. Growing up, the rumour about
the fig was that its creeping roots had broken through a sewage
pipe. That was why it thrived and dwarfed the other plants on
the street. Its regal body towered above the terraces that have
long since become unfaithful to their federation colours. In
inner city suburbs a tree this size becomes an aberration and
a marvel.
This monument
overlooked our street until I left home. A median strip used
to cut down the centre of our street, separating odd from even
with a tough stretch of stout green grass, the kind that is rough
against your feet. If you were on good terms with the neighbours
over the road, you'd work out an unspoken roster to mow your
stretch of the strip. Most Saturdays there'd be someone heaving
a mower across the strip, leaving a wake of shredded grass.
In my family,
I pushed the mower for pocket money. I was the oldest and the
others' legs were far too delicate to stand behind the rotating
blade of the mower.
There were a
few stretches on the median strip that were left to grow into
a ragged wilderness of grass. The kids on the street loved to
flop amongst the long green tendrils. In summer, feathery aniseed
plants would grow out from the grass, you could taste liquorice
if you crunched a piece between your teeth. One of my sisters
was allergic to grass, though. She'd stand on the side of the
road jealously watching us disappear into the quivering green
mass.
In summer the
median strip was ravaged by bindies. They were worse in the dry
and stuck to your feet like tacks, through even the thickest
callous.
Eventually,
the median strip went-it was tarred to widen the road to allow
for street parking. The residents were divided: those that always
lived there were outraged at the prospect of losing the strip,
but the new owners were frustrated by the lack of parking and
demanded the council take action. There was no uprooting the
fig though. It stayed there at the end of the street calmly surveying
the neighbourhood as the tar trucks moved in with their flaming
combustion chambers melting the tar. They were there for most
of the week, covering the median strip and stoking the cauldron.
That's why I'm
so surprised to see that the fig has been condemned. Other trees
in the street have had their notices taped to their trunks but
the fig's girth is too wide, so a nail has been driven into its
flesh to declare its fate. Its date for destruction: one week
from today. Beneath it, a green printed leaflet demands 'SAVE
THE FIG!' It calls for community action against the destruction
of the fig. 'Join the rally, stop the destruction! They want
to turn this into a faceless, paved city!'
There are figs
littering the road. I look at the sole of my shoe: there are
fig seeds, like caviar, stuck in its grid. Roots are breaking
through the road like engorged veins.
My eyes and
my sinuses are burning with bleach. Everything I breathe smells
sour. I've been cleaning mum and dad's old place, ready for sale.
It's been rented for years; the executors couldn't agree to sell
it. There had been a long and bitter stand-off. We were all siblings,
yet fought fiercely about the sale. Most of us wanted it to be
sold but one of my sisters was against it, saying she couldn't
bear to let the old place go. She accused us of wanting to get
it off our hands cheap. It had virtually torn the family apart.
The tarred road
changes the whole perspective of the street. I try to remember
which house my old friend Jason lived in. For a while we were
together every afternoon, playing in the fig. Sometimes one of
us would sit in the branches and the other would ride beneath,
and try to collect the other on the bike as he swung down. It
was a recipe for disaster, and maybe that was the attraction
of it. I'd only managed to catch Jason once: he'd plopped onto
the handle-bars squealing with pain, the bike wobbled, and we
rode off hooting down the street. Sometimes we'd stand together
at the base of the tree, drawing up battle plans.
Mostly our reign
of the fig went unchallenged. But once or twice there were a
couple of girls from up the street who'd climb in the tree with
us. Their hair was unbrushed, and their clothes were dirty and
ragged. Jason and I would climb higher than them, flinging down
cold, narrow stares, to let them know they had invaded our territory.
But sharing the fig despite its size was never ideal, and Jason
and I would generally leave the two unkempt sisters to have the
tree to themselves.
