| James Ingalls Lighting Designer |
| ?In a Dream |
| SFO 2005-2006 Season Doctor Atomic |
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| James F. Ingalls' lighting and Adrianne Lobel's set designs are an integral part of the performance: consisting, equally simply, of translucent or coloured gauzes and backdrops, generally brighter for the "Allegro" and more subdued for the "Penseroso" sections, raised and lowered to various heights at different depths of the wings to give different dimensions of dancing space, the drops, combined with suitable lighting, divide the dance and the dancers into sections, now showing them clearly, now making it look as though they are dancing in a mist, or in a dream. |
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| INTERSCAPE (2000)
Music: John Cage Here the colours of James Hall's costumes under James Ingalls' lighting give them a fluidity of their own, changing from deep blues to shades of sea green. |
| After decades of a hodge podgey overstuffed "Nut," which had grown as worn and familiar as the ancient family dog, Tomasson and his Olympian team of designers Martin Paklindina)z (costumes), and Michael Yeargan (sets), (with the added help of James Ingalls (lighting)(Review) |
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| March 20,22 Howard Gilman Opera House(New York)
Esa-Pekka Salonen, Conductor / Los Angeles Philharmonic / John Adamss: El Nino Lorraine Hunt Lieberson, Mezzo-soprano Peter Sellars director James F. Ingalls lighting director Mark Grey sound designer |
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| SFB 2006 Program 7/ Sylvia |
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