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System of a Down
Mezmerize
American/Columbia

 

Rating: 90%

Is this some kind of joke, or something? Mezmerize, the first of two System of a Down albums to be released this year, is so wildly over-the-top and chaotic that it feels like the band are teasing the listener, almost as if they’re question ‘can you keep up with us?’ to their fans.

The first thing you need to know about Mezmerize is that it’s co-produced by Rick Rubin and the band’s guitarist Daron Malakian. The second thing you need to know is that Malakian features on vocals just as much as does the vastly superior vocalist Serj Tankian. The third thing you need to know is that Malakian’s vocals sound like they’re significantly higher in the mix than Tankian’s, particularly noticeably so on single “B.Y.O.B.”. It’s a strange decision to make.

What is going to be interesting to see when Hypnotize comes out as to whether this occurs again. What’s not in question is the quality of these eleven songs – they explode out of the speakers, with the exception of the opening “Soldier Side – Intro” and the mellow intro to the brilliant closer “Lost in Hollywood” – their obsession with the home town of Los Angeles continues unabated throughout Mezmerize, with the brilliant duo of “This Cocaine Makes Me Feel Like I’m On This Song” and likely single “Violent Pornography” all featuring allusions to it, and “Old School Hollywood” immediately preceding the closer.

Still, what’s awesome about Mezmerize is how good the songs are – “B.Y.O.B.” is frenetic, while the drumming of John Dolmayan on “Revenga” is brilliant. “Cigaro” and “Radio/Video” are natural singles, with the band pulling off their precision stop-start routine perfectly. The songs are awesomely good fun, complete with choruses made for belting out. They’re nothing if not bizarre – the carnivalé atmosphere of the choruses of the latter is just too cool, before exploding for the verses. It sounds like a thrash metal version of Queen; absurdity rules, traditional structures be damned. The odd meters of the songs are fascinating, while the playing is frenetically paced, and there is NO ONE who sounds like System of a Down.

Politically conscious but always focussed, Mezmerize is a twisted take on metal that takes the warped sounds of Toxicity and amps it up to 100. The lyrics are a little weird throughout, and after the thirty-six minute long trip, you’re left just begging for more. “Question!” even incorporates Mexican rhythms before blending them into a traditional metal song structure, and what is just so striking about Mezmerize is how it manages to do just that – this is an album that demands the listener’s full attention.


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