On summer nights
our family went walking, our clothes clinging to us with sweat
and our bellies so full we could hardly feel our legs beneath
us, and bats clung to the fig, gorging on the fruit. On the way
past my dad would pick up a fig from the ground and cast it into
the tree. It would send a chattering black shadow of bats swarming
above it, as if the tree's soul were being released. Those nights,
we'd toss and turn in our bed from the heat, and hear the traffic
buzz and sirens scream down the street in a sorrowful harmony.
Once, in the
school holidays, Jason and I decided to make a flying fox in
the fig. Jason had brought some thin orange rope from his dad's
garage. It was brittle but slippery, made from three strands
of nylon twisted together. First we knotted it to the fig up
high. We looped it around, tying it to itself. We tested it,
pulling our own weight against it to make sure it was fastened
tight. There was a seriousness to this, like we were managing
a great feat of engineering. We both knew we were taking our
lives into our own hands.
At first, we
tried to tie the end of the flying fox to a telegraph pole. But
there was too much slack in the rope; we couldn't get it tight
enough around the pole to keep it from slipping. So we went for
the next tree, which was twenty metres away. We fixed the rope
to the trunk, where a branch came out so that it couldn't slip
down. We yanked at the rope until the line was taught. Then we
cut another length of rope which we tied in a loop. This was
for us to hang on to, as we slid down the flying fox. We sat
up in the fig, contemplating the distance. It looked a long way
down, and suddenly I was worried. I'd already cracked my head
falling from the fig, which I was reminded of daily by the waxy
scar on my forehead. We pulled at the line; it felt sturdy, there
wasn't much give in it. Finally, Jason volunteered to go first.
I sat behind him as he assumed the right position.
He shifted his
weight off the branch and swung out into the air. For ten metres
things ran smoothly; then I saw the rope starting to fray. I
gripped at the branch I was sitting on, hoping the rope would
hold out. But it didn't. The rope unfurled, and Jason's arms
flapped about his body as he dropped to the ground. I sat there
for a moment, contemplating the trouble that would be unleashed
on me; the flying fox was my idea. I scrambled down from the
fig so fast that its bark grazed my skin. Miraculously, Jason
stood up clutching his tail bone. When I reached him, he was
laughing fit to burst.
'Man that hurt,'
he said. 'I thought I broke my back!'
We rolled with
laughter. Then we untied the flying fox and destroyed the evidence.
I walk over
to the gutter next to the fig, in front of an old terrace that's
been painted mauve. I remember writing my name on freshly laid
concrete here as a child. Our dad marched us down the street
after the cement trucks had driven away, armed with sticks. I'd
left a hand-print there too. But when I dislodge the leaves and
rotting fruit from the gutter, there's nothing. They use pre
fabricated guttering now.
It's getting
dark. I've cleaning the house for over four hours. The tenants
left it in a sorry state. It had been years since I'd walked
back into that house. In fact, the last time had been the day
after my mother's funeral. We'd all gone there to divvy up the
furniture. I didn't really need any of it but I could not bear
the thought of selling it, for fear of the pitiful sum we would
receive in return. Most of us were sure it was better to keep
the stuff in the family. But one sister who turned up late, wearing
an expression that suggested everyone had wronged her. She sat
there on the kitchen chair, staring at us all, shaking her head.
'I can't believe
this,' she snarled. 'The lot of you, you're like scavengers,
laying claim to the furniture, like you are going to miss out
on something. Why don't we do something novel for a change, and
distribute the furniture fairly? Sell the furniture and put the
profits into the estate?' Her face was surly and bitter. She
was expecting us to disagree with her. She was inviting it.
It was hard
to know where things had gone wrong with my sister. She was the
youngest, and she'd stayed in the house long after we'd all left.
She'd started studying psychology at university, but she gave
up in her second year, taking a job in administration. By that
stage, my mum just shrugged her shoulders. When I went through,
she was strict about study and if there was even a hint of me
slacking, she'd badger me with: 'You know, not everyone is lucky
enough to get into university'.
When I'd walked
into the house this afternoon, the sunroom still stank of the
choking scent of cigarettes. My father had sat there when he'd
retired, his cigarettes smouldering down to his lips as he sat
assessing the activities on the street. Then I'd walked into
the bathroom; I still smelt the baby powder tickle my nose-my
mother had always thrown baby powder over her body in there.
