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| Mark Grey* Sound Designer |
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| Anyone can Google and get this infor- mation that I have placed here in one place for convenience. | |||||||||||||||||||||||||
| Round Sound | |||||||||||||||||||||||||
| SFO 2005-2006 Season Doctor Atomic |
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| When American composer John Adams was commissioned by the New York Philharmonic to create a work commemorating the first anniversary of the September 11, 2001, attacks on the World Trade Center and Pentagon he. . . drew on the technical and artistic assistance of San Francisco Bay Area sound designer and composer Mark Grey, a San Jose University graduate with degrees in both composition and electro-acoustics. Meyer Sound spoke with Grey in Sydney about the artistic collaboration and technical process that unfolded to present this extraordinary work.
(Interview - Adams the Transmigration of Souls) |
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| Biography | |||||||||||||||||||||||||
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| �When specifying Meyer for these performances I know I will get great support from everyone, right through to John and Helen Meyer themselves, who seem to have a great understanding of the artistic vision and seeing it all come to fruition.� | |||||||||||||||||||||||||
| Sound designer and FOH engineer Mark Grey first met the Kronos Quartet in 1993 when he was working with composer John Adams, who wrote �John's Book of Alleged Dances� for the quartet. (Source) | |||||||||||||||||||||||||
| March 20,22 Howard Gilman Opera House(New York)
Esa-Pekka Salonen, Conductor Los Angeles Philharmonic Dawn Upshaw, Soprano Lorraine Hunt Lieberson, Mezzo-soprano Willard White, Bass Los Angeles Master Chorale Grant Gershon music director Theatre of Voices Paul Hillier director Daniel Bubeck countertenor Brian Cummings countertenor Steven Rickards countertenor Peter Sellars director James F. Ingalls lighting director Mark Grey sound designer Adams: El Nino |
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