If you weren't careful and you went in after her, you could slip
on the loose powder. She'd spend hours in the bathroom with the
door closed. I didn't blame her though, it was the only time
she had alone from a house full of arguing kids. The bathroom
was a custard yellow colour; we hadn't bothered to change it.
When the agent had walked me through the house, she'd said, 'you
know, this place needs a bit of work'. I imagined the round of
arguments that would ensue about renovations and quickly shook
my head.
When I walked
into the kitchen today, the lino floor stuck to the soles of
my shoes. I looked at the cavity where the fridge had been. Before
she died, my mother had stuck a verse to the door of the fridge-Footsteps.
The one where the writer says she looks back at the footprints
of her life, and there are two sets of prints, but during the
most difficult periods of life, there's only one, and the writer
reproaches the Lord for leaving during the hard times but it
turns out he carried her. My mother had never been religious.
I had resolved to see her more often after I read it. But it
was hard. I'd just started working, I finished work past her
bedtime, and on weekends I was too exhausted to move. She only
survived my father by a few years.
In the afternoons
as kids, the bus would drop us off at the top of the street,
and roared away as we walked down the median strip. Jason and
I would walk together, our bags slung over one shoulder. By that
stage of the day, we'd untucked our shirts. Jason and I had been
in the same class every year, until high school when Jason started
private school. We'd rarely seen each other after that. Jason
got home much later in the afternoon from school because he had
to catch the train; he wore a heavy blue blazer and long grey
pants, creased at the front.
I remembered
one day, near the end of the school year, when there was a sense
that order was unwinding and people were bracing for Christmas,
one of the older kids had gotten off the bus with us. He was
much bigger than we were. He even towered above everyone in his
own year. His uniform was faded from blue to grey, and his school
shirt was creased and unironed. He'd called Jason by his last
name. I kept walking, but I was aware of the movement of bodies
behind me. I turned around and saw Jason cowering under the older
boy. I kept walking, picking up my pace. He'd thumped Jason in
the ear. After he'd gone I turned around and ran to Jason, there
was blood trickling from his ear.
'Are you alright?'
I'd asked.
'I'm fine,' he'd said. 'It's nothing.' He was pressing his school
jumper to his ear. I walked with him to his house, where he pulled
his gate open with a moan and disappeared inside his house as
I stood on the median strip.
I'd only seen
him once since I left home, at university. I didn't even know
we went to the same uni. He studied economics. I saw him in the
quad, walking away from the library, and I raced after him. He
was willowy and his hair was gelled to his head. He was shifting
on his feet, like he was uncomfortable. I had to remind him of
my name. He didn't tell me much and his eyes were diverted behind
my head. I ended the conversation by telling him that we should
have a beer some time. He nodded his head and walked away.
It's getting
late, so I back away from the tree to my car. Figs are clinging
to my windscreen. As I drive home, I think about the last executors
meeting we'd had, my sisters and me. It was at the solicitor's
office. The solicitor sat behind the leather membrane that covered
his desk, papers neatly stacked in piles, and smiled at us cautiously.
I'm sure he was sick of our estate, he'd been urging us to sell
it all along, stressing that liquidated assets were far more
'manageable'.
My sister, the
one who'd always been opposed to the sale, stood up, cleared
her throat and made a speech there in the solicitor's office.
The solicitor's face contorted in anguish, and we all had our
eyes diverted to the carpet. I felt that, as the oldest, I should
say something, but my interruption was met with hostility.
'You,' she said,
'you were always the favourite, the carpet was always rolled
out for you, even though you never visited them.'
I shrunk back down into my seat, and eventually we agreed to
give her an extra ten per cent of the sale price, and that seemed
to placate her.
The next Saturday,
I wake up to my son jumping on the bed. I try to doze through
it, but his cry is shrill. He hardly sees his dad during the
week, and on weekends he knows he has leverage to bargain for
my time. I remember the fig. Its day of destruction is today.
Its twisting branches and breaching roots have occupied my thoughts
for a week. I'm sad that it's been condemned. But I'm almost
fascinated by how they propose to destroy it-to bring it tumbling
down could destroy a few houses.
I don't tell
my wife I'm going down to the old neighbourhood again, she's
uncomfortable about it. She's not from the city, and the inner
west is far more gentrified now than it was when I lived there.
Back then it was relatively humble. We live in a three bedroom
new brick creation out in the suburbs, and she thinks my old
neighbourhood is a sign of my family's wealth.
I pull up on
the old street; it's taken me some time to find a park. My son
and I walk up behind a growing crowd. The bodies are packed close
and fanning out from the fig's trunk. They stand beneath the
outstretched limbs that drip with bark. Their body language is
hostile. Arms are folded, faces are frowning, and for a crowd
this size they are unsettlingly quiet. People stand huddled in
clusters. A few stony faces evaluate me as we approach.
On the side
of the road, there's a white cherry picker, and a few confused
men are hovering around it in orange shirts. I can feel the tension,
and my son grips my hand tighter as we walk closer.
'Where are we
dad?' my son asks. He's never been to my old street before. My
mother died three months before he was born. I point my old house
out to him.
'Wow,' he says.
'It's tall. Was your room at the top?'
'No,' I say.
'I was on the second floor. I was lucky, I got a room to myself,
but my sisters had to share.'
He screws up
his nose.
'Did you have
a yard?' he asks.
'Not really.
There was a courtyard out the back, no grass though. We mainly
played out here,' I say. He looks confused, and I try to explain
the median strip to him. Somehow the idea of a communal yard
on the street is incomprehensible to him.
Then I notice
a man in the crowd, my age. His hair is cropped, and he's wearing
a polo shirt and jeans that end just below the knees. He's standing
with another pale man, whose face is obscured by a cap. It's
Jason. I hesitate, and then walk over to him. I approach him
cautiously. He looks up and smiles at me, recognising me immediately.
I introduce my son. Jason smiles at him, and offers his hand
but my son hides behind my leg, unsure of what to do with the
outstretched palm. He introduces his partner to me. We shake
hands, and his squeaky voice tells me its nice to meet me, saying
Jason always talked about the old street. Underneath his hat,
his face is sallow, he's unshaven he is covered in fine white
hair. It looks as if this is the first time he has stepped out
into the sun in years.
I ask Jason
how he found out about the fig. He says his mother lives up the
road, she told him it was being torn down.
'We didn't have
anything better to do. We probably would have been out furniture
shopping, or something,' he laughs nervously, turning to his
partner.
Jason tells
me he works for an investment bank.
'Do you like
it?' I ask.
'Yes and no
It's
fairly stressful
' he trails off.
There's another
face I recognise in the crowd. It's old Mr Pavic, the Croatian
from down the road. The Pavics could never really speak much
English, and they were already old when I lived in the street.
He's up the front of the crowd, throwing his arms around looking
fierce, despite his age and crippled form. My parents always
sent me up to his house with the lawnmower. Mrs Pavic would give
me some lemonade from a fresh bottle that hissed and bubbled
as she opened it and leave some cool mints out on a plate for
me. I never sat down. I was too sweaty and dirty from pushing
the mower around. She couldn't speak much English, but she'd
always say a thick thank you, and bow her little body after me
as I backed out of the door. Mrs Pavic died of cancer the year
I went to high school. After that, Mr Pavic would push his own
rusted mower, and turned me away if I showed up to help him.
Apart from Mr
Pavic, the rest of the residents seem fairly young. I wonder
how they afford their exorbitant mortgages. Still, it doesn't
seem as if they're struggling, their pearly cars line the street
and most of the houses appear to be renovated. Our house, Jason's
and Mr Pavic's, are almost the only three whose dated facades
scar the street.
I ask my son
to stay with Jason for a moment, he obeys reluctantly, cowering
by the gutter as I navigate my way through the crowd. I am surprised
at the turn-out. There's more people here than could live in
the street. I accidentally tread on someone's shoe as I walk
through and I turn around grimacing with an apology, until I
hear 'watch out' hissed beneath a breath. When I reach the front
of the crowd, there seems to be an argument developing. Mr Pavic
is participating in his own grunting and incommunicative way.
I wave to him, but his neck stiffens and he returns a blank stare
at me.
A man dressed
in an orange shirt and a white hard had stands at the front of
the crowd. He looks bewildered, the chainsaw in his hand idles
and the teeth of the saw click around hungrily as he contemplates
the crowd. He's like an executioner ready and willing to do his
job, but awaiting the outcome of a final appeal.
There's a man
engaged in an argument with three or four others standing next
to the fig. He's a curdle-faced man, wearing pants pulled above
his waist. His glasses are tinted brown, they give the impression
he has something to hide. There are veins breaking over his face.
He starts to address the crowd, his voice is firm, projecting
over the crowd and he nestles one hand behind his back.
'While we all
love the fig, the street can no longer accommodate it,' his cadence
is measured and his voice steady. 'Its root system is sucking
water from my garden-I can't grow anything. Besides, you can
see for yourselves, it is breaking through the road and it is
littering the street with rotting fruit. While it was once appropriate
urban greenery, it has grown too big. I'm told by my friends
at the council,' he turns rasing the palm of his hand, acknowledging
the council workers, 'that this type of fig is ubiquitous in
the city-it's not as if we are dealing with an endangered species!'
The crowd is
silent, listening to him. I look around at faces to gauge their
reaction, but they are inert, registering neither support nor
disdain. He continues.
'There are places
for a tree like this-the botanical garden, parks. But there is
no room here. Surely you will agree with me that it is a nuisance,
I know those of you who live down this end of the street must
be fed up with it scratching your roofs and filling your gutters
with its wretched leaves. One can barely walk down the street
without a fig gluing one's shoe to the pavement. It really is
time it went. I am sure the Council will put something far more
suitable in its place.'
When he finishes
his speech, I can tell from the look on his face that he expects
to have convinced the crowd.
Finally a disembodied
voice resonates through the crowd: 'Where's your humanity?'
Its lone pleading tenor sends ripples of agreement through the
crowd.
When the crowd
yell back at him viciously, raising their fists, he steps back,
indignant. The man next to me leans his body towards me and whispers,
'he's a judge you know,' his eyes widen and he nods his head.
The judge searches around him, looking for allies, but the crowd
are yelling insults at him now. I cringe, I get the feeling that
if this had been a few centuries earlier, he'd be ripped from
limb to limb by now.
It's a stand-off.
It seems the council workers won't do a thing with the crowd
there, and the crowd, despite their numbers, can't achieve their
goal without an official vindication.
Finally, a white
utility pulls up and another man with a hard hat steps out, talking
on his mobile phone. He descends into the throng. He wears a
white shirt decrying the council's logo and a hush envelopes
the crowd. He walks to the centre of the crowd, looking around
him. When he gets off the phone, he walks over to the judge and
they have a muted conversation, their bodies turned from the
crowd, towards the fig. When they finish, I see the judge roll
his eyes, and by the time the council officer makes his announcement,
the judge is walking away shaking his head.
'The cutting
of the fig has been postponed until further notice,' he tells
the crowd.
At first, there are murmurs through the crowd and then finally
applause, strengthened by a few cheers and whistles.
Mr Pavic stands
his ground, looking bewildered. I walk up to him and say, 'they
won't cut the tree down today.' He looks uncertainly at me for
a while, and then yanks the notice from the tree, leaving the
head of the silver nail poking out from the green bark.
Eventually the crowd disperses, and the fig is left alone to
resume its regal stature. I collect my son from Jason. They're
sitting on the gutter together throwing figs onto the road, like
marbles. When we leave, Jason says:
'It'd be nice
to see you again some time'.
'Yeah, I'd like
that,' I say.
I take my son's
hand and we walk back to the car.
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